NK Productions All Plugins Bundle v2026.10.08_WIN-itUesd

均衡器插件套装NK Productions All Plugins Bundle v2026
VST插件格式：
VST3

NK Productions均衡器插件套装包含三款高精度复刻均衡器与ALA-101混合染色器，依托硬件实测建模，自带参考校准适配预设，支持通道差异模拟、多级过采样防混叠，兼顾录音混音母带复古模拟质感与现代精准调控。

翻译：
NK Productions
录音、混音、母带处理

AEQ-115 混合扩散、AEQ-550 超越模拟、AEQ-4000 Fusion eXtreme——三款基于详尽测量数据打造的模拟均衡器。频率响应、饱和度和谐波结构均经过精确捕捉和重建。

包含：
1.AEQ-115 Hybrid Diffusion – 均衡器插件
2.AEQ-550 Beyond Analog – 均衡器插件
3.AEQ-4000 Fusion eXtreme – 均衡器插件
4.ALA-101 Hybridization – 染色插件

1. AEQ-115 混合扩散
AEQ-115
混合扩散
模拟均衡器建模插件 — 原创混合模拟建模系统
基于真实的模拟均衡器单元建模。每个频率步进、饱和曲线和谐波结构均被捕捉并重建。

源自真实乐器
AEQ-115 混合扩散插件基于真实的模拟均衡器单元建模——经过详尽的测量，然后使用我们原创的混合模拟建模系统重建。每个频率响应步进、饱和曲线和谐波结构都真实可靠。

预设效果精准
预设假定信号以单元的参考电平输入。如果输入信号电平较低，建模级的驱动力就会减弱，因此预设所基于的音色和谐波将无法呈现。通常的解决方法是调整输入微调，但这会使您失去唯一一个控制模拟级驱动力的旋钮。

参考校准功能可以解决这个问题。启用“参考校准”（Unity 按钮的第三种状态）并运行“自动输入”：测量到的校正值将保存在设备内部，而不是写入“输入微调”。旋钮不会移动，当前使用的数值会显示在按钮上，并且由于校准值不是插件参数，因此无法将其嵌入到预设中。退出“参考校准”状态会停止应用该校正值，但会记住该值；再次进入该状态，校正值将恢复，无需重新测量。

01
将 Unity 按钮设置为“参考校准”（从“关闭”状态单击两次）。

02
开始播放并单击“自动输入”。按钮会读取找到的校正值（例如“参考校准 +6.2”），而“输入微调”将保持在您上次设置的位置。

03
随意试听预设。所有预设都不会影响校准，并且每个预设的行为都与采集该预设的机器上的行为相同。更改音源并再次运行“自动输入”即可。

功能：
01
原创混合模拟建模
音色及其对演奏的响应——均由设备本身录制。

02
精准均衡器 — 6 段
高通滤波器 (HPF)、低频滤波器 (LF)、低中频滤波器 (LMF)、高中频滤波器 (HMF)、高频滤波器 (HF)、低通滤波器 (LPF)。可调节硬件上的刻度，也可根据需要连续调节。

03
变压器磁芯饱和
变压器赋予低频的厚重感和厚度。

04
麦克风输入/线路输入路径
可选择完整的麦克风前置放大器路径以获得独特的音色，或选择纯净的线路输入。与硬件的路由相同。

05
模拟扩展
真实的硬件左右声道永远无法完美匹配。您可以根据需要调节模拟扩展的幅度。

06
音色不变的过采样
过采样（1 倍至 4 倍）可减少混叠，而不会改变音色。

07
模拟建模限幅器
可设置在 0 dBFS 处进行限幅，或让其在硬件设定的限幅点进行限幅。可根据需要调整限幅值以增加密度，同时保持峰值稳定。

08
实时 FFT 分析器
频谱显示在均衡曲线上，因此您可以同时看到动态变化和原始素材。

2. AEQ-550 Beyond Analog
模拟均衡器建模插件 — 一款经过实测的四段调音台均衡器，超越硬件本身
以经典的离散运算放大器调音台均衡器为原型建模。每个频率步进、比例 Q 曲线和搁架式滤波器形状均从真实设备中测量并重建。

源自真实调音台均衡器
AEQ-550 Beyond Analog 以经典的离散运算放大器调音台均衡器为原型建模——经过详尽的测量和重建。每个频率步进、比例 Q 曲线、搁架式滤波器形状和 FLTR 带通滤波器均源自真实设备及其电路图。

预设音色精准
预设音色假定信号以设备的参考电平输入。如果输入信号电平较低，则模拟电路的驱动力会减弱，因此预设音色和泛音将无法呈现。通常的解决方法是调节输入微调，但这会使您失去唯一一个控制模拟电路驱动力的旋钮。

参考校准功能可以解决这个问题。启用“参考校准”（Unity 按钮的第三种状态）并运行“自动输入”：测量到的校正值将保存在设备内部，而不是写入“输入微调”。旋钮不会移动，当前使用的数值会显示在按钮上，并且由于校准值不是插件参数，因此无法将其嵌入到预设中。退出“参考校准”状态会停止应用该校正值，但会记住该值；再次进入该状态，校正值将恢复，无需重新测量。

01
将 Unity 按钮设置为“参考校准”（从“关闭”状态单击两次）。

02
开始播放并单击“自动输入”。按钮会读取找到的校正值（例如“参考校准 +6.2”），而“输入微调”将保持在您上次设置的位置。

03
随意试听预设。所有预设都不会影响校准，并且每个预设的行为都与采集该预设的机器上的行为相同。更改音源并再次运行“自动输入”即可。

功能：
01
实测四段均衡器
低频和高频搁架式均衡器，低频中频和高频中频峰值均衡器。比例 Q 值——提升增益，频段变窄，如同真实设备。

02
B/A/BA 风格
两种经典版本——或 BA 风格，将一个版本的低频中频与另一个版本的高频中频并排排列。这是硬件从未实现过的组合。

03
FLTR 带通滤波器
50 Hz – 15 kHz 带通滤波器，独立于均衡器工作——与硬件完全相同。

04
连续和步进式
可在硬件的刻度上进行调节，或在需要时在步进之间进行连续调节。

05
混合模拟特性
调音台不仅具有音色——它还会对电平做出响应。这种响应特性已内置于此，并提供了一个 Boost 模式以进一步增强。

06
削波器和过采样
削波点设为 0 dBFS，或者让硬件自动削波。过采样（1 倍至 4 倍）可在不改变声音的情况下减少混叠。

3. AEQ-4000 Fusion eXtreme
控制台均衡器建模插件 — 四种实测均衡器风格，每个通道均具有模拟特性
以经典调音台为原型建模。四种均衡器风格，两种引擎，以及左右声道各自的特性——均经过实测和重建。

控制台通道，实测
AEQ-4000 Fusion eXtreme 以经典调音台均衡器为原型建模。每个频段、增益规律和 Q 值均从硬件实测并重建——包括左右声道之间的差异。均衡器曲线与实测硬件的匹配度在 0.44 dB RMS 以内。

预设效果精准
预设的前提是信号以设备的参考电平输入。如果输入信号电平较低，则模拟电路的驱动力会减弱，因此预设所基于的音调和谐波将无法呈现。通常的解决方法——调节输入微调——会使您失去唯一一个控制模拟电路驱动力的旋钮。

参考校准功能将两者区分开来。启用“参考校准”（Unity 按钮的第三种状态）并运行“自动输入”：测量到的校正值将保存在设备内部，而不是写入“输入微调”。旋钮不会移动，当前使用的数值会显示在按钮上，并且由于校准值不是插件参数，因此永远不会被写入预设。退出“参考校准”状态会停止应用该校准值，但会记住该值；再次进入该状态，校准值将恢复，无需重新测量。

01
将 Unity 按钮设置为“参考校准”（从“关闭”状态单击两次）。

02
开始播放并单击“自动输入”。按钮会读取找到的校正值（例如，参考校准 +6.2），而“输入微调”将保持在您上次设置的位置。

03
随意试听预设。所有预设都不会影响校准，并且每个预设的行为都与采集该预设的机器上的行为相同。更改音源并再次运行“自动输入”即可。

功能：
01
四种均衡器风格
一种 G 系列风格（粉色）和三种 E 系列音色——棕色、橙色、黑色。四种不同的调音台，一个通道条。

02
标准引擎和混合引擎
标准引擎在 CPU 占用最低的情况下提供最佳音色。混合引擎则可实现调音台对电平的响应，使其与真实调音台类似。

03
模拟/数字均衡模式
模拟模式的行为与真实调音台相同。数字模式则可将每个频段精确地调整到您设定的数值——在您需要时提供干净、精准的均衡效果。

04
模拟扩展
真实硬件的左右声道永远无法完美匹配。您可以根据需要调整模拟扩展的范围。

05
麦克风/线路输入路径
麦克风前置放大器路径及其阻抗特性，或纯净的线路输入。与硬件的路由相同。

06
字符不变过采样
在不改变声音的前提下减少混叠的过采样（1倍至4倍）。

4.ALA-101 混合模拟
复古温暖，现代精准。
终极混合模拟着色工具
真空管和变压器级的独立神经建模——融合实时推理和现代数字精度。

特性：
混合分离建模
每个模拟级——单独采集、独立控制、数字融合。并非黑盒仿真，而是一个完全透明的混合系统。

99.8% 的重现精度——通过与硬件参考值在 ESR、频率响应、瞬态保真度、谐波失真和包络跟踪等方面进行评估（*实际 ESR：在高于 -10 dBu 的信号电平下评估）。

ADAA——反导数抗混叠
削波模式和标准模式均采用 ADAA（反导数抗混叠）技术，从源头消除混叠伪影——并非仅仅通过过采样，而是通过数学计算波形整形函数的反导数来实现。这意味着即使在较低的过采样率下，也能获得干净、无失真的饱和效果。结合精密设计的补偿 FIR 滤波器，可实现透明、相位精确的非线性处理，从而保持原始信号的完整性。

细节一目了然
每个旋钮和电平表均提供实时视觉反馈。信号电平、增益衰减和饱和度——始终可见，无需猜测。

弧形电平表
双弧形电平表，采用青-黄-红渐变。即时查看已应用的处理量。50% 为标称值。

电平响应旋钮
旋钮弧形颜色会根据实时信号电平做出反应。一目了然地查看合适的增益级。

增益衰减
削波驱动旋钮实时显示增益衰减。当信号进入削波器时，弧形颜色会发生变化。即时查看削波器响应和增益衰减量。

增益级至关重要
此插件重现了真实模拟设备的特性——合适的增益级对于实现预期性能至关重要。该处理过程会像硬件一样，动态响应输入电平。您可以偏离参考电平，但可以使用“补偿增益”按钮自动将输入电平设置为参考电平，“自动电平”功能会在处理后自动匹配输出响度。这两个功能确保了合适的起始点和公平的 A/B 对比。当大幅提升“电子管”或“变压器”参数时，其模拟般的自然压缩特性会强烈影响输出，导致感知电平降低。由于较低的输出电平意味着较低的感知响度，因此请在调整参数以匹配聆听电平后使用“自动电平”功能。此外，还提供电平表监控，彩色旋钮和弧线可提供最快速的视觉反馈，使手动电平调节也变得轻松便捷。颜色从蓝色（安全）经黄色（注意）到红色（警告）依次变化。对于表示变化量的旋钮，50% 是标称参考点。此插件旨在让您感知细微差别，因此请充分利用每个部分的独立旁通功能，以隔离和比较每个阶段对声音的贡献。

精准控制，零猜测
每个部分均可独立旁通，并可链接至主旁通，内置实时可视化分析。

输入
带电平响应旋钮的输入微调。一键补偿增益至参考电平。单位增益锁定输入/输出平衡。旁通链接切换所有链接部分，以便即时进行 A/B 对比。

输出
带电平响应旋钮的输出微调。自动电平匹配处理后的响度。削波 > 输出将削波器信号路由至输出后，用于母带处理。差值监控差值信号。

RMS 表
双弧形表同时显示输入和输出 RMS 电平。颜色渐变从青色（安全）经黄色（注意）到红色（警告）。用于增益分级。

峰值表
输入和输出的采样级精确峰值表。颜色编码条形图，采用相同的青色-黄色-红色渐变。

电子管驱动
动态温暖、偶次谐波丰富，以及源自模拟电子管输入级的醇厚饱和音色。支持左右声道或中/侧声道扩展模式。独立旁路和链接功能。

变压器容差
源自模拟变压器输出级的磁芯磁滞、低频厚重感和磁性表现力。A/B 模式，对应不同的硬件特性。独立旁路和链接功能。

扩展与波动
模拟扩展控制左右声道的变化，从匹配 (0%) 到完全硬件特性 (100%)。波动功能则增添了模拟设备特有的微妙而自然的动态感。

磁滞与延展
增强变压器磁滞带来的低频响应——模拟铁芯的自然“呼吸感”。延展功能则赋予声音鲜活灵动的深度和动感。调整低频清晰度——收紧或延展。

低频搁架式均衡器
硬件实测的低频搁架式均衡器 (fc=125.8Hz，Q=0.603)。可选择前置/后置变压器位置。独立旁路和链接。

高频搁架式均衡器
硬件实测高频搁架式均衡器（截止频率 fc=2212.5Hz，Q 值=0.352）。可选择前置/后置变压器位置。独立旁路和链接。

高通滤波器谐振
将变压器高通滤波器的 Q 值从平坦 (0.707) 调整为捕捉到的经典峰值。可选择 5.0Hz（变压器）/ 5.47Hz（电子管）。模拟硬件无法实现。

低通滤波器谐振
将低通滤波器的 Q 值从平坦 (0.707) 调整为捕捉到的经典峰值。截止频率可调：18.97 / 37.95 / 75.90kHz（取决于采样率）。禁用模拟设备上无法旁通的滤波器。

削波驱动
重现从实际硬件测量的削波特性。实时增益衰减弧。高通滤波器前置/后置位置选择器。独立的旁通和链接。

削波器选项
特性调整拐点，从柔和饱和过渡到硬削波。对称性控制偶次谐波平衡 (H2/H4)。

均衡器响应
实时显示低频搁架式、高频搁架式、低通滤波器和高通滤波器的复合频率响应。一目了然地查看综合均衡曲线。

削波器分析
实时传输曲线、增益衰减和谐波分析 (H2–H5)。精确观察特性和对称性如何影响谐波。

六级神经推理
在 CPU 效率和音质保真度之间自由选择平衡点。从波形整形器到超高精度实时推理，应有尽有。

标准模式
一种传统的建模方法，CPU 占用极低。采用基于输入信号电平的处理方式，能够重现每个电平的行为。但是，动态行为的重现能力有限。

混合模式 – / 混合模式 / 混合模式 +
基于与 NAM（神经放大器建模器）和类似成熟的基于捕获的建模工具广泛使用的相同架构。虽然传统的 NAM 在静态音调重现方面表现出色，但它无法捕捉与信号电平相关的动态行为。混合模式通过专有的调节设计扩展了这一功能，使其能够对输入电平做出动态响应——将架构从静态捕获提升到动态响应建模，从而捕捉随时间变化的行为。

专业版 / 专业+版 / 至尊版
混合模式是一种真正的混合设计，优先考虑 CPU 效率和有效处理，而专业版及以上模式则侧重于时变动态响应。混合模式虽然能够提供高静态还原保真度，但也存在架构固有的局限性。专业模式优先捕捉瞬态响应——即硬件如何实时响应。随着 CPU 负载从专业版、专业+版到至尊版逐步增加，瞬态精度和高频还原能力也随之提升。特定模式下的分析记录显示，波形还原精度高达 99.90%（ESR 评估为 99.63%，RMS 测量为 99.78%）。
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原文：
NK Productions
Recording, Mixing, Mastering

AEQ-115 Hybrid Diffusion, AEQ-550 Beyond Analog, and AEQ-4000 Fusion eXtreme — three analog EQ models built from exhaustive measurement. Frequency response, saturation, and harmonic structure, captured and rebuilt.

Include:
1.AEQ-115 Hybrid Diffusion
2.AEQ-550 Beyond Analog
3.AEQ-4000 Fusion eXtreme
4.ALA-101 Hybridization

1.AEQ-115 Hybrid Diffusion
AEQ-115
Hybrid Diffusion
Analog EQ Modeling Plugin — Original Hybrid Analog Modeling System
Modeled from a real analog EQ unit. Every frequency step, saturation curve, and harmonic structure — captured and rebuilt.

Built from a real instrument
AEQ-115 Hybrid Diffusion is modeled from an actual analog EQ unit — measured exhaustively, then rebuilt using our Original Hybrid Analog Modeling System. Every frequency response step, saturation curve, and harmonic structure is authentic.

Presets that land where they were designed to
A preset assumes the signal arrives at the unit’s reference level. Feed one a quieter source and the modeled stage is driven less, so the tone and harmonics the preset was built on never appear. The usual fix — riding Input Trim — costs you the one control that decides how hard the analog stage is pushed.

Reference Calibration separates the two. Engage Ref Cal — the third state of the Unity button — and run Auto Input: the measured correction is held inside the unit instead of being written to Input Trim. The knob does not move, the amount in use is shown on the button, and because the calibration is not a plugin parameter it can never be baked into a preset. Leaving Ref Cal stops it being applied but remembers the value; step back in and it returns without re-measuring.

01
Set the Unity button to Ref Cal (click it twice from Off).

02
Start playback and click Auto Input. The button reads back the correction it found — Ref Cal +6.2, for example — while Input Trim stays where you left it.

03
Audition presets freely. None of them disturb the calibration, and each behaves the way it did on the machine it was captured from. Change the source and simply run Auto Input again.

Features:
01
Original Hybrid Analog Modeling
The tone and the way it reacts to what you play — both captured from the unit.

02
Precision EQ — 6 Bands
HPF, LF, LMF, HMF, HF, LPF. Work on the hardware detents, or go continuous when you need between the steps.

03
Transformer Core Saturation
The weight and thickness the transformer gives the low end.

04
Mic In / Line In Path
The full preamp path for character, or the clean Line input. Same routing as the hardware.

05
Analog Expansion
Real hardware is never perfectly matched L to R. Dial in as much of that spread as you want.

06
Character-Invariant Oversampling
Oversampling (1× – 4×) that reduces aliasing without changing the sound.

07
Analog-Modeled Clipper
Clip at 0 dBFS, or let it clip where the hardware does. Push it for density while peaks stay put.

08
Real-Time FFT Analyzer
The spectrum sits on the EQ curve, so you see the move and the material at once.

2.AEQ-550 Beyond Analog
Analog EQ Modeling Plugin — a measured 4-band console EQ, rebuilt beyond the hardware

Modeled from a classic discrete op-amp console EQ. Every frequency step, proportional-Q curve, and shelf shape — measured from the real unit and rebuilt.

Built from a real console EQ
AEQ-550 Beyond Analog is modeled from a classic discrete op-amp console equalizer — measured exhaustively, then rebuilt. Every frequency step, proportional-Q curve, shelf shape and the FLTR band-pass is derived from the real unit and its schematic.

Presets that land where they were designed to
A preset assumes the signal arrives at the unit’s reference level. Feed one a quieter source and the modeled stage is driven less, so the tone and harmonics the preset was built on never appear. The usual fix — riding Input Trim — costs you the one control that decides how hard the analog stage is pushed.

Reference Calibration separates the two. Engage Ref Cal — the third state of the Unity button — and run Auto Input: the measured correction is held inside the unit instead of being written to Input Trim. The knob does not move, the amount in use is shown on the button, and because the calibration is not a plugin parameter it can never be baked into a preset. Leaving Ref Cal stops it being applied but remembers the value; step back in and it returns without re-measuring.

01
Set the Unity button to Ref Cal (click it twice from Off).

02
Start playback and click Auto Input. The button reads back the correction it found — Ref Cal +6.2, for example — while Input Trim stays where you left it.

03
Audition presets freely. None of them disturb the calibration, and each behaves the way it did on the machine it was captured from. Change the source and simply run Auto Input again.

Features:
01
Measured 4-Band EQ
LF and HF shelves, LMF and HMF peaks. Proportional-Q — push the gain and the band narrows, just like the real thing.

02
Style B / A / BA
Two classic revisions — or Style BA, which puts one revision’s LMF next to the other’s HMF. A combination the hardware never had.

03
FLTR Band-Pass
The 50 Hz – 15 kHz band-pass, working independently of the EQ — exactly as on the hardware.

04
Continuous & Stepped
Work on the hardware detents, or go continuous when you need between the steps.

05
Hybrid Analog Character
The console does not just have a tone — it reacts to level. That reaction is in here, with a Boost mode to push it further.

06
Clipper & Oversampling
Clip at 0 dBFS, or let it clip where the hardware does. Oversampling (1× – 4×) reduces aliasing without changing the sound.

3.AEQ-4000 Fusion eXtreme
Console EQ Modeling Plugin — four measured EQ styles, per-channel analog character

Modeled from a classic mixing console. Four EQ styles, two engines, and the individual character of the left and right channels — measured and rebuilt.

A console channel, measured
AEQ-4000 Fusion eXtreme is modeled from a classic mixing-console EQ. Each frequency band, gain law, and Q shape was measured from the hardware and rebuilt — including the individual difference between the left and right channels. The EQ curves match the measured hardware within 0.44 dB RMS.

Presets that land where they were designed to
A preset assumes the signal arrives at the unit’s reference level. Feed one a quieter source and the modeled stage is driven less, so the tone and harmonics the preset was built on never appear. The usual fix — riding Input Trim — costs you the one control that decides how hard the analog stage is pushed.

Reference Calibration separates the two. Engage Ref Cal — the third state of the Unity button — and run Auto Input: the measured correction is held inside the unit instead of being written to Input Trim. The knob does not move, the amount in use is shown on the button, and because the calibration is not a plugin parameter it can never be baked into a preset. Leaving Ref Cal stops it being applied but remembers the value; step back in and it returns without re-measuring.

01
Set the Unity button to Ref Cal (click it twice from Off).

02
Start playback and click Auto Input. The button reads back the correction it found — Ref Cal +6.2, for example — while Input Trim stays where you left it.

03
Audition presets freely. None of them disturb the calibration, and each behaves the way it did on the machine it was captured from. Change the source and simply run Auto Input again.

Features:
01
Four EQ Styles
One G style (Pink) and three E-series voicings — Brown, Orange, Black. Four different consoles, one channel strip.

02
Standard & Hybrid Engines
Standard for the tone at the lowest CPU. Hybrid when you want the console to react to level the way the real one does.

03
Analog / Digital EQ Mode
Analog behaves like the console. Digital puts every band exactly on the number you dialled — a clean, surgical EQ when you need one.

04
Analog Expansion
Real hardware is never perfectly matched L to R. Dial in as much of that spread as you want.

05
Mic / Line Input Paths
The Mic preamp path with its impedance voicings, or the clean Line input. Same routing as the hardware.

06
Character-Invariant Oversampling
Oversampling (1× – 4×) that reduces aliasing without changing the sound.

4.ALA-101 Hybridization
Vintage Warmth, Modern Precision.
The Ultimate Hybrid Analog Coloring Tool
Separated neural modeling of vacuum tube & transformer stages — fused with real-time inference and modern digital precision.

Features:
Hybrid Separated Modeling
Every analog stage — individually captured, independently controlled, digitally fused. Not a black-box emulation, but a fully transparent hybrid system.

99.8% reproduction accuracy — evaluated against hardware reference across ESR, frequency response, transient fidelity, harmonic distortion, and envelope tracking (*Practical ESR: evaluated at signal levels above -10 dBu).

ADAA — Antiderivative Anti-Aliasing
The Clipper and Standard mode both employ ADAA (Antiderivative Anti-Aliasing) to eliminate aliasing artifacts at the source — not by oversampling alone, but by mathematically computing the antiderivative of the waveshaping function. This means clean, artifact-free saturation even at lower oversampling rates. Combined with a precision-designed compensation FIR filter, the result is transparent, phase-accurate nonlinear processing that preserves the original signal integrity.

Every Detail, at a Glance
Real-time visual feedback on every knob and meter. Signal level, gain reduction, and saturation — always visible, never guessing.

Arc Meter
Dual arc meter with cyan-yellow-red gradient. Instantly see how much processing is applied. 50% is nominal.

Level-Reactive Knob
Knob arc color reacts to real-time signal level. Instantly see proper gain staging at a glance.

Gain Reduction
Clip Drive knob shows gain reduction in real time. Arc color changes as the signal hits the clipper. Instantly see clipper response and GR amount.

Gain Staging is Essential
This plugin reproduces the behavior of real analog gear — proper gain staging is essential to achieve the designed performance. The processing reacts dynamically to input level, just like hardware. You may deviate from the reference, but use the Compensate Gain button to automatically set your input to the reference level, and Auto Level will automatically match the output loudness after processing. These two features ensure a proper starting point and fair A/B comparison. When pushing the signal hard into the Tube or Trans parameters, the organic analog-like compression behavior strongly affects the output, and the perceived level tends to decrease. Since a lower output level means lower perceived loudness, use Auto Level after adjusting parameters to match the listening level. Meter monitoring is also available, and the color-reactive knobs and arcs provide the fastest visual feedback, making manual level adjustment easy as well. Colors shift from blue (safe) through yellow (caution) to red (warning). For knobs that represent the amount of change, 50% is the nominal reference point. This plugin is designed to let you perceive subtle differences, so make full use of the independent Bypass on each section to isolate and compare what each stage contributes to the sound.

Precision Control, Zero Guesswork
Every section independently bypassable, linkable to master bypass, with real-time visual analysis built in.

Input
Input Trim with level-reactive knob. One-click Compensate Gain to reference level. Unity Gain locks input/output balance. Bypass Linked toggles all linked sections for instant A/B comparison.

Output
Output Trim with level-reactive knob. Auto Level matches loudness after processing. Clip > Out routes the clipper post-output for mastering. Delta monitors the difference signal.

RMS Meter
Dual arc meter displaying input and output RMS levels simultaneously. Color gradient from cyan (safe) through yellow (caution) to red (warning). Use for gain staging.

Peak Meter
Sample-accurate peak meter for input and output. Color-coded bars with the same cyan-yellow-red gradient.

Tube Drive
Dynamic warmth, even-order harmonics, and creamy saturation from the captured tube input stage. L/R or M/S expansion mode. Independent bypass and link.

Transformer Tolerance
Core hysteresis, low-end heft, and magnetic presence from the captured transformer output stage. Pattern A/B for different hardware characters. Independent bypass and link.

Expansion & Fluctuation
Analog Expansion controls L/R channel variation from matched (0%) to full hardware character (100%). Fluctuation adds the subtle, organic movement found in analog equipment.

Hysteresis & Bloom
Enhances low-end response from transformer hysteresis — the organic “breathing” of analog iron. Bloom adds a living, reactive sense of depth and movement. Shape the low-end clarity — tighten the focus or let it breathe.

Low Shelf
Hardware-measured low shelf EQ (fc=125.8Hz, Q=0.603). Pre/Post Trans position option. Independent bypass and link.

High Shelf
Hardware-measured high shelf EQ (fc=2212.5Hz, Q=0.352). Pre/Post Trans position option. Independent bypass and link.

HPF Resonance
Morph transformer HPF Q from flat (0.707) to captured vintage peak. Selectable 5.0Hz (Transformer) / 5.47Hz (Tube). Impossible with analog hardware.

LPF Resonance
Morph LPF Q from flat (0.707) to captured vintage peak. Scalable cutoff: 18.97 / 37.95 / 75.90kHz by sample rate. Disable filters that cannot be bypassed on the analog unit.

Clip Drive
Recreates clipping characteristics measured from the actual hardware. Real-time GR arc. Pre/Post HPF position selector. Independent bypass and link.

Clipper Options
Character morphs the knee from soft saturation to hard clipping. Symmetry controls even-order harmonic balance (H2/H4).

EQ Response
Real-time composite frequency response of Low Shelf, High Shelf, LPF, and HPF. See the combined EQ curve at a glance.

Clipper Analysis
Real-time transfer curve, gain reduction, and harmonic analysis (H2–H5). See exactly how Character and Symmetry shape the harmonics.

Six Tiers of Neural Inference
Choose your balance between CPU efficiency and sonic fidelity. From waveshaper to ultra-high-precision real-time inference.

Standard
A conventional modeling approach with minimal CPU load. Uses input-signal-level-based processing, capable of reproducing per-level behavior. However, dynamic behavior reproduction is limited.

Hybrid− / Hybrid / Hybrid+
Built on the same architecture now widely used in NAM (Neural Amp Modeler) and similar proven capture-based modeling tools. While conventional NAM excels at static tone reproduction, it cannot capture signal-level-dependent dynamic behavior. Hybrid modes extend this with a proprietary conditioning design that enables dynamic response to input level — bringing the architecture beyond static capture into living, reactive modeling that captures time-varying behavior.

Professional / Professional+ / Extreme
Hybrid is a truly hybrid design that prioritizes CPU efficiency and effective processing, but Professional and above focus on time-varying dynamic behavior. While Hybrid offers high static reproduction fidelity, it also has architecture-inherent limitations. Professional modes prioritize capturing temporal behavior — how the hardware responds moment to moment. As CPU load increases through Pro, Pro+, and Extreme, transient accuracy and high-frequency reproduction improve progressively. Analysis in specific modes recorded waveform reproduction accuracy of 99.90% (99.63% by ESR evaluation, 99.78% by RMS measurement).

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