Red Rock Sound All Plug-ins Bundle v2026.01.06_WIN-SEnki

红岩音频插件套装Red Rock Sound All Plug-ins Bundle 2026
VST插件格式：
VST/VST3/AAX

Red Rock Sound All Plug-ins Bundle 2026 是一款专业音频插件合集，包含均衡器、压缩器、激励器、限幅器等经典硬件仿真工具，支持沉浸式音频制作，助力高效混音。

Red Rock Sound 是一家专注于音频插件开发的公司。该公司致力于为专业音乐制作人和音频工程师提供高质量、功能强大的音频处理工具，以帮助他们实现独特的音乐创意和声音设计。
Red Rock Sound 提供的插件产品涵盖了均衡器、压缩器、混响效果器、调制等多个音频处理领域。这些插件以模拟经典硬件设备为基础，结合了现代数字音频技术的优势，为用户提供了丰富的声音处理选项。

翻译：
包含美国经典套装、英国经典套装、蓝色均衡器套装、增强器套装、Ivoks、SA360、EQ302mc、SA60、uniQ2、Inspirer、富士限制器。

包含：
1. RRS AQ550————————-均衡器插件
2. RRS AQ550b———————–均衡器插件
3. RRS AQ560————————-均衡器插件
4. RRS Bass Enhancer—————–低音增强插件
5. RRS BQ-A—————————-均衡器插件
6. RRS Comp 609———————压缩器插件
7. RRS EQ3—————————–均衡器插件
8. RRS EQ173—————————均衡器插件
9. RRS EQ302mc———————–均衡器插件/饱和器插件
10.RRS EQP-1A————————-均衡器插件
11.RRS Exciter————————–激励器插件
12.RRS Fuji Limiter———————限制器插件
13.RRS Fuse Stereo Image————立体声扩展插件
14.RRS Inspirer————————-激励器插件
15.RRS Ivoks—————————-电音合成器插件
16.RRS MEQ-5————————-均衡器插件
17.RRS Passive EQ Collection——–均衡器插件
18.RRS PUNCH————————-通道条插件
19.RRS SA60mc————————-分析仪插件
20.RRS SA360————————–分析仪插件/ 均衡器插件
21.RRS uniQ 2————————-均衡器插件/饱和器插件

1. RRS AQ550
AQ550 三段均衡器
AQ550 忠实地捕捉了 20 世纪 60 年代末标志性美式均衡器的冲击力、低频透明度和超精准的声像定位。
它利用比例 Q 值，在最小设置下直观地拓宽滤波器带宽，在较高设置下则收窄带宽，无需额外的带宽控制。
这一独特的功能最大限度地减少了许多均衡器中常见的“相位偏移”声音。
AQ550 提供 21 个互易均衡点，每个均衡点以 5 级增益进行提升，最大增益可达 12 dB。
这 21 个均衡点分为三个重叠的频段。
高频和低频频段可以分别选择为峰值或搁架式，并且可以独立于所有其他选定的均衡设置插入带通滤波器。频率范围和增益/衰减通过开关选择，一个按下“IN”按钮即可将均衡器静默地引入信号路径。一个小型拨动开关用于将带通滤波器插入 AQ550。
AQ550 扩展了原硬件的功能，并将数字世界的灵活性与模拟处理的特性相结合。AQ550 插件从零开始设计，旨在快速高效地处理中/侧、立体声以及沉浸式混音环境中的对象和背景（固定通道）。

2. RRS AQ550b
AQ550b 四段均衡器
AQ550b 基于 20 世纪 60 年代末的经典美式均衡器，是对在音乐录音史上扮演重要角色的均衡器的延续，但增加了一个滤波器频段和几个新的频率。 AQ550b 拥有令人惊叹的丰富音色变化，是一款极具价值的专业音频工具，兼具极高的灵活性和卓越的音质表现。
AQ550b 并未提供大量复杂的功能，而是恰到好处地提供了恰到好处的控制选项。其四个均衡频段重叠显著，兼具解决问题和润色音色的双重功能，每个频段均提供七个可切换的滤波器频率，跨越四到五个八度。这些频率经过精心挑选，
旨在营造音乐性而非单纯的数值感。比例 Q 值功能可在最小设置下直观地拓宽滤波器带宽，在较高设置下则缩小带宽，无需额外的带宽控制。这一独特的功能最大限度地减少了许多均衡器中常见的“相移”音。
AQ550b 扩展了原硬件的功能，并将数字世界的灵活性与模拟处理的特性完美融合。 AQ550b 插件从零开始设计，旨在快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象和背景（固定通道）。

3. RRS AQ560
AQ560 10 段图示均衡器
AQ560 基于 60 年代末经典的美国均衡器，这款 10 段图示均衡器具有精准的滤波和高动态余量，是信号增强的理想之选。
其曲线塑形潜力无与伦比，独特的比例 Q 值设计能够直观地在较低的提升/衰减级别下拓宽滤波器带宽，并在较高的设置下收窄带宽。
当您需要对频谱的较大部分进行均衡调整，而不是局限于某个特定区域时，AQ560 非常实用。同时提升或衰减多个频段将彻底改变音轨的声音，无论是需要增强低频的单薄无力的军鼓，还是需要提升人声清晰度的沉闷人声。
AQ560 扩展了原硬件的功能，并将数字世界的灵活性与模拟处理的特性相结合。AQ560 插件从零开始设计，旨在快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象和背景（固定通道）。

4. RRS 低音增强器
沉浸式低音增强器
您的低音听起来是否沉闷无力？Red Rock Sound 低音增强器将是您弥补这一缺陷的理想之选。
低音增强器利用心理声学原理计算精确的谐波。当这些谐波与原始谐波结合时，便能产生更低沉、更深沉的频率效果。
低音增强器用于精准地定位和增强低频素材：从人声到贝斯和鼓，都能增添力度和精准度。
低音增强器扩展了原硬件的功能，并将数字世界的灵活性与模拟处理的特性相结合。这款低音增强插件从零开始设计，旨在快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象和背景（固定通道）。

5. RRS BQ-A
BQ-A 四段均衡器
BQ-A 均衡器基于 70 年代经典的英式均衡器设计。它拥有令人惊叹的丰富音色变化，是一款极具价值的专业音频工具，兼具极高的灵活性和卓越的音质表现。
均衡器主面板可同时处理四个频段，并可切换至以下四个频段之一：低频滤波器（搁架式）：50、80、100、150 Hz；低中频滤波器（钟形）：250、500、1kHz、2kHz；高频中频滤波器（钟形）：3kHz、5kHz、7kHz、9kHz；高频滤波器（搁架式）：8kHz、10kHz、12kHz、15kHz。
EQ 部分的末端排列着三个 18 dB/倍频程的高通滤波器和三个 12 dB/倍频程的低通滤波器。它们的独特之处在于，这些开关可以同时按下，从而提供具有独特滤波曲线的切频组合。
BQ-A 扩展了原硬件的功能，并将数字世界的灵活性与模拟处理的特性相结合。BQ-A 插件从零开始设计，旨在快速高效地处理中/侧、立体声以及沉浸式混音环境中的对象（固定声道）。

6. RRS Comp 609
Comp 609 沉浸式动态处理器
Red Rock Sound Comp 609 重现了 70 年代硬件压缩器的声音。这款动态处理器拥有辨识度极高的音乐冲击力，在世界各地的无数唱片中都能听到。它从零开始设计，旨在快速高效地处理中/侧、立体声以及沉浸式混音环境中的对象（固定声道）。

7. RRS EQ3
EQ3 六段均衡器
在 80 年代，它率先采用了一种不同的音调调节方法。传统的模拟均衡器，无论是搁架式、扫频式、图形式还是参数式，都是通过添加或减去带通滤波器来提升或衰减音频频谱的不同部分。而 EQ3 则通过对带通滤波器进行求和来实现频率塑形。我们对这种方法的模拟与原始方法非常相似，并利用数字技术的更多功能进行了改进。现在，您可以亲自体验一下。
它包含五个宽广且相互重叠的频段：10（超低频）、40、160、650 和 2.5 kHz，以及一个“摇滚（空灵）频段”控制，该控制仅用于提升高频。
使用 EQ3 时，请记住这些频段很宽，大约为两个八度。它们彼此重叠。例如：当将 10 kHz 的“摇滚频段”旋钮提升至 +6 位置时，为了保持 2.5 kHz 频段的响应平坦，您应该将 2.5 kHz 的粗调旋钮旋转至大约 -1 位置。当然，您需要根据听感来调整 2.5 kHz 旋钮的调整量。遵循这种方法可以获得更通透、更清晰的声音。
您可以使用相同的原理来调整低频响应。EQ3 能够以最小的相位失真，将您以往听到的低频下潜更深。
因此，您可能需要花一些时间“摸索”EQ3 上的各种控制旋钮，才能进行直观的调整。
EQ3 扩展了原硬件的功能，并将数字世界的灵活性与模拟处理的特性相结合。EQ3 插件从设计之初就旨在快速高效地处理中/侧、立体声以及沉浸式混音环境中的对象和基础声道（固定声道）。

8. RRS EQ173
EQ173 前置放大器和均衡器
Red Rock Sound EQ173 基于 1970 年推出的经典 A 类晶体管麦克风/线路放大器，配备均衡器，完美诠释了美妙音质，拥有无与伦比的清晰度、光泽和力度。
EQ173 插件专为快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象和背景（固定通道）而设计，可节省时间并避免繁琐的手动调整。

9. RRS EQ302mc
EQ302 32段均衡器
Red Rock Sound EQ302 是一款32段均衡器，可在16 Hz至20 kHz的频率范围内，以1/3倍频程为步长，提供12 dB的衰减或提升。
图形均衡器是任何音频系统中至关重要的组件。所有信号都会经过它，因此均衡器的任何限制都会影响整个系统的性能。例如，设计不佳的均衡器可能会引入严重的相位失真、噪声以及其他与中心频率精度、滤波器形状和衰减精度相关的异常，这些都可能导致系统整体音质的下降。显然，这种情况是不可接受的，但幸运的是，您选择使用 Red Rock Sound EQ302 图形均衡器将消除这些问题，为您提供前所未有的产品性能，以及业内最高的滤波器校准和可靠性标准。
需要注意的是，图形均衡并非总能解决所有与频率响应相关的问题。在某些应用中，为了克服极其棘手的响应异常或窄带反馈问题，需要能够对特定频率或特定带宽（而非均衡器指定的带宽）进行衰减和提升。

10. RRS EQP-1A
EQP-1A 沉浸式程序均衡器
EQP-1A 是一款经典的程序均衡器插件，专为快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象（固定声道）而设计，可助您节省时间，避免繁琐的手动调整。
EQP-1A 基于 20 世纪 60 年代的经典程序均衡器，其原型均衡器以其独特的同时提升和衰减相同频率的能力而闻名，从而创建谐振架。EQP-1A 忠实地模拟了原硬件中结构复杂的变压器和电子管放大器。

11. RRS Exciter
沉浸式 Exciter
Red Rock Sound Exciter 插件能够以比均衡器更自然的方式提升信号的音质。与仅提升现有谐波的传统均衡器不同，Exciter 会生成额外的谐波，因此不会提升输出信号电平，从而保持清晰平衡的声音。
Exciter 扩展了原有硬件的功能，并将数字世界的灵活性与模拟处理的特性相结合。Exciter 插件从零开始设计，旨在快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象和背景（固定通道）。

12. RRS Fuji Limiter
沉浸式 Fuji Limiter
Red Rock Sound Fuji 插件是一款高级电平最大化器和前瞻峰值限制器，它能够帮助母带工程师提升音频文件的分辨率，并提高立体声和沉浸式混音中的母带电平。
尽管富士限制器可以处理多通道总线，但其控制方式与传统的单通道或双通道限制器一样简单易用。

13. RRS Fuse 立体声图像
FUSE 立体声图像
RRS FUSE 立体声图像专为立体声场的空间操控而开发。
其概念源于 EMI 工程师 Alan Blumlein 于 1931 年发明的现代立体声：立体声混音。

14. RRS Inspirer
Inspirer 沉浸式音频激励器
Red Rock Sound Inspirer 插件旨在满足当代沉浸式音乐混音中对最大声压级的日益增长的需求。
虽然许多现有技术依赖于压缩和限制来增强调制并创造激动人心的声音，但 Inspirer 更进一步。它可以提升几乎任何音频素材的响度，无论其先前是否经过压缩或动态范围限制。此外，Inspirer 还能赋予声音模拟调音台特有的温暖感和独特韵味。使用 Inspirer 插件，您可以节省时间，避免繁琐的手动操作。该插件从设计之初就旨在快速高效地处理沉浸式混音环境中的中/侧声道、立体声以及对象和背景（固定声道）。

15. RRS Ivoks
Ivoks 电子音乐合成器
Red Rock Sound 出品的 Ivoks 电子音乐合成器，其设计风格仿照 20 世纪 80 年代的苏联合成器。
中央面板上有两个音频振荡器：
OSC1 提供频段调节、五种波形以及 LFO 调制电平控制，此外还包含 OSC2 的交叉调制控制；
OSC2 提供相同的频段和波形，以及独立的调制深度控制和失谐控制。
下方是混音器，提供两个振荡器、噪声发生器和饱和驱动的电平控制。
右侧是滤波器模块。上半部分是标准的 ADSR 包络——直到您拨动“包络模式”开关，它才会变成重复的 AD 包络。底部的四个旋钮分别调节截止频率、共振、低通/带通切换、调制电平和包络电平。
滤波器之后是放大器模块，它也带有 ADSR 包络，以及调制电平和力度灵敏度控制。同样，包络可以切换到重复模式，生成由起音和衰减​​设置决定的三角波形，从而提供乐器一些最具特色的效果。
最左侧的面板包含调制（LFO）控制（顶部）、模式（提供四种波形，包括噪声）、用于采样保持 (S&H) 效果的步进功能以及速度控制。
此外还有一些全局设置，例如主音调、主音量、连奏模式、单音和复音操作、齐奏开关以及滑音控制。

预设创建指南
为了使预设在列表中正确显示在相应的子组中，请在预设名称前添加前缀。

例如：
BASS_
FX_
POLY_
USER_
等等。
预设必须保存到出厂预设文件夹中。

16. RRS MEQ-5
MEQ-5 中频均衡器
MEQ-5 基于 70 年代的经典中频均衡器，配备两段中频提升和一段中频衰减，能够充分发挥吉他和人声在混音成败关键区域的潜力。
HLF-3C 完善了 MEQ-5 插件的功能。该插​​件拥有 12 dB/倍频程的低切和高切滤波器，可提供宽广的复古音色塑造或昔日特效，且避免了无源硬件常见的插入损耗问题。
MEQ-5 插件专为快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象（固定通道）而设计，助您节省时间，避免繁琐的手动调整。

17. RRS 被动式均衡器合集
趣闻：
被动式均衡器合集曾用于 Aaron Lazar 专辑《Impossible Dream》的混音。
该专辑于 2024 年 9 月荣登 Billboard 古典跨界专辑榜第二名。
该专辑于 2024 年 11 月获得格莱美奖“最佳传统流行演唱专辑”提名。
被动式均衡器合集沉浸式体验
EQP-1A 基于 60 年代的经典程序均衡器，其原型均衡器以其独特的同时提升和衰减相同频率的能力而闻名，从而营造出共振架式效果。EQP-1A 忠实地模拟了原版硬件中笨重的变压器和复杂的电子管放大器。
MEQ-5 基于 70 年代的经典中频均衡器，配备两段中频提升和一段中频衰减，能够充分发挥吉他和人声在混音成败关键区域的“能量区”优势。
HLF-3C 完善了被动式均衡器系列。这款插件拥有 12 dB/倍频程的低切和高切滤波器，可提供宽广的复古音色塑造或昔日特效，且避免了无源硬件常见的插入损耗问题。
被动式均衡器系列插件专为快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象（固定通道）而设计，助您节省时间，避免繁琐的手动调整。

18. RRS PUNCH
PUNCH 沉浸式通道条
PUNCH 融合了模拟通道条的高效设计和浑然一体的声音，以及只有数字技术才能提供的丰富音色和灵活的声音塑造能力。
PUNCH 插件从设计之初就旨在快速高效地处理沉浸式混音环境中的中/侧、立体声以及对象和基础（固定通道），助您节省时间，避免繁琐的手动操作。

19. RRS SA60mc
SA60 实时 1/3 倍频程频谱分析仪
Red Rock Sound SA60 实时 1/3 倍频程频谱分析仪将易用性、精确性和多功能性完美融合于一台经济可靠的设备中。其界面以经典的 DN60 频谱分析仪为蓝本，DN60 最初开发于 1980 年。

20. RRS SA360
SA360 沉浸式频谱分析仪
SA360 实时 1/3 倍频程频谱分析仪和 EQ302 32 段图形均衡器
将易用性、精确性和多功能性完美融合于一台经济可靠的设备中。
SA360 扩展了原有硬件的功能，并将数字世界的灵活性与模拟处理的特性相结合。 SA360 插件从零开始设计，旨在快速高效地处理中/侧、立体声以及沉浸式混音环境中的对象和背景（固定通道）。

21.RRS uniQ 2
uniQ 2 多模式滤波器
使用 uniQ 2，您可以随心所欲地组合传奇均衡器的滤波器，构建模拟饱和度，获得独一无二的原始音色。
uniQ 2 是终极均衡器工具包，包含不同的均衡器类型和滤波器形状，让您在不受限制且功能多样的数字环境中享受模拟音色的极致体验。
每个频段都可以在钟形、搁架式、低通或高通滤波器类型之间切换，因此您可以根据当前任务创建所需的均衡器。
uniQ 2 插件从零开始设计，
旨在快速高效地处理中/侧、立体声以及沉浸式混音环境中的对象和背景（固定通道），助您节省时间，避免繁琐的手动操作。
————————————————————————————————————
原文：
Includes American Classics Bundle, British Classics Bundle, Blue EQ Bundle, Enhancer Bundle, Ivoks, SA360, EQ302mc, SA60, uniQ 2, Inspirer, Fuji Limiter.

Includes:
1.RRS AQ550
2.RRS AQ550b
3.RRS AQ560
4.RRS Bass Enhancer
5.RRS BQ-A
6.RRS Comp 609
7.RRS EQ3
8.RRS EQ173
9.RRS EQ302mc
10.RRS EQP-1A
11.RRS Exciter
12.RRS Fuji Limiter
13.RRS Fuse Stereo Image
14.RRS Inspirer
15.RRS Ivoks
16.RRS MEQ-5
17.RRS Passive EQ Collection
18.RRS PUNCH
19.RRS SA60mc
20.RRS SA360
21.RRS uniQ 2

1.RRS AQ550
AQ550 3-Band Equalizer
The AQ550 faithfully captures the punch, low-frequency transparency, and ultra-tight imaging
of iconic American EQs of the late 1960’s.

Making use of Proportional Q intuitively widens the filter bandwidth at minimal settings and
narrows it at higher settings without the need for additional bandwidth controls. This unique
feature minimizes the «phase-shift» sound found in many equalizers.

The AQ550 provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of
12 dB of gain at each point. The 21 equalization points are divided into three overlapping
ranges. The high and low frequency ranges are individually selectable as either peaking or
shelving, and a band-pass filter may be inserted independently of all other selected
equalization settings. Frequency ranges and boost/cut are selected by switches, and a
pushbutton «IN» switch allows the EQ to be silently introduced to the signal path. A small
toggle switch is used to insert the band-pass filter into the AQ550.

The AQ550 extends the features of the original hardware and joins the flexibility of the digital
world to the character of the analog processing. The AQ550 plugin designed from the ground
up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of
immersive mixing environments.

2.RRS AQ550b
AQ550b 4-Band Equalizer
Based on Classic American EQ from the late ’60s, the AQ550b is a continuation of the EQ
that played a major role in the history of music recording, but with an additional filter band
and several new frequencies. With a surprisingly wide range of tonal variations, the AQ550b
is an invaluable and professional audio tool with great flexibility and excellent sonic ability.

Rather than offer a huge assortment of complex features, the AQ550b provides exactly the
right number of controls. Its four EQ bands are overlapped significantly to aid in dual roles as
problem solver and sweetening device with each band offering seven switchable filter
frequencies that span four-to-five octaves. These frequencies, purposely selected to be
musical rather than numeric.

Making use of Proportional Q intuitively widens the filter bandwidth at minimal settings and
narrows it at higher settings without the need for additional bandwidth controls. This unique
feature minimizes the «phase-shift» sound found in many equalizers.

The AQ550b extends the features of the original hardware and joins the flexibility of the
digital world to the character of the analog processing. The AQ550b plugin designed from the
ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed
channels) of immersive mixing environments.

3.RRS AQ560
AQ560 10-Band Graphic Equalizer
The AQ560 based on Classic American EQ from the late ’60s, the 10-Band graphic equalizer
features precision filtering and high headroom, ideal for signal enhancement.

The curve shaping potential is unmatched, while unique Proportional Q design intuitively
widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings.

The AQ560 is handy when you need to make EQ adjustments on larger parts of the spectrum
instead of a restricted area. Boosting or cutting several bands at once will radically alter the
sound of a track, be it a thin, weak snare that needs low end or a dull vocal that needs to be
opened up.

The AQ560 extends the features of the original hardware and joins the flexibility of the digital
world to the character of the analog processing. The AQ560 plugin designed from the ground
up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of
immersive mixing environments.

4.RRS Bass Enhancer
Bass Enhancer Immersive
Does your bass sound dull and lifeless? Red Rock Sound Bass Enhancer will be your choice to correct this deficiency.

Bass Enhancer uses psycho-acoustics to calculate precise harmonics. When these harmonics are combined with the original ones, it creates the effect of lower, deeper frequencies.

Bass Enhancer is used to accurately target and accentuate low frequency material: from vocals to bass guitar and drums — adding both heft and precision.

The Bass Enhancer extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. The Bass Enhancer plugin designed from the ground
up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

5.RRS BQ-A
BQ-A 4-Band Equalizer
The BQ-A based on Classic British EQ from the ’70s. With a surprisingly wide range of tonal variations, the BQ-A is an invaluable and professional audio tool with great flexibility and excellent sonic ability.

The main of the EQ section allows four frequencies at any one time, switchable to one of four frequencies: Low Filter (Shelf): 50, 80, 100, 150 Hz; Low-Mid Filter (Bell): 250, 500, 1k, 2k Hz; High-Mid Filter (Bell): 3k, 5k, 7k, 9k Hz; High Filter (Shelf): 8k, 10k, 12k, 15k Hz.

A series of three high pass filters at 18 dB per octave and three low pass filters at 12 dB per octave are arranged at the ends of the EQ section. They are unique in that the switches can be pushed in simultaneously, offering distinct cut filter combinations with unusual filter curves.

The BQ-A extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. The BQ-A plugin designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

6.RRS Comp 609
Comp 609 Immersive Dynamics
Red Rock Sound Comp 609 recreates sound of the hardware compressor from ’70s. This dynamics processor packs a recognizable musical punch heard on countless records around the world. Designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

7.RRS EQ3
EQ3 6-Band Equalizer
In the ’80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself.

There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control.

When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity.

You can accomplish the same thing for the low frequency response by applying the same principles. The EQ3 will reach further into your mix than you’ve ever heard before with minimal phase distortion.
As a result, you may need to take a little time and «play around» with the controls on the EQ3 before you can make intuitive adjustments.

The EQ3 extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. The EQ3 plugin designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

8.RRS EQ173
EQ173 Preamp & EQ
Red Rock Sound EQ173 is based on introduced in 1970, this hallowed class-A, transistor
mic/line amp with EQ epitomizes the beautiful sound, with unparalleled clarity, sheen and
bite.
Save time and avoid tedious manual workarounds with EQ173 plug-in designed from the
ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed
channels) of immersive mixing environments.

9.RRS EQ302mc
EQ302 32 Band Equaliser
Red Rock Sound EQ302 is a 32 band equaliser offering 12 dB of cut or boost in 1/3 octave steps between the frequencies of 16 Hz and 20 kHz.

The graphic equaliser is a vital component in any audio system. The entire signal passes through it and so any limitations imposed by the equaliser will compromise the performance of the whole system. For example, an indifferently designed equaliser may introduce severe phase distortion, noise and other anomalies related to centre frequency accuracy, filter shape and attenuation accuracy which may manifest themselves as an overall deterioration in the perceived sound quality of the system. Clearly, this is an unacceptable state of affairs, but fortunately your choice to utilise a Red Rock Sound EQ302 Graphic Equaliser will eliminate these problems, offering you unprecedented product performance coupled with the highest filter calibration and reliability standards in the industry.

It should be noted that graphic equalisation cannot always overcome all frequency response related problems. There are applications where the ability to cut and boost the response at a particular frequency, or over a certain bandwidth other than the equaliser specified one, is required to overcome exceptionally difficult response anomalies or narrow band feedback problems.

10.RRS EQP-1A
EQP-1A Immersive Program Equalizer
Save time and avoid tedious manual workarounds with EQP-1A, Classic Program Equalizer plugin designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

The EQP-1A based on Classic Program Equalizer from the ’60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the EQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware.

11.RRS Exciter
Exciter Immersive
The Red Rock Sound Exciter will allow you to improve and enhance sonic quality of signal more naturally than with equalization. Unlike traditional EQ that just turns up the existing harmonics, Exciter generates additional harmonics, therefore there is no boost in the output signal level, this maintains a clear and balanced sound.

The Exciter extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. The Exciter plugin designed from the ground
up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

12.RRS Fuji Limiter
Fuji Immersive Limiter
The Red Rock Sound Fuji plug-in is an advanced level maximizer and lookahead peak limiter
that enables mastering engineers to enhance sound file resolution and boost production
master levels in both stereo and immersive mixes.

Even though the Fuji Limiter can handle multi-channel buses, its controls are as easy to use
as traditional one- or two-channel limiters.

13.RRS Fuse Stereo Image
FUSE STEREO IMAGE
The RRS FUSE Stereo Image developed for spatial manipulation of the stereo field.
Based on a concept that has roots in EMI engineer Alan Blumlein’s invention of modern stereo in 1931: Stereo Shuffling.

14.RRS Inspirer
Inspirer Immersive Aural Exciter
The Red Rock Sound Inspirer plug-in is developed to meet the growing demand for maximum apparent loudness in contemporary immersive music mixes.

While many existing techniques rely on compression and limiting to enhance modulation and create an exciting sound, the Inspirer takes these methods a step further. It can boost the loudness of virtually any audio material, regardless of prior compression or dynamic range. Moreover, the Inspirer is capable of imparting the warmth and character inherent to analog consoles.

Save time and avoid tedious manual workarounds with the Inspirer plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

15.RRS Ivoks
Ivoks Electromusical Synthesizer
The Red Rock Sound Ivoks Electromusical Synthesizer designed in the style of the Soviet synthesizer 1980’s.

On the centre panel are located two audio-frequency oscillators:
OSC1 offers frequency Band regulator, five Waveforms and controls for LFO Modulation level plus OSC2 Cross-modulation;
OSC2 offers the same frequency Band and Waveforms, an independent control for Modulation depth, plus Detuning.
Underneath these located the mixer, which offers level controls for the two Oscillators, the Noise generator, and Saturation Drive.

To the right of these, located the filter block. The top half is a standard ADSR envelope — until you flip the switch «Envelope mode», when it becomes a repeating AD-envelope instead. The four controls at the bottom adjust Cut-off, Resonance, LPF to BPF switch, Modulation level and Envelope level.

Next after the filter is the amplifier block, it also has ADSR envelope along with another Modulation level and Velocity sensitivity control. Again, the envelope can be switched to a Repeating Mode that generates a triangular waveform determined by the Attack and Decay settings, providing some of the instrument’s most distinctive effects.

The leftmost panels house the Modulation (LFO) controls (top), Mode which offers four waveforms, including noise, and a stepped Function for sample & hold (S&H) effects, well as Speed control.

And global settings such as the master Tune, master Volume, Legato mode, Monophonic and Polyphonic operation and Unison switches, and the Glide control.

Preset Creation Guide
In order for presets to be displayed in the list correctly in the corresponding subgroup, use prefixes in front of the preset name.
Example:
BASS_
FX_
POLY_
USER_
etc.
Presets must be saved to the factory presets folder.

16.RRS MEQ-5
MEQ-5 Midrange Equalizer
The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix.
The HLF-3C completes the MEQ-5 plug-in. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.
Save time and avoid tedious manual workarounds with MEQ-5 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

17.RRS Passive EQ Collection
Interesting facts:
The Passive EQ Collection was used on the mix for Aaron Lazar album “Impossible Dream”.
Charted at #2 on Billboard’s Classical Crossover Album chart in September, 2024.
The album was nominated for a Grammy Award for “Best Traditional Pop Vocal Album” in November, 2024.

Passive EQ Collection Immersive
The EQP-1A based on Classic Program Equalizer from the ’60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the EQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware.
The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix.
The HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.
Save time and avoid tedious manual workarounds with Passive EQ Collection plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

18.RRS PUNCH
PUNCH Immersive Channel Strip
The PUNCH combines the efficient design and cohesive sound of analog channel strips, with
the diverse sonic color and flexible sound-shaping possibilities available only in digital.

Save time and avoid tedious manual workarounds with PUNCH plug-in designed from the
ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed
channels) of immersive mixing environments.

19.RRS SA60mc
SA60 real time 1/3 octave Spectrum Analyser
The Red Rock Sound SA60 real time 1/3 octave Spectrum Analyser combines ease of use, accuracy and versatility in one economical, reliable unit. Interface is modelled on classic DN60 spectrum analyser, originally developed in 1980.

20.RRS SA360
SA360 Immersive Spectrum Analyser
SA360 real time 1/3 octave Spectrum Analyser and EQ302 32 band Graphic Equaliser
combine ease of use, accuracy and versatility in one economical, reliable unit.

The SA360 extends the features of the original hardware and joins the flexibility of the digital
world to the character of the analog processing. The SA360 plugin designed from the ground
up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of
immersive mixing environments.

21.RRS uniQ 2
uniQ 2 Multimode Filter
Combine the filters of the legendary EQ’s as you want, build analog saturation, get the
original unique sound using uniQ 2.

The uniQ 2 is the ultimate EQ toolkit, with different EQ types and filter shapes, giving you the
best of analogue in an unrestricted and versatile digital environment. Each band is switchable
between bell, shelf, low pass or high pass filter types, so you can create the EQ you need for
the task at hand.

Save time and avoid tedious manual workarounds with uniQ 2 plug-in designed from the
ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed
channels) of immersive mixing environments.

VST619音频资源网收集整理！