Smart Audio Solution Emulsion v1.0.9_WIN-itUsed

饱和插件Smart Audio Solution Emulsion
VST插件格式：
VST3

Smart Audio Solution Emulsion是AD/DA转换器仿真插件，内置5种硬件模型与独立THD谐波饱和模块，支持音色自由混搭，可打造现实硬件无法实现的饱和链路，适用于乐器轨道与母带总线，增添温润的模拟质感。

翻译：
Emulsion
Emulsion AD-DA 转换模拟器。
Emulsion BOX 是一款高精度模拟器，能够模拟四款备受推崇的转换器；它还提供音色混合搭配功能，以及可应用于各个模块的数字谐波（THD）处理部分。

EMULSION
在摄影领域，“乳剂”（emulsion）是决定胶片呈现出的颗粒感、画质及情感基调的关键要素。
Emulsion 的设计理念正是源于此。它的灵感来自那些能够赋予声音独特个性、情感与色彩的模拟电路——有时这种变化微妙细腻，有时则张扬鲜明。
借助 Emulsion，你可以将这些赋予唱片独特魅力并能打动人心的声音特质融合在一起。

在 DAW 中体验模拟温暖感
向模拟域的转换不仅仅关乎音质；更重要的是重现那种能为各类音乐风格带来质变的“声音凝聚感”。Emulsion 不仅能重现这种凝聚感，还允许你以一种在现实世界中无法实现（或成本极高）的方式将各种声音“混合”在一起。

一种解决方案
构建在纯模拟域中无法实现的饱和度处理链，同时在 DAW 中保留模拟音质。
Emulsion 是一款音色细腻的插件，但请注意：在无数次听音测试和校准过程中，我们发现了一个现象——在对比“直通信号”与“处理后声音”的盲听测试中，99% 的情况下（即使在最低设置下），人们都更倾向于处理后的信号。无论是在单件乐器还是总线（Master Bus）上，Emulsion 都有着卓越表现，它能收紧声音，营造出我们所追求的那种“专业制作级”的听感。

PURE THD 模式
这是纯粹的 THD（总谐波失真）算法，不包含转换过程带来的音色渲染……

最棒的一点在于：与现实世界中无法实现的情况不同，这种饱和度效果可应用于所有转换模式——这是一种硬件设备无法提供的额外音色点缀。

5 种模拟型号及一项仅在数字格式下可用的功能
嗯……你大概能猜到我们指的是哪种声音了吧？
5 种型号：GREEN、G​​OLD、GREY、OLD PCM 和 DIGITAL——其中最后一种是纯 THD 级处理，不包含 AD 转换过程。作为灵感来源的设备中，有些仅包含 AD（模数转换）级，而另一些则拥有完整的 AD/DA（模数/数模转换）链路——这完全还原了真实硬件的特性。

DRIVE LEVEL（驱动电平）
顺时针旋转该旋钮，可获得仿真设备那种中性、平衡的声音；逆时针旋转则会让声音变得更明亮，同时减少谐波成分。顺时针旋转时，声音会变得更丰满，音色略微偏暗。该参数决定了作用于变压器或转换前电路的信号强度。旋钮为声音带来的音色渲染很大程度上取决于输入电平：如果是在混音阶段处理单轨且拥有充足的动态余量（headroom），你的调整空间会更大；如果将该模块插入母带处理链的末端，你会立刻察觉到它对谐波失真的影响。在这种情况下，最好将其设为零或逆时针旋转，除非你想制造那种极度饱和甚至削波（clipped）的效果——不过，有时候混音恰恰需要这种效果，不是吗？

A/D 电路模式选择器
在支持该功能的设备上，此模式用于切换饱和处理的类型，即作用于变压器还是转换前电路。我无法给出具体的建议——请根据音乐素材，用你的耳朵去判断。不过我可以告诉你，“绿色 – 22dB”模式非常适合在不提高峰值电平（peak）的前提下提升 RMS 电平……效果绝佳……我很期待看到你会如何在制作中运用它。

绿色（Green）仿真模式
该模式仿真了一款著名且音色优美的效果器，能为声音带来显著的音色渲染；我建议在鼓组总线（drum bus）或吉他轨道上尝试一下。

金色（Gold）仿真模式
……还需要我提示你，这个模式是基于哪款硬件设备设计的吗？这是一种绝佳的算法，能营造出那种清脆、受控的“波兰式”音色——相比“绿色”版本，它的音色色彩较少，质感更为紧凑……

“灰色”仿真模式 (Grey Emulation)
该模式的灵感源自另一款经典设计——它不仅保留了极具音乐性的转换特质，还加入了一个独特巧思：核心的数字 THD（总谐波失真）电路部分采用了与原版模块相同的位置布局。

20 世纪 80 年代的数字技术
怎么说呢……尽管年代久远，这款模块依然拥有极具辨识度的音色与音乐性——这正是人们梦寐以求的特质：那种伴随我们成长的唱片音色，既有出色的动态表现，又兼具精准与清晰的质感。即便在今天，这种音色依然非常实用。试着将旋钮向逆时针方向转动，赋予声音明亮且极具辨识度的音色——你一定会感谢这个建议的。
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原文：
Emulsion
Emulsion AD – DA emulator.
Emulsion BOX is a highly accurate emulator of four highly acclaimed converters; it also offers colour mix-and-match functionality and a digital harmonic THD section that can be used across the various modules

EMULSION
In photography, emulsion is the process that decides the grain, the quality, the emotion that
film will give back to us.
Emulsion was built with that idea in hand. It takes its inspiration from analogue circuits that
create character, emotion and colour — sometimes subtly, sometimes far more openly.
With Emulsion you can now combine those sonic characters that make the difference for a
record that is produced, and that moves people.

Analogue warmth in your DAW
Conversion to the analogue domain is not just about quality; it is also about recreating that sonic cohesion that makes all the difference across every musical genre. Emulsion not only recreates this cohesion but also allows you to ‘blend’ sounds together in a way that would be either impossible or extremely costly in the real world.

A Solution
Create saturation chains that are impossible in the analogue domain, but whilst retaining the analogue sound in your DAW
Emulsion is a subtle-sounding instrument, but BEWARE: during countless listening tests and calibration sessions, we noticed something: in blind tests comparing the bypassed signal with the processed sound, in 99 per cent of cases – even at the lowest settings – the processed signal was preferred. Emulsion excels both on individual instruments and on the master bus, tightening up the sound and creating that ‘produced’ sound we’re all looking for

PURE THD MODE
This is the pure THD algorithm without the colour of the conversion…..

Here’s the best bit: unlike in the real world, where it would be impossible to do so, this saturation level is available on all conversions – an extra touch of colour that isn’t possible with hardware.

5 models and a feature available only in digital format
Well… you can probably guess which sound we’re talking about, can’t you?
5 Models: GREEN, GOLD, GREY, OLD PCM and DIGITAL – the last one being the pure THD stage without the AD conversion.
Some of the machines that inspire us have only the AD stage, whilst others have a full AD/DA chain – just like in the real world.

DRIVE LEVEL
Turning the control clockwise gives you the neutral, balanced sound of the emulated unit; turning it anti-clockwise makes the sound brighter and less rich in harmonics. If you turn it clockwise, the sound becomes richer and slightly darker.This parameter affects the amount of signal that modulates the transformers or the pre-conversion circuit. The colour this control adds to the sound depends very much on the input level: if you’re mixing individual tracks and have plenty of headroom, you’ll have more leeway; if you’re inserting the module at the end of the mastering chain, you’ll immediately notice the effect on harmonic distortion. In this context, it’s best to set it to zero or turn it anti-clockwise, unless you want to create a super-saturated, clipped effect – which is sometimes just what a mix needs, isn’t it?

A/D Circuit mode selector
Where available, this mode switches the saturation level to either the transformer or pre-conversion mode. I don’t have any specific advice to give you – just use your ears depending on the music source. What I can tell you is that the ‘green – 22dB’ mode is perfect for achieving RMS levels without raising the peak… brilliant… I’m curious to see how you’ll use it in your productions.

Green Emulation
This mode emulates a famous and beautiful effects unit that can really colour the sound; I’d recommend trying it on the drum bus and on the guitars.

Gold Emulation
…do I really need to give you a clue as to which hardware this mode is inspired by? It’s a brilliant algorithm for producing that crisp, controlled Polish sound – less colourful and more compact than the ‘green’ one…

Grey Emulation
This mode is inspired by another historic design – an extremely musical conversion, but with an added twist: the central digital THD section is positioned as in the original module

Digital technology in the 1980s
What can I say… despite its age, this module has a very distinctive sound and musicality – a much sought-after feature: that sound we all grew up with on records with great dynamics, that precise and clear sound. Even today, it’s a really useful tone. Try turning it anti-clockwise to give the sound a bright, recognisable tone – you’ll thank me later.

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