Fuse Audio Labs Plugins v2025_WIN-R2R

音频插件套装完整版Fuse Audio Labs Plugins v2025
VST插件格式：
VST/VST3/AAX

Fuse Audio Labs Plugins含35款专业音频插件，模拟真实硬件音色，涵盖失真、磁带机插件、均衡器插件、通道条插件、话放插件、混响插件等，适用于音乐制作与工程。

翻译：
Fuse Audio Labs 是真正模拟声音插件的首选供应商，专为满足现实世界音乐家和工程师的日常需求而设计。该公司由 Reimund Dratwa 于 2017 年创立，他是一位深谙如何将复杂的模拟拓扑结构转化为顶级 DSP 代码的专家。多年来，Reimund 为 ACME、Black Box Analog Design、Black Rooster Audio、Elysia、Millennia、Neold、Vertigo 等品牌以及 Plugin Alliance 和 UAD-2 平台上的众多其他品牌打造了众多领先的建模作品，而他自己的设计则保持了 100% 纯正的 Fuse Audio Labs 风格。

包括：
1.Big-Sur—————————–失真插件
2.Bucket-500————————延迟插件
3.Chorus-65————————-合唱效果器
4.Dozer-Drive———————–吉他效果插件
5.DrumsSSX————————-音频修复插件
6.El-Germano———————–复古过载插件
7.F-59——————————–吉他放大器插件
8.Flywheel—————————磁带机插件
9.Gate-230————————–噪声门插件
10.OCELOT Clipper—————–削波器插件
11.OCELOT Limiter——————限制器插件
12.OCELOT Octaver—————–双倍频程引擎
13.OCELOT Upmixer—————-立体声插件
14.Octafish—————————吉他效果器插件
15.RS-W2395C———————–均衡器插件
16.TCS-68—————————–盒式磁带通道条插件
17.VCE-118—————————动态增强器插件
18.VCL-4——————————压缩器插件
19.VCL-25A—————————压缩器插件
20.VCL-373—————————压缩器插件/限制器插件
21.VCL-515—————————电子管限制器插件
22.VCL-864U————————-电子管限制器插件
23.VCS-1——————————通道条插件
24.VPRE-2C—————————话放插件/放大器插件
25.VPRE-31A————————-话放插件/放大器插件
26.VPRE-72—————————前置放大器/话放插件
27.VPRE-376————————–前置放大器/话放插件
28.VPRE-562A————————放大器插件/话放插件
29.VQA-154—————————复古均衡器插件
30.VQP-258A————————-均衡器插件
31.VQP-259A————————-均衡器插件
32.VREV-63—————————弹簧混响插件
33.VREV-140————————–板式混响插件
34.VREV-305————————–复古弹簧混响插件
35.VREV-666————————–弹簧混响插件

1.Big-Sur
Big-Sur 以其粗犷的音墙失真效果而闻名，是强劲节奏演奏和厚重主音的完美之选。其宽广的失真频谱、丰富的模糊音效和权威的中音，能够有效穿透任何杂音。通过添加额外的混音控制和可选的过采样功能，Big-Sur 为这款著名的运算放大器增添了极大的灵活性。

2.Bucket-500
Bucket-500 是一款充满音乐感的延迟效果器，它将模拟桶式电路 (BBD) 设计的典型浓郁韵味融入您的混音中。它拥有那种即时、极具辨识度的氛围，完美而悦耳地与主音乐器和其他音源相得益彰。其质感和衰减与大多数其他延迟插件截然不同，使其成为您创意库中的绝佳补充。

复古与多功能的碰撞
Bucket-500 的理念是提供一款简单易用的处理器，同时兼具足够的多功能性，能够创作各种复古风格的音色。该插件忠实还原了原版电路，BL-3208 延迟芯片、基于 SA-571 的压缩扩展系统以及抗混叠和重构滤波器都经过精心设计，使其能够发挥独特的魔力。

创意插件
该插件引入了大量自定义功能，增强了其灵活性和趣味性，包括反馈路径中的倾斜滤波器、立体声交叉馈送选项以及可选的延迟时钟低频振荡器 (LFO)。在交叉馈送开启和调制的情况下，两个略微偏移的短延迟时间可以为您的信号增添非常优美的立体声延展，而板载主机节奏同步功能则能始终按时播放您的重复音色。

3.Chorus-65
Chorus-65 是一款基于复古模拟 Bucket Brigade 芯片组的立体声合唱效果器，音色细腻却极具音乐感。它的调制音色非常饱满，能为任何清音通道增添光彩，使和弦听起来更深沉饱满。这款插件不仅真实还原了原版的效果器，还提供了额外的电平控制，方便在数字音频工作站 (DAW) 中进行增益调节。

4. Dozer-Drive
圆形与绿色的邂逅
Dozer Drive 将两款史上最具标志性的吉他效果器融为一体：1966 年的传奇圆形法兹效果器和 1979 年的绿色小巧过载效果器！无论您是想稍微增强信号，还是将其推至饱和度极致，它都能满足您的需求。它会造成法兹效果吗？会失真吗？还会过载吗？哦，当然！

Dual Drive DNA
如果您正在寻找一款能够涵盖所有珍贵经典音色的法兹效果器，那就选择 Face 吧！另一方面，Screamer 能带来典型的中频突出音色，这在过载效果器中堪称行业标杆。喜欢调整？那就全力以赴吧——先 Screamer 后 Fuzz，再 Fuzz 后 Screamer，或者两者并联！

简洁的调制
Face 提供 NPN 或 PNP 开关，可让您在硅晶体管和锗晶体管的典型削波特性之间进行选择，此外还有 Doom 调制器，可带来极致的碾压效果。Screamer 的 Fat 调制器可将中频突出的音色转向更强劲的低频。最后，混音控制器可在并联模式下微调 Fuzz/过载比例。

5.DrumsSSX
分离和混音
DrumsSSX 是“鼓信号源分离器和混音器”的缩写。它是一款一体化解决方案，可将单声道或立体声原声鼓录音分离成各个组件，以便在没有多轨信号可用时单独进行混音。这款智能工具专为编辑鼓组而设计，让原本繁琐的任务变得轻松快捷。

超越传统
欢迎来到一个拥有均衡器、压缩器、瞬态或多频段处理器等传统工具无法企及的强大处理能力的世界。使用 DrumsSSX，您可以重新混录或解混已完成的鼓组录音，消除单轨踩镲串音等漏音，创建触发信号用于后续的鼓组替换，并应用各种创意效果。

6.El-Germano
El-Germano 是一款基于锗晶体管的经典 60 年代过载效果器，旨在致敬经典。这款效果器能够创造出美妙的复古过载音色，并通过一些有趣的选项，例如偏置和电压控制的调整，带来意想不到的惊喜。尽情享受在微妙的沙哑音色、肮脏的布鲁斯和老派摇滚之间穿梭的乐趣……并使用额外的电平和过采样选项进行调整。

7.F-59
经典之作
F-59 是 1958-60 年代的一款里程碑式吉他音箱，它引领了数十年的技术和音色发展。这款标志性的电子管放大器对摇滚乐的音色产生了突破性的影响，激励了全球无数乐手。市面上当然有很多优秀的音箱，但 F-59 就是其中的佼佼者：一款纯粹的粗花呢怪兽。

厚重、顺滑、饱满
F-59 是名副其实的吉他音色奇迹，这已不是什么秘密。无论是保持纯净音色，还是略带碎音，都能带来厚重、深沉且饱满的音色；而将其调至最大音量，则能带来顺滑、饱满、纯粹而优美的失真效果。在人迹罕至的地方，合成器和节奏吉他也同样欣赏这款插件，它温暖的音色、甜美的脆度和灵敏的动态感使其大放异彩。

功能全面，更上一层楼
F-59 插件精心模拟了前置放大器的两个通道、传奇的音色堆叠网络以及功率放大器，包括 A 版临场感滤波器反馈电路。此外，还添加了箱体模拟和线性电平控制，以满足 ITB 工作流程的需求。箱体阶段可以旁路，以便与您首选的 IR 或箱体模拟套件配合使用。

8.Flywheel
卷盘模拟美学
Flywheel 将卷盘磁带录音系统丰富的模拟声音注入您的音乐中。这款充满磁性的奇迹并未专注于单一设备的细节，而是将所有美妙的模拟缺陷（例如饱和度、磁滞、高频损失和磁头撞击）融合在一个布局清晰的音色塑造界面中。

有偏见？绝对有。
每当您觉得您的音乐可以听起来更自然、更具凝聚力、更多样化、更有趣时，Flywheel 都能为您的曲目增添独特的魅力。为你的录音、混音和母带增添活力四射的温暖感和临场感，从未如此简单有趣。无需信用计划，无需维修技术，无需磁带杂糅——纯粹的模拟音效，尽在掌控。

就这么简单
我们花了大量心思精简参数，在提供充足声音灵活性的同时，保持了最直观的用户体验：只需调节录音增益，选择磁带速度和公式，然后使用迟滞和均衡器调整效果即可。只需几步操作，即可开启充满趣味音效的海洋。

9.Gate-230
Gate-230 是一款易于使用的光学噪声门，并带有智能保持功能。原版单块仅包含阈值控制，而该插件增加了一个用于设置最大衰减量的范围旋钮，以及一个用于指示噪声门关闭状态的 LED 指示灯。Gate-230 可以轻松清除那些不需要的声音垃圾，还能助你发挥创意。

10.OCELOT Clipper
打造响度
欢迎使用精简的响度管理方法，无需牺牲音质或引入不必要的失真。OCELOT Clipper 是您峰值降低和动态母带处理的终极工具，让您能够创造更大的动态空间，并创作充满活力的混音作品。其直观的界面让您专注于最重要的事情——您的音乐，而非旋钮。

谐波调整
OCELOT Clipper 先进的动态控制功能可解锁强大的音色塑造功能，为信号的正负摆动提供独立的拐点控制。您可以灵活地塑造谐波的音色平衡，无论是添加微妙的温暖、粗犷的边缘，还是控制单个音源的峰值。

11.OCELOT 限制器
自适应限制
想象一下，一个限制器不仅能让您的音频更响亮，还能更明智地决定何时限制、何时抑制。 OCELOT 限制器采用先进的心理声学分析技术，确保您的混音保持干净、有力，同时最大限度地提升响度。其智能方法可帮助您将音量推得更高，而不会产生传统限制器常见的失真。

软限幅器
可切换的软限幅器可在处理链的起始阶段捕捉孤立的峰值，从而减轻限制器的工作负荷。这种方法可实现更响亮的输出，减少抽吸效应，并带来卓越的透明度。进一步提升时，它会增添一丝侵略性，带来强劲而细腻的声音，而不会产生明显的失真。

12.OCELOT Octaver
双重效果
OCELOT Octaver 是一款精简的插件，能够提供厚重、悦耳的下八度音色和清脆的上八度音色。无论您是想为底鼓添加深沉的冲击力，为贝斯增添额外的咆哮，还是为沉闷的合成器音色增添细节，这款双引擎工具都能以强大的频率精准重塑您的音源——所有这些都零延迟，并将 CPU 负载降至最低。

精准调音
与许多传统的八度效果器不同，OCELOT Octaver 让您能够通过专用的 Tune 控制键完全控制每个八度的频率焦点。您可以调节到完美的最佳位置，从而获得低频延伸和高频提升。聆听模式可帮助您识别需要增强的确切范围，让您能够根据任何音源精准定制效果，并获得出色的音乐效果。

13.OCELOT Upmixer
超越单声道
使用 OCELOT Upmixer 探索声音的全新维度。这款先进的插件可将您的单声道音源转换为充满活力、自然的立体声信号。它采用创新的频谱扩散技术，在不引入不必要的失真的情况下扩展了您的声场。即使是最简单的录音，它也能赋予其活力，将其转化为丰富动感的音景。

真实的立体声
OCELOT 上混器可创建既宽广又自然的立体声声像。通过在立体声场和频谱中均匀分布单声道信号，它增强了聆听体验，同时保留了完整的单声道兼容性。无论您使用的是单鼓麦克风、伴唱还是吉他，都能享受到栩栩如生的立体声，完美还原您的原始演奏。

14.Octafish
Octafish 为您的信号添加了自然的低八度音阶，该信号由精确的 M51134 IC 仿真器合成。效果可以是各种效果，从低频的细微延伸到震耳欲聋的地震模拟。 Octafish 能大幅扩展您的音色，无论您是想感受低音，还是想让听众的内心澎湃。为了提高灵活性，该插件还添加了一个实用的八度独奏开关。

15.RS-W2395C
W2395c 是一款经典的 Baxandall 均衡器，并结合了强劲而优美的中频。无论是单独使用还是作为补充均衡器，它都独具特色，其独特的音色和略带互动的频段都能让您的音轨脱颖而出。我们与其创始人、模拟音乐大师 Roger Schult 密切合作，非常荣幸地免费提供这款出色的插件。

16.TCS-68
TCS-68 旨在致敬 1990 年推出的一款最受欢迎的多轨磁带录音机，当时数字解决方案尚未进入消费级录音市场。虽然基础技术已经过时，但其高品质的低保真音质正是如今许多追求更自然音色的用户在制作中缺失的。

录音
将音轨通过 TCS-68 发送，即可获得悦耳的清脆音质，这得益于其内置的磁带压缩效果。推动前级和磁带部分，无论是打击乐、单鼓还是整套鼓，以及合成器和打击垫，都能带来神奇的效果。如果您正在寻找富有创意的录音技巧，那么这个通道非常适合为混音的不同部分添加独特的质感。

快进
TCS-68 提供多个部分，可以组合使用或单独使用，以实现特殊的音色塑造或效果。使用前级放大器创建直接的声音，然后用胶带将它们重新粘合在一起。3 段均衡器可以完美地作为音色塑造器，或补偿磁带低音冲击、高频衰减或前级放大器过强的尖锐感。

17.VCE-118
VCE-118 是一款独特的动态工具，基于七十年代初 VCA 技术突破性进展而打造。它之所以被称为秘密武器，是因为其特殊的比例实现方式，能够同时实现压缩和扩展，并结合其特殊的线性模式，为弯曲动态效果的创意提供强大的动力。

常规 vs. 线性
中央旋钮提供 1:1 至 ∞:1 之间的压缩比，或 1:1 至 1:2 之间的扩展比，同时可以使用阈值控制来调整效果强度。模式按钮可从常规增益衰减或扩展（仅处理阈值以上的电平）切换到线性操作（影响阈值上下的整个电平范围）。

18.VCL-4
VCL-4 是固态电平器的银色版本，沿用了 20 世纪 60 年代末最著名的经典光电设计。这款激动人心的模拟效果器与备受赞誉的 VCL-4 非常相似，非常轻松流畅。事实上，有了这款强大的插件，您可能不再想寻找原版硬件了，尤其是它对 CPU 的占用非常低。

完美融合
基于光电的电平处理技术能够产生更均匀、更稳定的电平，轻松处理棘手的瞬态，从而为您带来人们津津乐道的“完美融合”。这在处理鼓组时尤其有用，VCL-4 的冲击力、紧致度、延音和控制力都能将一切完美地融入混音中。在处理人声时，它增添了美妙的平滑光泽和更高的清晰度。

律动控制器
复古电路和组件的各个方面都经过精心建模，因此难怪使用起来感觉就像在使用真正的硬件：跳线、旋钮、打印。可切换的比率选项非常灵活，适用于各种不同的音源，每种设置都能带来不同的律动效果。

19.VCL-25A
VCL-25A 是一款真正的 Vari Mu 音频电平调节器，最初设计于 20 世纪 50 年代，用于无线电广播。它能优雅而轻松地处理您的混音——只需插入电源，设定大致方向，即可永久保持。实际上，它是少数能够真正驾驭衰减并在整个过程中赋予动态效果的限制器之一。

自然边缘
VCL-25A 最大的优势在于其优美、自然、流畅的音质。它可以轻松添加自然的深度和光泽，而不会显得夸张或浑浊。同时，它依然拥有强劲的质感，随时准备为您提供所需的音质！更长的阈值和释放时间使其能够充分发挥其潜力，将原本温和的“小动物”变成并行总线上碾压鼓点的猛兽。

Original V2
除了原汁原味的音质之外，VCL-25A 还提供了一系列特殊功能，带来更愉悦的混音体验。大型 VU/GR 表、输入增益补偿、可切换的释放时间、线性输出衰减器、可调的底噪以及专用的混音控制，使这款出色的限制器在保留其原始概念的同时，更加完美。

20.VCL-373
VCL-373 是一款 20 世纪 60 年代早期的压缩器/限制器，专为满足德国广播公司的最高要求而设计，当时价格不菲。其全分离式 A 类音频路径与顶级元件和变压器相结合，使其成为实际播出前动态控制环节的完美收尾部分。

宏大而紧致
VCL-373 的效果范围从精细的音质密集化到宏大而紧致的压缩，并具有极佳的饱和度，同时保持相当稳定的输出电平。对于音量已经足够大、只需要额外推力的音源，它能带来神奇的效果。人声、鼓组和乐器的响度显著提升，并带来真正扎实的音质。

扩展的多功能性
VCL-373 仅需两个控制键即可控制输入驱动和释放时间，操作极其简单，可立即获得出色的音质效果。为了进一步提升灵活性，该插件在原有硬件设计的基础上添加了一些便捷功能，包括连续驱动控制、增益补偿、GR 电平表和混音控制。

21.VCL-515
VCL-515 是一款非常罕见且卓越的 20 世纪 60 年代电子管限制器。它基于推挽反馈拓扑结构，最初为美国广播公司设计，经过技术改进后进入市场，与当时著名的 438 压缩器相媲美。VCL-515 以其流畅且谐波丰富的特性，成为 Vari Mu 的典范。

自然压缩
其软拐点压缩曲线可营造出强劲而舒缓的效果，非常适合以最自然的方式将人声和乐器嵌入音轨，也可作为混音或鼓组总线的主压缩器。其一组精妙的三极管和定制变压器营造出美妙温暖的音色，VCL-515 的电路音色令人心动不已。

五比一
VCL-515 的原始硬件基本上只有一个输入增益控制，用于控制压缩强度。为了在日常使用中提供更大的灵活性，VCL-515 插件增加了可变的启动、释放和侧链滤波器参数，以及一个带有输出电平控制的集成混音级。模式开关可让您在应用或不应用压缩的情况下欣赏美妙的电子管音色。

22.VCL-864U
VCL-864U 是一款标志性的 Vari Mu 电子管限制器，最初于 20 世纪 50 年代为美国军方生产。864U 最初设计用于广播应用，在控制动态的同时保持原始音质，堪称混音的利器。一旦启动，它也能带来一系列鼓舞人心的粗犷音色。

浑厚而富有音乐感
这款插件以其浑厚扎实的声音脱颖而出，尤其注重饱满的中音。其极具音乐性的释放曲线使其能够轻松控制和调整高动态素材，包括人声、鼓组和键盘。如果需要更多个性，电子管和变压器的组合可以为音源增添丰富的色彩和质感。

功能集优化
虽然硬件型号只有一个输入增益控制，但 VCL-864U 增加了一系列全面的功能，使其用途更加广泛。现在，您可以轻松管理动态的各个方面，如果使用更柔和、更浑浊的设置，混音控制可以帮助您调出恰到好处的音色。

23.VCS-1
如果要带一个插件去荒岛，那非VCS-1莫属。这款零延迟通道条集成了所有必要的工具，可实现即时信号增强和动态控制……甚至更多！用户界面基于全面实用的布局，支持灵活的工作流程，并且赏心悦目，因此复杂性依然隐藏在引擎盖下。

强大的处理工具
VCS-1 采用三重拓扑前置放大器，提供不同的音染风格、宽范围的高/低通滤波器以及功能齐全的 5 段参量均衡器，可塑造您的音色。动态控制由豪华的压缩器/限制器部分和高度实用的门限器/扩展器级控制，并通过全面的增益衰减和电平表面板清晰地显示。

24.VPRE-2C
VPRE-2C 是一款 20 世纪 50 年代的珍品，完全由电子管和变压器组成，主要用于麦克风前置放大器或当时的转录唱机的增强放大器。它能够提供当时美国经典唱片特有的平滑而浑厚的音色，而其简洁的设计则赋予了它独特而珍贵的声音特质。

电子管里有什么？
这款前置放大器的宗旨是以最直观的方式，为您的录音增添真实的电子管氛围。较低的增益设置能够产生清晰均衡的声音，并在中频上具有细腻的强调；而调高电平补偿控制则能显著提升温暖、厚重和平滑的音色。

不止于简单
VPRE-2C 模拟了该设备的两个三极管串联的 6J7 五极管，以获得丰富的 THD 频谱，并保留了原有的变压器配置，使其拥有标志性的低频魔力，同时增加了可选的预加重/去加重滤波器和混音控制，从而带来更丰富的音色。该插件的另一个独有功能是其增强模式，可带来更扎实的驱动力和音染。

25.VPRE-31A
VPRE-31A 是一款源自 20 世纪 60 年代的简洁锗前级放大器，拥有强大的动力。这款前级放大器基于罕见的 4 晶体管原版，拥有锗设计中独有的特殊特性曲线和偶次谐波结构。此外，还配备了定制的 UTC 输入变压器，为这款强大的“热棒”锦上添花。

Straight Engine Bay
VPRE-31A 是一款真正的音色怪兽，推动时发出悦耳的摩擦声——对于任何摇滚和电子乐来说，它都是强劲的动力源泉。它那强劲的低频非常适合吉他和贝斯，就像它在底鼓和小军鼓上一样出色。如果您觉得录音时人声需要更强的近讲效应才能更好地呈现，而现在却没有，那么 31A 就是您的不二之选。

驾驶体验
VPRE-31A 的驾驶舱布局设计，让您即刻掌控：只需按下完全补偿的 Drive 旋钮即可启动，选择您喜欢的阻抗设置来微调频率响应，并根据需要调整输出电平。如果您想为音乐增添一些尘土飞扬和复古的氛围，内置的噪音控制功能将助您轻松实现。

26.VPRE-72
有些经典的录音室设备无需赘述：这就是 VPRE-72！这款经典的前级放大器于 20 世纪 50 年代初发布，由 Maihak、TAB、Siemens 和 TFK 等多个标志性品牌打造。 V72 本身就是一个传奇，至今仍是披头士乐队众多演出中使用的 V76 和经典 REDD.47 前级放大器的蓝本。

货真价实
神圣而细腻——正因如此，您才能在世界各地无数的底鼓、军鼓、人声和贝斯中，感受到这款充满空气感的电子管前级放大器的魔力。VPRE-72 忠实地还原了 V72 的精髓，它忠实地模拟了输入和输出变压器、带有独特反馈结构的双 EF804 五极管电路，以及能够产生微妙空气感的重型输出电感。

27.VPRE-376
VPRE-376 是一款分立式 A 类麦克风前置放大器，诞生于德国广播技术的黄金时代，当时固态音响已成为标志性音频经典之作。VPRE-376 由经验丰富的工程师打造，采用包括卓越 Haufe 变压器在内的顶级元件，被誉为与经典电子管 V76 并驾齐驱的强劲晶体管前置放大器。

经典推力
这款前置放大器通过处理瞬态信号，为您的信号增添了直截了当的质感，非常适合提亮音色，并将声音置于中心位置。它还添加了轻微的压缩处理，能够以饱满的物理质感增强各种音源。最后，使用内置高通滤波器对低频进行清理，可让您的音轨轻松融入混音。

升级的界面
仿真器在各个方面都尊重了原版电路和元件的选择。除此之外，VPRE-376 还增加了一些便捷功能，让日常工作更加轻松：连续驱动控制，可进行更精细的调整；集成增益补偿和线性微调，可确保电平准确；此外，还配备了精确的音量表和相位反转开关。

28.VPRE-562A
562A 是一款罕见的全电子管放大器，大约诞生于 20 世纪 60 年代初期。562A 最初设计为 PA 放大器，但当时的英国乐队经常将其改装为贝斯或吉他音箱。562A 通过 Mullard EF86 增益级、ECC82 分相器、两个 6L6 推挽五极管以及定制的输入和输出变压器，呈现出其标志性的音色。

Golden Sound
这款插件为您的音乐注入了活力，增添了 60 年代的复古韵味，甚至可以根据需要增添一些令人愉悦的老派风格。无论是单独使用还是与功能齐全的模拟放大器配合使用，它都能为吉他和贝斯增添一抹强劲的香料。正因为其复古的根源，562A 也能出色地增强现代乐器的音色，令人惊叹。

非凡的选项
VPRE-562A 凭借其独特的均衡器，提供丰富的音色塑造效果，而麦克风/辅助和前级/扩声选择器则可让您选择谐波、临场感、负反馈和变压器效果的组合，打造您梦寐以求的音色。加大增益可以保留纯净的声音，并增添一层纯正的复古过载效果。

29.VQA-154
VQA-154 是一款罕见且备受欢迎的 20 世纪 70 年代四段均衡器模块，曾被全球众多著名的广播和制作工作室采用。它的中频滤波器采用电感器构建，全分立输出级驱动强大的输出变压器——这款均衡器具备所有必要功能，使其成为您音色库中的首选。

精准与个性的碰撞
这款插件是一款功能多样且易于使用的均衡器，提供优雅纯净的音色和悦耳的音染，始终保持音乐的质感。一旦频段稍微调高，效果就会变得引人入胜……VQA-154 提供坚实的声音，并带有有趣的质感，不会显得刺耳或臃肿：精准与个性的完美结合。

声音塑造工具箱
VQA-154 拥有一系列成熟的功能，使其成为众多不同音源的均衡器之选，包括增益补偿驱动控制、连续滤波器增益、线性输出控制以及立体声、链接和中/侧操作模式。增益和带宽的标志性相互作用旨在成为您个人声音塑造配方中的关键组成部分。

30.VQP-258A&31.VQP-259A
VQP-258A 和 VQP-259A 是两款于 20 世纪 50 年代推出的全无源均衡器。与当时的竞争对手不同，258A 提供两个范围广泛且直观的控制按钮，能够独立地衰减或增强低频和高频频谱，而 259A 滤波器级联则以其广泛的低频和高频衰减设置而著称。

VQP-258A 是一款高/低频架式均衡器，具有可选频率和组合衰减/增强控制功能。它可以为几乎任何音源提供柔和悦耳的均衡效果，并为您的混音增添悦耳的音染。与之完美搭配的 VQP-259A 高/低频衰减滤波器提供广泛的频率范围，可消除低频轰鸣或抑制刺耳的高频成分。

32.VREV-63
VREV-63 是六十年代传奇电子管驱动弹簧混响器的精湛复刻：冲浪吉他音色的教父！连接在音箱前，这款神秘的盒子发出的滴答作响、泼洒作响的声音激发了无数雷鬼、配音、车库音乐、摇滚乐、爵士乐和意大利式西部片艺术家的灵感。尽情享受这令人振奋的长混响尾音吧！

货真价实
混响强度和时间可通过“停留”旋钮设置，该旋钮控制输入信号对弹簧的冲击力度。“音调”旋钮可将高音调回至恰到好处的亮度。这款华丽音色的核心部分是著名的“音调吸吮”效果，它会影响高频，源自对音调和混音电路的真实模拟。

33.VREV-140
VREV-140 是一款充满活力的混响器，其灵感源自“圣杯”金属板混响。这款技术先驱于 20 世纪 50 年代开发，重量仅为 170 公斤/375 磅，最终提供了一种比当时使用的回声室更灵活的“便携式”混响解决方案。这款录音棚标志性产品的 Fuse 版本提供了 140 所熟知和喜爱的丰富而复杂的响应。

人声和鼓组
VREV-140 音色流畅，密度特有，在人声、吉他和鼓组上表现出色。使用更极端的设置，板式混响器的合成特性可为任何声源带来真正鼓舞人心的混响效果。此外，140 独特的音色非常适合为所有信号增添空间宽度和空气感。

34.VREV-305
VREV-305 源自 20 世纪 70 年代一款标志性且极为罕见的弹簧腔混响系统。它的箱体由不少于 12 个独立的弹簧组成，这些弹簧具有相同的调音时间，遵循与音阶非常相似的对数级数。该系统可产生独特的混响纹理，并可通过紧凑而强大的调整矩阵进行塑造。

定制尾音
VREV-305 的弹簧腔体可产生一系列谐波反射模式，从而产生丰满而密集的混响尾音，但不会像弹簧那样产生刺耳的音效。板状氛围可以通过一个简单但极具音乐性和互动性的均衡器部分根据单个信号进行调整。该插件还彻底打破了硬件固定衰减时间的限制。

35.VREV-666
VREV-666 是一款极为罕见的弹簧混响器，诞生于 20 世纪 60 年代，最初设计用于改变聆听环境的表观声学特性。这款紧凑型录音棚传奇产品最初为 BBC 打造，以极其真实的方式散发着真正的机电混响器典型的饱满、弹性和变幻莫测的氛围。

氛围，态度
VREV-666 并非世界上最逼真的混响器——而这正是它的魅力所在。任何信号通过它的弹簧，都能产生充满活力和魅力的效果。它可以为你的人声增添锋芒，为合成器增添浑厚的氛围，为吉他和贝斯增添粗犷的房间音色，或为你喜爱的乐器增添酷炫的收尾音色……总有一款适合你。
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原文：
Fuse Audio Labs is a number one source for truly analog sounding plugins designed for the daily demands of real-world musicians and engineers. The company was founded in 2017 by Reimund Dratwa, a deeply knowledgeable expert in translating complex analog topologies into top notch DSP code. Over the years, Reimund has created a huge portfolio of leading modeling titles for brands like ACME, Black Box Analog Design, Black Rooster Audio, Elysia, Millennia, Neold, Vertigo, and many others available on Plugin Alliance and the UAD-2 platform, while his very own designs remain 100% pure Fuse Audio Labs.

include:
1.Big-Sur
2.Bucket-500
3.Chorus-65
4.Dozer-Drive
5.DrumsSSX
6.El-Germano
7.F-59
8.Flywheel
9.Gate-230
10.OCELOT Clipper
11.OCELOT Limiter
12.OCELOT Octaver
13.OCELOT Upmixer
14.Octafish
15.RS-W2395C
16.TCS-68
17.VCE-118
18.VCL-4
19.VCL-25A
20.VCL-373
21.VCL-515
22.VCL-864U
23.VCS-1
24.VPRE-2C
25.VPRE-31A
26.VPRE-72
27.VPRE-376
28.VPRE-562A
29.VQA-154
30.VQP-258A
31.VQP-259A
32.VREV-63
33.VREV-140
34.VREV-305
35.VREV-666

1.Big-Sur
Well known and adored for its grungy wall-of-sound distortion, Big-Sur is a perfect pick for powerful rhythm playing and heavy lead sounds. Its wide spectrum distortion with a good portion of fuzz and mid-range authority will literally cut through any sonic clutter. By adding an additional mix control and optional oversampling, Big-Sur adds great flexibility to the famous op-amp beast.

2.Bucket-500
The Bucket-500 is a deeply musical delay which introduces the typical juicy flavors of an analog bucket brigade (BBD) design to your mixes. It shines with that instant, very recognizable vibe that sits perfectly and pleasantly behind leading instruments and other sources. The texture and decay are quite different from most other delay plugins, making it a great addition to your creative arsenal.

Vintage meets Versatility
The concept behind the Bucket-500 is to offer a simple to use processor that still provides enough versatility to create a wide range of vintage style sounds. The plugin very much stays true to the original circuit, so the BL-3208 delay chip, the SA-571 based compandor system as well as the anti-aliasing and reconstruction filters have all been modeled to work their special kind of magic.

Creative Add-Ons
The plugin introduces plenty of custom features enhancing its flexibility and fun factor, including a tilt filter in the feedback path, a stereo cross-feed option and an optional delay clock LFO. Two slightly offset short delay times with the cross-feed on and modulation can add a very nice stereo spread to your signals, while the onboard host tempo sync will always play your repetitions on time.

3.Chorus-65
Chorus-65 is a subtle but very musical sounding stereo chorus based on a vintage analog bucket brigade chipset. Its modulation sounds very lush and adds a great shimmer to any clean channel, making chords appear deeper and richer. While the plugin is a real-deal emulation of the original pedal, it also provides an additional level control for easy gain staging inside the DAW.

4.Dozer-Drive
Round Meets Green
Dozer Drive unites two of the most iconic guitar pedals of all time in a single enclosure: The legendary circular fuzz from 1966 and the little green overdrive monster from 1979! No matter if you just want to add a little boost to your signal or push it to the point of saturation heaven, it’s all there. Will it fuzz? Will it distort? And overdrive? Oh, yeah.

Dual Drive DNA
If you’re looking for a fuzz that covers all the treasured classic tones, just engage the Face and look no further. The Screamer, on the other hand, will give you the typical mid-pronounced tone which became nothing less than the industry standard for overdrive. You like to tweak? Then get all in – Screamer after Fuzz, Fuzz after Screamer, or both of them in parallel!

Straight Forward Mods
The Face provides an NPN vs. PNP switch which lets you choose between the typical clipping characteristics of Silicone and Germanium transistors, as well as the Doom Mod for conjuring ultimate grind. The Fat Mod of the Screamer shifts the mid-focused tone towards a much stronger bottom end. Finally, the mix controller allows to fine-tune the fuzz/overdrive ratio in parallel mode.

5.DrumsSSX
Separate and Remix
DrumsSSX stands for Drum signal Source Separator and Remixer. It’s an all-in-one solution for separating mono or stereo acoustic drum recordings into their components, so they can be remixed individually whenever there are no multitrack signals available. Exclusively designed for editing drums, this intelligent tool makes otherwise quite laborious tasks much simpler and much quicker.

Beyond Convention
Welcome to a whole world of processing capabilities that are impossible to achieve with conventional tools like EQs, compressors, transient or multiband processors. Using DrumsSSX, you can re- and unmix finished drum kit recordings, remove leakage like hi hat crosstalk from single tracks, create trigger signals for subsequent drum replacement and apply all sorts of creative effects.

6.El-Germano
El-Germano is an homage to a popular icon of classic 60s style drive based on Germanium transistors. This pedal creates wonderful vintage overdrive sounds and surprises with interesting options with some tweaking of its bias and voltage controls. Enjoy the ride in between subtle rasp, dirty blues and old school rock… and tweak it with additional level and oversampling options.

7.F-59
A Major Classic
The F-59 is a milestone guitar amplifier from the 1958-60 era which set the course of technology and tone for decades. This iconic trendsetter in tube amplification had a groundbreaking impact on the sound of rock and roll, inspiring countless players all around the globe. There are many great amps out there for sure, but the F-59 is what it is: A pure tweed monster.

Thick, Smooth and Rich
It’s no secret that the F-59 is a veritable tone wonder for guitar. Keeping it clean or just on the edge of breakup delivers thick, deep tones with a lot of body, while cranking it results in that smooth, rich and simply beautiful type of distortion. Off the beaten paths, synths and beats appreciate the plugin, too, benefiting big time from its warm timbre, sweet crunch and responsive dynamic feel.

Full Fledged and Then Some
The F-59 plugin painstakingly emulates both preamplifier channels, the legendary tone stack network as well as the power amplifier including the revision A presence filter feedback circuit. A cabinet simulation and a linear level control have been added to meet the demands of ITB workflow. The cabinet stage can be bypassed for use with your preferred IR or cabinet emulation suite.

8.Flywheel
Reel Analog Aesthetics
Flywheel injects the lush analog sound of reel-to-reel tape recording systems into your music. Instead of focusing on the specifics of a single machine, this magnetic marvel combines all the beautiful analog imperfections such as saturation, hysteresis, high frequency loss and head bump in a single, clearly laid out tone shaping interface.

Biased? Absolutely.
Whenever you feel your music could sound more organic, cohesive, diversified and interesting, Flywheel will add that special sauce to your tracks. Adding vibrant warmth and presence to your recordings, mixings and masters has rarely been that simple and that much fun before. No credit plan, no service tech, no tape salad – just pure analog awesomeness.

As Easy as That
A lot of thought has been put into reducing the parameter set, offering plenty of sonic flexibility while maintaining a most straightforward user experience: Simply dial in the record gain, select tape speed and formula and then tweak the results with the hysteresis and EQ. Only a hand full of controls grants access to a sea full of interesting textures.

9.Gate-230
Gate-230 is an easy-to-use optical noise gate with a clever hold function. While the original pedal just features a threshold control, the plugin adds a range knob for setting the maximum amount of reduction plus an LED to indicate when the gate is closed. Gate-230 cleans that unwanted sonic junk easily, and it also takes you a long way when being creative.

10.OCELOT Clipper
Crafting Loudness
Welcome to a streamlined approach for managing loudness without sacrificing quality or introducing unwanted artifacts. The OCELOT Clipper is your ultimate tool for peak reduction and mastering dynamics, empowering you to create more headroom and deliver energetic mixes. Its intuitive interface keeps the focus where it matters – on your music, not the knobs.

Harmonic Tweaks
The OCELOT Clipper’s advanced dynamics control unlocks powerful tone shaping capabilities, offering separate knee controls for both the positive and negative swings of your signal. Sculpt the tonal balance of your harmonics with great flexibility, whether you’re adding subtle warmth, a gritty edge, or taming peaks on individual sources.

11.OCELOT Limiter
Adaptive Limiting
Imagine a limiter that doesn’t just make your audio louder – it also makes smarter decisions about when to limit and when to hold back. The OCELOT Limiter uses advanced psychoacoustic analysis to ensure your mix stays clean and punchy, while maximizing loudness. With its intelligent approach, it helps you push levels higher without the usual artifacts of traditional limiters.

Soft Clipper
A switchable soft clipper catches isolated peaks at the start of the processing chain, reducing the limiter’s workload. This approach results in louder output with less pumping and exceptional transparency. When pushed further, it adds a touch of aggressiveness, delivering a punchy and polished sound without introducing obvious distortion.

12.OCELOT Octaver
Dual Impact
The OCELOT Octaver delivers thick, musical octave-down weight and crisp octave-up presence in one streamlined plugin. Whether you’re adding deep punch to kicks, extra growl to bass, or detail to a dull synth line, this dual-engine tool reshapes your source in powerful, frequency-specific ways — all with zero latency and minimal CPU load.

Tuned to Fit
Unlike many traditional octave effects, the OCELOT Octaver gives you full control over the frequency focus of each octave via dedicated Tune controls. Dial in perfect sweet spots for both low-end extension and top-end lift. Listen mode helps identify the exact range you’re enhancing, letting you tailor the effect to any source with surgical precision and musical results.

13.OCELOT Upmixer
Beyond Mono
Discover a new dimension in sound with the OCELOT Upmixer. This state-of-the-art plugin transforms your mono sources into vibrant, natural-sounding stereo signals. Utilizing innovative spectral diffusion technology, it expands your soundstage without introducing unwanted artifacts. It breathes life into even the simplest recordings, turning them into a rich, dynamic soundscape.

Authentic Stereo
The OCELOT Upmixer creates a stereo image that feels both expansive and natural. By evenly distributing the mono signal across the stereo field and frequency spectrum, it enhances the listening experience while preserving full mono compatibility. Whether you’re working with single drum mics, backing vocals, or guitars, enjoy lifelike stereo that honors your original performance.

14.Octafish
Octafish adds a naturally sounding sub-octave to your signal synthesized by a precise M51134 IC emulation. The result can be anything from subtle extension of your low end to wall-shaking earthquake simulations. Octafish expands your sound massively, no matter if you really want to feel the bass or get your audience’s guts rumbling. For more flexibility, the plugin adds a useful octave solo switch.

15.RS-W2395C
The W2395c is a classic Baxandall EQ combined with a powerful and beautiful sounding mid band. As a solitary or complementary equalizer with that special something, its particular tone and slightly interactive bands let your tracks stand out big time. In close cooperation with its creator, analog mastermind Roger Schult, we are delighted to offer this amazing plugin completely for free.

16.TCS-68
The TCS-68 pays homage to one of the most popular multitrack cassette tape recorders introduced in 1990, just before digital solutions started to enter the consumer recording market. While the basic technology got outdated, its high-grade lo-fi sound characteristic is something that a lot of users looking for a more organic tone are missing in their productions these days.

Record
Sending your tracks through the TCS-68 creates lovely sounding crunchiness refined by the inherent tape compression effects. Pushing the pre and tape sections works pure magic on percs, single drums and full sets, as well as synths and pads. Looking for creative recording techniques, this channel is just perfect for applying unique textures to different parts of a mix.

Fast Forward
The TCS-68 offers several sections which can be used in combination or individually for special tone shaping or effects. Use the preamp to create a straight-forward sound, then apply some tape to glue things back together again. The 3-band EQ complements very nicely as tone shaper or compensation for tape bass bump, high frequency roll-off, or overstated preamp edginess.

17.VCE-118
The VCE-118 is a unique dynamics tool based on the breakthroughs that occurred in the advent of VCA technology in the early Seventies. Its reputation as a secret weapon lies in its special ratio implementation, which enables both compression and expansion, combined with its special linear mode as a powerful fuel for bending dynamics as a creative effect.

Regular vs. Linear
The central knob offers compression ratios between 1:1 and ∞:1 or expansion between 1:1 and 1:2, while the intensity of the effect can be tweaked with the Threshold control. The Mode button switches from regular gain reduction or expansion, where only levels above the threshold are processed, to linear operation, which affects the full level range above and below the threshold.

18.VCL-4
The VCL-4 is the silver face revision of the solid state leveler following the most famous classic opto design from the late 1960s. This inspiring emulation behaves very much like the praised model, very relaxed and smooth. In fact, you might want to stop looking for the original hardware with this powerful plugin in your folder, especially as it is very light on the CPU.

Glue Where Glue Is Due
The opto-based leveling process gives you that glue everyone is talking about by producing a more even and steady level with those tricky transients tamed easily. This is especially useful when processing drums, where the VCL-4’s punch, tightness, sustain and control just put everything right in the mix. On vocals, it adds a nice smoothening sheen and a tad more clarity.

Groove Operator
The individual aspects of the vintage circuitry and components have been modeled with greatest care, so it’s no wonder this feels like working with real hardware: Patch, turn knobs, print. The switchable ratio option proves to be super flexible for all kinds of different sources, with each individual setting resulting in a different type of groove.

19.VCL-25A
The VCL-25A is an authentic Vari Mu audio leveler originally designed for radio broadcasting in the 1950s. It treats your mixes with elegance and stunning ease – just plug it in, give it the general direction and keep it there forever. It’s actually one of those rare limiters which literally ride the reduction and breathe dynamics along the way.

Natural Edge
The greatest advantages of the VCL-25A are its beautiful, natural and smooth feeling and sound. It easily adds natural depth and shimmer without sounding hyped or muddy. But still – the grit is there in case you need it! The extended threshold and release allow to abuse the unit quite a bit, turning the gentle creature into a drum crushing beast on the parallel bus.

Original V2
On top of its authentic vibe, the VCL-25A offers a set of special features for an even more enjoyable mixing experience. A large VU/GR meter, input gain compensation, switchable release times, linear output attenuator, adjustable noise floor level and a dedicated mix control complete this fabulous limiter while staying true to its original concept.

20.VCL-373
The VCL-373 is a compressor/limiter from the early 1960s designed for the highest demands of German broadcasters, attached with a very high price tag at the time. Its all discrete class-A audio path in combination with highest grade components and transformers made it the perfect last part in the chain for controlling dynamics before actually going on air.

Big and Tight
The effect of the VCL-373 goes from carefully densening the sound up to big and tight compression with great saturation, while keeping a fairly steady output level. It works pure magic on sources which already have a healthy volume and just need that extra creamy push. Vocals, drums and instruments significantly improve in loudness and gain a truly solid feeling.

Extended Versatility
With basically just two controls for the input drive and the release time, the VCL-373 is more than easy to use and provides great sounding results in no time at all. For further flexibility, the plugin ads some convenient features including a continuous drive control, gain compensation, GR metering and a mix control to the original hardware design.

21.VCL-515
The VCL-515 is a very rare and remarkable tube limiter from the 1960s. Based on a push-pull feedback topology and originally designed for US broadcast, it entered the market with technical improvements to compete with the famous 438 compressor from that era. With its smooth and harmonically rich character, the VCL-515 is Vari Mu par excellence.

Compression, Naturally
Its soft-knee style compression curve creates a huge yet relaxed effect which is perfect for embedding voices and instruments into a track in the most natural manner, and it also shines as the main compressor on the mix or drum bus. Its set of esoteric triodes and custom transformers creates a wonderful, warm tone which makes the VCL-515 desirable for the sound of its circuitry alone.

Five To One
The original hardware basically features just a single control in form of an input gain which drives the intensity of compression. For more flexibility in everyday use, the VCL-515 plugin adds variable attack, release and sidechain filter parameters as well as an integrated mix stage with an output level control. The mode switch allows to enjoy the beautiful tube sound either with or without compression applied.

22.VCL-864U
The VCL-864U is an iconic Vari Mu tube limiter originally produced for the US military in the 1950s. Initially designed for broadcasting applications, the 864U is a real champion at taming dynamics while keeping the original sound quality intact, making it an invaluable tool for your mixes. Once pushed, though, it can introduce a variation of inspiring gritty tones as well.

Massive and Musical
The plugin stands out with its massive and solid sound featuring an exceptionally meaty mid range. Its truly musical release curves make it easy to tame and tone highly dynamic material including vocals, drums and keys. The combination of tubes and transformers can polish your sources with lush color and texture if additional character is needed.

Tweaked Feature Set
While the hardware model featured a single Input Gain control, the VCL-864U adds a set of comprehensive features, making it much more universal in use. Now dynamics can be managed in all of its aspects easily, and the Mix control helps to dial in just the right amount of character if more squashy and dirty settings are used.

23.VCS-1
If there is a single plugin to take to the desert island, it’s the VCS-1. This zero latency channel strip integrates all the tools needed for instant signal enhancement and dynamics control… and then some! Complexity remains under the hood, as the user interface is based on a comprehensive, practical layout which supports a nimble workflow and is easy on the eyes.

Powerful Processing Tools
The VCS-1 shapes your tones with a triple-topology preamp offering different styles of coloration, wide-ranged high/low pass filters and a full-fledged parametric 5-band EQ. Dynamics are controlled by a luxurious compressor/limiter section and a highly practical gate/expander stage, clearly visualized by a comprehensive gain reduction and level metering panel.

24.VPRE-2C
The VPRE-2C is an all tube and transformer-based rarity from the 1950s, intended primarily for use either as a microphone preamplifier or as a booster amp for transcription turntables at its time. It delivers the smooth and dense tone which is so typical for the great American recordings of this era, and yet its straight-forward design results in a unique and worthwhile sonic character.

What’s in a Tube?
The whole point of this preamp is to enrich your recordings with an authentic tube vibe in the most intuitive way. Lower gain settings produce a sound which is well-defined and balanced with a fine accent on the mid-range, while turning up the level-compensated control will significantly increase the perception of warmth, weight and smoothness.

More Than Simple
The VPRE-2C emulates the unit’s two triode-strapped 6J7 pentodes for a rich THD spectrum and the original transformer configuration for its signature low-end mojo, adding selectable pre-/deemphasis filter and a mix control for a greater variety of tones. Another exclusive feature of the plugin is its boost mode for kicking in more solid drive and coloration.

25.VPRE-31A
The VPRE-31A is a straightforward Germanium preamp from the 1960s with loads of power under the hood. Based on the rare 4-transistor original, this pre is fueled by the special characteristic curve and even harmonic structure only found in Germanium based designs. A custom UTC input transformer has been fitted for completing this massive hot rod.

Straight Engine Bay
The VPRE-31A is a real tone monster with a nice grind when being pushed – a vigorous motor for anything rock and electro. Its significant low end is perfect for guitars and bass, just like it is killer on kick and snare, too. Should you ever feel your vocals could have benefitted from a stronger proximity effect during recording which just isn’t there, the 31A is the way to go.

Behind the Wheel
The cockpit of the VPRE-31A is laid out for instant driving: Just get rolling by hitting the fully compensated Drive, choose your favorite impedance setting for fine-tuning the frequency response and adjust the output level if needed. If you’d like to add some dust and old school vibes to the trip, the onboard Noise control will get you there without detour.

26.VPRE-72
Some pieces of classic studio equipment just don’t need an introduction: Here is the VPRE-72! The archetypal preamp was released in the early 1950s and built by several iconic brands such as Maihak, TAB, Siemens and TFK. A legend in itself to the present day, the V72 also became the blueprint for the later V76 and the classic REDD.47 preamps used on numerous Beatles sessions.

The Real Thing
Divine and subtle – this is why you hear the magic of this aerial tube pre on countless kicks, snares, vocals and basses all over the world. The VPRE-72 catches the exact spirit with a faithful emulation of the input and output transformers, the dual EF804s pentode circuit with its peculiar feedback structure, as well as the heavy output choke which produces a subtle touch of air.

27.VPRE-376
The VPRE-376 is a discrete class-A microphone preamp from a golden era of German broadcasting technology, when solid state entered the stage of iconic audio classics. Developed by most experienced engineers and using highest grade components including the wonderful Haufe transformers, the 376 is known as the powerhouse transistor counterpart to the all-time tube legend V76.

Classic Thrust
This preamp adds a straight forwardness to your signals by working out the transients, which is great for brightening and placing things front and center. Adding a touch of light compression, it enhances a great variety of sources with a full bodied physicalness. A final cleanup of the low end with the integrated high pass filter will fit your tracks into the mix easily.

Upgraded Interface
The emulation honors the original circuitry and component choice in all aspects. On top of this, the VPRE-376 adds some convenient features making everyday work so much easier: A continuous drive control for finer adjustments, an integrated gain compensation and a linear trim for getting those levels right, completed by a precise VU meter and a phase inversion switch.

28.VPRE-562A
The 562A is a rare all-tube amp built around the early 1960s. Originally designed as a PA amplifier but often re-purposed as a bass or guitar head by UK bands from that era, the 562A delivers its signature tone through a Mullard EF86 gain stage, ECC82 phase splitter and two 6L6 push-pull pentodes as well as custom input and output transformers.

Golden Sound
The plugin kicks serious life into your tracks, adding beautiful vintage vibes from the sixties or even some pleasing old school grit if needed. It rocks as a spice booster for guitar and bass, no matter if used stand-alone or in combination with a full-blown amp simulation. Precisely because of its vintage roots it’s amazing how beautifully the 562A can beef up modern instruments, too.

Uncommon Options
With its unconventional EQ the VPRE-562A provides a wide variety of tone shaping flavors, while the Mic/Aux and Pre/PA selectors let you choose which combination of harmonics, presence, negative feedback and transformer-induced effects create the sound you’re looking for. Cranking the gain leaves clean behind and adds an extra layer of authentic vintage overdrive.

29.VQA-154
The VQA-154 is a rare and highly desirable four band equalizer module from the 1970s which made its way into many famous broadcasting and production studios worldwide. Its mid band filters are built around inductors and the fully discrete output stage drives a serious output transformer – this EQ comes with all the right ingredients for making it a prominent choice on your menu.

Precision Meets Character
The plugin is a versatile and easy to use EQ which provides classy clean tones and pleasant coloration which always sound musical. Once the bands are turned up a bit, things will start to get interesting… the VQA-154 delivers a firm sound featuring interesting textures without ever turning harsh or bloated: The perfect blend between precision and character.

Sound Shaping Toolbox
The VQA-154 comes with a full-fledged set of features making it the EQ of choice for many different sources, including a gain compensated drive control, continuous filter gains, linear output control as well as stereo, linked and mid/side operation modes. The signature interaction of gain and bandwidth is designed to become a crucial part of your personal sound shaping recipes.

30.VQP-258A&31.VQP-259A
The VQP-258A and VQP-259A are two entirely passive EQs which were introduced in the 1950s. Unlike its competitors from that era, the 258A offers two wide ranging and intuitive controls capable of independently cutting or boosting the low and high frequency spectrum, while the 259A filter cascade excels in its wide range of low and high cut settings.

The VQP-258A is a high/low shelf EQ with selectable frequencies and combined cut/boost controls. It applies gentle and musical equalization to virtually any source and adds pleasant coloration to your mixes. As a perfect match, the VQP-259A high/low cut filter offers a wide range of frequencies for removing low end rumble or taming harsh high frequency contents.

32.VREV-63
The VREV-63 is the ripping reincarnation of the legendary tube driven spring reverb from the sixties: the godfather of surf guitar sound! Hooked up in front of an amp, the drippy and splashy sound of this mysterious box has inspired countless reggae, dub, garage, rockabilly, jazz and spaghetti western artists. Play off the hook on incredibly long and inspiring reverb tails!

Real Thing
Reverb intensity and time are set with the Dwell knob which controls how hard the springs are hit by the input signal. The Tone control allows the treble to be dialed back to just the right degree of brightness. A fundamental yet switchable part of the lush sound is the famous tone suck effect impacting high frequencies, emerging from the authentic emulation of the tone and mixer circuits.

33.VREV-140
The VREV-140 is a vibrant reverb inspired by the holy grail of plates. Developed in the 1950s, this technological premiere with just 170 kg / 375 lb of weight finally offered a ‘portable’ reverb solution which was more flexible than the echo chambers used at the time. The Fuse incarnation of this studio icon delivers the rich and complex response the 140 is known and loved for.

Vox and Drums
With its smooth timbre and plate-specific density, the VREV-140 performs exceptionally well on vocals, guitars and drums. With more extreme settings applied, the synthetic aspect of the plate imposes truly inspiring reverb effects on any source. Also, the unique sound of the 140 is just perfect for adding spatial width and air to all of your signals.

34.VREV-305
The VREV-305 originates in an iconic and very rare spring chamber reverb system from the 1970s. Its tank consists of no less than 12 individual springs with equally tempered timings, following a logarithmic progression very similar to the musical scale. This system produces unique reverberation textures which can be shaped with a compact yet powerful tweaking matrix.

Customized Tails
The spring chamber of the VREV-305 produces harmonic series of reflection patterns which result in lush and dense reverb tails, but without the twangy artifacts typical of springs. The plate-like ambience can be adapted to individual signals with a simple, but very musical and interactive EQ section. The plugin also lifts the fixed decay time limitation of the hardware for good.

35.VREV-666
The VREV-666 is an incredibly rare spring reverb from the 1960s that was initially designed to alter the apparent acoustic properties of listening environments. Originally built for the BBC, this compact studio legend oozes the typical rich, bouncy, and unpredictable vibe of a true electromechanical reverb in a very authentic way.

Ambience with Attitude
The VREV-666 is not the most realistic reverb in the world – and that’s the beauty of it. Sending any signal through its springs will always result in something vibrant and charismatic. It can add an edge to your vocals, dirty ambience to your synth, gritty room tone to your guitar and bass, or some cool finishing textures to your favorite instruments…you name it.

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