NK Productions AEQ-115 Hybrid Diffusion v1.3.1_WIN-R2R

均衡器插件NK Productions AEQ-115 Hybrid Diffusion
VST插件格式：
VST3

NK Productions AEQ-115 Hybrid Diffusion混合模拟均衡插件，基于真实硬件EQ完整测量建模，搭载四种模拟模式，支持GPU运算。六段精密EQ，内置变压器饱和、参考校准、实时频谱分析仪，还原硬件谐波与动态电路响应。

翻译：
AEQ-115
Hybrid Diffusion
模拟均衡器（EQ）建模插件 —— 独创的混合模拟建模系统
基于真实的模拟均衡器硬件建模。每一个频率档位、饱和曲线及谐波结构均经过精确捕捉与重构。

四种模拟建模模式
在 CPU 负载与还原度之间选择最适合的平衡点——从轻量级的传统设计，到能够实时追踪电路动态变化的建模方式。其中两种“混合（Hybrid）”模式可交由 GPU 处理；另外两种则运行于 CPU 上——这并非因为功能缺失，而是由其工作原理决定的。

Standard（标准模式）
一种还原硬件静态特性的传统设计，也是 CPU 占用率最低的模式。它根据瞬时输入电平做出响应，因此能呈现设备在不同电平下的表现，但无法体现随时间推移而产生的动态变化。

Hybrid− / Hybrid+（混合模式）
这才是真正的“混合模拟建模系统”。它不仅响应当前的输入信号，还会考量近期的信号状态，从而反映出电路在上一刻的驱动情况——这是静态模型无法捕捉的特性。Hybrid+ 模式会回溯更长的信号片段，从而提升噪声表现与清晰度，代价是适度增加 CPU 负载。不过，得益于 DSP 优化，Hybrid+ 实际上有时反而能降低 CPU 占用率。

Professional（专业模式）
采用了截然不同的建模方法，也是 CPU 负载最高的模式。它不只是回溯一段固定的信号，而是持续记录并基于上一刻的状态构建下一刻的响应，从而在每一个瞬间都最贴近真实硬件的表现。正是这种处理机制决定了它必须运行在 CPU 上。

源自真实硬件
AEQ-115 Hybrid Diffusion 基于真实的模拟均衡器硬件建模——经过详尽的测量，并利用我们独创的“混合模拟建模系统”进行重构。每一个频率响应档位、饱和曲线及谐波结构都真实还原了硬件特性。

预设的预期效果
预设通常基于信号达到设备参考电平（Reference Level）这一前提进行设计。如果输入信号较弱，建模电路的驱动程度就会降低，导致预设原本设定的音色特征和谐波效果无法充分显现。通常的解决方法——调节“输入增益”（Input Trim）——会占用那个决定模拟级驱动强度的关键控制旋钮。

“参考校准”（Reference Calibration）功能将两者分离开来。启用 Ref Cal（即 Unity 按钮的第三种状态）并运行“自动输入”（Auto Input）功能：测得的校准值会保存在插件内部，而不会写入“输入增益”参数。旋钮位置保持不变，当前应用的校准量显示在按钮上；由于该校准值不属于插件参数，因此不会被保存到预设（preset）中。退出 Ref Cal 模式会停止应用校准，但系统会记住该数值；再次进入该模式时，校准值会恢复，无需重新测量。

01
将 Unity 按钮设置为 Ref Cal 模式（从 Off 状态连按两次即可）。

02
开始播放音频并点击 Auto Input。按钮会显示检测到的校准值（例如 Ref Cal +6.2），而“输入增益”旋钮保持原位不变。

03
自由试听各种预设。预设不会改变校准设置，且每个预设的表现都与原始硬件设备上的效果完全一致。更换音源后，只需再次运行 Auto Input 即可。

功能特点：
01
独创的混合模拟建模
音色特征及对演奏的动态响应——均源自真实硬件设备的采样。

02
精密均衡器（EQ）——6 段
包含 HPF、LF、LMF、HMF、HF 和 LPF。既可使用硬件的档位（detents）调节，也可在档位间进行连续调节。

03
变压器磁芯饱和（Transformer Core Saturation）
变压器赋予低频段的厚重感与质感。

04
话筒/线路输入信号路径
可选择带有音色特征的完整前置放大器路径，或纯净的线路输入路径。信号路由与硬件完全一致。

05
模拟扩展（Analog Expansion）
真实硬件的左右声道从未完全匹配。用户可根据需要调节这种立体声声像扩展程度。

06
音色恒定过采样（Character-Invariant Oversampling）
支持 1× 至 4× 过采样，在减少混叠失真的同时保持音色不变。

07
模拟建模削波器（Clipper）
可在 0 dBFS 处削波，也可模拟真实硬件的削波特性。在保持峰值电平不变的同时，增加声音的密度感。 08
实时 FFT 分析仪
频谱显示在 EQ 曲线之上，让您能同时观察到曲线的变化与音频信号的频谱特征。

原文：
AEQ-115
Hybrid Diffusion
Analog EQ Modeling Plugin — Original Hybrid Analog Modeling System
Modeled from a real analog EQ unit. Every frequency step, saturation curve, and harmonic structure — captured and rebuilt.

Four modes of analog modeling
Pick your balance between CPU load and reproduction — from a light, conventional design to modeling that follows the circuit as it moves. The two Hybrid modes can be handed to the GPU; the other two stay on the CPU, for reasons that come from how they work rather than anything we left out.

Standard
A conventional design that reproduces the hardware’s static character, and by far the lightest on CPU. It responds to the level arriving at that instant, so the way the unit behaves at each level is there — but not the way it changes over time.

Hybrid− / Hybrid+
The Hybrid Analog Modeling System proper. Rather than reacting only to the sound arriving right now, it takes in the recent signal as well, so it also answers to how the circuit was being driven a moment ago — something a static model cannot hold on to. The upper one listens back further: noise performance and clarity improve, at a moderately higher CPU cost. Thanks to DSP optimisation, Hybrid+ can actually bring CPU usage down.

Professional
A different modeling approach again, and the heaviest on CPU. Instead of looking back over a fixed stretch of signal, it keeps hold of what just happened and builds the next moment on top of it, which is what lets it stay closest to the unit moment by moment. That same habit is why it stays on the CPU.

Built from a real instrument
AEQ-115 Hybrid Diffusion is modeled from an actual analog EQ unit — measured exhaustively, then rebuilt using our Original Hybrid Analog Modeling System. Every frequency response step, saturation curve, and harmonic structure is authentic.

Presets that land where they were designed to
A preset assumes the signal arrives at the unit’s reference level. Feed one a quieter source and the modeled stage is driven less, so the tone and harmonics the preset was built on never appear. The usual fix — riding Input Trim — costs you the one control that decides how hard the analog stage is pushed.

Reference Calibration separates the two. Engage Ref Cal — the third state of the Unity button — and run Auto Input: the measured correction is held inside the unit instead of being written to Input Trim. The knob does not move, the amount in use is shown on the button, and because the calibration is not a plugin parameter it can never be baked into a preset. Leaving Ref Cal stops it being applied but remembers the value; step back in and it returns without re-measuring.

01
Set the Unity button to Ref Cal (click it twice from Off).

02
Start playback and click Auto Input. The button reads back the correction it found — Ref Cal +6.2, for example — while Input Trim stays where you left it.

03
Audition presets freely. None of them disturb the calibration, and each behaves the way it did on the machine it was captured from. Change the source and simply run Auto Input again.

Features:
01
Original Hybrid Analog Modeling
The tone and the way it reacts to what you play — both captured from the unit.

02
Precision EQ — 6 Bands
HPF, LF, LMF, HMF, HF, LPF. Work on the hardware detents, or go continuous when you need between the steps.

03
Transformer Core Saturation
The weight and thickness the transformer gives the low end.

04
Mic In / Line In Path
The full preamp path for character, or the clean Line input. Same routing as the hardware.

05
Analog Expansion
Real hardware is never perfectly matched L to R. Dial in as much of that spread as you want.

06
Character-Invariant Oversampling
Oversampling (1× – 4×) that reduces aliasing without changing the sound.

07
Analog-Modeled Clipper
Clip at 0 dBFS, or let it clip where the hardware does. Push it for density while peaks stay put.

08
Real-Time FFT Analyzer
The spectrum sits on the EQ curve, so you see the move and the material at once.

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