Plugin Alliance NEOLD Complete Effects Bundle v2025.11_WIN-TCD

插件联盟Neold插件包Plugin Alliance NEOLD Complete Effects Bundle v2025
VST插件格式：
VST/VST3/AAX

Plugin Alliance NEOLD Complete Effects Bundle v2025 是一款专业音频插件套装，集成了8款精心建模的复古效果器，致力于为混音注入经典的模拟温暖感和独特个性。该套装包含BIG AL电子管饱和器、U17经典压缩器、U2A光学压缩器、V76U73前置放大压缩器、WARBLE磁带调制器、WUNDERLICH全局色彩盒、OLDTIMER双拓扑延迟以及RZ062电子管均衡器，非常适合追求复古音色和模拟硬件质感的音乐制作人。

NEOLD插件旨在为音频制作人员提供一款灵活、可控且具有独特音色的工具，使其能够在音乐制作、混音和母带处理等环节中发挥重要作用。
NEOLD 是一家专注于音频插件开发的公司，它们提供了一种名为 NEOLD U2A 的光电压缩器插件。NEOLD U2A 插件旨在模拟真实的光电压缩器，这种设备通过将音频信号转换为光信号来进行处理，再通过光控电阻器回路进行调节，最后再将光信号转换回音频信号，以此来调整音频信号的动态范围提供独特的音色效果。

翻译：
包括：
1. NEOLD BIG AL———————-饱和器插件
2. NEOLD U17————————-压缩器插件
3. NEOLD U2A————————-压缩器插件
4. NEOLD V76U73———————前置放大器&压缩器插件
5. NEOLD WARBLE——————–磁带调制效果器/复古磁带机插件
6. WUNDERLICH———————-通道条插件
7. OLDTIMER————————–延迟插件
8. RZ062——————————-均衡器插件

1. 尼奥德大号
概述
独特的谐波
BIG AL 是一款双级电子管饱和器，可提供从变压器耦合前置放大器和功率放大器内的交互式网络流出的各种奇妙声音风味。 基于完全新颖的电路和 20 世纪 30 年代正宗的 NOS 组件，一次性模拟硬件专为该插件设计。

过滤器狂人
BIG AL 的频率调节从 EF9 前置放大器阶段开始。 Low 控制以 Baxandall 滤波器的形式实现，允许调整 100Hz 左右的饱和强度，同时可选择组合增强或减弱低音。

High 控制是放置在前置放大器管前面的附加 EQ 频段。 其峰值滤波器可增强或削减 10kHz 左右的高频内容，这对于激发或抑制 BIG AL 的高音侵略性潜力至关重要。

板载模组
跳线矩阵可以访问 BIG AL 的核心电路：加重偏移、低音补偿器和电压暂降提供了强大的选项，可以通过插入或拔出几个简单的插头来动态地对失真曲线进行复杂的更改。

最后的香料是由 AL4 功率五极管及其输出变压器添加的，由前置放大器级驱动。 结果？ 一种真正华丽的和声饱和度，听起来总是有机的、音乐性的和大胆的。

特征：
电子管饱和器围绕无线电时代的老式组件构建
使用前置管和功率管产生音染（“功率饱和器”）
基于专门为此插件创建的一次性硬件的仿真
直接的用户界面配有三个跳线，可进行深入的板载模组
非常音乐化和模拟的声音饱和度和滤波器

2. 尼奥德U17
模拟设计黄金时代的经典压缩器

模拟遗产
1954 年，一款真正独特的压缩机出现了：U17。 这款堪称典范的模拟杰作由汉堡 Allgemeine Telefon-Fabrik 为 NWDR 广播网络建造，仅生产了几十台，使其成为有史以来最稀有的压缩机之一。

过桥
U17 将使用锗晶体半导体的固态二极管电桥与全电子管和大型变压器耦合放大器相结合，这是一种最复杂的混合设计。 两全其美的！

最初的硬件旨在提供温和且不引人注目的压缩，而该插件以最美丽的方式提供了这一点……但它还添加了几个严肃的固定螺丝，将绅士变成了名副其实的两张脸。

尊严的力量
前面的软削波器增加了令人愉悦的色彩，同时在进入实际压缩器之前抑制了严重的瞬态，通过其强大的扭矩控制，可以将温和透明的操作混合到直接激进的操作中。 事实上，U17 将我们喜爱的模拟设计黄金时代的一切与非常现代且经验丰富的动态处理方法结合在一起。

特征：
精心仿照 1954 年传奇且极其罕见的模拟工作室硬件
固态二极管电桥与全管变压器耦合放大的独特组合
灵活且易于使用的软剪与老式压缩机相结合
扭矩控制可实现从温和透明到直接激进的搅拌
攻击和释放的自动模式
侧链监控按钮

3. 尼奥德 U2A
具有独特功能的 LA-2A 风格光电压缩器插件

概述
为您的混音添加复古光学压缩

U2A 是一款独特的 LA-2A 风格光电压缩器插件。 它保留了使 LA-2A 闻名的所有音色、大胆的极简主义和优美的非线性，同时提供了现代音乐制作所需的控制和灵活性。 NEOLD 的 U2A 非常适合人声、贝斯、鼓和立体声总线。

不同时代光学压缩器的融合
模拟 LA-2A 的声音可能因使用年限、部件和状况而大不相同。 每个人都有自己喜欢的时代； 虽然一些 2A 插件试图通过提供替代模型来解决这个问题，但 NEOLD U2A 更进一步。 得益于独特的“老化”旋钮，您可以不断地改变其特性，从带有新光电池的新维修设备到处于原始、未改变状态的古老老式设备。

将 LA-2A 风格压缩应用于比以往更多的源
U2A 压缩器通过添加“恢复”控制来实现适应性释放时间，从而使经典 2A 设计现代化。 它还具有一个“驱动”旋钮，可以独立调整饱和度，从而实现精确的着色，而不影响所应用的压缩量。 这使得 NEOLD U2A 比经典的 LA-2A 更加通用且更易于使用，可适应广泛的声源。

使用先进的数字功能控制您的混音
除了这些独特的功能之外，NEOLD U2A 还提供了 LA-2A 的任何插件版本都无法缺少的功能。 有一个 R37 侧链滤波器控制用于调整压缩器的频率强调，一个混合旋钮可帮助您找到压缩的完美混合，A/B/C/D 比较选项以及广泛的工厂预设库。

获取盒子中硬件压缩器的声音
U2A 的其他一切都完全符合您对真实硬件 LA-2A 的期望。 NEOLD 的组件级建模凸显了原始 HA-100x 输入变压器、T4B 光电元件以及 12AX7 和 6AQ5 真空管的华丽特性和平滑响应。 无论是用于温和压缩、硬限制还是只是一点驱动，U2A 都能提供您想要的特性以及您所需的灵活性。

特征：
温暖开放的光学压缩声音
在压缩和限制之间切换
调整压缩机的频率强调
全新服务和精美陈旧的单元融为一体
调整恢复时间以增加多功能性
与压缩分开控制饱和度
使用单个旋钮应用并行压缩

4.尼奥德V76U73
传奇的 1950 年代德国前置放大器和压缩器

概述
德国音频历史的一部分
捕捉声音最丰富的电子管前置放大器和压缩器之一的氛围。 NEOLD V76U73 是 Telefunken V76 和 U73 的仿真产品，它们是音频历史上的传奇作品。 V76 前置放大器的设计得到了德国政府近乎无限的资助，从 20 世纪 50 年代至今，它已对无数歌曲进行了增强。 U73 压缩器/限制器有着“德国仙童”的绰号，它采用了可变 mu 设计，这使得它在欧洲的母带工程师中非常受欢迎，直到 1980 年停产。

丰富低音并平滑高音
凭借丰富而迷人的低音，以及您所听过的最流畅的高音，难怪原版 V76 前置放大器都被世界各地的高端工作室和收藏家以高价抢购一空。 只需通过这些设备运行信号而无需移动单个旋钮，就可以为几乎任何信号带来新的生命和维度。 U73 压缩器/限制器以此音色为基础，添加了听起来异常平滑的“可变 mu”动态控制。

创建您自己的电子管混音控制台
您是否曾梦想过拥有一台 1960 年代的电子管调音台？ 现在你可以。 将 V76U73 的实例应用于所有乐器轨道和总线，以实现引人注目的老式氛围。 用罕见的复古音色和动态控制来迷惑人声、吉他、贝司、鼓和合成器。

具有额外功能的忠实模拟
V76U73 是对 V76 和 U73 真实模拟电路的精心精确仿真。 虽然该插件尊重原始模块的简单性，但它还提供了一些只能以插件形式实现的功能和优化。 有一个可调整大小的 GUI、四种布局（您可以操作和使用它们来进行 A/B 比较）、侧链滤波器、混合旋钮和立体声模式选择器。

新品牌的第一个
由 Dominik Klaßen、Roger Schult 和 Reimund Dratwa（来自 elysia 的开创性 Phil’s Cascade 插件背后的策划者）设计，这是新的专业音频插件品牌 NEOLD 的第一个作品，NEOLD 是一个致力于无缝地带来世界上最好的未开发资源的产品线。 模拟世界进入数字领域。

特征：
V76 前置放大器和 U73 压缩器/限制器的忠实模型。
强大的高通和低通滤波器，可塑造宽广的音乐音色。
独特的“线性函数”可以捕捉 V76 的纹理，而无需传统的带限频率响应。
添加了侧链滤波器、混合旋钮和立体声模式选择器。
自动增益补偿可增加饱和度和令人愉悦的谐波，而不会出现电平跳变。
操作极其简单，可立即获得结果。

5. 尼奥德·沃布尔
磁带调制器

有机魔力
欢迎来到终极复古磁带调制和低保真效果：WARBLE。 它可以轻松地让你扔给它的所有东西听起来特别、温暖和模拟。 它的三个主效引擎可以单独使用，也可以相互组合使用，从而弥合了易用性和无缝多功能性之间的差距。

新旧
调制块会产生哇音所特有的丰富的运动层，以及颤动产生的更不规则和摇摆的声音。 宽广的参数范围和额外的速度控制可以触发从宽维到脉动砂砾的任何东西。

WARBLE 的老化部分颂扬了磁带的所有美丽优点——带宽减少、优美的谐波或噪音和皱纹纹理。 借助这款功能强大的设备，您可以快速实现各种鼓舞人心、怀旧和音乐的风景。

共振峰
滤波器级提供带有单独共振调节器的高低切控制。 除了技术校正之外，这还可以实现戏剧性的信号整形，范围从低端的黑暗地面膨胀到稀疏的无线电声音。

WARBLE 在磁带调制、镶边和合唱效果以及 THD 注入的世界中提供令人兴奋的声音之旅。 此外，它还提供了一种处理信号老化、本底噪声/裂纹生成以及具有谐振能力的滤波的好方法

特征：
正宗的磁带调制块，具有宽范围的 Wow/Flutter 以及单独的速度控制
具有高度集成的污垢、老化和噪音参数的综合音调塑造模块
带独立谐振控制器的高切和低切滤波器部分
快速/慢速磁带传输设置，只需一个按钮即可更改全局参数行为
混合控制器创造干净和颤抖的完美融合

6.WUNDERLICH
复古氛围和老派色调的缩影
WUNDERLICH 是 NEOLD，U2A 和 WARBLE 的创造者，他们的最佳状态 – 将罕见的模拟组件组合成一件独一无二的复古装备，在一个独特的彩盒插件中精心捕捉其所有模拟特征，让您的混音沉浸其中 复古氛围和低保真纹理 – 自 20 世纪 30 年代以来从未听说过。

WUNDERLICH 真空管饱和
WUNDERLICH 的名字来源于为硬件供电的 Arcturus 管。 这些极其罕见的蓝色真空管在 20 世纪 30 年代被用于专业广播设备。 WUNDERLICH 真空管因其温暖、永恒的音色而受到追捧。 它们提供丰富、真实的谐波，轻松融合驱动和压缩。

随时随地发挥模拟魔力
WUNDERLICH 真空管的声音不仅仅是一个华丽彩盒的名字，它贯穿整个装置。 它们为前置放大器阶段增添了温暖，使其非常适合为人声注入活力。 它们还有助于在 Vari-Mu 压缩器、经典 EQ 和板载混音器中创造流畅的风味和音乐性。 这些管子在所有这些部分之间创造了特殊的相互作用，使一切感觉如此令人难以置信的相似。

音色奇迹
无论您是制作采用永恒模拟设备开创的流派（例如 Motown），还是为说唱等现代风格添加低保真质感和老派魅力，还是为您的混音增添精品光泽 – 有了 WUNDERLICH，美好的事情就会发生。

特征：
带有 1932 年极为罕见的 WUNDERLICH 真空管声音的彩盒
WUNDERLICH 供电的前置放大器级、Vari-Mu 压缩器、经典 EQ 和板载混音器部分集成在一个老式装置中
琴桥行程控制可立即从现代色调转变为复古氛围
为该插件定制的同类模拟硬件的声音

7.OLDTIMER
OLDTIMER 完美捕捉了 60 年代 BBD 延迟和 70 年代数字系统的独特特质，并将其融入这款双拓扑延迟中。无缝融合这些定义年代的延迟，创造出独具特色的复古回声，并伴有令人沉醉的节奏感和空间感。

模拟与数字回声合二为一
OLDTIMER 远不止于此。它旨在融合——旋转拓扑控制旋钮，即可将模拟 BBD 的温暖与 70 年代数字延迟的闪耀光芒无缝融合。创造出全新的混合模拟/数字延迟，充满复古的个性、音色以及数字和模拟延迟的最佳属性。

正宗的标志性延迟
NEOLD 精心模拟了每款录音标志性产品的组件。从 BBD 的电容器到数字延迟的 AD/DA 随机存取存储器系统。将 Typology 旋钮旋转至最远，即可获得每款延迟的纯净音色。将它们设置为较短的延迟时间，为您的音轨增添复古录音棚设备的厚度和音色。

回响的复古律动
一套令人满意的控制功能，让您轻松创作完美定时的延迟效果。您可以创建独特的复节奏和律动，并随着每次重复而不断演变。延迟时间可在 10 毫秒到 2.5 秒之间调节。将 OLDTIMER 与您的 DAW 速度同步，以获得精准的节奏。

塑造空间和音调
OLDTIMER 让您轻松创作引人入胜的延迟效果。使用 Spread 功能可获得类似混响的模式，并增强聚焦和分离度。使用 Style 功能可进行交叉淡入淡出路由，范围从立体声到完全重叠的乒乓效果。在调制部分，您可以将正弦波与可调节深度和速度的随机波形混合。想要在您的曲目中添加一些配音？只需点击 Glitch 即可。您一定会爱上它。

特性：
双拓扑延迟引擎
引擎一：60 年代模拟 Bucket Brigade 延迟
引擎二：70 年代数字延迟系统
DAW 同步，延迟时间可调，范围从 10 毫秒到 2.5 秒。
多种延迟配置，包括混响效果、立体声路由和乒乓效果。
低通滤波器、高通滤波器和共振控制
可自定义波形的调制引擎
故障效果功能，带来 dub 风格的复古脆皮效果

8.RZ062
经典曲线
NEOLD RZ062 是对 20 世纪 60 年代传奇的西门子 Klangfilm 电子管均衡器的现代演绎，该均衡器以其录音史上最甜美的 EQ 曲线而闻名。在精简的立体声和中/侧矩阵中，您可以调节专用 Pivot 和 Presence 模块的精准平衡，为您的 DAW 通道、混音和母带提供与原版硬件相同的复古电子管音色塑造。

超强动力
富有表现力的控件让 EF804S 和 ECC81 电子管放大器完全由您掌控。Focus 功能可在奇数阶谐波的鲜活边缘和偶数阶谐波的平滑深度之间切换，提供细致入微的音色塑造。Drive 功能可为电子管提供高达 48 dB 的补偿增益，而 Mix 功能则可让您调节适量的干信号，从而获得精致的音色层次。

隽永经典
RZ062 突破了原版产品 2 dB 步进的局限性。经典模式保留，可进行大胆、精准的调整；此外，控制键也可切换为连续扫描模式，实现精准调节。EQ 和 Drive 可同时使用，也可单独使用，实现灵活的工作流程。从细微的人声美化到全面的混音提升——经典音色与现代精湛技艺的完美融合。

拥有珍贵的录音历史
西门子 Klangfilm Universalentzerrer（通用均衡器）于 20 世纪 50 年代末在德国设计，用于安装在调音台上，最初用于广播，用于消除不良的录音室声学效果以及撞击噪音或风吹等干扰。

在接下来的几十年里，RZ062 成为欧洲录音棚的可靠工具，其柔和的音色塑造和声音校正功能备受推崇，并被誉为有史以来音质最出色的电子管均衡器之一，尤其适用于人声和管弦乐母带处理。

如今，由于产量有限且设计复杂，原装 Klangfilm RZ062 单元极为稀有，单个模块售价数千美元——即便有售也如此。

特点：
忠实还原西门子 Klangfilm RZ062 均衡器
精心设计的立体声和 M/S 矩阵，配备 Pivot 和 Presence 模块
Focus 控制，可在奇次谐波和偶次谐波之间实现细致的饱和度塑造
内置 Mix 控制，用于并行处理（不常见，但在均衡器上非常有用）
灵活的路由功能，EQ 和 Drive 可同时或单独使用
可切换阶梯式或连续式 EQ 行为，带来真实的复古感或现代的精准度
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原文：
Included:
1.BIG AL———————The Power Saturator
2.U17————————classic compressor
3.U2A————————opto compressor plugin
4.V76U73——————–preamp and compressor
5.WARBLE——————-The Tape Modulator
6.WUNDERLICH————-A mojo machine for your whole mix
7.OLDTIMER—————–Blend two eras of delay for timeless vintage echoes
8.RZ062———————-Luxurious 1960s tube equalizer for beautifully tailored tone

1. NEOLD BIG AL
OVERVIEW
Unique Harmonics
BIG AL is a dual-stage tube saturator that offers a broad palette of marvelous sound flavors flowing from the interactive network within its transformer-coupled pre and power amp. Based on completely novel circuitry and authentic NOS components from the 1930s, the one-off analog hardware has been exclusively designed for this plugin.

Filter Freak
BIG AL’s frequency conditioning begins right in the EF9 preamp stage. The Low control is implemented as a Baxandall filter which allows adjusting saturation intensity around 100Hz in optional combination with boosting or cutting the bass at the same time.

The High control is an additional EQ band placed in front of the preamp tube. Its peaking filter boosts or cuts high-frequency content around 10kHz which is essential for inciting or taming BIG AL’s treble aggression potential.

Onboard Mods
A jumper matrix grants access to BIG AL’s core circuitry: Emphasis Shift, Bass Compensator and Voltage Sag provide powerful options for making complex changes to the distortion profile on the fly by inserting or pulling a few simple plugs.

The finishing spice is added by the AL4 power pentode and its output transformer, driven hot by the preamp stage. The result? A truly gorgeous kind of harmonic saturation that will always sound organic, musical, and bold.

FEATURES:
Tube saturator built around vintage components from the radio era
Uses pre and power tubes to generate sound coloration (‘The Power Saturator’)
Emulation based on a one-off hardware created exclusively for this plugin
Straight forward user interface spiced up with three jumpers for in-depth onboard mods
Very musical and analog sounding saturation and filters

2. NEOLD U17
The classic compressor from the golden era of analog design

Analog Heritage
In 1954, a truly unique compressor appeared on the scene: the U17. Built by Allgemeine Telefon-Fabrik in Hamburg for the NWDR broadcasting network, only a few dozen units of this exemplary analog masterpiece were manufactured, making this gem one of the rarest compressors ever built.

Crossing Bridges
The U17 combines a solid state diode bridge using Germanium crystal semiconductors with all-tube and massive transformer-coupled amplification – a most sophisticated hybrid design. The best of both worlds!

The original hardware was intended to provide gentle and unobtrusive compression, and the plugin offers just that in the most beautiful way… but it also adds a couple of serious setscrews, mutating the gentleman into a veritable two-face.

Dignified Power
A preceding soft clipper adds pleasant coloration while taming heavy transients before entering the actual compressor, which can blend from gentle and transparent to straight and aggressive operation with its powerful Torque control. In fact, the U17 combines everything we love about the golden era of analog design with a very modern and experienced approach to dynamics processing.

FEATURES:
Painstakingly modeled on legendary, extremely rare, analog studio hardware from 1954
Unique combination of a solid-state diode bridge with all-tube transformer-coupled amplification
Flexible and easy-to-use soft clipper combined with a vintage compressor
Torque control for blending from gentle and transparent to straight and aggressive
Auto modes for attack and release
Sidechain monitoring button

3. NEOLD U2A
An LA-2A-style opto compressor plugin with unique features

OVERVIEW
Add vintage optical compression to your mixes

The U2A is a unique LA-2A-style opto compressor plugin. It retains all the tone, bold minimalism, and beautiful nonlinearities that made the LA-2A famous while providing the control and flexibility that are necessary for modern music production. NEOLD’s U2A is great for vocals, bass, drums, and stereo buses.

Blend between different eras of optical compressors
Analog LA-2As can sound substantially different from one another depending on age, components, and condition. Everyone has their favorite era; while some 2A plugins try to address this by offering alternate models, the NEOLD U2A takes it further. Thanks to the unique “Aging” knob, you can continuously vary the character from that of a freshly serviced unit with a new opto cell to an age-old vintage device in its original, unaltered state.

Apply LA-2A style compression to more sources than ever
The U2A compressor modernizes the classic 2A design by adding a “Recovery” control for adaptable release times. It also features a “Drive” knob, which independently adjusts saturation, allowing for precise coloration without affecting the amount of compression applied. This makes the NEOLD U2A more versatile and easier to use than a classic LA-2A, catering to a broad range of sound sources.

Control your mix with advanced digital features
In addition to these unique features, the NEOLD U2A offers features that no plugin rendition of an LA-2A would be complete without. There’s an R37 sidechain filter control for adjusting the frequency emphasis of the compressor, a Mix knob to help you find the perfect blend of compression, A/B/C/D comparison options, and an extensive library of factory presets.

Get the sound of a hardware compressor in the box
Everything else about the U2A offers exactly what you’d expect from a real hardware LA-2A. The component-level modeling from NEOLD nails the gorgeous character and smooth response of the original HA-100x input transformer, T4B opto cell, and 12AX7 and 6AQ5 vacuum tubes. Whether using it for gentle compression, hard limiting, or just a bit of drive, the U2A provides the character you want with the flexibility you need.

FEATURES:
Warm and open optical compression sound
Toggle between compression and limiting
Adjust the compressor’s frequency emphasis
Blend between a freshly serviced and beautifully aged unit
Adjust recovery time for added versatility
Control saturation separately from compression
Apply parallel compression using a single knob

4. NEOLD V76U73
The legendary 1950’s German preamp and compressor

OVERVIEW
A Piece of German audio history
Capture the vibe of one of the richest sounding tube preamps and compressors. The NEOLD V76U73 is an emulation of the Telefunken V76 and U73, which are legendary pieces of audio history. The V76 preamp was designed with nearly unlimited funding from the German government and has enhanced countless songs from the 1950s until today. With the nickname “The German Fairchild,” the U73 compressor/limiter used a variable mu design that made it incredibly popular with mastering engineers in Europe until 1980 when it was discontinued.

Get rich low end and smooth highs
With a rich and enchanting low end, along with some of the smoothest highs you’ll ever hear, it’s no wonder that the original V76 preamps have all been snatched up for top dollar by high-end studios and collectors all around the world. Simply running signals through these devices without moving a single knob can bring new life and dimension to just about any signal. The U73 compressor/limiter builds on this tone, adding exceptionally smooth-sounding “variable mu” dynamic control.

Create your own tube mixing console
Have you ever dreamt of owning a 1960’s tube mixing console? Now you can. Apply an instance of the V76U73 to all of your instrument tracks and busses to achieve a compelling old-school vibe. Enchant vocals, guitars, basses, drums, and synths with rare vintage tones and dynamic control.

A faithful emulation with extra features
The V76U73 is a painstakingly accurate emulation of the real analog circuits of both the V76 and U73. While the plugin honors the straightforward simplicity of the original modules, it also provides some features and optimizations that are only possible in plugin form. There’s a resizable GUI, four layouts that you can manipulate and use to conduct A/B comparisons, a sidechain filter, Mix knob, and a stereo mode selector.

The first of a new brand
Designed by Dominik Klaßen, Roger Schult, and Reimund Dratwa—the masterminds behind the groundbreaking Phil’s Cascade plugin from elysia—this is the first entry in the new pro audio plugin brand NEOLD, a line devoted to seamlessly bringing the best-untapped resources of the analog world into the digital domain.

FEATURES:
A faithful model of the V76 preamp and U73 compressor/limiter.
Powerful high- and low-pass filters for broad and musical tone shaping.
A unique “linear function” to capture the textures of the V76 without its traditional band-limited frequency response.
The addition of a sidechain filter, Mix knob, and stereo mode selector.
Automatic gain compensation for adding saturation and pleasing harmonics without level jumps.
Incredibly simple operation that provides immediate results.

5. NEOLD WARBLE
The Tape Modulator

Organic Mojo
Welcome to the ultimate vintage tape modulation & lo-fi effect: WARBLE. With ease, it makes everything you throw at it sound special, warm, and analog. Its three main effect engines can be used by themselves or in combination with each other, thus bridging the gap between ease of use and seamless versatility.

New Old
The Modulation Block generates characteristic lush movement layers from wow as well as more irregular and wiggly sounds resulting from flutter. The wide parameter ranges and additional speed controls trigger anything from wide dimensionality to pulsating grit.

WARBLE’s Aging Section celebrates all the beautiful goodies of magnetic tape – bandwidth reduction, beautiful harmonics or noise and crinkle textures. With this powerful device, you can quickly achieve a wide variety of inspiring, nostalgic and musical landscapes.

Resonance Peaks
The Filter Stage offers high and low cut controls with individual resonance modifiers. In addition to technical correction, this also allows for dramatic signal shaping that ranges from dark ground swells of low end to thinned out radiophonic sounds.

WARBLE delivers a thrilling sonic journey through the world of tape modulation, flanger & chorus effects, and THD injection. In addition, it offers a great approach towards signal aging, noise floor/crackle generation and filtering with resonance capabi

FEATURES:
Authentic tape modulation block with wide-range Wow/Flutter plus individual Speed controls
Comprehensive tone-shaping block with highly integrated Dirt, Age, and Noise parameters
Hi-Cut and Lo-Cut filter section with individual resonance controllers
Fast/Slow tape transport settings for changing global parameter behavior with a single button
Mix controller to create the perfect blend of clean and warbly

6.WUNDERLICH
The epitome of vintage vibes and old-school tones
WUNDERLICH is NEOLD, the creators of U2A and WARBLE, at their best – combining rare analog components into a one-of-a-kind piece of vintage gear, meticulously capturing all its analog character in a unique color box plugin that drenches your mixes in vintage vibes and lo-fi textures – not heard since the 1930s.

WUNDERLICH vacuum tube saturation
WUNDERLICH takes its name from the Arcturus tubes that power the hardware. These ultra-rare blue vacuum tubes were used in professional broadcast equipment in the 1930s. WUNDERLICH vacuum tubes are sought after for their warm, timeless tone. They offer rich, authentic harmonics that merge drive and compression effortlessly.

Analog mojo wherever it’s needed
Much more than a name for a gorgeous color box, the sound of WUNDERLICH vacuum tubes runs through the whole unit. They add warmth to the preamp stage, making it perfect for breathing life into vocals. They also help create the smooth flavor and musicality in the Vari-Mu compressor, classic EQ, and onboard mixer. These tubes create special interactions between all these sections, making it all feel so incredibly analog.

A tone marvel
Whether you’re producing genres pioneered with timeless analog equipment, like Motown, adding lo-fi textures and old-school charm to modern styles like rap, or boutique gloss to your mixes – with WUNDERLICH, beautiful things are going to happen.

FEATURES:
A color box with the sound of ultra-rare WUNDERLICH vacuum tubes from 1932
WUNDERLICH-powered preamp stage, Vari-Mu compressor, classic EQ, and onboard mixer section in one vintage unit
Bridge travel control for instantly shifting from contemporary tones to retro vibes
The sound of one-of-a-kin piece of analog hardware custom-built for this plugin

7.OLDTIMER
OLDTIMER perfectly captures the unique characteristics of 60s bucket brigade delay (BBD) and 70s digital systems in one dual-topology delay. Seamlessly blend these decade-defining delays to create characterful vintage echoes with entrancing rhythmic and spatial effects.

Analog and digital echo as one
OLDTIMER is so much more than two in one. It is made to merge – turning the topology control seamlessly blends the warmth of analog BBD with the shimmering sparkle of 70s digital delay. Create new hybrid analog/digital delays, full of vintage character, tone and the best attributes of digital and analog delay.

Authentic iconic delays
NEOLD has painstakingly modelled the components of each recording icon. From the capacitors of the BBD, to AD/DA random access memory system of the digital delay. Turn the Typology control all the way to get the pure sound of each delay. Set them to short delay times to add thickness and tone of vintage studio gear to your tracks.

Echoing vintage grooves
A satisfying suite of controls makes it fun to create perfectly timed delays. Create unique polyrhythms and grooves with accents that evolve with each repetition. Adjust delay times from 10 ms to 2.5 seconds. Tempo sync OLDTIMER with your DAW tempo for rhythmic precision.

Shape space and tone
OLDTIMER makes it easy to create captivating delay effects. Use Spread for reverb-esque patterns and greater focus and separation. Turn Style for crossfaded routing ranging from stereo to fully overlapping ping pong effects. Blend sine into random waveforms with adjustable depth and speed in the modulation section. Want some dub in your tracks? Just hit Glitch. You’ll love it.

Features：
Dual-topology delay engine
Engine one: 60s analog bucket brigade delay
Engine two: 70s digital delay systems
DAW sync and adjustable delay times from 10 ms to 2.5 seconds.
Versatile delay configurations including reverb-like, stereo routing, and ping pong effects.
Low-pass filters, high-pass filters and resonance controls
Modulation Engine with customizable waveforms
Glitch Function for dub-style vintage crunch

8.RZ062
Classic curves
The NEOLD RZ062 is a modern reimagining of the legendary 1960s Siemens Klangfilm tube equalizer, celebrated for some of the sweetest EQ curves in recording history. Dial in a beautifully tailored balance of the dedicated Pivot and Presence modules within a streamlined stereo and mid/side matrix, delivering the same vintage tube tone-shaping as the original hardware to your DAW channels, mixes and masters.

Supercharged
Expressive controls put the EF804S and ECC81 tube amps at your command. Focus shifts the character between the lively edge of odd-order and the smooth depth of even-order harmonics, offering nuanced tonal shaping. Drive pushes the tubes with up to 48 dB of compensated gain, while Mix lets you dial in just the right amount of dry signal for refined tonal layering.

Timeless class
The RZ062 overcomes the original unit’s coarse 2 dB step limitations. While classic mode remains for bold, deliberate moves, the controls can also be switched to continuous sweeps for precise adjustments. EQ and Drive can be used together or split for flexible workflows. From subtle vocal sweetening to full mix lifts—classic tone meets modern finesse.

Own a rare piece of recording history
Designed in Germany in the late 1950s for installation in mixing consoles, the Siemens Klangfilm Universalentzerrer (universal equalizer) was originally intended for broadcast, being used to eliminate undesired studio acoustics and disturbances like impact noise or wind flutter.

In the following decades, the RZ062 became a trusted tool in European recording studios, valued for its gentle tonal shaping and sound correction, and gaining a reputation as one of the finest-sounding tube equalizers ever made, especially prized on vocals and for mastering orchestral recordings.

Today, original Klangfilm RZ062 units are extremely rare due to their limited production and complex design, and command several thousand dollars per module—should they appear for sale at all.

Features:
Faithful recreation of the Siemens Klangfilm RZ062 equalizer
Curated stereo and M/S matrix with both Pivot and Presence modules
Focus control for nuanced saturation shaping between odd and even harmonics
Onboard Mix control for parallel processing (not common but very useful on EQs)
Flexible routing with EQ and Drive usable together or independently
Switchable stepped or continuous EQ behavior for authentic vintage feel or modern precision

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