Pulsar Audio Pulsar MP-EQ v2.0.3_WIN-R2R

均衡器插件Pulsar Audio Pulsar MP-EQ
VST插件格式：
VST/VST3/AAX
翻译：
MP-EQ—–模拟被动均衡器插件
功能最全面的被动均衡器插件。音色悦耳，操作直观，是混音和母带处理的必备之选。

与众不同的均衡体验
Pulsar MP-EQ 模拟了一款传奇的模拟均衡器，几乎全球所有母带工作室都配备了这款均衡器。它融合了过去 70 年来最佳被动均衡器的精华，其全并联拓扑结构相比相同设置的数字均衡器，能够提供独特而富有音乐性的频率响应。这种设计使得各个频段之间能够自然地相互作用，从而产生更具音乐性的整体响应。

其完全被动的电路采用定制的手工绕制电感器、电子管和变压器，通过磁饱和技术，带来柔滑的高频、均衡的中频和温暖的自然音色。Pulsar MP-EQ 忠实地再现了原硬件的每一个声音细节，同时还添加了可视化曲线编辑、驱动控制、线性相位模式和自动增益等现代功能。

■ 现代工作流程：曲线编辑器、频谱分析仪、驱动和自动增益
■ 来自电子管、变压器和电感器的纯正模拟特性
■ 可选线性相位模式，实现所有频率的完美时间对齐

经典升级
Pulsar MP-EQ 配备完整的屏幕曲线编辑器和频谱分析仪。这种两全其美的设计方案，既能精确概览您的 EQ 调整，又能突出原版设备的独特特性。易于使用的图形界面，让混音应用的工作流程更加快速高效。

模拟驱动和谐波特性
驱动控制功能允许您在内部电平下使用插件，从而获得原版设备独特而富有音乐性的模拟音色。Pulsar Massive 对变压器、电子管和电感器的精确建模，能够产生大量的谐波和非线性特性。所有这些特性共同造就了微妙、动态且与程序相关的低频压缩效果，深受几代音响工程师的喜爱。

真正的并行均衡架构
Pulsar MP-EQ 是原版设备的精确组件模型，完美地模拟了其并行均衡设计和独特的音色塑造感。与其他大多数均衡器不同，并行均衡器不会累加频段增益，而是重新组合以产生自然的声音修正。类似 Pultec 的低频搁架式滤波器即使在极高的增益设置下也能提供饱满而紧致的低频。高频搁架式滤波器则提供纯净的高频和通透感，而不会产生刺耳感。

线性相位校正
在大多数均衡器模拟中，每个频率都会经历不同的相位偏移，这是模拟电路特性的自然结果。Pulsar MP-EQ 首次在音频插件中引入了一种可选的相位校正技术，可以在均衡器处理后重新调整所有频率，从而将模拟风格的均衡器转变为真正的线性相位均衡器。

其结果是瞬态响应的精准度极高，避免了传统均衡器可能引入的时间模糊。

在低频部分，相位校正功能可以恢复基频和谐波不同步时通常会损失的清晰度和冲击力，从而避免出现常见的“浑浊”或“臃肿”的低音。

对于电子舞曲制作人来说，保持合成器的精确波形尤为重要，因为相位旋转会改变信号的峰值与均方根值之比，进而影响级联动态处理器。

此外，在中/侧通道处理过程中，Pulsar MP-EQ 可以消除传统模拟式均衡器中，中频和侧通道重新组合时，通常会在频段中心频率附近出现的不对称失真。

专为现代音乐制作而设计

Pulsar MP-EQ 充分利用现代 CPU 的性能，以更少的资源实现更多功能。尽管音频算法极其复杂，您仍然可以使用大量的实例。可调整大小的界面和精心挑选的现代功能，将使 Pulsar Massive 成为您首选的色彩均衡器。

音质如何？流畅悦耳
只需问问任何一位经验丰富的工程师，他们都会热情推荐被动式均衡器及其用途！Pulsar MP-EQ 的声音可以被描述为：高频柔滑细腻，中频均衡饱满，低频强劲有力。无论您使用细微的设置还是极端的设置，音频都不会显得过度均衡，而是生动自然，忠实地保留了原始素材的特性。

用于母带处理
在母带处理中，Pulsar MP-EQ 是为混音增添光泽和力度的完美工具。例如，它常用于增强低频（47 或 68 Hz）的力度，同时保持底鼓和贝斯之间的动态分离度和平衡；或者用于增加空气感（16 kHz 高频搁架式均衡），而不会产生任何刺耳感。Pulsar Massive 在中/侧模式下使用时也令人惊艳，可以完美控制立体声声场。

人声处理

Pulsar Massive 是一款极具创意和音乐性的主唱人声处理工具。它能出色地提升人声的临场感（使用 3.3kHz 或 4.7kHz 的钟形滤波器），并借助带宽参数，在不产生浑浊感的情况下，为中低频增添温暖感（例如使用 220Hz 的低频搁架滤波器）。1.6kHz 的钟形滤波器能够神奇地增加或减少人声的密度，帮助人声更好地融入混音。不妨大胆地加大驱动，获得柔滑饱满的饱和度！

电吉他混音
饱和的电吉他在中频部分非常活跃——尤其是在一些极端风格的音乐中，这使得混音变得困难。由于人耳对这些频段的频谱和相位变化非常敏感，Pulsar MP-EQ 凭借其平滑的平行均衡曲线和自然柔和的相位调整，是塑造音色而不影响相位的理想工具。

鼓组总线处理

无论是用于消除浑浊感（180Hz 处轻柔的钟形切频），还是用于抑制吊镲的刺耳感（2.2kHz 处轻柔的钟形切频），亦或是用于提升亮度（8.2kHz 处轻柔的高频提升），Pulsar Massive 都能为您的鼓组增添光彩，使其更上一层楼。此外，您还可以使用 Drive 控制来调整 Pulsar Massive 对底鼓和军鼓瞬态的响应，从而获得自定义的动态响应。

电子音乐

Pulsar MP-EQ 可用作音色丰富的音源（例如合成器 Pad 或合成器贝斯）的雕琢工具。您可以发挥创意，尝试极端的曲线并加大驱动力度——无需费力即可获得出色的效果。此外，在混音总线上，选择合适的变压器可以让您增强底鼓的力度或保持其紧致。

主要特性：
现代均衡器版本
这款插件首次让您能够以直观的方式操控独特的模拟均衡曲线。曲线编辑器极其易用，并清晰简洁地显示整体频率响应。您无需触碰底部面板即可编辑任何滤波器的所有属性，包括其名称。

驱动控制
此参数可帮助您增强或减弱原设备独特的音乐模拟音色​​。变压器、电子管和电感器的精确模型相互耦合，重现了深受几代音响工程师喜爱的、与节目相关的微妙低频压缩效果。

中侧处理
Pulsar MP-EQ 内置可选的 M/S 编码和解码功能，允许使用不同的设置分别处理信号的单声道和立体声信息。“监听”按钮可帮助您单独试听每个信号，屏幕仅显示您正在处理的通道，因此您始终清楚自己的操作。

自动增益
此控制功能可补偿均衡器引入的音量变化，使输出电平与输入保持一致。它采用基于 C 计权的算法，根据均衡曲线分析进行电平补偿。应用的补偿增益仅取决于您的均衡器设置，播放过程中不会改变。

电平表和频谱分析仪
屏幕上的分析仪可以实时（快速和慢速窗口设置）或使用“无限频谱”设置长期显示音频频谱。此外，峰值电平表可帮助您了解整体动态范围，RMS 电平表可让您监控响度和电平匹配情况。还提供总增益表。

变压器
您可以选择三种输出变压器选项：忠实还原硬件电路性能的“原始”模式；比原始模式更具色彩的专属设置，可实现温暖的低频染色；以及完全移除输出变压器建模的选项。

过采样
Pulsar MP-EQ 充分利用现代 CPU 的性能，以更少的资源实现更多功能。对于支持该功能的计算机，还提供可选的过采样模式，处理速率最高可达 384 kHz。您可以选择在导出时应用比播放时更高的过采样设置。

线性相位校正
Pulsar MP-EQ 首次在均衡器模拟插件中引入了线性相位校正功能，该功能可在均衡器处理后选择性地重新调整所有频率，从而将模拟风格的均衡器升级为真正的线性相位均衡器。
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原文：
MP-EQ—–Analog Passive EQ Plugin
The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering.

A DIFFERENT EQUALIZING EXPERIENCE
Pulsar MP-EQ is an emulation of a legendary analog EQ found in almost every mastering studio worldwide. Designed as a synthesis of the best passive equalizers of the past 70 years, its fully parallel topology offers a unique and musical frequency response compared to digital EQs with the same settings. Because of this design, the bands naturally interact, producing a more musical overall response.

Its entirely passive circuit, featuring custom hand-wound inductors, tubes, and transformers, delivers creamy highs, balanced mids, and organic warmth through magnetic saturation. Pulsar MP-EQ faithfully recreates every sonic detail of the original hardware while adding modern features like visual curve editing, drive control, linear phase mode, or auto-gain.

■ Modern workflow: curve editor, spectrum analyzer, drive & auto-gain
■ Authentic analog character from tubes, transformers & inductors
■ Optional Linear Phase mode for perfect temporal alignment of all frequencies

Improving on a Classic
Pulsar MP-EQ comes with a complete on-screen curve editor and spectrum analyzer. This best-of-both-world approach gives an accurate overview of your EQ changes while highlighting the singular behaviors of the original unit. The easy-to-use graphic interface allows a fast and radical workflow for mixing applications.

Analog Drive and Harmonic Character
The Drive control allows usage of the plugin at internal levels where the analog vibe of the original unit is unusual and musical. Pulsar Massive’s accurate models of transformers, tubes, and inductors produce large amounts of harmonics and non-linearities. All coupled together, these are responsible for the subtle, dynamic and program-dependent low-end compression beloved by generations of sound engineers.

True Parallel EQ Architecture
Pulsar MP-EQ is a component-accurate model of the original unit, perfectly emulating its parallel EQ design and the unique sound-sculpting feeling. With parallel EQ, band gains don’t accumulate as in most other EQs, but rather recombine to produce natural-sounding corrections. The Pultec-like low-shelf filters allow a generous and tight low end, even at extreme boost settings. The high-shelf filters provide a pristine top end and air without harshness.

Linear Phase Correction
In most EQ emulations, each frequency experiences a different phase shift, a natural result of analog circuit behavior. Pulsar MP-EQ introduces, for the first time in an audio plugin, a process that optionally realigns all frequencies after the EQ stage, transforming an analog-style EQ into a true linear-phase EQ.

The result is pristine transient accuracy, free from the temporal smearing that traditional EQs can introduce.

In the low end, this phase correction restores the clarity and punch often lost when fundamentals and harmonics drift out of sync, preventing that familiar “muddy” or “bloated” bass.

For EDM producers, preserving the exact waveform of synthesizers is particularly important, because phase rotations can alter the signal’s peak-to-RMS ratio, and therefore influence cascaded dynamics processors.

Additionally, during M/S processing, Pulsar MP-EQ eliminates the asymmetrical artifacts that typically occur around a band’s center frequency when the Mid and Side channels are recombined in traditional analog-style EQs.

Designed for Modern Production
Pulsar MP-EQ takes full advantage of modern CPUs to do more with less. Despite the tremendous amount of complexity in the audio algorithms you’ll be able to use a large number of instances. The resizable interface and wise choice of modern features will make Pulsar Massive your go-to color-EQ.

How Does It Sounds?
mooth and musical
Just ask any experienced engineer to hear a ringing endorsement of passive EQ and its uses! Pulsar MP-EQ’s sound can be described as giving a creamy top-end, well-balanced mids, and a punchy low-end. Whether you’re using subtle or extreme settings, audio never sounds over-equalized, but rather vivid and natural, keeping true to the nature of your source material.

For mastering
In mastering, Pulsar MP-EQ is the perfect tool to add sparkle and heft to your mix. For instance, it’s often used to add power to the low end (47 or 68 Hz) while retaining dynamic separation and balance between kick and bass, or to add air (16 kHz high-shelf) without any harshness. Pulsar Massive is also mind-blowing when used in Mid/Side mode, for perfect control over the stereo scene.

On vocals
A creative and musical tool for lead vocals, Pulsar Massive is excellent for adding presence (with the 3.3kHz or 4.7kHz bell filters), and some low-mid warmth without any mud (with the 220Hz low-shelf for instance), thanks to the Bandwidth parameter. The 1.6kHz bell filter is magic to add or remove density, helping a vocal to sit in the mix. Don’t hesitate to really push the drive for some creamy saturation!

Mixing electric guitar
Saturated electric guitars are very busy in the midrange – especially in extreme musical styles, and this can make them difficult to mix. Because the human ear is very sensitive to spectrum and phase manipulation in these areas, Pulsar MP-EQ, with its smooth parallel EQ curves and naturally gentler phase alteration, is the perfect tool for shaping tone without messing with the phase.

Working the drum bus
Whether it’s used for cleaning mud (a gentle bell cut at 180Hz), to tame harshness on overheads (a gentle bell cut at 2.2kHz), or to add brilliance (a gentle high-shelf boost at 8.2kHz), Pulsar Massive will bring a coat of polish to push your drums to the next level. To top it off, you can adjust how Pulsar Massive reacts to the transients of the kick and snare with the Drive control, for a customized dynamic response.

Electronic music
Pulsar MP-EQ can be used as a sculpting tool for very rich sources like synth pads or synth basses. Use it in creative ways, experimenting with extreme curves and driving it hard – you won’t have to work hard to get great results. In addition, on a mixbus, choosing the right transformer will allow you to beef up your kick drum or keep it tight.

Main Features:
Modern EQ Edition
For the first time, a plugin enables you to manipulate a very peculiar analog-shaped EQ curve in an intuitive way. The curve editor is extremely easy to use, with a clear and concise overall frequency response display. You can edit all properties of any filter – including its assigned name – without touching the lower panel.

Drive control
This parameter helps you increase or even decrease the distinctive and musical analog vibe of the original unit. Accurate models of transformers, tubes, and inductors are all coupled together to reproduce the program-dependent subtle low end compression beloved by generations of sound engineers.

Mid-Side processing
Pulsar MP-EQ comes with built-in optional M/S encoding and decoding, enabling a signal’s mono and stereo information to be processed separately with different settings. The Listen buttons help audition each signal in isolation, and the screen displays only the channel you’re working on, so you always know what you’re doing.

Auto-gain
This control compensates for volume changes introduced by equalization, keeping output level consistent with input. It uses a C-Weighting-based algorithm to introduce a level compensation based on EQ curve analysis. The compensation gain applied only depends on your EQ settings and won’t change during playback.

Metering & Spectrum analyser
The on-screen analyzer displays the audio spectrum in real-time (fast and slow window settings) or over the long-term with the Infinite Spectrum setting. In addition, peak metering provides insight into overall dynamics, and RMS meters let you monitor loudness and level matching. An overall gain meter is also available.

Transformer
Choose between three output transformer options: An “original” mode that is true to the performance of the hardware’s circuitry; an exclusive setting even more colorful than the original, allowing warm low-end coloration; and an option to remove output transformer modeling altogether.

Oversampling
Pulsar MP-EQ takes full advantage of modern CPUs to do more with less. A selectable oversampling mode is also available for computers that can handle it, with processing at rates up to 384 kHz. You can choose for higher oversampling settings to be applied at export than at playback.

Linear Phase Correction
Pulsar MP-EQ introduces, for the first time in an EQ emulation plugin, a process that optionally realigns all frequencies after the EQ stage, upgrading an analog-style EQ into a true linear-phase EQ.

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