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VST插件套装iFeature Signal Suite 2026
VST插件格式:
VST3
iFeature Signal Suite 2026现代编曲全能插件套装,内含8款核心效果器,覆盖频移、实时频谱重构、失真塑形、谐波调控、模拟律动、频谱压缩、频段门限、多段瞬态塑形,适配混音修音、创意音色设计等全场景制作需求。
翻译:
iFeature
专为现代音乐制作打造的专业音频插件。
Signal Suite 包含全部八款插件,让您即刻畅享所有功能。
包含:
1.Anomaly – 创意移频效果器
2.Fusion – 频谱重合成插件
3.Obra – 失真插件
4.Rive – 谐波分配器插件
5.RM40 – 振幅调制插件
6.Spectral Compressor – 频谱压缩器插件
7.Spectral Gate – 频谱门限插件
8.Thorn – 瞬态整形器插件
1. Anomaly
选择性频带移频器
Anomaly 中的“频移”功能是什么?
频移(粗调)
范围:-10,000 Hz 至 +10,000 Hz
控制主频移量。正值向上移频,负值向下移频。
Anomaly 中的“微调”功能是什么?
频移(微调)
范围:-500 Hz 至 +500 Hz
允许精确调节移频量。
Anomaly 中的“扩展”功能是什么?
“宽频”(按钮)
启用立体声扩展。
“扩展”(旋钮)
通过偏移左右声道之间的频移来控制频带的立体声宽度。
Anomaly 中的“混音”功能是什么?
混合(干/湿)
范围:0% 至 100%
在未经处理(干)的信号和频率偏移(湿)的信号之间进行混合。
ANOMALY 中的 MIDI 音符轨道是什么?
MIDI 音符轨道
范围:C-1 至 C7
使用输入的 MIDI 音符来调制频率偏移量。音符越高,偏移量越大;音符越低,偏移量越小。
ANOMALY 中的频段是什么?
ANOMALY 使用分频滤波器将输入的音频信号分成最多三个频段。
频率偏移器仅应用于中间频段。低频段和高频段未经处理直接通过。每个频段都可以单独处理或移除。如果只剩下一个频段,频率偏移器仍会对整个信号生效。
可以调整分频斜率来控制频率范围的分离程度。
频谱显示是什么?
频谱显示:可视化输入信号的频率成分,并显示其如何受到 ANOMALY 处理的影响。
ANOMALY 中的 ECO 是什么?
ECO 模式会降低显示处理质量,从而降低 CPU 使用率。
2. Fusion
实时重合成
Fusion 中的重合成是什么?
Fusion 中的重合成是指使用自定义音高追踪器和频谱处理实时重建声音,只需一个滑块即可将信号从 0% 干声过渡到 100% 完全重合成。
Fusion 中的 Emphasis 是什么?
Fusion 中的 Emphasis 通过增强或调整特定的谐波区域来塑造重合成声音的谐波特性,提供五种不同的模式,从激进的“双方波”到柔和的“双圆波”。
Fusion 中的 Split 是什么?
FUSION 中的 Split 功能允许您分离并调整重合成声音的奇次谐波(-100)和偶次谐波(+100),从而赋予您对音色质感和特性的独特控制。
FUSION 中的 Shift 功能是什么?
FUSION 中的 Shift 功能会对重合成信号应用共振峰移位器,使您能够在不改变音高的情况下调整人声或音色特性,从低沉沙哑的 -100 过渡到轻盈飘逸的 +100。
FUSION 中的 Comp 功能是什么?
FUSION 中的 Comp 功能会应用 0 到 100 之间的固定值频谱压缩,以平衡重合成信号的谐波,使其更加紧致集中,同时保持动态范围。
FUSION 中的 F-Boost 功能是什么?
FUSION 中的 F-Boost(基频增强)功能可将检测到的基频提升至多 +12 dB,从而为重新合成的信号增添更多力度、清晰度和低频冲击力。
FUSION 中的 Color 功能是什么?
FUSION 中的 Color 功能是一个低音自动调音引擎,可实时校正重新合成的基频,提供 ±48 个半音的控制范围,并支持小调或大调音阶的自动调整,以进行音乐调音。
FUSION 中的 ROOT 功能是什么?
FUSION 中的 Root 功能可隔离并仅让您聆听检测到的基频,并提供 0 到 100 的滑块,非常适合精确跟踪和创意声音设计,尤其是在与低音自动调音引擎结合使用时。
FUSION 中的 Range 功能是什么?
FUSION 中的 Range 功能可在低音和旋律模式之间切换音高跟踪器,根据您的音源优化低频或中/高频素材的检测。
波形分析器是做什么用的?
FUSION 中的波形分析器可以实时显示处理后的声音,帮助您了解重合成、音高跟踪和波形塑造工具是如何影响波形的。
3. Obra
动态失真和冲击塑形。
OBRA 中的 Tube 是什么?
在 OBRA 中,Tube 失真引擎旨在模拟驱动经典真空管放大器时获得的温暖、谐波丰富的饱和音色。
OBRA 中的 Mech 是什么?
Mech 旋钮用于启用 OBRA 的机械失真引擎,通过反正切波形整形器并略加偏置,赋予信号一种尖锐、粗犷的音色。
OBRA 中的 Filter 是什么?
OBRA 滤波器是一个灵活的共振滤波器,可让您以三种经典方式塑造音色:低通、带通或高通,并可选择斜率、平滑的控制变化,甚至支持 MIDI 跟踪截止频率。
OBRA 中的 Comp 和 Phat 是什么?
OBRA 的动态部分是一个混合式三段压缩器,带有两个独立的控制旋钮:COMP 用于向下压缩,PHAT 用于向上压缩,两者协同工作,可以收紧声音,并在需要的地方增加力度。
OBRA 中的音量控制是什么?
OBRA 中的音量控制是最终的输出增益级,用于设置处理后的信号离开插件时的响度。它位于所有失真、滤波和动态处理之后。
OBRA 有预设吗?
当然!
OBRA 内置 13 个出厂预设,每个预设都经过精心打造,可立即激发您的灵感,并轻松塑造音色。
MIX 是什么?
“MIX”控制原始信号(干声)和处理后信号(湿声)之间的平衡。
它允许您混合多少 OBRA 效果,以达到您想要的效果。
4. Rive
实时谐波控制
Rive 中的显示屏是什么?
显示屏会显示谐波成分和当前激活声部的分离情况。它还包含隐藏彩蛋游戏和内置屏幕保护程序。
RIVE 中的“Form”是什么?
“Form”控制信号的共振峰,允许您在不改变音高的情况下,将感知到的声部/身体共鸣向上移动 +12 或向下移动 -12。它本质上是移动谐波包络,而不是音符本身。
RIVE 中的“Odd”是什么?
RIVE 中的“Odd”控制声音中所有奇数次谐波,即分音 1、3、5、7 等。这些谐波构成了许多波形的核心结构,当单独显示时,它们类似于方波的谐波组成。
RIVE 中的“Even”是什么?
RIVE 中的“Even”分离信号中所有偶数次谐波,即分音 2、4、8 等。这些谐波主要塑造声音的亮度和边缘感。提升这些参数可以提高清晰度,使声音更加尖锐、更具穿透力,类似于高八度锯齿波的效果。
RIVE 中的 INHAR 是什么?
它包含音高追踪器无法检测到的所有非谐波成分、噪声、瞬态和泛音。它能增加声音的质感、空气感和金属质感,而不会影响音高的谐波。
5. RM40
添加自然律动
RM40 中的 FLUTTER 是什么?
Flutter 会为你的振幅信号添加一层微调制,带来微妙而快速的变化,使声音听起来更加生动、温暖和模拟感十足。
RM40 中的 RATE 是什么?
RATE 是 RM40 的核心,它定义了声音背后的节奏和律动。较低的 RATE 值会带来缓慢的脉动,非常适合微妙的节奏或轻柔的模拟摇摆。数值越高,调制速度越快、强度越大,与噪声和颤动结合使用时,能增添能量、闪烁感,甚至金属质感。
RM40 中的噪声是什么?
噪声能为信号增添一层模拟风格的质感,将微妙的静电和动态融入调制之中。低设置下,它能带来柔和的模拟光泽;数值越高,它就越粗糙、越有冲击力,尤其是在与速率和颤动结合使用时。
6.频谱压缩器
全频谱动态控制。
频谱压缩器中的阈值是什么?
在频谱压缩器中,阈值设置了向下压缩(“Down”)降低其上方响亮频率段的音量,而向上压缩(“Up”)提升其下方安静频率段的音量的阈值,每个频率段都进行相应的调整,以实现精确的音调塑造。
频谱压缩器中的曲线编辑器是什么?
在频谱压缩器中,曲线编辑器允许您在整个频谱范围内绘制自定义阈值曲线,而锐度旋钮则用于调整绘制点之间的过渡平滑度。
频谱压缩器中的倾斜度是什么?
在频谱压缩器中,倾斜度通过强调高频或低频来调整压缩的频率相关灵敏度,从而有效地调整整个频谱范围内的压缩曲线。
频谱压缩器中的增益是什么?
在频谱压缩器中,“增益”控制压缩后的整体输出电平,补偿任何音量损失或均匀提升所有频率的处理后信号。
频谱压缩器中的“启动”和“释放”是什么?
在频谱压缩器中,“启动”设置频率超过阈值后压缩应用的速度,“释放”决定频率低于阈值后压缩停止的速度。
频谱压缩器中的“干声”和“湿声”是什么?
在频谱压缩器中,“干声/湿声”控制未处理(干声)信号和压缩(湿声)信号之间的混合比例,从而实现并行压缩并获得更透明的效果。
7. 频谱门
频率选择性门
频谱门中的阈值是什么?
阈值控制哪些频率通过,哪些频率被静音或降低。
但它并非应用于整个信号,而是利用快速傅里叶变换 (FFT) 逐个频段进行控制。
当某个频段的能量高于阈值时,它被允许通过。
当能量低于阈值时,它被门控,即被降低或静音。
这使您可以精确地、按频率控制哪些信号保留,哪些信号被排除。
它的独特之处在于?
与基于整体音量影响整个信号的传统门不同,频谱门会监听频谱的每一个微小部分,并决定哪些信号通过。
这意味着您可以:
• 隔离瞬态信号
• 清除噪声或混响尾音
• 以富有音乐性或更具冲击力的方式塑造音色纹理
调低阈值可获得粗粝、富有质感的效果。
调高阈值,让声音中最强的部分脱颖而出。
什么是阈值曲线?
阈值曲线允许您添加自定义阈值曲线,并可根据需要添加任意数量的点。您可以拖动单个点来调整曲线形状,甚至可以上下拖动整个阈值进行快速调整。
需要更精确的设置?切换到全屏模式,即可查看详细信息并以最大程度的控制来微调曲线。
什么是范围和平滑度?
范围
设置有多少被门控的频率被混合回信号中。
• 低范围 = 更严格的门控,去除更多频率。
• 高范围 = 混合回更多被抑制的底噪/抑制内容,从而产生更平滑的音色。
平滑度
设置频率越过阈值时门控过渡的平滑程度。
• 低平滑度 = 更锐利、更清晰的门控。
• 高平滑度 = 平滑、光滑的过渡,避免产生咔嗒声,并产生更具音乐性、更柔和的效果。
频谱门控中的 SC 是什么?
侧链 (SC) 功能允许您使用外部音频源来控制频谱门限,而不是直接控制输入信号本身。这意味着门限会响应侧链信号的频率成分,而不是您正在处理的音频。
非常适合以下创意效果:
• 根据其他音轨对特定频率进行闪避
• 创建由鼓或人声驱动的节奏频谱纹理
• 跟随外部音源的频率相关门限
启用侧链后,阈值分析会监听您的侧链输入,让您可以根据混音中其他部分的情况,精确控制哪些频率需要进行门限处理。
什么是倾斜?
倾斜(亮度)控制可以调整阈值在整个频谱范围内的表现,使门限对低频或高频更加敏感或更不敏感。这类似于倾斜搁架式均衡器,但您不是提升或衰减声音,而是调整门限在整个频谱范围内的响应强度。
工作原理:
→ 向右倾斜(正值):使门限对低频更敏感——低频更紧实、更干净;高频更开阔、更通透。
→ 向左倾斜(负值):使门限对高频更敏感——高频部分被更快地处理;低频保持更饱满、更有力。
什么是干湿比?
干湿比控制原始信号(干声)和处理后信号(湿声)之间的平衡。它允许您混合想要听到的频谱门限效果的程度。
工作原理:
0%(完全干声):
→ 您只能听到干净、未经处理的声音。
100%(完全湿声):
→ 您只能听到经过门限处理的信号,完全受到频谱处理的影响。
介于两者之间的任何值:
→ 将两者混合在一起——非常适合在不损失原始冲击力的情况下添加特色。
8. Thorn
一款能够适应您需求的动态多频段瞬态塑形器。
什么是瞬态滑块?
滑块设置越高,瞬态越紧致有力;设置越低,瞬态越柔和,释放越充分。
Thorn 中的物理特性是什么?
现在,您可以使用这 4 个旋钮来微调您的瞬态算法。您可以根据自己的喜好精确调整瞬态,然后使用瞬态滑块进行控制。
各频段增益
您可以单独控制每个频段的增益,从而根据需要平衡四个频段之间的增益。
实时前后可视化
每个频段都会实时绘制其干信号和塑形后的输出信号,并叠加在同一张图表上,因此您可以在旋转旋钮的瞬间,准确地看到 Thorn 对瞬态的处理效果,而不仅仅是听到声音。
Thorn 中的音色特性是什么?
驱动和增益旋钮塑造音色。下方是限幅器,提供软硬两种模式,以及频段间的交叉频率设置:6dB 保持自然音色,24dB 获得纯净音色。
混合
一个简单的干湿比控制。默认值为 88%,带来更自然的声音,保留一部分原始信号。
特色功能
极简相位
基于 IIR 滤波器,使频段保持紧凑且相位一致,避免瞬态模糊。
隐藏彩蛋
THORN 中隐藏着一个最多支持 8 名玩家的多人游戏。快去发现它吧!
内置预设
海量预设,来自众多才华横溢的艺术家,供您探索并创建自己的专属音色。
单频段独奏和旁路
单独隔离或禁用四个频段中的任何一个,这样您就可以在不影响其他频段的情况下,调节频谱的某个范围。
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原文:
iFeature
Professional audio plugins for modern music production.
Signal Suite is a complete bundle of all eight plugins, giving you instant access to the full collection.
include:
1.Anomaly
2.Fusion
3.Obra
4.Rive
5.RM40
6.Spectral Compressor
7.Spectral Gate
8.Thorn
1.Anomaly
Selective Band Frequency Shifter
WHAT IS SHIFT IN ANOMALY?
Frequency Shift (Coarse)
Range: -10,000 Hz to +10,000 Hz
Controls the main frequency shifting amount. Positive values shift frequencies upward, negative values shift them downward.
WHAT IS FINE IN ANOMALY?
Frequency Shift (Fine)
Range: -500Hz to +500Hz
Allows precise adjustment of the shift amount.
WHAT IS SPREAD IN ANOMALY?
Wide (Button)
Enables stereo spreading.
Spread (Knob)
Controls the stereo width of the band by offsetting frequency shift between the left and right channels.
WHAT IS MIX IN ANOMALY?
Mix (Dry/Wet)
Range: 0% to 100%
Blends between the unprocessed (dry) signal and the frequency-shifted (wet) signal.
WHAT IS MIDI KEYTRACK IN ANOMALY?
MIDI Keytrack
Range: C-1 to C7
Uses incoming MIDI notes modulate the frequency shift amount. Higher notes result in higher shift values, while lower notes produce lower shift values.
WHAT ARE BANDS IN ANOMALY?
ANOMALY splits the incoming audio signal into up to three frequency bands using crossover filters.
The frequency shifter is applied exclusively to the middle band. The low and high bands pass through unprocessed. Each band can be soloed or removed. If only one band remains, the frequency shifter remains active on the full signal.
The crossover slope can be adjusted to control how sharply the frequency ranges are separated.
WHAT IS THE SPECTRUM DISPLAY?
Spectrum Display Visualizes the frequency content of the input signal and shows how it is being affected by ANOMALY’s processing
WHAT IS ECO IN ANOMALY?
Eco Mode reduces the Display processing quality to lower CPU usage
2.Fusion
real time resynthesis
WHAT IS RESYNTHESIS IN FUSION?
Resynthesis in FUSION means rebuilding your sound in real time using a custom pitch tracker and spectral processing, letting you morph from 0% dry signal to 100% full resynthesis with a single slider.
WHAT IS EMPHASIS IN FUSION?
Emphasis in FUSION shapes the harmonic character of the resynthesized sound by boosting or sculpting specific harmonic regions, with five distinct modes ranging from aggressive “Double Square” to smooth “Double Circle.”
WHAT IS SPLIT IN FUSION?
Split in FUSION lets you isolate and morph between odd -100 and even +100 harmonics of the resynthesized sound, giving you unique control over its tonal texture and character.
WHAT IS SHIFT IN FUSION?
Shift in FUSION applies a formant shifter to the resynthesized signal, allowing you to morph the perceived vocal or tonal character without changing its pitch, from deep and growly -100 to thin and airy +100.
WHAT IS COMP IN FUSION?
Comp in FUSION applies fixed-value spectral compression from 0 to 100 to even out the harmonic balance of the resynthesized signal, making it tighter and more focused without losing dynamics.
WHAT IS F-BOOST IN FUSION?
F-Boost (Fundamental Boost) in FUSION enhances the detected fundamental frequency by up to +12 dB, adding more weight, clarity, and low end punch to the resynthesized signal.
WHAT IS COLOR IN FUSION?
Color in FUSION is a bass autotune engine that pitch corrects the resynthesized fundamental in real time, with ±48 semitone control and scale snapping to Minor or Major for musical tuning.
WHAT IS ROOT IN FUSION?
Root in FUSION isolates and lets you listen to only the detected fundamental frequency, with a slider from 0 to 100, perfect for precise tracking and creative sound design, especially when combined with the Bass Autotune engine.
WHAT IS RANGE IN FUSION?
Range in FUSION switches the pitch tracker between Bass and Melody modes, optimizing detection for low-end or mid/high-frequency material depending on your sound source.
FOR WHAT IS THE WAVEFORM ANALYZER?
The Waveform Analyzer in FUSION gives you a real-time visual of your processed sound, helping you understand how the resynthesis, pitch tracking, and shaping tools are affecting the waveform.
3.Obra
Dynamic distortion and impact shaping.
What is the Tube in OBRA?
In OBRA, the Tube distortion engine is designed to emulate the warm, harmonically rich saturation you’d get from driving a classic vacuum‐tube amplifier.
What is the Mech in OBRA?
The Mech knob engages OBRA’s mechanical distortion engine, giving your signal an edgy, crunchy character by driving it through an arctangent waveshaper with a touch of bias.
What is the Filter in OBRA?
The OBRA filter is a flexible, resonant Filter that lets you shape your tone in three classic ways, low-pass, band-pass or high-pass, with selectable slopes, smooth control changes and even MIDI-trackable cutoff.
What is the Comp and Phat in OBRA?
OBRA’s dynamics section is a hybrid 3-band compressor with two distinct controls COMP for downward compression and PHAT for upward compression, working together to tighten your sound and add weight where you need it.
What is the Volume in OBRA?
The Volume control in OBRA is the final output gain stage that sets how loud the processed signal is when it leaves the plugin. It sits after all distortion, filtering and dynamics processing.
Do we have Presets in OBRA?
Absolutely!
OBRA comes loaded with 13 factory presets, each expertly crafted for instant inspiration and effortless tone shaping.
What is MIX?
“MIX” controls the balance between the original signal (Dry) and the processed signal (Wet).
It lets you blend how much of the OBRA effect you want to hear.
4.Rive
real time harmonic control
WHAT IS THE DISPLAY IN RIVE ?
The display shows the separation of the harmonic content and the currently active voices. It also hosts the hidden easter-egg game and built-in screensaver.
WHAT IS THE FORM IN RIVE ?
Form controls the formants of the signal, letting you shift the perceived vocal/body resonance +12 up or -12 down without changing the pitch. It basically moves the harmonic envelope, not the notes themselves.
WHAT IS THE ODD IN RIVE ?
Odd in RIVE controls all the odd-numbered harmonics in the sound, partials 1, 3, 5, 7, and so on. These harmonics form the core structure of many waveforms, and when isolated they resemble the harmonic makeup of a square wave.
WHAT IS EVEN IN RIVE ?
Even in RIVE isolates all even-numbered harmonics of a signal, partials 2, 4, 8, etc. These harmonics primarily shape the brightness and edge of a sound. Boosting them increases clarity and gives the sound a sharper, more cutting character, similar to the effect of a saw wave one octave higher.
WHAT IS INHAR IN RIVE ?
Includes all non-harmonic content, noises, transients, and overtones the pitch tracker can’t detect. Adds texture, air, and metallic character without effecting pitched harmonics.
5.RM40
Add organic movement
WHAT IS FLUTTER IN RM40?
Flutter adds a layer of micro modulation to your amplitude signal, subtle, fast variations that make the sound feel more alive, warm, and analog.
WHAT IS RATE IN RM40?
the heartbeat of RM40, it defines the rhythm and motion behind your sound. At lower values, you’ll get slow, pulsating movement, perfect for subtle rhythm or gentle analog sway. At higher values, the modulation becomes faster and more intense, adding energy, shimmer, or even metallic textures when combined with noise and Flutter.
WHAT IS NOISE IN RM40?
Noise adds a layer of analog style texture to your signal, blending subtle static and movement into the modulation. At low settings, it adds a soft analog sheen; at higher values, it becomes more gritty and aggressive, especially when combined with Rate and Flutter.
6.Spectral Compressor
dynamic control across the spectrum.
WHAT IS THRESHOLD IN SPECTRAL COMPRESSOR?
In Spectral Compressor, the threshold sets the level where downward compression (“Down”) reduces loud frequency bins above it, while upward compression (or “Up”) boosts quiet bins below it, each applied per frequency bin for precise tonal shaping.
WHAT IS CURVE EDITOR IN SPECTRAL COMPRESSOR?
In Spectral Compressor, the Curve Editor allows you to draw customized threshold shapes across the frequency spectrum, while the Sharpness dial adjusts the transition smoothness between your drawn points.
WHAT IS TILT IN SPECTRAL COMPRESSOR?
In Spectral Compressor, Tilt adjusts the frequency-dependent sensitivity of compression by emphasizing either high or low frequencies, effectively biasing the compression curve across the spectrum.
WHAT IS GAIN IN SPECTRAL COMPRESSOR?
In Spectral Compressor, Gain controls the overall output level after compression, compensating for any volume loss or boosting the processed signal uniformly across all frequencies.
WHAT IS ATTACK & RELEASE IN SPECTRAL COMPRESSOR?
In Spectral Compressor, “Attack” sets how quickly compression is applied to a frequency bin after it exceeds the threshold, while “Release” determines how quickly the compression stops once the bin falls below the threshold.
WHAT IS DRY & WET IN SPECTRAL COMPRESSOR?
In Spectral Compressor, Dry/Wet controls the blend between the unprocessed (dry) signal and the compressed (wet) signal, allowing for parallel compression and more transparent results.
7.Spectral Gate
Frequency-Selective Gating
What is the Threshold in Spectral Gate?
The Threshold controls which frequencies pass through and which ones get muted or reduced,
but instead of applying it to the whole signal, it works per frequency bin thanks to FFT.
When the energy of a frequency band is above the threshold, it’s allowed to pass.
When it’s below the threshold, it gets gated, meaning reduced or silenced.
This gives you precise, frequency-dependent control over what stays and what goes.
Why it is special?
Unlike traditional gates that affect the full signal based on overall volume, the Spectral Gate listens to every tiny slice of the spectrum and decides what to let through.
That means you can:
• Isolate transients
• Clean up noise or reverb tails
• Shape textures in a musical or aggressive way
Dial it low for a gritty, textured effect.
Dial it high to let only the strongest parts of the sound cut through.
What is Threshold Curve?
Threshold Curve lets you add a custom threshold curve with as many points as you want. You can drag individual points to shape the curve, or even drag the whole threshold up or down for quick adjustments.
Need more precision? Go full screen for a detailed view and fine-tune your curve with maximum control.
What are Range and Smoothing?
Range
Sets how much of the gated frequencies are blended back into the signal
• Low range = tighter gating, more frequencies removed
• High range = more of the floor/suppressed content mixed back in, creating smoother textures
Smoothing
Sets how gradually the gate transitions when frequencies cross the threshold
• Low smoothing = sharper, more defined gating
• High smoothing = glassy, polished transitions that avoid clicks and create more musical, washed-out effects
What is SC in Spectral Gate?
SC (Sidechain) allows you to use an external audio source to control the spectral gate instead of the input signal itself. This means the gate responds to the frequency content of the sidechain signal, not the audio you’re processing.
Perfect for creative effects like:
• Ducking specific frequencies based on another track
• Creating rhythmic spectral textures driven by drums or vocals
• Frequency-dependent gating that follows an external source
When SC is enabled, the threshold analysis listens to your sidechain input, giving you precise control over which frequencies get gated based on what’s happening in another part of your mix.
What is Tilt ?
The Tilt (Brightness) control adjusts how the threshold behaves across the frequency spectrum, making the gate more or less sensitive to low or high frequencies. It’s like tilting a shelf-EQ, but instead of boosting or cutting sound, you’re tilting how aggressively the gate responds across the spectrum.
How it works:
→ Tilt to the right (positive values): Makes the gate more sensitive to low frequencies — lows get tighter and cleaner; highs are more open and airy.
→ Tilt to the left (negative values): Makes the gate more sensitive to high frequencies — brighter frequencies get gated more quickly; lows stay fuller and punchier.
What is Dry/Wet?
Dry/Wet controls the balance between the original signal (Dry) and the processed signal (Wet). It lets you blend how much of the spectral gating effect you want to hear.
How it works:
0% (Fully Dry):
→ You only hear the clean, unprocessed sound.
100% (Fully Wet):
→ You only hear the gated signal, fully affected by the spectral processing.
Anywhere in between:
→ Mixes both together — great for adding character without losing the original punch.
8.Thorn
The multiband transient shaper that adapts to you.
WHAT ARE THE TRANSIENT SLIDERS?
The higher you set the slider, the tighter and punchier it gets. The lower you set it, the less spikey and the more release you get.
WHAT IS PHYSICS IN THORN?
Finally, you can tweak your own transient algorithm with these 4 knobs. Shape it exactly how you want it, then control it with the transient sliders.
GAIN PER BAND
Control each band’s gain on its own, so you can balance the four bands against each other however you like.
REAL-TIME PRE/POST VISUALIZATION
Every band draws its dry signal and its shaped output live, overlaid on the same graph, so you see exactly what THORN is doing to the transient the moment you turn a knob, not just hear it.
WHAT IS CHARACTER IN THORN?
Drive and Gain shape the tone. Below them sits the clipper with soft and hard mode, plus the crossover settings between the bands: 6dB stays natural, 24dB gets clean.
MIX
A simple dry/wet control. It sits at 88% by default for a more natural feeling, so you keep a bit of the original signal in there.
SPECIAL FEATURES
MINIMAL PHASE
Built on IIR filters, so the bands stay tight and phase coherent instead of smearing your transients.
HIDDEN EASTER EGG
There is a little multiplayer game buried somewhere inside THORN, built for up to 8 players. Go find it.
LOADED WITH FACTORY PRESETS
A huge library of presets from a lot of talented artists, ready to dig through and make your own.
PER-BAND SOLO & BYPASS
Isolate or disable any of the four bands on its own, so you can dial in one range of the spectrum without the others in the way.
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