Black Rooster Audio The ALL Bundle v3.2.0_WIN-R2R

黑公鸡插件套装Black Rooster Audio The ALL Bundle v3
VST插件格式：
VST/VST3/AAX

Black Rooster Audio The ALL Bundle v3 是一款包含26个高品质音频插件的套装，提供压缩、均衡、混响、吉他放大器模拟等多种经典设备仿真，采用真实电路仿真技术，现已完全支持VST3格式。

翻译：
Black Rooster Audio 打造高品质音频插件，将经典模拟特性与先进的 DSP 技术完美融合。其产品系列专为专业人士和业余爱好者设计，界面直观，音质卓越，并能与 DAW 无缝集成。凭借忠实的用户群和不断壮大的全球社区，Black Rooster Audio 不仅仅是一个品牌，更是一场声音运动。

经典录音室设备的复古韵味与现代便捷的数字处理技术相结合，使这款套装成为日常混音的完美工具链。这款超棒的套装包含您所需的一切，价格却低得可怜。

包含：
1. VLA-2A——————————————-压缩器插件
2. VLA-2A MARK II——————————–压缩器插件
3. VLA-3A——————————————-压缩器插件
4. THE CANARY————————————激励器插件/增强器插件
5. CYPRESS TT-15———————————-吉他放大器插件
6. VHL-3C——————————————-滤波器插件
7. VEQ-5——————————————–中频均衡器插件
8. BLUEASH SC-5———————————-美式压缩器插件
9. BLACKASH SC-5——————————–美式压缩器插件
10. MAGNETITE————————————磁带机插件
11.VPRE-73—————————————–话放插件/前置放大器插件
12.VEQ-1P——————————————均衡器插件
13.EDELWEISS`72———————————-通道条插件
14.VLA-FET—————————————–压缩器插件
15.KH-COMP1————————————-压缩器插件
16.RO-140——————————————板式混响插件
17.KH-EQ1—————————————–半参数均衡器插件
18.RO-SPR—————————————–复古弹簧混响插件
19.OMNITEC-67A———————————话放插件/前置放大器插件
20.VPRE-73 HALLOWEEN EDITION————-老式前置放大器仿真插件
21.RO-GOLD—————————————复古板式混响插件
22.TD-201——————————————经典磁带回声器插件磁带回声器插件
23.GA-GT2—————————————–多功能放大器模拟插件
24.OMNITEC-436C——————————–压缩器插件
25.VTC-2——————————————-电子管压缩器插件
26.VWB-1X—————————————–通道条插件

功能
真实的电路仿真
我们基于实时 SPICE 类型组件的电路仿真方法，能够真实地捕捉模拟设备的声音和质感，并体现其所有细微之处。所有原始电路的关键部件，包括音频变压器、电子管级和无源滤波器网络，都经过了忠实的建模。

SSE2 优化代码
DSP 操作使用 SSE2 指令集进行流水线化。即使计算过程非常复杂，也能确保最高的性能。

自动调整过采样，实现最佳音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，有效衰减混叠失真。过采样会根据您工程的采样率自动调整，从而节省宝贵的 CPU 功耗，同时提供最清晰的声音。

支持 HIGHDPI/RETINA
我们所有的插件均支持 Mac OSX 和 Windows 上的高像素密度，让您在高 DPI 显示屏上获得最愉悦的用户体验。如果您使用的是 Windows 系统，请参阅您的用户手册，了解您的 DAW 是否支持 HighDPI。

非凡音质，焕然一新。
Black Rooster Audio 由 André Kirchner 和 Reimund Dratwa 于 2016 年创立，以其设计精美的复古设备仿真插件而闻名，这些插件可用于音频制作、混音和母带处理。 Black Rooster Audio 总部位于德国图林根州埃尔福特，致力于将最优质的复古模拟声音与现代科技完美融合。

v3.0.0 版本有哪些新功能？
• 完全兼容 VST3：所有插件现在都包含 VST3 版本，功能完全相同且稳定。
• 性能提升：更快的加载速度、更佳的内存管理以及与现代生产链的无缝集成。
• 统一框架：本次更新标准化了整个插件系列的核心基础架构，为持续改进和更多平台支持铺平了道路。

已实现完全支持 VST3
我们很高兴地宣布，Black Rooster Audio 插件现已完全支持 VST3！这项期待已久的升级带来了更强大的性能、更佳的自动化处理能力，以及与最新 DAW 的增强兼容性。无论您是深入研究复杂的工程，还是仅仅需要坚如磐石的稳定性，VST3 都能确保更顺畅的集成和更高效的工作流程。我们的使命是确保我们的插件不仅音质出色，还能无缝融入您的创作环境——无论您使用何种平台。

重大飞跃
这项备受期待的框架升级开启了 Black Rooster Audio 插件的新纪元，带来更强大的性能、更广泛的 DAW 兼容性以及面向未来的技术基础。VST3 的全面集成，让制作人、工程师和音乐家在所有插件中都能体验到动态 I/O、增强的侧链功能以及优化的 CPU 性能等优势——这些优势现已专为当今的现代 DAW 工作流程打造。

随着 Black Rooster Audio 不断适应不断变化的制作环境和创作需求，向新框架的过渡为未来支持 CLAP 和 AUv3 插件格式奠定了基础。

增强的插件体验
此次升级体现了 Black Rooster Audio 持续致力于提供具有模拟灵魂的尖端数字工具的使命。目录中的每个插件——包括用户喜爱的 Magnetite、OmniTec-67A、RO-140 和 VLA-2A Mark II 等——都经过了重新构建，以充分发挥新框架的潜力。

无论您使用 Cubase、Ableton Live、Studio One 还是任何其他支持 VST3 的宿主软件进行制作，您的 Black Rooster Audio 工具现在都比以往任何时候都更高效、响应更快、更面向未来。

让您的工作室面向未来
随着插件标准的不断变化，Black Rooster Audio 始终致力于走在创新的前沿。通过现在拥抱 VST3，并投资于即将推出的 CLAP 和 AUv3 支持，用户可以享受长期兼容性、尖端功能以及兼具现代精准度的复古温暖音色。

插件简介：
1. VLA-2A
VLA-2A – 20 世纪 60 年代末光电电子压缩器的仿制品。
特点
真实电路仿真： 采用基于元件的实时电路仿真方法，尽可能真实地捕捉模拟设备的声音和感觉。所有关键部件，包括输入和输出变压器、侧链和音频路径电子管级、滤波器，当然还有 T4A 单元，都经过忠实模拟，并与 68 年的原版参考装置相匹配。
SSE2 优化代码： DSP 运算使用 SSE2 指令集流水线操作。尽管计算非常复杂，但仍能确保高性能运行。
自动调整过采样，实现最高音频透明度： 采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠假象。过采样率会根据会话的采样率自动调整，以节省 CPU，同时尽可能提供最通透的声音。

2. VLA-2A MARK II
Black Rooster Audio 隆重推出 VLA-2A Mark II – 世界上最好的 20 世纪 60 年代末光电电子压缩器仿制品。经过数小时的艰苦工作、计算和匹配，我们终于为您带来了 VLA-2A Mark II 插件。我们投入了全部的知识、工程技术和心血，设计出了迄今为止最真实的原生模拟装置。我们喜欢在鼓声中使用 VLA-2A Mark II，但它在贝司或人声中也有出色的表现，仔细调整压缩效果能让你的信号在混音中大放异彩。

特点
真实电路仿真
我们基于元件的实时电路仿真方法可尽可能真实地捕捉模拟设备的声音和感觉。所有关键部件，包括输入和输出变压器、离散侧链和音频路径网络、滤波器，当然还有 T4B 单元，都已如实模拟。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

自动调整过采样，实现最大音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠伪音。过采样率会根据会话的采样率自动调整，以节省 CPU，同时尽可能提供最通透的声音。

3. VLA-3A
Black Rooster Audio 隆重推出 VLA-3A 插件，它是对 70 年代模拟兄弟产品最真实的原生模拟之一。这是我们用于人声的首选压缩器，但它也能为打击乐材料带来令人难以置信的氛围，并帮助您在混音中加入一些胶水。

特点
真实电路仿真
我们基于元件的实时电路仿真方法可尽可能真实地捕捉模拟设备的声音和感觉。所有关键部件，包括输入和输出变压器、离散侧链和音频路径网络、滤波器，当然还有 T4B 单元，都经过了忠实模拟。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

自动调整过采样，实现最大音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠伪音。过采样率会根据会话的采样率自动调整，以节省 CPU，同时尽可能提供最通透的声音。

4. THE CANARY
The Canary “的设计初衷是帮助您在录音或混音过程中制作出最震撼、最令人信服的鼓声。该插件可以扩展和恢复鼓信号的一些基本方面，这些方面可能在录音过程中丢失了，或者一开始就不存在。这些方面包括音色、攻击、延音和一些非常基本的滤波，它们决定了鼓壳的自然音色。您在录音过程中失去了攻击力和冲击力？您的鼓信号听起来沉闷或没有特别的力量？Canary 可以帮助你，合成添加这些缺失的功能，让你在混音中完善并重新定义你的鼓声。

功能
攻击处理器
攻击处理器能将输入信号的攻击相位表现出来。可以根据自己的喜好调整增加的攻击量，也可以右键单击相应的旋钮将其关闭。对于声音沉闷、麦克风距离较近的军鼓或通鼓，这是我们的首选功能，它能真正帮助它们在混音中穿透力更强。

延音处理器
延音处理器可添加由输入信号触发的合成延音相位。添加的延音量和音高可根据个人喜好进行调整，或直接右击相应旋钮关闭。在低音鼓信号较弱的情况下效果尤佳–拨入一个较低的音调，将滤波器设置为低通，添加延音，然后根据需要调整混音旋钮–咚。

滤波器和混音
添加的信号成分可使用一组 4 个简单的预定义滤波器进行过滤，并与不同的鼓壳类型相匹配。使用混音旋钮可在干信号和经过处理的信号之间进行混合。

SSE2 优化代码
DSP 操作使用 SSE2 指令集流水线进行。尽管计算非常复杂，但仍能确保高性能运行。

5. CYPRESS TT-15
Black Rooster Audio 的吉他音箱头模拟器以一款用途广泛、音质独特的低功率放大器为原型精心打造，Black Rooster Audio Cypress TT-15 以无与伦比的价格为您提供：免费！Cypress TT-15 的设计简单明了，只有六个直观的控制按钮，无论您是想获得清脆的吉他音色，还是想获得尖锐的失真主音，它都能帮助您立即完成工作。我们还加入了一个简单的 2×12 箱体模拟，如果您喜欢其他解决方案，或者您需要输入外部功率放大器/箱体舞台，则可以绕过它。

特点
真实电路仿真
我们采用基于 SPICE 类型元件的实时电路仿真方法，可以真实捕捉模拟对应设备的所有细微声音和感觉。音头的每个关键部分，包括前置和功率放大器电子管级、音色滤波器和输出变压器，都经过忠实建模和匹配。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。尽管计算非常复杂，但仍能确保最高性能的运行。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠现象。过采样会根据会话采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

6. VHL-3C
VHL-3C 由两个恒定 K 滤波器级联而成，是上世纪 50 年代早期一款备受追捧的模拟处理器，采用完全无源设计，带有音乐感极强的交互式通滤波器。VHL-3C 提供 3 个简单直观的控制钮，可以有效去除信号中的隆隆声、嗡嗡声或刺耳的频率。将两个滤波器旋钮设置到极限位置，您就可以获得一个窄电话线带通。您可能会问：”那又怎样？”Black Rooster Audio 将免费赠送这款好东西！

特点
真实电路仿真
我们采用基于 SPICE 类型元件的实时电路仿真方法，可真实捕捉模拟对应产品的所有细微差别。无源滤波器网络的每个关键部分，包括滤波器级的相互作用和不同负载电阻的影响，都已忠实建模。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线操作。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠现象。过采样会根据会话采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

7. VEQ-5
VEQ-5 的设计灵感来自录音室历史上最著名的均衡器之一–它专注于 200Hz 至 7kHz 的功率范围频率，主要用于净化和甜化人声。但它在吉他和键盘方面也有出色表现。

功能特点
真实电路仿真
我们采用基于 SPICE 类型元件的实时电路仿真方法，可以真实捕捉到模拟电路的所有细微差别。电路的每一个关键部分，包括无源滤波器网络、音频变压器和功放管级都已忠实建模。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠现象。过采样会根据会话采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

8. BLUEASH SC-5
SC-5 准确地模仿了 70 年代经典的蓝面 VCA 压缩器的原型，开辟了一个多功能的全新世界： 你想使用超级柔和的压缩来甜化主母线上的信号？您想在鼓母线上获得扭曲、粉碎的声音？您想控制生动的动态素材？BlueAsh SC-5 都能胜任。完整的参数集让你可以根据自己的应用调出最合适的设置。但它始终保持着自己悦耳而独特的音色。

特点
自动增益补偿
BlueAsh SC-5 是一款固定阈值压缩器： 通过提高输入增益可以获得更多压缩效果。这当然会提高信号音量。在按住鼠标右键的同时拖动输入增益旋钮，输出增益就会得到调整，因此可感知的输出电平将保持大致相同。

真实电路仿真
我们采用基于 SPICE 组件的实时电路仿真方法，可真实捕捉模拟电路的所有细微差别。电路的每个关键部分，包括定制的 VCA 设计、双时间恒定检测器电路、反馈压缩器环路和音频路径，都已忠实建模。

SSE2 优化代码
DSP 操作采用 SSE2 指令集。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠伪音。过采样会根据会话采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

9. BLACKASH SC-5
SC-5 准确地模仿了一款经典的、广受追捧的 VCA 压缩器的 “黑色 “版本，开辟了一个多功能的全新世界： 您想使用超级柔和的压缩功能，让母线上的信号更甜美？您想在鼓母线上获得丰富多彩的声音？您想驯服生动活泼的素材？BlackAsh SC-5 都能满足您的需求。与其兄弟产品 BlueAsh SC-5 相比，BlackAsh SC-5 的压缩性能略有不同，具有不同的谐波结构和更暗的音频路径，并可输入外部侧链信号。

特点
外部侧链输入
BlackAsh SC-5 增加了一个外部侧链输入，按下 “Ext SC “按钮即可启用。BlackAsh SC-5 采用反馈式压缩器设计，因此将外部侧链输入馈入现有的反馈环路电路会导致前馈拓扑结构，从而产生不同的压缩效果。为了解决这个问题，外部侧链输入被当作正常的音频信号处理，而产生的控制电压则被馈送到调制音频信号的镜像 VCA 中。这样，在正常和外部侧链模式下都能保留回馈操作。

自动增益补偿
BlackAsh SC-5 是一种固定阈值压缩器： 增加输入增益可实现更多压缩。这当然会提高信号音量。按住鼠标右键的同时拖动输入增益旋钮，输出增益就会得到调整，从而使感知输出电平保持大致相同。

真实电路仿真
我们采用基于 SPICE 组件的实时电路仿真方法，可真实捕捉模拟电路的所有细微差别。电路的每个关键部分，包括定制的 VCA 设计、双时间恒定检测器电路、反馈压缩器环路和音频路径，都已忠实建模。

SSE2 优化代码
DSP 操作采用 SSE2 指令集。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠伪音。过采样会根据会话的采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

10. MAGNETITE
Magnetite是我们对磁带录音机声音的致敬。只需使用录音增益旋钮拨入所需的饱和度和温暖度，Magnetite 就能为你的混音增添你想要的模拟磁带音效。
巨大的鼓声、扭曲的循环、饱和的人声，只要你想得到的，都可以让磁石为你的音轨注入新的活力。我们建议将磁石作为音轨链的第一个插入点，就像将信号录制到磁带上一样。当然，如果你想获得创意效果，也可以将它放在不同的位置。

特点
原汁原味的声音
我们花了很多心思和精力来模拟与模拟磁带相关的所有音质： A 类录音和回放放大器、磁带响应和饱和度、NAB 预加重和去加重均衡器、不同磁带速度和偏置电平的音效、嘶嘶声和嗡嗡声，应有尽有。我们还添加了可调节的 “哗哗 “和 “扑扑 “功能，可模拟电机速度波动引起的频率调制（FM）。

SSE2 优化代码
DSP 操作采用 SSE2 指令集。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠伪音。过采样会根据会话采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

11.VPRE-73
VPRE-73 插件的灵感来自录音室历史上最经典的前置放大器之一。在精简原始处理器的同时，我们尽最大努力为您带来分立前置放大器电路和音频变压器的真实模拟，同时还保留了著名的高架滤波器频段。VPRE-73 为您提供低端魔力、高端闪光和恰到好处的总谐波失真，重现独特的经典氛围。

特点
真实电路仿真
我们采用基于 SPICE 类型元件的实时电路仿真方法，可真实捕捉模拟对应产品的所有细微差别的声音和感觉。电路的每个关键部分，包括输入和输出音频变压器、分立前置放大器电路以及高频搁架滤波器频段，都已忠实建模。

SSE2 优化代码
DSP 操作采用 SSE2 指令集。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠假象。过采样会根据会话的采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

12.VEQ-1P
Black Rooster Audio 很高兴推出 VEQ-1P 程序均衡器，其灵感来自录音室历史上最著名的均衡器之一。

这款插件可在不影响中音的情况下，对频谱的低端和高端进行处理。交互式滤波器网络同时具有增强和削减功能，可为用户提供多种处理搁架频率的选择，这种处理方式极具音乐性，是大多数其他均衡器无法实现的。

在 BassDrum 上使用 VEQ- 1P 试试著名的 “Pultec-Trick”，以获得更清晰的音色和更高的频谱透明度。

特点
真实电路仿真
我们采用基于 SPICE 组件的实时电路仿真方法，可真实捕捉模拟对应设备的所有细微差别的声音和感觉。电路的每个关键部分，包括无源滤波器网络、音频变压器和功放管级，都已忠实建模。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠现象。过采样会根据会话采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

13.edelweiss`72
Edelweiss ’72 通道条插件能让你的混音更上一层楼。这是您一直在寻找的高动态混音工具链，您可以立即开始构建自己的声音。我们的混音工具链经过深思熟虑的设计，可逐步改善你的信号，并对其进行最后的润色，使其接近完美的动态和音效。Edelweiss ’72 是专为挑剔的专业人士量身定制的顶级插件，可与著名的 SSL 或其他通道插件相媲美，是精心研究的成果，可为您带来最佳的声音工程体验。

Edelweiss`72 是一款多功能插件，集电平控制和超精确均衡于一身（AAX/VST/AU）。

开始使用时，强大的扩展器可拓宽信号的动态范围，为接下来的频谱整形做好准备。
温暖的 5 波段均衡器让你的音轨熠熠生辉，它可让你选择立体声或 M/S 模式，并通过将滤波器转换为线性相位来避免任何相位失真。
最后但并非最不重要的一点是，利用配备自动增益和补声控制的经典压缩/限制级，将信号提升到顶峰。
我们的通道条插件具有 17 个独立旁路和多个独奏选项，便于您在整个混音过程中以最精确、最外科手术般的方式工作。此外，我们还在独立模块上添加了多个计量选项，包括动态部分的增益还原表和一个全量程计量部分–显示 K-12、K-14 和 K-20 刻度，以及相位相关性和 L/R 平衡监控，让您对工作有一个全方位的了解。

与我们所有的产品一样，我们非常注重 Edelweiss ’72 的音质，为您提供一款可靠的高音质音频软件，其音质和外观与您对 Black Rooster Audio 的期望一样出色。

功能
全包式 4 阶通道带
Edelweiss ’72 由 4 个功能强大的专用模块组成，因此您可以随时获得所需的一切：扩展器、M/S|立体声 5 段均衡器、带自动增益控制的压缩器和限制器。

线性相位均衡器
作为质量保证，我们在 Edelweiss`72 的均衡器部分采用了线性相位模式，该模式堪称行业标准。打开它，可以消除由于频率响应延迟造成的任何相位不一致，并尊重您希望为信号注入的宽范围频谱。

K 音阶和相关计量，实现动态一致性
Edelweiss ’72 通道条的主要目标是保持信号的动态和相位相关性。请注意 K 级仪表（K-12、K-14 和 K-20），直观地控制您的工作对相位的影响。

SSE2 优化代码
DSP 操作采用 SSE2 指令集。这样，尽管计算非常复杂，也能确保最高的运行性能。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠假象。过采样会根据会话采样率自动调整，以节省宝贵的 CPU 功耗，同时尽可能提供最通透的声音。

14.VLA-FET
Black Rooster Audio 隆重推出 VLA-FET，其灵感来自录音室历史上最著名、最负盛名的均衡放大器之一。这款插件能以最直观、最强烈的方式操纵动态效果，从而为您提供一个具有多种出色选项的创造性工具，而且在处理上绝不会过于复杂。超快的攻击和释放时间可以更精确、更高效地输出信号，从而使鼓声、贝斯和人声更加有力。

除了经典参数外，我们还为该设备添加了一些现代触感和功能，使其更加灵活。仿真采用经典的 LN Rev F，配备 Lundahl 变压器和类似 LA-4A 的运算放大器输入级。

特点
真实电路仿真
我们采用基于元件的实时电路仿真方法，尽可能真实地捕捉模拟装置的声音和感觉。所有关键部件，包括输入和输出变压器、附加侧链、音频路径网络和滤波器，都已忠实建模。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

自动调整过采样，实现最大音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠现象。过采样率会根据会话的采样率自动调整，以节省 CPU，同时尽可能提供最通透的声音。

15.KH-COMP1
长期以来，创造力和创新力一直受到音乐创作方式和工具使用方式等一系列规则的束缚。新一代混音艺术家们在使用我们钟爱的经典老式设备的同时，也在挑战那些依赖于 50 年录音室设备极限的陈旧观念。现在是挑战声音极限、释放创造力的时候了！

当我们开始与屡获白金大奖的混音工程师、制作人和音效发烧友 Koen Heldens 合作开发我们的插件系列时，我们毫不怀疑我们将制作出一些非凡的工具。

科恩是制作嘻哈音乐流派中一些最优秀和流媒体最多的专辑的专家，他的经验和对音乐的理解使他能够创造和塑造歌曲的情感基础，同时他也对他的武器库中的每个插件和 DAW 的技术方面和局限性有着深刻的了解。

他的常用工具缺少一些微调，因此他需要一个非常特别的定制压缩器解决方案，这是目前市场上独一无二的。他对过程计时、通道连接和侧链滤波的想法确实促使团队开发出一种全新的工具。

经过无数次的开发和试听，最终诞生了这款独一无二的压缩器，达到了当今最伟大制作人之一的标准，其中还包括 Black Rooster Audio 迄今为止开发的最佳均衡放大器。

特点
4 种检测器模式 – 山峰/峰值/年份/rms
KH-COMP1 压缩器具有令人难以置信的多功能性，可塑造驱动该设备的包络线–广泛或精确地捕捉侧链电平。4 种检测器模式可提供最灵活的时间参数和精确的阈值控制。希尔伯特检测器是一个 90 度移相器，可以显示信号的精确包络，不会出现失真或过冲。忘掉真实峰值吧，这才是真正的好东西！

可逆 sc 滤波器
侧链信号可通过 2 波段可逆滤波器进行完美微调。低端和高端信号都可以根据需要进行处理，这样就能更好地控制回避、抽水效果和去咝声。通过反相滤波器，可以对中音进行外科手术式的切除。利用 “监听 “选项，你可以在包络检测器处理 SC 滤波器之前，反复检查滤波器的设置。

混合立体声链接
当你需要详细控制立体声通道及其处理之间的关系时，将双单声道混合为立体声非常有用。

膝参数
膝部参数能使压缩效果更加平滑，达到天衣无缝的效果。如果你想获得更生硬的效果，只需让信号刷过生硬的边缘即可。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

零延迟
KH-COMP1 是一款零延迟压缩器，无需采样延迟补偿，因此非常适合实时监听或现场环境。

16.RO-140
RO-140 忠实地模仿了其传奇的硬件同类产品，但其核心仍是 Black Rooster Audio 的原创插件。它的板式模拟方法允许用户尽可能真实地捕捉模拟设备的声音和感觉，同时还包括一些意想不到的变化–正如您对任何一款出色的 Black Rooster Audio 插件所期待的那样。

为你的音轨实现完美的混响量和混响类型，能让你的混音效果事半功倍。现在，制作人可以使用这种效果在混音中模拟任何空间，欺骗耳朵，模拟从宏大宽广到舒适亲密的各种效果。当今的音乐制作广泛而轻松地使用混响处理器，但并非一直如此。

自 50 年代起，工程师们就开始尝试使用金属箔片和金属板来重现昂贵的混响室，虽然效果听起来不错，但这种技术被证明是耗时、昂贵和不可预测的。尽管如此，板式混响仍被广泛应用于 50 和 60 年代的许多热门歌曲中。

板式混响的最初目的是模拟混响室，但后来的硬件版本本身已成为传奇。

对于任何好耳朵来说，像 EMT 140 这样的经典复古硬件与大多数纯粹基于脉冲响应的现代插件之间的区别都是非常明显的。因此，Black Rooster Audio 制作了 RO-140 的物理模型，不是一个，而是六个板式混响–提供了最大程度的真实性，以及一些意想不到的变化。

这款多用途板式混响插件可让您的制作更上一层楼，实现更细致的音频定制。它不仅能捕捉到受人追捧的经典硬件音效，还能让你创造自己的音效，在板材材料、板材尺寸、阻尼和预延时控制之间进行几乎无限的组合。

特点
灵感源自经典
这款插件的灵感来源于 EMT 140 和其他经典的板式混响，在一个小巧但功能强大的软件包中为你提供了每种经典硬件的最佳效果。

6 种物理上精确的板式材料
RO-140 包括 6 种物理建模的板材材料 – 金、银、钢、铝、青铜和钛 – 每种材料都可通过动态板材尺寸控制器调节尺寸，从而实现最大程度的可定制性。

经典阻尼器控制
通过物理模拟版的经典阻尼器控制器，可以完全控制混响衰减时间，点击 “+”和”-“按钮，可以在 10 个阻尼器位置之间进行选择。

经典预延时控制器
经典预延时控制器决定干信号和湿信号之间的延时量。它被特意放置在板式混响模拟之后，以便用户通过 DAW 自动控制来调节混响尾音。

输入和输出级的可调增益分级
这使您能够控制预处理输入增益电平和后处理输出增益电平。

SSE2 优化代码
DSP 运算使用 SSE2 指令集流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

零延迟
RO-140 是一款零延迟混响插件，无需采样延迟补偿，非常适合实时监听或现场环境。

17.KH-EQ1
KH-EQ1 是一款独一无二的半参数 5 段均衡器。它具有声音丰富的频段控制功能，可以为每个频段增添色彩，同时通过其极具音乐性的功能鼓励创造性的声音塑造。

KH-EQ1 是 Koen Heldens 签名系列的第二款产品，它是一款专业录音室均衡器，具有谐波每段饱和度和创新的无级 Mid<->Stereo<->Side 路由器。

每个许可证都包含由 Koen 亲自创建的自定义预置，让您获得期待已久的专业录音室体验。

它是任何制作人武器库中的完美补充，是为您的作品增添丰富性和创造力的理想工具！

均衡器的历史
均衡器（或称均衡器）是使用最多但又最容易被误解的音频处理之一。它是任何制作人都应该拥有的重要工具。简单地说，它用于调整音频信号中一个或多个频率的响应，从而帮助塑造或突出混音中的任何元素。

均衡器最初用于电信目的，可追溯到声学电报。后来，它被用于电台和广播，并不断发展，直至成为每个录音室的主要设备。

Daniel N. Flickinger 于 1971 年设计出第一台参数均衡器。他的发明实现了以前不可能实现的滤波电路，他的专利引入了电路拓扑结构，这种拓扑结构一直沿用至今。随着时间的推移，这些传奇的硬件均衡器变成了数字均衡器插件，并提供了无数的定制选项和样式。

虽然有些均衡器的效果比其他的更精确，但这一重要工具能让用户在不影响每个元素的音色或完全改变其音色的情况下，以外科手术的方式去除或增强他们想要的任何频率。虽然高级均衡需要数年时间才能完善，但只要操作得当，就能彻底改变游戏规则–通过足够的练习，就能完全控制任何声音。除了对单个元素进行处理外，它还可以在最终混音的主音轨上进行母带处理。

功能特点
SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

18.RO-SPR
RO-SPR 是一款原汁原味的复古弹簧混响器，能为您的作品增添特色和恰到好处的迷幻色彩。6 种弹簧类型、3 段均衡器以及弹簧长度和模式控制，让您体验亨德里克斯等人的标志性音效。

音质革命
1939 年，劳伦斯-哈蒙德（Laurens Hammond）申请了第一个创新合成混响装置的专利，这将彻底改变录制音乐的音效。在金属弹簧的一端装有一个简单的换能器，另一端装有一个拾音器。

哈蒙德先生进一步将他的想法付诸实践，即采用机械、弹簧为基础的混响处理器，并将其应用于传奇的哈蒙德管风琴（1960 年开始）以及 Accusonics Type 4 SR 等独立硬件设备中。里奥-芬德（Leo Fender）在 1963 年推出的芬德 Vibroverb 使这一概念声名鹊起。

弹簧混响是录音室历史上使用最多的硬件混响之一，但与动辄数千美元、每个重约 600 磅的笨重板式混响不同，大多数弹簧混响更节省空间和成本。

从声音上讲，弹簧混响通常被描述为 “弹跳 “或 “响铃”，这是因为它们的机械布局倾向于重低音。为了保持自然的空间感，频谱通常会通过均衡器进行修正，但许多混音工程师正是利用这种低频增强来增加吉他、人声或合成器的音色。从《The Doors》到《Queens Of The Stone Age》，许多热门唱片中都能听到这种音效设计技巧与弹簧著名特性相结合的声音。

RO-SPR 将通过其独特的经典弹簧类型集合让你回到过去，同时添加了现代功能，使每个部分都能精确地满足你的需求。

在吉他、贝司、人声、鼓、铜管乐或合成器音轨中加入复古弹簧音效，或在任何总线或混音通道上尝试。它将为你带来熟悉而又神秘的机械空间混响效果，让你爱不释手！

特点
6 种弹簧类型
RO-SPR 配备了 6 种非常独特的弹簧类型，它们忠实地模仿了硬件上的同类弹簧，涵盖了长达 40 年的声音实验、创新和录音室的大量使用。

长度和衰减可调
通过调节长度和衰减来微调您的弹簧混响体验，从经典的室内混响到迷幻的空间设计，应有尽有。

单声道、立体声、M2S 模式
我们采用了多功能信号路由系统，可进行单声道和立体声处理，以及 M2S 模式，该模式可从单声道/立体声信号源产生宽度。在立体声模式下，左/右信号被送到独立的弹簧上，而在 M2S 模式下，单声道信号被送到非相同的弹簧上，以产生定制的宽度。

经典的 3 段均衡器
为了进一步控制弹簧的特殊频谱特性，我们为这款插件添加了 3 段均衡器。由于弹簧天生偏重低频，中频或高频较少，因此可以在均衡器部分对其进行均衡。

可调增益分段
可调增益分段功能可让您控制预处理输入增益电平和后处理输出增益电平。此外，我们还分离了立体声通道，以便对振幅进行微调，从而获得多个弹簧的自然立体声图像。这些可以根据弹簧材料和信号频谱的不同而变化。

19.OMNITEC-67A
OmniTec-67A 复古电子管前置放大器通过引入丰富的复古电子管饱和度和 1567A 的闪光点，即使是最无声的信号也能变成音色丰富的制作。从粗犷的人声到饱和的鼓声，再到和声复杂的混音，这款经典复古的放大器都能胜任。

摩城的秘密酱汁
受著名的 Altec 1567A 的启发，我们最新的复古仿真插件具有与硬件插件一样的丰富的复古电子管饱和度。它是为人声、贝斯和鼓声添加饱和度、谐波和微妙失真的完美工具。

最初的设备发布于 20 世纪 60 年代初，是一款机架式电子管混音器，具有简单的双旋钮均衡器和高达 97 dB 的增益！它的声音充满粗犷、绵密和个性，标志性的绿色面板使其与众不同。
这就是那无与伦比的原始模拟声音！

1567A 在很大程度上影响了从至上励合到诱惑乐队等无数摩城名曲的音色，它还被拉斯-特拉纳（Russ Terrana）和马特-华莱士（Matt Wallace）等著名工程师广泛使用。说起摩城，人们就会想到这些歌曲中故意扭曲和过度饱和的铜管乐、电子琴、贝司和人声，这也是我们今天所熟知和喜爱的声音。

这套标志性的录音室设备，以及这些杰出工程师当时所使用的录音技术，可以说是一代人声音的源泉。在摩城时代之后，Altec 1567A 继续存在，并成为了以极低成本实现彩色电子管音效的黄金标准。除了技术上的卓越之外，摩城制作人还专注于创造一种无与伦比的美感，这种美感影响深远，许多流行、摇滚、灵魂乐、独立音乐和嘻哈音乐的艺术家至今仍在使用这种美感–从人声到和声和节奏部分，摩城的声音一直在这里。

特色
灵感源自经典
这款插件的灵感来源于 Altec 1567A 复古电子管前置放大器，当然也包括我们著名的 Black Rooster Audio 扭曲功能。

3 种电子管类型
OmniTec-67A 具有三种电子管类型，可为您提供多种选择，为音轨增添温暖和饱和度。每种电子管类型都有不同的频率响应、输出增益和谐波范围。

用于基本增益分级的线路/麦克风开关
该插件包含一个线路/话筒开关，可让你选择音源，每个音源都有自己的频率响应和行为（话筒阻抗与线路阻抗）。插件会在输出级自动补偿。

经典 3 段均衡器
作为原始设备的扩展，我们增加了一个复古的 3 段均衡器。其频率经过精挑细选，可为您提供比硬件设备更多的选择。

2 个偏置电压选项
偏置控制在很大程度上影响着电子管的驱动方式，并对其温度和电阻产生影响。如果偏压过低（偏压过高），阀门的声音就会变得单薄；如果偏压过高（偏压过低），阀门就会过饱和。在两个选项中进行选择，以找到最适合您的音色。

SSE2 优化代码
DSP 运算使用 SSE2 指令集进行流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

20.VPRE-73 万圣节版
VPRE-73 万圣节版是我们深受喜爱的 VPRE-73 的黑暗而神秘的兄弟版本。这款复古前置放大器仿真插件并不适合胆小的人使用–它将为您的制作增添怪物般的特性，让您的信号发出前所未有的尖叫。一定要非常、非常害怕！
限量版–仅在 11 月 1 日前发售。

VPRE-73 是我们的明星插件，自 2017 年以来一直为您的制作带来生命力，刚刚获得了幽灵般的改造！这款万圣节限量版是您秋季不祥混音会话的完美补充。

它不仅拥有 CRANK 倍增器和高通频率控制等新增功能，还拥有令人毛骨悚然的全新设计！

VPRE-73 的设计灵感源自专业录音室历史上最经典的前置放大器之一。通过精简原始处理器，我们不仅真实地模拟了分立前置放大器电路和音频变压器，还保留了著名的高架滤波器频段。

VPRE-73 万圣节版不适合胆小的人使用–它将为您的制作增添怪物般的特性，让您的信号发出前所未有的尖叫。一定要非常非常害怕！

21.RO-GOLD
RO-GOLD 以经典的标志性硬件为原型，并升级为 24K 金板，带来最奢华的复古混响体验。

我们的平板模拟方法使我们能够尽可能真实地捕捉模拟装置的声音和感觉，同时还加入了一些意想不到的变化–所有这些都体现在 RO-GOLD 这个设计精美、易于使用的包装中。

自 50 年代起，工程师们就开始尝试使用金属箔和金属板来重现昂贵的混响室。然而，安装和控制真正的金属板混响却从来都不是一件容易的事，也不是每个制作人或小型录音室都能轻易做到的–尤其是当涉及到真正的金板时。

通常情况下，这种硬件在很长一段时间内都是少数精英录音室所独有的。然而，在 50 和 60 年代的许多热门歌曲中，都能听到板材混响，工程师们在这些歌曲中广泛使用了这种技术。

RO-GOLD 不仅能为您带来这些备受追捧的经典硬件音效，还能捕捉到纯金板的真实音色，而在现实生活中，重现这种音色需要花费数百万美元。这块 24K 宝石可以让您设置自己的复古房间音效，既温暖又醇厚。只需几个简单易用的参数，就能轻松实现真实的复古混响音效。

特点
最奢华的板式混响
享受 24K 金板混响音色，体验前所未有的奢华复古混响。

灵感源自经典
这款插件的灵感来自 EMT 140 和其他经典的板式混响效果器，可最大限度地还原真实效果。

复古阻尼控制
利用物理建模版本的经典阻尼器控制器，对混响衰减时间进行完全控制，并在 10 个阻尼器位置之间进行选择。

经典预延时控制器
经典预延时控制器决定干信号和湿信号之间的延时量。它被特意置于板式混响模拟之后，以便用户使用 DAW 自动控制来调节混响尾音。

干/湿混音阶段
按照发送效果与混音通道并行运行的经典方法，我们引入了干/湿控制，以便在插件内保持链式效果，而无需设置额外的发送/返回回路。

Apple Silicon 和 SSE2 优化代码
DSP 操作使用最新的 Apple Silicon 和 SSE2 指令集进行流水线处理。尽管我们的插件计算非常复杂，但仍能确保高性能运行。

零延迟
RO-GOLD 是一款零延迟混响插件，无需采样延迟补偿，非常适合实时监听或现场环境。

22.TD-201
TD-201 复古磁带回声插件将经典模拟延时器的独特音效带入了 21 世纪。这款直观的设备提供各种详细参数，可高度定制，但操作简单。

作为 20 世纪 50 年代音乐制作革命的一部分，音乐家、制作人和工程师们忙于创建现代工作流程的基础，引进了无数的技术创新–从吉他放大器到电子管风琴，以及令人难以置信的大量录音室效果器。这一时期也标志着电混响和延迟装置的诞生。

早期的磁带延时器，如 Echoplex 或 Copicat（回声发生器的首次尝试），在技术上并不可靠，而且在运输过程中容易损坏。

20 世纪 60 年代末，日本工程师 Ikutaro Kakehashi 和 Hammond 开始试验多磁头磁带回声器。其中一款产品的特点是将一个自由浮动的 1⁄4 英寸磁带和弹簧混响装置安装在一个坚如磐石的磁带室中，可随时用于巡回演出，比当时市场上的任何产品都更加稳定可靠。

罗兰 Space Echo RE-201 成为该品牌的畅销产品。它进一步发展成为一系列延时效果器，至今仍被广泛应用于音乐制作和音效设计中。自 RE-201 诞生以来，著名的延时音效一直保持不变。

对于许多磁带延时器发烧友来说，没有什么能比得上传奇老式设备的音效。不过，许多人还是对它们的不可预测性感到苦恼，更不用说使用起来费时费力。因此，我们创造了 TD-201–一款高度可定制的盒式磁带延时器，不仅具有经典的复古特性，还提供了无数可定制的选项，以实现最大的可用性。

特点
多头模式选择器
我们采用了复杂的模式选择，可在播放头之间实现无缝切换，让您可以调试出完美的房间设置。您可以轻松地混合混响和延时效果，就像使用复古的原装设备一样。

每个音头微调
通过调整下面板中每个重放头的深度、音量和立体声位置，对完美的回声进行微调。九个参数让你的工作流程达到外科手术级的精确度。

轻敲与同步
通过同步控制，可快速将磁带速度与混音/节奏同步。使用该功能后，回声将跟随轻敲旋钮发出的脉冲。

随心所欲
为了达到 “完全复古 “的效果，请尝试使用我们的一系列微调参数来控制马达、颤动、净空、掉音和噪音，所有这些都是磁带机的硬件特性。玩转这些参数，并调入一些随机性，让你的回声听起来更真实。

低保真磁带效果
这里有一个小窍门：将回声设置为 0ms（HEAD 1 ONLY Mode Selector = 1 & HD1 Pos = 0），然后在中间面板上对马达、颤动、净空、落音和噪音进行单独操作。这就是完美的低保真卡带效果。

苹果芯片和 SSE2 优化代码
DSP 运算使用最新的 Apple Silicon 和 SSE2 指令集进行流水线操作。尽管插件的计算非常复杂，但仍能确保高性能运行。

23.GA-GT2
Black Rooster Audio 隆重推出 GA-GT2 多功能前置放大器模拟器。我们最新的吉他前置放大器模拟器是每位制作人的必备之物。它是获得吉他、贝司甚至人声音色（试试看）的最快方法–无论是充满个性的复古音色，还是完全的重金属失真。这款多功能设备无所不能。

历史
GA-GT2 的灵感来源于 1989 年推出的 GA-GT2，一经推出便迅速成为各种类型吉他手的最爱。从朋克摇滚乐手、金属乐手到乡村乐手，所有吉他偶像都使用过它。

由于其令人难以置信的多功能性，它还受到贝司手和制作人的青睐，他们用它来为鼓声和人声添加温暖和饱和度。

这款音色甜美的踏板以其丰富的选项和捕捉各种音色的能力而著称。它是市场上最耐用的踏板之一，因此深受巡演音乐家的青睐。

GA-GT2 是一款功能强大而轻巧的插件，有 AAX、VST 和 AU 版本。其粉末涂层图形用户界面设计为 19 英寸机架单元，可在 DAW 中垂直堆叠多个实例。增强吉他音色的层次感从未如此有趣！

功能特点
箱体 SIM 旁路
此功能允许你绕过箱体电路仿真，在你最喜欢的放大器插件前使用，就像普通的失真踏板一样。

正宗巴桑道尔音色控制
高音和低音控制以与原装设备相同的方式修改搁架均衡器

相位开关
使用混音旋钮时，该功能可反转信号以避免相位抵消。

混音旋钮
将输入信号与失真信号混合，获得令人印象深刻的效果。不仅适用于吉他音轨，也适用于人声、鼓和贝司。

真实电路仿真
我们基于元件的实时电路仿真方法可尽可能真实地捕捉模拟单元的声音和感觉。所有关键部件都已忠实建模。

SSE2 和苹果硅优化代码
DSP 运算使用最新的 SSE2 和 Apple Silicon 指令集进行流水线处理。尽管计算非常复杂，但仍能确保高性能运行。

自动调整过采样，实现最高音频透明度
采用低延迟线性相位 Dolph-Chebyshev 多相设计，可有效减弱混叠现象。过采样率会根据会话的采样率自动调整，以节省 CPU，同时尽可能提供最通透的声音。

24.omnitec-436c
我们最新的 vintage vari-mu 压缩器插件从传奇的 Altec 436C 电子管压缩器中汲取灵感，该压缩器以其动态范围和复古温暖而闻名。436C 压缩器最初于 20 世纪 50 年代推出，因其多变的参数设置和极富音乐性的输出而迅速受到顶级制作人的青睐。这款标志性的压缩器创新的电路和独特的音质为其他著名的压缩器提供了灵感，包括 Fairchild 和 Manley vari-mu 装置。

这款标志性的设备拥有一长串令人印象深刻的功绩，例如 Abbey Road Studios 的传奇制作人 Geoff Emerick。他使用 Altec 436C 为披头士、赫伯-艾伯特和弗兰克-西纳特拉等人的许多重要录音奠定了基础。随后，436C 在美国和欧洲的流行音乐录音棚中大放异彩。

OmniTec-436C 插件完美地模拟了这款老式压缩器的最佳功能，同时还加入了 Black Rooster Audio 独有的现代元素，提供额外的侧链滤波器、单声道/立体声双链接、限制模式和 SC 聆听模式。

OmniTec-436C 采用电子管建模，具有极高的音乐品质，能为您的音轨带来平滑、圆润的音色，而不会使混音过重。相反，它还能提供恰到好处的凝聚力，为您的录音提供完美的 “粘合剂”。

OmniTec-436C 是为您的混音添加华丽复古音色的完美工具。在人声、弦乐、铜管乐甚至合成器上使用它，体验经得起时间考验的复古音质。

特点
我们的 OmniTec-436C 插件精确地模拟了 vintage-mu 压缩器的电路和特性，提供了工程师和音乐家所渴望的温暖自然的模拟音效。

OmniTec-436C 数字变模压缩器插件配备了功能强大的 2 波段侧链滤波器，让您可以完全控制音频信号的压缩行为，获得真正专业的音效。

有了 OmniTec-436C 数字 vari-mu 压缩器插件，您就可以利用我们先进的立体声链接和并行压缩功能，毫不费力地实现富有凝聚力和动感的立体声混音，对立体声图像和声音密度进行无与伦比的控制。

灵感源自经典
这款插件的灵感来自于最优秀的古董压缩器 Altec 346C，并包含了我们著名的 Black Rooster Audio 扭曲功能。

忠实模拟的 vari-mu 舞台
OmniTec-436C 的 vari-mu 阶段忠实地模仿了其硬件对应物，准确地模拟了其电路和特性，同时提供了您所熟悉和喜爱的温暖自然的模拟音效。

2 段侧链滤波器
该插件功能强大的侧链滤波器可以使用从 100Hz 到 20kHz 的高低滤波器对侧链信号进行滤波，从而实现完全控制。此外，你还可以使用 SC 聆听模式，聆听滤波后的隔离侧链信号。

立体声连接和平行压缩
利用 OmniTec-436C 先进的立体声连接和并行压缩功能，可以精确控制声音的立体声图像和密度，轻松创建具有凝聚力的混音效果。

25.VTC-2
介绍：全新的 VTC-2 是一款精美的音频插件，它精心模拟了复古电子管压缩器的丰富温暖和复杂音质。这一技术奇迹将为您的音频调色板带来无与伦比的密度和诱人的饱和度。从昔日郁郁葱葱的氛围到现代音效的大胆质感，VTC-2 不仅仅是一款插件，它还是一台音效时光机，超越了普通音频压缩的界限。

VTC-2 的非凡精度能让你的鼓声、低音和人声焕发新的活力。只需轻轻扭动旋钮，你就能进入一个境界，在那里，每一个节拍都充满生命力，每一个音符都充满灵魂共鸣，每一句歌词都充满情感。想象一下，复古鼓点的咚咚声、电贝司的饱满咆哮声、天鹅绒般温暖的深情歌声，一切都在你的掌握之中，一切都经过了完美的微调。

但不要止步于此！VTC-2 还能为铜管乐器、吉他、圆号甚至公共汽车上的闪光灯编织魔法。这款插件从经典电子管压缩器中汲取灵感，具有既熟悉又新颖的个性。古典魔力与现代功能相结合，如立体声和平行压缩。

创造性与简洁性的完美结合。VTC-2 拥有直观的用户界面，无论是经验丰富的专业人士还是有抱负的艺术家，都能轻松上手。无论您是要打造下一首排行榜上的热门歌曲，还是要探索未知的音乐领域，VTC-2 都能将创新与传统完美融合，一切尽在指尖。

特点
复古电子管模拟
VTC-2 忠实地模仿了 50 至 70 年代著名的电子管电平放大器，但其核心仍是 Black Rooster Audio 的原创插件。我们标志性的电路仿真方法可实现平滑的饱和度和令人难以置信的温暖频谱。没有比这更复古的了！
这款经典的电子管压缩器是所有动态爱好者的梦想–你现在可以在 DAW 中重现老式录音室的声音。

灵感源自经典
这款插件的灵感来源于 50 至 70 年代最具代表性的电子管电平放大器，在这款小巧但功能强大的插件中，你可以品味到历史硬件的精髓。

经典时间控制
利用物理建模版本的经典攻击和释放电路，完全控制包络的时间常数，并在快速和慢速行为之间进行选择。

SSE2 和苹果硅优化代码
DSP 运算使用 SSE2 和 Aplle Silicon 指令集进行流水线处理。尽管插件的计算非常复杂，但仍能确保高性能运行。

26. VWB-1X
四款传奇处理器，统一的工作流程。VWB-1X 将 Black Rooster Audio 备受赞誉的 VHL-3C 滤波器、VEQ-5 中频均衡器、VEQ-1P 程序均衡器和 VTC-2 真空管压缩器整合到一个功能强大的通道条中。

四合一工作台
VWB-1X 的设计灵感源自 Tube-Tech Classic Channel 等传奇设备，它将复古真空管的温暖音色和流畅压缩与被动均衡的精准性和音乐性完美结合。最终呈现出的信号路径既保留了经典模拟设备的丰富谐波特性，又提供了现代数字制作所需的稳定性和灵活性。

工程师无需再像以往那样管理多个插件，即可在一个统一的环境中塑造音色、控制动态范围并优化频率平衡。这种方式不仅加快了工作流程，还带来了更具音乐性和直观性的混音体验。

VWB-1X 不仅仅是经典模块的简单集成，它还配备了 Black Rooster Audio 原创的 VTC-2 真空管压缩器以及复古风格的滤波器和均衡器。VWB-1X 融合了诸多现代功能，例如中/侧处理、灵活的模块间路由选项以及用于精确增益控制的简化全局电平表。

VWB-1X 专为满足现代音乐制作需求而设计，将经典的通道条概念扩展为强大的混音和母带处理工具。其四个集成模块无缝运行，可实现快速直观的处理，从细微的校正调整到极具特色的音色塑造，无所不能。

模块：
VHL-3C
复古高/低通滤波器
通过精心建模的高通（50 Hz – 2 kHz）和低通（1.5 kHz – 15 kHz）滤波器，精确控制不需要的频率。在信号进入均衡器和压缩器之前，对其进行净化。

VEQ-5
复古中频均衡器
三段式中频控制——峰值提升（200 Hz – 1 kHz）、谷值衰减（200 Hz – 7 kHz）和临场感提升（1.5 kHz – 5 kHz）。精准塑造任何音源的音色和特性。

VEQ-1P
程序均衡器
使用谐振搁架式均衡器（20 – 100 Hz）提升低频，使用可变带宽高频提升增加空气感和冲击力，并使用 5 kHz、10 kHz 或 20 kHz 的高衰减消除刺耳感。

VTC-2
电子管压缩器
VWB-1X 的核心部件。温暖的谐波特性，可选压缩比（1:2 至 1:20），快/慢启动和释放，用于并行压缩的专用混音旋钮，以及前/后均衡器路由切换开关。

精简的工作流程
灵活的信号路由
将压缩器置于均衡器之前或之后。在均衡器之前进行压缩可以稳定动态范围，在均衡器之后进行压缩则可以使频率调整影响压缩器的响应——就像专业的模拟通道条一样。
中/侧处理
超越标准立体声。VWB-1X 的中/侧模式允许独立处理中心声道和立体声宽度分量，从而轻松优化混音和母带处理的空间平衡和立体声深度。
统一的 VU 表
大型中央 VU 表显示输入电平、输出电平或增益衰减。通过清晰、准确的视觉反馈，在整个处理链中保持最佳信号电平。

功能：
四合一通道条
VWB-1X 将 Black Rooster Audio 的四款经典建模处理器——VHL-3C 滤波器、VEQ-5 中频均衡器、VEQ-1P 程序均衡器和 VTC-2 真空管压缩器——集成到一个统一的界面中。在保持对信号路径完全控制的同时，降低插件链的复杂性。

个性鲜明的电子管压缩
VWB-1X 的核心是备受赞誉的 VTC-2 电子管压缩器。从柔和的电平调整到显著的动态塑形，它能增添温暖感、临场感和凝聚力，同时保留音源的音乐完整性。

纯正复古的均衡器和滤波器
精心建模的经典模拟滤波和被动均衡电路，提供平滑的音色塑造，避免生硬的失真。音乐响应忠实还原原作。

SSE2 和 Apple Silicon 优化
DSP 操作采用 SSE2 和 Apple Silicon 指令集进行流水线处理，即使在四个处理器同时进行复杂计算的情况下，也能确保高性能运行。

高 DPI/Retina 支持
用户界面支持 Windows 和 macOS 系统的高像素密度显示，让您在现代高 DPI 显示器上获得最佳用户体验。
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原文：
Black Rooster Audio builds high-quality audio plugins that blend classic analog character with state-of-the-art DSP. Designed for professionals and hobbyists alike, their catalog offers intuitive interfaces, exceptional sonic quality, and seamless DAW integration. With a loyal user base and a growing global community, Black Rooster Audio is more than a brand — it’s a sound movement.

The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing. This amazing bundle includes everything you will need for just a joke of a price.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. All crucial parts of the original circuits including audio transformers, tube stages or passive filter networks have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures the highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto-adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

HIGHDPI / RETINA SUPPORT
All our plug-Ins support high pixel density on Mac OSX and Windows to bring you the most enjoyable user experience on high DPI displays. Please refer to your manual to find whether your DAW is HighDPI capable if you‘re working on Windows.

Exceptional sound, reimagined.
Founded in 2016 by André Kirchner & Reimund Dratwa, Black Rooster Audio is best known for its beautifully designed vintage gear emulation plug-ins for producing, mixing, and mastering audio. Headquartered in Erfurt, Thuringia – Germany, Black Rooster Audio is passionate about combining the finest of vintage analogue sound and modern technology.

What’s New in v3.0.0?
• Full VST3 Compatibility: All plugins now include VST3 versions with full feature parity and stability.
• Streamlined Performance: Expect faster load times, better memory management, and seamless integration into modern production chains.
• Unified Framework: This update standardizes the core infrastructure across the plugin lineup, paving the way for continuous improvements and additional platform support.

FULL VST3 SUPPORT IMPLEMENTED
We’re excited to announce that Black Rooster Audio plugins now fully support VST3! This long-awaited upgrade brings improved performance, better automation handling, and enhanced compatibility with the latest DAWs. Whether you’re deep into complex sessions or just need rock-solid stability, VST3 ensures smoother integration and even more efficient workflows. It’s all part of our mission to make sure our plugins not only sound incredible but also fit seamlessly into your creative setup — no matter what platform you’re using.

A MAJOR LEAP FORWARD
This long-anticipated framework upgrade ushers in the next era of Black Rooster Audio plugins, delivering improved performance, expanded DAW compatibility, and a future-proof technical foundation. With VST3 fully integrated, producers, engineers, and musicians will experience benefits like dynamic I/O, enhanced sidechaining, and optimized CPU performance across all plugins — now built for today’s modern DAW workflows.

The transition to this new framework sets the stage for future support of CLAP and AUv3 plugin formats, as Black Rooster Audio continues to adapt to evolving production environments and creative needs.

ENHANCED PLUGIN EXPERIENCE
This upgrade represents Black Rooster Audio’s ongoing mission to provide cutting-edge digital tools with analog soul. Each plugin in the catalog — including customer favorites like Magnetite, OmniTec-67A, RO-140, and VLA-2A Mark II — has been rebuilt to harness the full potential of the new framework.

Whether you’re producing in Cubase, Ableton Live, Studio One, or any other VST3-supported host, your Black Rooster Audio tools are now more efficient, responsive, and future-ready than ever before.

FUTURE-PROOFING YOUR STUDIO
As plugin standards shift, Black Rooster Audio remains committed to being on the frontlines of innovation. By embracing VST3 now and investing in upcoming support for CLAP and AUv3, users can count on long-term compatibility, cutting-edge capabilities, and vintage warmth with modern precision.

插件简介：
1. VLA-2A
VLA-2A – an emulation of THE opto electronic compressor of the late 1960s.
Features:
Authentic Circuit Emulation: A real-time component-based circuit simulation approach allows for authentically capturing the sound and feel of the analog unit as close as possible. All the crucial parts, including in- and output transformers, sidechain and audio path tube stages, filters and of course the T4A cell have been faithfully modelled and matched with an original ’68 reference unit.
SSE2 Optimized Code: DSP operations are pipelined using the SSE2 instruction set. This ensures high performance operation despite very complex computations.
Auto-adjusted Oversampling For Maximum Audio Transparency: Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev polyphase design. The oversampling rate is auto adjusted to your session’s sample rate to save CPU while offering the most transparent sound possible.

2. VLA-2A MARK II
Black Rooster Audio is proud to present the VLA-2A Mark II – the world‘s finest emulation of THE opto electronic compressor of the late 1960s. After many hours of hard work, calculus and matching we finally bring you the VLA-2A Mark II plug-in. We have put all our knowledge, engineering skill and heart into designing the most authentic native emulation of this unit to this date. We love to use the VLA-2A Mark II on drums, but it also performs outstandingly well on bass or vocals and carefully adjusting the compression really helps to make your signals shine and just sit in the mix.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our realtime component based circuit simulation approach allows for authentically capturing the sound and feel of the analog unit as close as possible. All the crucial parts, including in- and output transformers, discrete sidechain and audio path networks, filters and of course the T4B cell have been faithfully modelled.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures high performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev polyphase design. The oversampling rate is auto adjusted to your session’s sample rate to save CPU while offering the most transparent sound possible.

3. VLA-3A
Black Rooster Audio is proud to present the VLA-3A plug-in, one of the most authentic native emulations of its analog brother from the 70s. This is our goto-compressor for vocals, but it also works incredibly well for bringing out the ambience on percussive material and helping to put some glue into your mixes.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our realtime component based circuit simulation approach allows for authentically capturing the sound and feel of the analog unit as close as possible. All the crucial parts, including in- and output transformers, discrete sidechain and audio path networks, filters and of course the T4B cell have been faithfully modelled.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures high performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev polyphase design. The oversampling rate is auto adjusted to your session’s sample rate to save CPU while offering the most transparent sound possible.

4. THE CANARY
The Canary was designed to support you in creating the most powerful and convincing drums you have ever recorded or mixed. This plug-in let’s you expand and recover some fundamental aspects of the drum signal that may have been lost during the recording process or which haven‘t been there in the first place. These include tone, attack, sustain and some very basic filtering, which define the natural sound of the shell. You lost attack and impact through your recording? Your drum signals sound dull or not particularly powerful? The Canary is here to help you, synthetically adding those missing features, allowing you to refine and redefine your drums in the mix.

FEATURES
ATTACK PROCESSOR
The attack processor brings out the input signal’s attack phases. The amount of added attack can be adjusted to taste or simply turned off by right-clicking the respective knob. This is our goto feature on dull sounding, close-mic’ed snares or toms and it really helps to make them cut through in your mixes.

SUSTAIN PROCESSOR
The sustain processor adds a synthetic sustain phase triggered by the input signal. The amount of added sustain and its pitch can be tuned to taste or simply turned off by right-clicking the respective knob. Works especially well on thin bassdrum signals – dial in a lower tune, set the filter to lowpass, add sustain and adjust the mix knob to taste – boom.

FILTER AND MIX
The added signal components can be filtered using a set of 4 simple pre-defined filters matched to different drum-shell types. Use the mix-knob to blend between the dry and the processed signal.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures high performance operation despite very complex computations.

5. CYPRESS TT-15
Black Rooster Audio‘s guitar amp head emulation meticulously modeled after a very versatile, yet uniquely sounding low wattage amplifier the Black Rooster Audio Cypress TT-15 comes to you at an unbeatable price point: It‘s free! With its no-nonsense approach and only six intuitive controls, the Cypress TT-15 will help to get the job done right away, no matter if you‘re looking for clean through crunchy guitar tones or if you want to achieve biting, distorted lead sounds. We also included a simple 2×12 cabinet simulation that can be bypassed if you prefer other solutions or if you‘re feeding into an external power amp/cabinet stage.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. Every crucial part of the head, including pre- and power amp tube stages, the tone filter and the output transformer have been faithfully modeled and matched.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto-adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

6. VHL-3C
Built around a cascade of two constant-K filters the VHL-3C‘s analog counterpart – a sought-after processor from the early 1950s – comprises an entirely passive design with very musical and interactive pass filters. Offering 3 simple and intuitive controls, the VHL-3C allows you to effectively remove rumble, hum or harsh frequencies from your signals. Set both filter knobs to their extreme positions and you‘ll end up with a narrow telephone-line bandpass. „So what?“, you may wonder – Black Rooster Audio is giving away this goodie for FREE!

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. Every crucial part of the passive filter network including filter stage interaction and the influence of different load resistances have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto-adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

7. VEQ-5
The VEQ-5 is inspired by one of the most famous and renowned equalizers in studio history – focussing on the power range frequencies from 200Hz to 7kHz it is aimed at cleaning up and sweetening vocals. But it also does a great job on guitars and keys.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. Every crucial part of the circuit, including the passive filter network, audio transformers and amplifier tube stages have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto-adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

8. BLUEASH SC-5
Accurately modeled after the original 70s blue-faced version of a classic and sought-after VCA compressor the SC-5 opens up a whole world of versatility: You‘re going for super gentle compression to sweeten the signal on your master buss? You‘re looking for a distorted, smashed-up sound on your drum buss? You want to tame lively and dynamic material? The BlueAsh SC-5 handles it all. The full-blown set of parameters allows you to dial in just the right setting for your application. Yet it always maintains its own pleasant and characteristic tone.

FEATURES
AUTO GAIN COMPENSATION
The BlueAsh SC-5 is a fixed threshold compressor: More compression can be achieved by increasing the input gain. This will of course boost your signal’s volume. Drag the input gain knob while holding the right mouse button and the output gain will be adjusted so the perceived output level will remain approximately the same.

AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. Every crucial part of the circuit, including the custom VCA design, the dual time-constant detector circuit, the feedback compressor loop and the audio path have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipe-lined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

9. BLACKASH SC-5
Accurately modeled after the ‘black’ version of a classic and sought-after VCA compressor the SC-5 opens up a whole world of versatility: You‘re going for super gentle compression to sweeten up the signal on your masterbuss? You‘re looking for a colorful or smashed sound on your drum buss? You want to tame lively and dynamic material? The BlackAsh SC-5 handeles it all. Compared to its brother, the BlueAsh SC-5, the BlackAsh SC-5 brings you slightly different compression behaviour, a different harmonic structure paired with a darker sounding audio-path and the option to feed in external sidechain signals.

FEATURES
EXTERNAL SIDECHAIN INPUT
The BlackAsh SC-5 adds an external sidechain input that can be engaged by depressing the “Ext SC” button. The BlackAsh SC-5 is a feedback compressor design, thus feeding an external sidechain input into the existing feed-back loop circuit would result in feed-forward topology, which would result in different compression behaviour. To overcome this problem, the external sidechain input is treated just like the normal audio signal, while the resulting control voltage is fed into a mirror VCA that modulates the audio signal. This way feed-back operation can be retained in both the normal and external sidechain modes.

AUTO GAIN COMPENSATION
The BlackAsh SC-5 is a fixed threshold compressor: More compression can be achieved by increasing the input gain. This will of course boost your signal’s volume. Drag the input gain knob while holding the right mouse button and the output gain will be adjusted so the perceived output level will remain approximately the same.

AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. Every crucial part of the circuit, including the custom VCA design, the dual time-constant detector circuit, the feedback compressor loop and the audio path have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipe-lined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

10. MAGNETITE
Magnetite is our homage to the sound of magnetic tape recorders. Simply dial in the desired amount of saturation and warmth using the recording gain knob and Magnetite will add the analog tape sonics that you’re looking for to your mixes.
Huge drums, distorted loops, saturated vocals, you name it – let Magnetite breathe new life into your tracks. We recommend using Magnetite as the first insert of your chain, just as if your signals were recorded to tape. You can, of course, put it into different spots if you’re going for creative effects.

FEATURES
AUTHENTIC SOUND
We put a lot of thought and work into emulating all the sonic aspects associated with analog tape: Class A recording and playback amplifiers, tape response and saturation, NAB pre- and de-emphasis EQs, the sonic effect of different tape speeds and bias levels, hiss and hum – it’s all there. We also added an adjustable wow and flutter feature that emulates frequency modulation (FM) due to motor speed fluctuations.

SSE2 OPTIMIZED CODE
DSP operations are pipe-lined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

11.VPRE-73
The VPRE-73 plug-in is inspired by one of the most classic preamps in recording studio history. While streamlining the original processor, we did our best to bring you an authentic emulation of the discrete preamp circuitry and audio transformers, but also retained the famous high shelf filter band. The VPRE-73 provides you with the low-end magic, the high-end sparkle and just the right amount of THD required to recreate a unique and classic vibe.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. Every crucial part of the circuit, including the input and output audio transformers, the discrete preamp circuit, as well as the HF shelving filter band have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipe-lined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

12.VEQ-1P
Black Rooster Audio is excited to present the VEQ-1P Program EQ, inspired by one of the most famous and renowned equalizers in studio history.

This plug-in allows for manipulation of the low and high end of the spectrum, without impairing the midrange. The interactive filter network, that features boost and cut at the same time will give the users multiple options of how to treat the shelf frequency, in a manner that is very musical and most other equalizers are not capable of achieving.

Try the famous „Pultec-Trick“ with the VEQ- 1P on BassDrum for more definition and spectral transparency.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. Every crucial part of the circuit, including the passive filter network, audio transformers and amplifier tube stages have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto-adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

13.EDELWEISS`72
The Edelweiss ‘72 channel strip plugin really takes your mix to the next level. Meet the highly dynamic mixing toolchain you’ve been searching for and start building up your sound right away. Our mixing toolchain has been thoughtfully designed to improve your signal step by step and give it that final touch it needs to approach dynamic and sound perfection. Resolutely tailored for picky professionals, the Edelweiss ‘72 is a top level plugin that easily competes with famous SSL or other channel plug-ins, and stands out as the result of meticulous research for the best sound engineering experience.

Edelweiss`72 is the versatile powerhouse that combines leveling control with super-precise equalization all in one plug-in (AAX/VST/AU).

Get started with a powerful expander to widen the dynamic range of your signal in preparation for the following spectral shaping.
Make your track shine with a warm, surgical 5-band equalizer that lets you choose between stereo or M/S mode, and avoid any phase distortion by shifting your filters to linear phase.
Last but not least, raise your signal to the top with a classic compression/limiting stage fitted with auto-gain and make-up controls.
Our channel strip plug-in features 17 individual bypass and multiple soloing options to facilitate your work in the most precise, surgical-like manner throughout your mixing process. We additionally chose to add several metering options, both on the separate modules, with gain-reduction meters for the dynamic parts and a full-scale metering section — showing K-12, K-14 and K-20 scales as well as phase correlation and L/R balance monitoring to give you an all-encompassing vision of you work.

As with all our products, we focused very much on the sound quality with the Edelweiss ‘72 to provide you with a reliable, high-range audio software that sounds and looks as outstanding as you could expect from Black Rooster Audio.

FEATURES
ALL-INCLUSIVE 4-STEP CHANNEL STRIP
The Edelweiss ‘72 is composed of 4 dedicated and powerful modules, so you get everything you need on hand: expander, M/S|stereo 5-bands EQ, compressor with auto-gain control and limiter.

LINEAR PHASE EQ
As a seal of quality, we went for a linear-phase mode to the EQ part of Edelweiss`72 that deserves to be industry standard. Turn it on to get rid of any kind of phase inconsistencies due to frequency response delay and respect the wide-range spectrum you want to infuse your signal with.

K-SCALE & CORRELATION METERING FOR DYNAMIC CONSISTENCY
Our main goal with Edelweiss ‘72 channel strip is to preserve your signals’ dynamic and phase correlation. Keep an eye on the K- scale meter (K-12, K-14 and K-20) and visually control the impact of your work on phasing.

SSE2 OPTIMIZED CODE
DSP operations are pipe-lined using the SSE2 instruction set. This ensures highest possible performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto adjusted to your session‘s sample rate to save valuable CPU power while offering the most transparent sound possible.

14.VLA-FET
Black Rooster Audio is excited to present the VLA-FET, inspired by one of the most famous and renowned leveling amplifiers in studio history. This plug-in allows for manipulation of the dynamics in the most intuitive but intense manner, thus giving you a creative tool with an outstanding variety of options, never being overly complex in handling. The super-fast attack and release times will shape out your signal more precisely and efficiently, for forceful drums, bass, and vocals.

Besides the classic parameters, we added some modern touch and functionality to the unit, to make you even more flexible. The Emulation is instigated by the classic LN Rev F, with Lundahl transformers and an op-amp input stage similar to the LA-4A, that have been formulated in detail, striving for an authentic vintage sound.

FEATURES
AUTHENTIC CIRCUIT EMULATION
Our real-time component based circuit simulation approach allows for authentically capturing the sound and feel of the analog unit as close as possible. All the crucial parts, including in- and output transformers, an additional sidechain, and audio path networks and filters have been faithfully modeled.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures high-performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev polyphase design. The oversampling rate is auto-adjusted to your session’s sample rate to save CPU while offering the most transparent sound possible.

15.KH-COMP1
Creativity and innovation have long been restrained by a set of rules on how music is to be created and how tools are intended to be used. A new generation of mix artists is here to challenge those archaic concepts that rely on the limits of 50-year-old studio gear, while still making use of our beloved vintage classics. The time has come to push the limits of sound and unleash your creativity!

When we first started working with the multi-platinum, award-winning mix engineer, producer and sound enthusiast Koen Heldens on our plugin series, we had no doubt that we were going to produce some extraordinary tools.

Koen is the expert when it comes to producing some of the best and most streamed albums in the hip-hop genre – and while his experience and understanding of music allow him to create and shape the emotional foundation of a song, he also has a deep knowledge of the technical aspects and limitations of each plugin and DAW he holds in his arsenal.

His go-to tools were missing some fine-tuning, so he was in need of a very specific, bespoke compressor solution, that was like no other on the market today. His ideas of process timing, channel linking and sidechain filtering have really pushed the team to come up with an entirely new tool.

The result of countless development hours and listening sessions is a one-of-a-kind, beast of a compressor, that is up to the standards of one of the greatest producers of the moment, and that includes the best levelling amplifier that Black Rooster Audio has developed to date.

FEATURES
4 DETECTOR MODES – HILBERT/PEAK/VINTAGE/RMS
The KH-COMP1 Compressor offers incredible versatility for shaping the envelope that drives this unit – for broad or precise capturing of the sidechain level. The 4 detector modes allow for the most flexibility with time parameters and precise threshold control. The Hilbert detector is a 90-degree phase shifter, that will show the signal’s exact envelope, without any distortion or overshoots. Forget about true peak, this is the real deal!

INVERTIBLE SC FILTER
The sidechain signal can be trimmed perfectly using the 2-band invertible filter. Both the low and high ends can be processed according to your needs, which will allow for more control with ducking, pumping effects and de-essing. With inverting the filter, you are able to surgically cut out the mids. With the “listen” option, you can double-check your SC filter settings, before it will be handled by the envelope detector.

BLENDED STEREO-LINK
Blending dual mono to stereo is very helpful when you need detailed control over the relation between the stereo channels and their processing.

KNEE PARAMETER
The knee parameter smoothes out the compression effect beautifully, for a seamless result. If you’re aiming for a harsher effect, just let your signal brush over the hard edge.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures a high-performance operation despite its very complex computations.

ZERO LATENCY
The KH-COMP1 is a zero-latency compressor that does not require sample delay compensation, making it ideal for real-time monitoring or live environments.

16.RO-140
The RO-140 was faithfully modelled after its legendary hardware counterparts, while still remaining a Black Rooster Audio original plug-in at its core. Its plate simulation approach allows users to authentically capture an analogue unit’s sound and feel as closely as possible while still including some unexpected twists – just as you’d expect from any kick-ass Black Rooster Audio plug-in.

Achieving the perfect amount and type of reverb for your tracks can make – or break – your mix. Producers now have the ability to mimic any space in their mixes by using this effect, tricking the ear and simulating everything from grandiose width to cosy intimacy. Today’s music production uses reverb processors extensively and with ease, but it hasn’t always been this way.

Engineers have experimented with foil and metal plates to reproduce costly reverb rooms since the 50s, and while the result sounded good, this technique proved to be time-consuming, expensive and unpredictable. Nevertheless, plate reverberation was extensively used across many 50s and 60s hit songs.

A plate reverb’s original purpose was to emulate reverberant rooms, but the hardware versions that followed have become legends themselves.

The difference between a classic vintage piece of hardware such as the EMT 140 and most modern, purely impulse response based plug-ins is very apparent to any good ear. This is why Black Rooster Audio has physically modelled not one, but six plate reverbs to create the RO-140 – offering maximum authenticity as well as a few unexpected twists.

This versatile plate reverb plug-in allows you to take your productions to the next level by uncovering a new level of detailed audio customization. Not only does it capture the sound of sought-after hardware classics, but it also allows you to create your own sound, with a virtually infinite amount of combinations between plate materials and plate sizes, dampening and pre-delay controls.

FEATURES
INSPIRED BY THE CLASSICS
This plug-in was inspired by the EMT 140 and other classic plate reverbs, giving you the best out of each classic piece of hardware in one small yet powerful package.

6 PHYSICALLY ACCURATE PLATE MATERIALS
The RO-140 includes six physically modelled plate materials – gold, silver, steel, aluminum, bronze and titanium – each of which has an adjustable size through its dynamic plate size controller, allowing for maximum customizability.

CLASSIC DAMPER CONTROL
Get complete control over the reverb decay time with the physically modelled version of a classic damper control, and choose between 10 damper positions by clicking the + and – buttons.

CLASSIC PRE-DELAY CONTROL
The classic pre-delay control determines the amount of delay between the dry and wet signals. It was purposefully placed after the plate reverb emulation to enable users to modulate the reverb tail with the DAW automation.

ADJUSTABLE GAIN-STAGING AT THE IN- AND OUPUT STAGE
This gives you the ability to control the pre-processing input gain level, as well as the post-processing output gain level.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures a high-performance operation despite its very complex computations.

ZERO LATENCY
The RO-140 is a zero-latency reverberation plug-in that does not require sample delay compensation, making it ideal for real-time monitoring or live environments.

17.KH-EQ1
The KH-EQ1 is a semi-parametric 5-band EQ like no other. It features rich-sounding frequency band controls that allow you to add color to each band while encouraging creative sound shaping with its highly musical functionality.

The KH-EQ1 – the second part of the Koen Heldens signature series – is a professional studio EQ with a twist, which features harmonic per-band saturation and our innovative, stepless Mid<->Stereo<->Side router.

Each license includes custom presets created by Koen himself, giving you the professional studio experience you’ve been waiting for.

It is the perfect addition to any producer’s arsenal, and it’s the ideal tool for adding richness and creativity to your productions!

THE HISTORY OF THE EQ
The equalizer, or EQ, is one of the most used yet most misunderstood audio processes out there. It is a vital tool that any producer should have in their toolkit. Simply put, it is used to adjust the response of one or more frequencies in an audio signal, which can help shape or make any element of your mix less or more prominent.

The EQ was initially used for telecommunication pur- poses and dates back to acoustic telegraphy. It was later used in radio and broadcast and continued to evolve until it became a staple in every studio.

Daniel N. Flickinger designed the first parametric equalizer in 1971. His invention achieved filtering cir- cuits that were previously impossible, and his patent introduced circuit topology that continues to be rele- vant today. These legendary hardware EQs turned into digital EQ plug-ins with countless customization options and styles as time went on.

While some EQs work more accurately than others, this essential tool allows users to surgically remove or boost any frequency they desire, without compromising the timbre of each element, or by changing it completely. While advanced equalization can take years to perfect, it is a total game-changer when performed correctly – with enough practice, it allows for complete control over any sound. In addition to working on in- dividual elements, it can also be used in mastering when used on the master track of a final mix.

FEATURES
SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures a high-performance operation despite its very complex computations.

18.RO-SPR
The RO-SPR is an authentically modeled vintage spring reverb that adds character and just the right amount of psychedelic flair to your productions. Experience the iconic sound of Hendrix & co. with its 6 spring types, a three-band EQ, as well as spring length and mode control.

A SONIC REVOLUTION
It was the year 1939, when Laurens Hammond applied for the first patent of an innovative, synthetic reverberation unit, that was about to revolutionize the sound of recorded music. With a simple transducer at one end of a metal spring, and a pickup at the other.

Mr. Hammond further implemented his idea of a mechanical, spring-based hall processor, that found its way into the legendary Hammond organs (from 1960), as well as into standalone hardware units like the Accusonics Type 4 SR. Leo Fender made the concept famous, with his introduction of the 1963 Fender Vibroverb.

The Spring Reverb is one of the most used hardware reverbs in studio history, but unlike bulky plate reverbs that could easily cost thousands of dollars, and weighed around 600 pounds each, most spring reverbs are more space- and cost-efficient.

Soundwise, spring reverbs are often described as being ‘bouncy’ or ‘ringy’, due to their mechanical layout, which tends to be low-end heavy. The spectrum used to be corrected by an EQ to maintain a natural room feel – yet many mix engineers used that exact low-end boost to add to their guitar, vocal, or synth tone. This sound design trick, combined with the renowned characteristics of a spring can be heard across many hit records – from The Doors to Queens Of The Stone Age.

The RO-SPR will throw you back in time with its very unique collection of classic spring types, while adding modern-day features to tailor each section precisely to your needs.

Add that vintage spring sound to your guitar, bass, vocal, drum, brass or synth tracks, or try it on any bus or mix channel. The result is a familiar, yet mysteriously mechanical roomy reverb that you’ll love!

FEATURES
6 SPRING TYPES
The RO-SPR comes with 6 very unique spring types that have been faithfully modeled after their hardware counterparts, covering 4 decades of sound experiments, innovation, and heavy studio usage.

ADJUSTABLE LENGTH & DECAY
Fine-tune your spring reverb experience by adjusting the length and decay, taking you all the way from classic room reverberation to psychedelic space design.

MONO, STEREO, M2S MODE
We have implemented a versatile signal routing system that allows for mono and stereo processing as well as an M2S mode, which creates width from mono/stereo sources. In stereo mode, the left/right signal is sent to independent springs, whereas in M2S mode, the mono signal is sent to non-identical springs to create bespoke width.

CLASSIC 3-BAND EQUALIZER
In order to further tame the very specific spectral behavior of the spring, we have added a 3-band EQ to this plug-in. As springs tend to be naturally low-end heavy, with less mids or high-end, this can be equalized in the EQ section.

ADJUSTABLE GAIN-STAGING
The adjustable gain-staging gives you the ability to control the pre-processing input gain level, as well as the post-processing output gain level. Moreover, we have separated the stereo channels, to fine-tune the amplitude for the natural stereo image of multiple springs. These can vary based on the spring material and the signal’s frequency spectrum.

19.OMNITEC-67A
The OmniTec-67A vintage tube preamp turns even the most sterile of signals into a rich-sounding production by introducing lush vintage tube saturation and that 1567A sparkle. From gritty vocals to saturated drums and harmonically complex mixes, this vintage classic with a twist can do it all.

MOTOWN’S SECRET SAUCE
Inspired by the famous Altec 1567A, our latest vintage emulation plug-in features lush vintage tube saturation just like its hardware counterpart. It’s the perfect tool to add saturation, harmonics, and subtle distortion to your vocal, bass, and drum tracks.

The original unit was released in the early 1960s as a rack-mounted tube mixer that had a simple two-knob EQ and a whole lot of gain at a whopping 97 dB! Its sound was filled with grit, density, and character, with its signature green plate setting it apart from the rest.
This is the unit for that unmistakable raw analog sound!

The 1567A went on to heavily influence the sound of countless Motown hits, from The Supremes to The Temptations, and it was famously used by engineers such as Russ Terrana and Matt Wallace. It is impossible to think of Motown without thinking of the purposefully distorted and oversaturated brass sections, electric piano, bass, and vocals in these songs, which gave them the sound that we all know and love today.

This iconic piece of studio gear can be credited for the sound of a generation, along with the recording techniques that these brilliant engineers used at the time. Following the Motown era, the Altec 1567A stuck around and became the gold standard for achieving a colored tube sound, at a fraction of the cost. Above technical excellence, Motown producers focused on creating an unmistakable aesthetic, which was so influential that many artists across pop, rock, soul, indie, and hip hop still use it today – from vocals to harmonic and rhythm sections, the Motown sound is here to stay.

FEATURES
INSPIRED BY THE CLASSICS
This plug-in was inspired by the Altec 1567A vintage tube preamplifier, and of course, includes the Black Rooster Audio twist that we’re known for.

3 TUBE TYPES
The OmniTec-67A features three tube types, providing you with a variety of options to add warmth and saturation to a track. Each tube type offers a different frequency response, output gain, and harmonic range.

LINE/MIC SWITCH FOR BASIC GAIN STAGING
The plug-in includes a line/mic switch, which allows you to select a source – each with its own frequency response and behavior (Mic impedance vs. Line impedance). The plug-in auto-compensates at the output stage.

CLASSIC 3-BAND EQUALIZER
As an extension to the original unit, we have added a vintage 3-band EQ. Its frequencies have been meticulously selected to provide you with even more options than its hardware counterpart did.

2 BIAS VOLTAGE OPTIONS
The bias control heavily influences how the tubes are driven, having an effect on their temperature and resistance. If they are too cold (over-biased), the valve sounds thin, and if they are too hot (under-biased) the valve oversaturates. Choose between 2 options to find the optimal tone for your production.

SSE2 OPTIMIZED CODE
DSP operations are pipelined using the SSE2 instruction set. This ensures a high-performance operation despite its very complex computations.

20.VPRE-73 HALLOWEEN EDITION
The VPRE-73 Halloween Edition is the dark and mysterious sibling of our beloved VPRE-73. This vintage preamp emulation plug-in is not for the faint of heart – it will add monster character to your productions, making your signals scream like never before. Be very, very afraid!
Limited edition – only available until November 1st.

The VPRE-73, our star plug-in that has been bringing your productions to life since 2017, just got a spooky makeover! This extremely limited Halloween edition is the perfect addition to your ominous Fall mixing sessions.

Not only does it possess added features like a CRANK multiplicator and high-pass frequency control, but it also boasts a brand new spine-chilling design!

The VPRE-73 is inspired by one of the most classic preamps in professional recording studio history. By streamlining the original processor, we have not only created an authentic emulation of the discrete preamp circuitry and audio transformers, but we’ve also been able to retain the famous high shelf filter band.

The VPRE-73 Halloween Edition is not for the faint of heart – it will add monster character to your productions, making your signals scream like never before. Be very, very afraid!

21.RO-GOLD
The RO-GOLD was faithfully modeled after an iconic hardware classic, and upgraded with a 24k gold plate, for the most luxurious vintage reverberation experience.

Our plate simulation approach allows us to authentically capture the analog unit’s sound and feel as closely as possible while still including a few unexpected twists – all in the beautifully designed, easy-to-use package that is the RO-GOLD.

Engineers have experimented with foil and metal plates to reproduce expensive reverb rooms since the 50s. However, installing and controlling a real metal plate reverb has never been easily attainable, nor has it been readily available to every producer or small studio – especially when it comes to real gold plates.

As it often happens, this type of hardware remained exclusive to a select few elite studios for a long time. Nevertheless, plate reverberation is audible in many 50s and 60s hit songs, where engineers extensively used this technique.

Not only does the RO-GOLD bring you the sound of these sought-after hardware classics, but it also captures the true tone of a solid gold plate, which would cost millions to recreate in real life. This 24k gem allows you to set up your own retro room sound, that is both warm and mellow. With only a few, simple-to-use parameters, it has never been easier to achieve an authentic vintage reverb sound.

FEATURES
THE MOST LUXURIOUS PLATE REVERB
Enjoy the tone of a 24k gold plate reverb for the most luxurious vintage reverb experience you’ve ever had.

INSPIRED BY THE CLASSICS
This plug-in was inspired by the EMT 140 and other classic plate reverbs for maximum authenticity.

VINTAGE DAMPER CONTROL
Get complete control over the reverb decay time with the physically modeled version of a classic damper control, and choose between 10 damper positions.

CLASSIC PRE-DELAY CONTROL
The classic pre-delay control determines the amount of delay between the dry and wet signals. It was purposefully placed after the plate reverb emulation to enable users to modulate the reverb tail with the DAW automation.

DRY/WET MIXING STAGE
Following the classic approach of send effects that run in parallel with the mix channel, we have introduced a wet/dry control to keep the effects in-chain within the plug-in, without having to set up additional send/return loops.

APPLE SILICON & SSE2 OPTIMIZED CODE
DSP operations are pipelined using the latest Apple Silicon & SSE2 instruction sets. This ensures a high-performance operation despite our plug-ins’ very complex computations.

ZERO LATENCY
The RO-GOLD is a zero-latency reverberation plug-in that does not require sample delay compensation, making it ideal for real-time monitoring or live environments.

22.TD-201
The TD-201 vintage tape echo plug-in brings the unmistakable sound of the classic analog delay into the 21st century. This intuitive unit offers a wide variety of detailed parameters, making it highly customizable yet simple to operate.

As a part of the 1950s revolution in music production, musicians, producers, and engineers were busy creating the foundation of the modern-day workflow, introducing countless technical innovations – from guitar amps to electric organs, as well as an incredible amount of studio effects. This period also marked the birth of electric reverberation & delay units.

Early-day tape delays such as the Echoplex or Copicat – the first attempts at echo generators – have a history of being technically unreliable and prone to damage when transported, yet their sound was so captivating that further attempts inevitably ensued.

It was in the late 1960s when Japanese engineer Ikutaro Kakehashi and Hammond started experimenting with multi-head tape echos. One of these featured a free-floating 1⁄4-inch tape & spring reverb housed in a rock-solid tape chamber, ready for touring and more stable and reliable than anything on the market at the time.

The Roland Space Echo RE-201 became a best-seller for the brand. It further evolved into a range of delay effects that are still extensively used in music productions and in sound design today. The famous delay sound has stayed consistent ever since the RE-201 was born.

For many tape delay aficionados, there is nothing like the sound of a legendary vintage unit. Still, many struggle with their unpredictability, not to mention that they can be time-consuming to use and difficult to access. This is why we have created the TD-201 – a highly customizable in-the-box tape delay that offers all of the vintage character of the classics, as well as countless customization options for maximum usability.

FEATURES
MULTI-HEAD MODE SELECTOR
We have implemented a complex mode selection that allows for seamless transitioning between the play- back heads so that you can dial in your perfect room setup. Effortlessly mix your reverberation and delay just like with the vintage original.

PER HEAD FINE TUNING
Fine-tune your perfect echo by adjusting the depth, volume, and stereo position per playback head in the lower panel. The nine parameters allow for surgical-level precision in your workflow.

TAP & SYNC
Quickly synchronize the tape speed to your mix/ rhythm with the sync control. By using this feature, the echo will follow the impulse given by the tap knob.

DIAL IN SOME RANDOMENESS
In order to go “full vintage”, try to use our range of fine-tuning parameters to control the motor, flutter, headroom, dropouts, and noise – all of which are hardware tape machine features. Play around with these, and dial in some randomness to make your echo sound even more authentic.

LO-FI CASSETTE EFFECT
Here’s a little pro-tip: Set your echo to 0ms (HEAD 1 ONLY Mode Selector = 1 & HD1 Pos = 0) and solely manipulate the motor, flutter, headroom, dropouts and noise in the mid panel. This is your perfect lo-fi cassette effect.

APPLE SILICON & SSE2 OPTIMIZED CODE
DSP operations are pipelined using the latest Apple Silicon & SSE2 instruction sets. This ensures a high-performance operation despite our plug-ins’ very complex computations.

23.GA-GT2
Black Rooster Audio is proud to present the GA-GT2 – a versatile preamp emulation. Our newest guitar preamp sim is a must-have for every producer. It’s the fastest way to get the guitar, bass, or even vocal tone (try it) you’re looking for – whether that’s a character-filled vintage tone or full-on heavy metal distortion. This versatile unit can do it all.

HISTORY
The unit which inspired the GA-GT2 quickly became a favorite among guitarists of all genres, upon being introduced in 1989. It’s been used by every guitar icon, from punk rockers to metalheads and country artists.

Due to its incredible versatility, it also became popular among bassists, and producers who use it to add warmth and saturation to drum and vocal tracks.

The sweet-sounding pedal is known for its broad array of options, along with its ability to capture a wide range of tones. It’s one of the most durable pedals on the market, which is why it’s so popular with touring musicians.

The GA-GT2 is a powerful yet lightweight plug-in, which is available in AAX, VST, and AU versions. Its powder-coated GUI was designed as 19-inch rack unit, allowing for the vertical stacking of multiple instances on top of each other, within your DAW. Enhancing your layered guitar sound has never been more fun!

FEATURES
CAB SIM BYPASS
This feature allows you to bypass the cabinet circuit emulation to use in front of your favorite amp plugin, just like a regular distortion pedal.

AUTHENTIC BAXANDALL TONE CONTROL
Treble and Bass controls modify the shelving EQ in the same way as the original unit

PHASE SWITCH
This feature allows you to invert the signal to avoid phase cancellation when using the mix knob.

MIX KNOB
Blend the input signal with the distorted signal to get impressive results. Great for guitar tracks, but also for vocals, drums, and bass.

AUTHENTIC CIRCUIT EMULATION
Our realtime component based circuit simulation approach allows for authentically capturing the sound and feel of the analog unit as close as possible. All the crucial parts have been faithfully modelled.

SSE2 AND APPLE SILICON OPTIMIZED CODE
DSP operations are pipelined using the latest SSE2 and Apple Silicon instruction sets. This ensures high performance operation despite very complex computations.

AUTO-ADJUSTED OVERSAMPLING FOR MAXIMUM AUDIO TRANSPARENCY
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev polyphase design. The oversampling rate is auto adjusted to your session’s sample rate to save CPU while offering the most transparent sound possible.

24.OMNITEC-436C
Our latest vintage vari-mu compressor plug-in draws inspiration from the legendary Altec 436C tube compressor, renowned for its dynamic range and vintage warmth. Originally introduced in the 1950s, the 436C was quickly embraced by top producers for its versatile parametrization and its highly musical output. This iconic compressor’s innovative circuit and distinctive sound went on to inspire other famous compressors, including the Fairchild and Manley vari-mu units.

This iconic piece of gear has a long list of impressive credits, such as legendary producer Geoff Emerick of Abbey Road Studios. He made use of the Altec 436C to lay the groundwork for many hugely significant recordings, including those of The Beatles, Herb Albert, and Frank Sinatra. The 436C then went on to establish itself in pop music studios across the US and Europe.

The OmniTec-436C plug-in flawlessly emulates the best features of this vintage compressor while modernizing them with our signature Black Rooster Audio twist; offering additional side chain filters, a dual mono/stereo link, limit mode and SC listen mode.

With its tube-based modeling, the OmniTec-436C has a highly musical quality that brings a smooth, mellow tone to your tracks, without ever overpowering a mix. Instead, it provides just the right amount of cohesion, giving your recordings the perfect amount of “glue.”

The OmniTec-436C is the perfect tool to add that luscious vintage tone to your mix. Try it on vocals, strings, brass, or even synthesizers, and experience the vintage quality that stands the test of time.

FEATURES
Our OmniTec-436C plugin accurately emulates the circuit & characteristics of a vintage vari-mu compressor, providing the warm and natural analog sound that engineers and musicians crave.

The OmniTec-436C digital vari-mu compressor plugin comes equipped with a powerful 2-band sidechain filter, giving you complete control over the compression behavior of your audio signal for a truly professional sound.

With the OmniTec-436C digital vari-mu compressor plugin, you can effortlessly achieve cohesive and dynamic stereo mixes with our advanced stereo linking and parallel compression capabilities, providing unparalleled control over the stereo image and density of your sound.

INSPIRED BY THE CLASSICS
This plug-in was inspired by one of the finest vintage compressors, the Altec 346C, and includes the Black Rooster Audio twist that we’re known for.

FAITHFULLY MODELED VARI-MU STAGE
The OmniTec-436C’s vari-mu stage was faithfully modeled after its hardware counterpart, accurately emulating its circuit and characteristics while delivering the warm and natural analog sound that you know and love.

2-BAND SIDECHAIN FILTER
The plug-in’s powerful sidechain filter allows you to filter the sidechain signal using high and low filters from 100Hz up to 20kHz for complete control. Additionally, you can employ the SC Listen Mode in order to listen to the isolated sidechain signal after filtering.

STEREO LINKING & PARALLEL COMPRESSION
Gain precise control over the stereo image and density of your sound with the OmniTec-436C’s advanced stereo linking and parallel compression capabilities, and create a cohesive mix with ease.

25.VTC-2
Introducing the all-new VTC-2, a beautiful audio plugin that meticulously emulates the rich warmth and sonic intricacies of vintage tube compressors. This technological marvel is bringing forth unparalleled density and tantalizing saturation to your audio palette. From the lush ambiance of yesteryear to the bold textures of modern sound, the VTC-2 is not just a plugin, it’s a sonic time machine that transcends the boundaries of ordinary audio compression.

Revitalize your drums, bass, and vocals with the extraordinary precision of the VTC-2. With just a twist of a knob, you’ll be transported into a realm where every beat pulses with life, every note resonates with soul, and every lyric breathes emotion. Imagine the gritty thump of vintage drums, the full-bodied growl of an electric bass, or the velvety warmth of soulful vocals – all within your grasp, all fine-tuned to perfection.

But don’t stop there! The VTC-2 can do more, weaving magic into brass, guitar, rhodes, and even shines on the bus. Infused with inspiration from classic tube compressors, this plugin comes with a personality that’s both familiar and innovatively fresh. Vintage magic combined with modern day features, like stereo and paralell compression.

Creativity, meet simplicity. With an intuitive user interface, the VTC-2 welcomes both seasoned professionals and aspiring artists. Whether you are sculpting the next chart-topping hit or exploring uncharted musical territories, the VTC-2 provides a seamless blend of innovation and tradition, all at your fingertips.

FEATURES
VINTAGE TUBE EMULATION
The VTC-2 was faithfully modeled after well reknown tube leveling amplifiers of the 50s to the 70s, while still remaining a Black Rooster Audio original plug-in at its core. Our signature circuit simulation approach allows for a smooth saturation with an incredibly warm spectrum. It doesn’t get any more vintage than this!
This take on a very classic tube compressor is any dynamic-enthusiasts dream – you can now recreate the sound of a vintage studio, right in your DAW.

INSPIRED BY THE CLASSICS
This plug-in was inspired by the most iconic tube leveling amplifiers of the 50s to the 70s, giving you a tasteful essence of historical hardware in one small, yet powerful plug-in.

CLASSIC TIME CONTROL
Get complete control over the time constants for the envelope with the physically modeled version of a classic attack and release circuit, and choose between a fast and slow behavior.

SSE2 & APPLE SILICON OPTIMIZED CODE
DSP operations are pipelined using the SSE2 and Aplle Silicon instruction sets. This ensures a high-performance operation despite our plug-ins’ very complex computations.

26.VWB-1X
Four legendary processors. One unified workflow. The VWB-1X combines Black Rooster Audio’s acclaimed VHL-3C filters, VEQ-5 mid-range equalizer, VEQ-1P program EQ, and VTC-2 tube compressor into a single, powerful channel strip.

Four-in-One Workbench
Inspired by legendary units such as the Tube-Tech Classic Channel, the VWB-1X brings together the warmth and smooth compression of vintage tubes with the precision and musicality of passive equalization. The result is a signal path that captures the rich harmonic character of classic analog gear while offering the consistency and flexibility expected from modern digital production.

Instead of managing multiple plug-ins in a chain, engineers can shape tone, control dynamics, and refine frequency balance within a unified environment. This approach not only accelerates workflow but also encourages a more musical and intuitive mixing experience.

Featuring Black Rooster Audio’s original VTC-2 Tube Compressor alongside vintage-inspired filters and equalizers, the VWB-1X is more than just an integration of classic modules. It is enhanced with modern capabilities such as mid/side processing, flexible routing options between modules, and streamlined global metering for accurate gain staging.

Designed for modern production demands, the VWB-1X extends the classic channel strip concept into a powerful tool for both mixing and mastering. Its four integrated modules operate seamlessly, allowing fast and intuitive processing that ranges from subtle corrective adjustments to character-driven tonal shaping.

The Modules:
VHL-3C
Vintage High/Low Pass Filter
Precisely control unwanted frequencies with carefully modeled high-pass (50 Hz – 2 kHz) and low-pass (1.5 kHz – 15 kHz) filters. Clean up your signal before it hits the EQ and compressor stages.

VEQ-5
Vintage Mid-Range Equalizer
Three bands of musical mid-range control — peak boost (200 Hz – 1 kHz), dip cut (200 Hz – 7 kHz), and presence peak (1.5 kHz – 5 kHz). Shape the body and character of any source with surgical precision.

VEQ-1P
Program Equalizer
Boost low frequencies with a resonant shelf (20 – 100 Hz), add air and snap with variable-bandwidth high boost, and smooth out harshness with high attenuation at 5k, 10k, or 20 kHz.

VTC-2
Tube Compressor
The heart of the VWB-1X. Warm harmonic character with selectable ratio (1:2 to 1:20), fast/slow attack and release, dedicated mix knob for parallel compression, and pre/post EQ routing switch.

Streamlined Workflow
Flexible Signal Routing
Place the compressor before or after the equalization stages. Compress before EQ to stabilize dynamics, or after EQ to let frequency adjustments influence the compressor’s response — just like a professional analog channel strip.
Mid/Side Processing
Go beyond standard stereo. The VWB-1X’s Mid/Side mode allows independent processing of center and stereo width components, making it easy to refine spatial balance and stereo depth for mixing and mastering.
Unified VU Metering
A large central VU meter displays input level, output level, or gain reduction. Maintain optimal signal levels throughout the processing chain with clear, accurate visual feedback at every stage.

Features:
Four-in-One Channel Strip
The VWB-1X combines four of Black Rooster Audio’s vintage-modeled processors — VHL-3C filters, VEQ-5 mid-range EQ, VEQ-1P program EQ, and VTC-2 tube compressor — into a single integrated interface. Reduce plugin chain complexity while maintaining full control over your signal path.

Character-Driven Tube Compression
At the heart of the VWB-1X lies the acclaimed VTC-2 tube compressor. From gentle leveling to pronounced dynamic shaping, it adds warmth, presence, and cohesion while preserving the musical integrity of the source.

Authentic Vintage EQ & Filters
Carefully modeled circuit emulations of classic analog filtering and passive equalization designs provide smooth tonal shaping without harsh artifacts. Musical response true to the originals.

SSE2 & Apple Silicon Optimized
DSP operations are pipelined using SSE2 and Apple Silicon instruction sets, ensuring high-performance operation despite the complex computations of four simultaneous processors.

HighDPI/Retina Support
The user interface supports high pixel density on both Windows and macOS systems, giving you the most enjoyable user experience on modern high-DPI displays.

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