BABY Audio Transit 2 v2.2.0_WIN-R2R&TCD（2025.11.14更新）

多功能效果器插件/混音插件BABY Audio Transit 2
VST插件格式：
VST/VST3/AAX—x86/x64
翻译：
消除静态混音的插件
Transit 2 是我们与 Andrew Huang 合作的下一章。使用 6 种不同的运动模式来控制 28 个效果模块，并创建无尽的运动形式来为您的曲目注入活力。从令人上瘾的节奏运动到让听众着迷的强大过渡。

6 种模式来移动您的混音
■ 宏：仅用一个旋钮即可控制 FX 链中的所有运动。自动化以创建巨大的、全面的过渡。
■ LFO：创建有节奏的 FX 运动，不同步或同步到您的主机 BPM。
■ 跟随器：构建与您的曲目动态一起移动的 FX 链，就像一个活的有机体。
■ 侧链：使用侧链输入控制 FX 运动，并将经典的踢腿效果带入新世界。
■ 门限：在现场表演期间触发即时 FX 运动。
■ 音序器：单击即可启动与 DAW 同步的过渡。

28 个高品质效果模块
Transit 2 带有 10 个新效果，总数达到 28 个。在链中自由添加和移动模块。

效果包括高品质调制、降级和复古效果选项、混响、延迟、多种滤波器类型 – 甚至还有用于扫描的合成振荡器和噪声发生器。

每个效果参数都可以保持静态或链接到运动宏。使用斜率控制为效果旋钮提供自己独特的斜坡曲线。

v2 中的新增功能
■ 4 种新运动模式：LFO、跟随器、侧链和门限。
■ 10 种新效果：Warp、Loop、Reverser、Speaker、EQ、Analog Chorus、Shifter +、Mod Filter、Retroverb、Compressor。
■ 将 Global Mix 和 Output 链接到运动模式的选项。
■ 经过重大重新设计，工作流程/性能得到改进，并新增 469 个预设。（V1 预设共计 838 个预设）。

仍然是“终极过渡设计器”

尽管 V2 将 Transit 扩展为用于混合运动的万能强大工具，但它仍然擅长其原始用例：过渡。

歌曲部分之间的创意过渡对于保持听众的参与度起着至关重要的作用。为了制作它们，制作人依靠多个音轨和插件（以及令人窒息的自动化通道）。

Transit 将此过程简化为一个插件和一个旋钮，可以自动控制深度 FX 扫描。

838 个预设和无限随机化
Transit 包含由 Andrew Huang 和行业领先的声音设计师设计的 838 个预设。无论您需要惊心动魄的过渡还是微妙的动作，您都不会用尽选择。

或者使用超灵活的随机化引擎发挥创意，该引擎可让您设置特定的随机范围并锁定参数以仅随机化插件的某些部分。

喜欢自己做所有事情？ Transit 是声音设计师的梦想和一个巨大的创意兔子洞。我们几年后再见！

效果模块：
Transit 2 附带 10 个全新效果模块，总共 28 种不同的声音设计工具。
■ 循环（新）
此模块可创建断续和重复效果，这些效果可与主机节奏同步或自由设置。使用长度控件设置捕获切片的持续时间，使用平滑控件影响断续的瞬态。在过渡过程中混合效果，以获得令人兴奋和欣喜若狂的积累。

■ 反转器（新）
此模块根据内存控件设置的长度反转传入音频的切片。以节奏分度或毫秒为单位设置切片长度，并在半速、双倍速或常规速度播放之间进行选择。平滑控件可软化每个切片的开始和释放，以获得更柔和的声音。

■ 扭曲（新）
Transit 2 的亮点之一，值得成为自己的插件（我们正在努力！）。Warp 可让您快速上下弯曲声音的速度，就像改变黑胶唱片或磁带机的速度一样。在其核心设置中，它可以完全平滑和灵活地完成此操作。但是，使用 Stretch 滑块可以添加奇妙的故障副作用，并将您的声音弄得一团糟。

■ Retroverb（新）
此模块为 Transit 的主要混响提供了替代方案，具有更复古和颗粒感的声音。基于 80 年代早期的数字 FDN 混响技术，Retro Reverb 包括戏剧性的音调滚降和调制控制，可营造出独特的复古氛围。

■ Mod Filter（新）
此模块是一个立体声滤波器组，具有从左到右不同频率的多个滤波器，可产生催眠般的旋转效果。Spread 控制与 LFO 链接的各种滤波器的调制特性。可以将其想象成使用类固醇的旋转扬声器（或 4 个！）。可以同步到主机节奏或以 Hz 为单位自由设置。

■ Compressor（新）
此模块是一个传统的向下压缩器，其声音比 V1 中已有的 OTT 效果透明得多。它的干/湿控制让您可以并行使用它来为任何过渡部分添加有力的动态效果。

■ Pitch+（新）
此模块是一个高性能音调变换器，其声音比原始 Transit Pitch 效果更干净。它承载着一个与音调控制相连的板载节奏同步 LFO，用于颤音和激进的音调摆动。将 LFO 深度设置为 0 以获得透明的静态音调变化，并按住 ctrl 键同时调整音调以半音为增量移调。

■ 扬声器（新）
带来晶体管收音机的声音和小型扬声器独特的低保真特性。使用高低控制塑造整体音调，并使用驱动控制添加模拟风格的沙砾。

■ 模拟合唱（新）
此模块通过更复古和丰富多彩的 BBD 风格合唱补充了 Transit 的主要合唱效果。Stereo+ 控制让您能够通过丰富的调制扩大感知的声场，在过渡期间获得身临其境的 3D 效果。

■ EQ（新）
添加一个简单的三频段 EQ，用于全局音调塑造或 DJ 风格频率隔离。EQ 模块每个频段有 20 dB 的增强和 60dB 的衰减，可用于细微调整或彻底的频率偏移。

■ 自动平移
自动以用户定义的形状、宽度和速率在立体声场中来回扫描信号。使用它来为声音增添趣味和视角。

■ Bitcrusher
此模块就像一台数字时间机器，降低了声音再现的准确性，从而产生清脆的数字复古氛围。使用它为您的声音增添一些微妙的优势或进行全面的数字破坏。

■ 数字合唱
此模块获取您的声音并使用时间和音高差异对其进行细微变化。就像音乐乘法器一样，合唱给人一种拥有多个“声音”的错觉。使用它为您的音频增加深度和丰富度。

■ 延迟
延迟会克隆您的音频并随时间播放，就像回声一样。使用它来为音轨添加空间和维度。调节长度参数可以带来 Transit 的一些更有趣的可能性。单击“尾部”图标 ON，让延迟尾部在过渡结束后响起。（否则，它将在过渡结束时切断）。

■ 失真
此模块是一款多功能失真主力。各种传输曲线允许您巧妙地塑造音频或将其推入完全抽取。添加一点谐波丰富度或完全改变您的声音。

■ 滤波器 12
一个简单的双极滤波器，具有标准的滤波器类型范围。可用于创建迷人的运动或通过共振控制强调声音的特定频率。无论您是为高端雕刻空间还是创建尖叫的扫描，滤波器都是创建感知运动的强大效果。

■ 滤波器 24
滤波器 12 的大兄弟，具有相同的控件，但滤波器斜率和声音更具侵略性。

■ 镶边
此模块获取您的音频，进行复制，并稍微延迟，然后将其与原始音频混合。结果会产生一种具有超凡品质的扭曲和旋转的声音。使用它来获得闪烁的效果，或创造完全迷幻的体验。

■ 噪音
使用数字振荡器产生白噪声。使用滤波器可实现各种音调 – 从明亮通风到深沉温暖。使用噪音发生器在构建期间为传入的音频提供能量，用于经典的 EDM 扫描，或作为声音发生器添加纹理。

■ Osc
具有四种基本波形的虚拟模拟振荡器：正弦波、锯齿波、方波和三角波。音高控制以音符为单位进行测量，将 Transit 变成一种可演奏的乐器。使用振荡器创建上升或下降音调扫描 – 或应用随机调制源来获得旋律生成器。

■ OTT
用于增加强度的经典效果。这款多频带压缩器可呈现音频中的细节，并为您的声音增添夸张的风格。非常适合将您的声音推向极致，并在构建过程中添加现代光泽。

■ 移相器
在频谱中创建一系列峰值，这些峰值会随时间进行调制，以产生经典的水下相位效果。

■ 音调变换
此模块将独立于播放时间提高或降低音频音调。使用它来创建音调弯曲、类似外星人的音效或为人声增添现代感。

■ 泵
泵为您的音频提供闪避效果，类似于您将底鼓侧链到贝斯的方式。它可以用作混音工具来在混音中创造空间，也可以为打击乐和吉他部分或整个过渡提供节奏运动。

■ 混响
混响在您的音频周围营造出空间感和深度感。使用它来模拟小空间或在过渡结束时将您的声音吹入大气中。单击“尾部”图标 ON，让混响尾部在过渡结束后响起。（否则，它会在过渡结束时切断）。

■ 扩展
Spead 会加宽或缩小声音的立体声图像。无论您是想创建一个在整个过渡过程中变宽的广阔声场，还是向中心变窄，Spead 都能满足您的空间需求。

■ 颤音
此模块以节奏模式调节声音的音量，与您的主机 BPM 不同步或同步。使用它来提供温和的变化和运动，或将其一直调高以将速度推入音频速率。

■ 实用程序
具有增益和平移以及频谱可视化器的通用主力。使用它来推动或拉动您的音频通过链的各个部分，并确保您的信号始终处于最佳水平和立体声位置。尝试在失真或 OTT 之前使用它来获得一些额外的火力。
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原文：
The plugin that kills static mixes
Transit 2 is the next chapter of our collaboration with Andrew Huang. Use 6 different motion modes to control 28 effect modules and create endless forms of movement to energize your tracks. From addictive rhythmic motion to powerful transitions that sweep listeners off their feet.

6 Modes To Move Your Mixes
■ Macro: Control all movement in the FX chain with just one knob. Automate it to create huge, sweeping transitions.
■ LFO: Create rhythmic FX motion, un-synced or synced to your host BPM.
■ Follower: Build FX chains that move with your track’s dynamics, like a living organism.
■ Sidechain: Control the FX movement with a sidechain input and take the classic kick ducking effect to a new universe.
■ Gate: Trigger instant FX motion during live performances.
■ Sequencer: Launch DAW-synced transitions with a click.

28 High-quality effect modules
Transit 2 comes with 10 new effects, taking the total to 28. Add and move the modules freely around the chain.

The effects include high-quality modulation, degradation and vintage effect options, reverb, delay, multiple filter types – and even a synth oscillator and noise generator for sweeps.

Each effect parameter can be left static or linked to the motion macro. Use the slope control to give effect knobs their own unique ramp curve.

What’s New in v2
■ 4 New Motion Modes: LFO, Follower, Sidechain and Gate.
■ 10 New Effects: Warp, Loop, Reverser, Speaker, EQ, Analog Chorus, Shifter +, Mod Filter, Retroverb, Compressor.
■ Options to link Global Mix and Output to the Motion Mode.
■ Major redesign with improvements in workflow/performance and 469 new presets. (838 presets in total with V1 presets).

Still ‘The Ultimate transition designer’
Although V2 expands Transit into an all-purpose powerhouse for mix motion, it still excels at its original use-case: Transitions.

Creative transitions between song parts play a vital role in keeping listeners engaged. To make them, producers rely on multiple tracks and plugins (and a suffocating amount of automation lanes).

Transit simplifies this process into a single plugin, and one knob, which can be automated to control deep FX sweeps.

838 presets And Infinite randomization
Transit includes 838 presets designed by Andrew Huang and industry-leading sound designers. Whether you need thrilling transitions or subtle motion, you won’t run out of options.

Or get creative with an ultra flexible randomization engine that lets you set specific random-ranges and lock parameters to only randomize certain parts of the plugin.

Prefer to do it all yourself? Transit is a sound designer’s dream and a vast creative rabbit hole. We’ll see you in a few years!

EFFECT MODULES:
Transit 2 ships with 10 brand new effect modules for a total of 28 diverse sound design tools.

■ Loop (new)
This module creates stutter and repeat effects that can be synced to the host tempo or set freely. Use the Length control to set the duration of the captured slice and the Smooth control to affect the transient of the stutter. Mix the effect in over the course of a transition for thrilling and ecstatic buildups.

■ Reverser (new)
This module reverses slices of incoming audio according to the length set by the Memory control. Set the slice length in tempo divisions or milliseconds and choose between half-speed double-speed or regular speed playback. The Smoothing control softens the onset and release of each slice for a gentler sound.

■ Warp (new)
One of the highlights of Transit 2 and worthy of being its own plugin (we’re working on that!). Warp lets you rapidly bend the sound up and down in speed like changing the speed of a vinyl record or tape machine. At its core setting it does this with total smoothness and flexibility. However use the Stretch slider to add wonderfully glitchy side effects and mangle your sound into oblivion.

■ Retroverb (new)
This module provides an alternative to Transit’s primary reverb with a more vintage and grainy sound. Based on early digital FDN reverb techniques from the 80s, Retro Reverb includes dramatic tone roll-off and modulation controls for that unmistakable flavor of vintage ambience.

■ Mod Filter (new)
This module is a stereo filter bank with multiple filters at varying frequencies from left to right that create a hypnotic swirling effect. Spread controls the modulation characteristics of the various filters linked to the LFO. Think of it like a rotary speaker (or 4!) on steroids. Can be synced to the host tempo or set freely in Hz.

■ Compressor (new)
This module is a traditional downwards compressor with a much more transparent sound than the OTT effect that was already on board in V1. Its dry/wet control lets you use it in parallel to add punchy dynamics to any transition section.

■ Pitch+ (new)
This module is a high performance pitch shifter with a cleaner sound than the original Transit Pitch effect. It hosts an onboard tempo-syncable LFO linked to the pitch control for warbling vibrato and radical pitch swings. Set the LFO Depth to 0 for transparent static pitch shifts and hold the ctrl key while adjusting Pitch to transpose in semitone increments.

■ Speaker (new)
Brings the sound of a transistor radio with the unique lo-fi character of a small speaker. Shape the overall tone with the High and Low controls and add analog-style grit with the drive control.

■ Analog chorus (new)
This module supplements Transit’s primary chorus effect with a more vintage and colorful BBD-style chorus. The Stereo+ control lets you widen the perceived soundstage with lush modulation for immersive 3D effects during transitions.

■ EQ (new)
Adds a simple three-band EQ for global tone-shaping or DJ-style frequency isolation. With 20 dB of boost and 60dB of cut available for each band, the EQ module can be used for subtle adjustments or radical frequency shifts.

■ Auto pan
Automatically sweeps your signal back and forth through the stereo field at a user defined shape, width, and rate. Use it to add interest and perspective to a sound.

■ Bitcrusher
This module is like a digital time machine, reducing the accuracy at which your sound is reproduced to give a crunchy digital retro vibe. Use it to give your sound some subtle edge or go for all out digital destruction.

■ Digital Chorus
This module takes your sound and creates subtle variations of it using time and pitch differences. Like a musical multiplier, the chorus gives the illusion of having multiple “voices”. Use this to add depth and richness to your audio.

■ Delay
The delay clones your audio and plays it back over time, like an echo. Use it to add space and dimension to your track. Modulating the Length parameter can lead to some of the more interesting possibilities of Transit. Click the “Tails” icon ON to let your delay tail ring out after the transition has ended. (Otherwise, it will cut with the end of the transition).

■ Distortion
This module is a versatile distortion workhorse. Various transfer curves allow you to subtly shape your audio or push it into complete decimation. Add just a bit of harmonic richness or transform your sound completely.

■ Filter 12
A simple, two-pole filter with a standard range of filter types. Can be used to create captivating motion or to emphasize specific frequencies of your sound with the Resonance control. Whether you’re carving space for your high-end or creating screaming sweeps, the filter is a powerful effect for creating a sense motion.

■ Filter 24
Filter 12’s bigger brother with the same controls but a more aggressive filter slope and sound.

■ Flanger
This module takes your audio, makes a copy, and delays it slightly, then mixes it with the original audio. The result is a sound that twists and swirls with otherworldly qualities. Use it for shimmery effects, or create a total psychedelic experience.

■ Noise
Generates white noise using a digital oscillator. Use the filter to achieve various tonalities – from bright and airy, to deep and warm. Use the noise generator to give energy to your incoming audio during build-ups, for classic EDM sweeps, or as a sound generator to add texture.

■ Osc
A virtual-analog oscillator with the four basic wave shapes: Sine, Saw, Square and Triangle. The pitch control is measured in terms of musical notes, turning Transit into a playable instrument in its own right. Use the oscillator to create risers or falling tonal sweeps – or apply a randomized modulation source to get a melody generator.

■ OTT
A classic effect for adding intensity. This multiband compressor brings out details in your audio and gives an over-the-top attitude to your sound. Perfect for pushing your sound to the max and adding a modern sheen during build-ups.

■ Phaser
Creates a series of peaks in the frequency spectrum that are modulated over time to give that classic underwater-like phasing effect.

■ Pitch Shift
This module will pitch your audio up or down independently of the playback time. Use it to create pitch bends, alien-like sound effects, or give vocals a modern twist.

■ Pump
Pump gives you a ducking effect to your audio, similar to how you might sidechain a kick to a bass. It can be used as a mix tool to create space in your mix, but also to give rhythmic motion to things like percussion and guitar parts – or entire transitions.

■ Reverb
Reverb creates a sense of space and depth around your audio. Use it to simulate a small space or blow your sound into the atmosphere towards the end of a transition. Click the “Tails” icon ON to let your reverb tail ring out after the transition has ended. (Otherwise, it will cut with the end of the transition).

■ Spread
Spead widens or narrows the stereo image of your sound. Whether you want to create an expansive soundstage that widens throughout a transition or narrow in towards the center, Spread has your spatial needs satisfied.

■ Tremolo
This module modulates the volume of your sound in a rhythmic pattern, unsynced or synced to your host BPM. Use it to give gentle variances and motion, or crank it all the way up to push the speeds into audio-rate.

■ Utility
A general workhorse with gain and pan as well as a spectrum visualizer. Use it to push or pull your audio through various parts of the chain and ensure your signal is always at the optimal level and stereo placement. Try using this before Distortion, or OTT for some extra firepower.

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