BABY Audio Complete Bundle v2026.3_WIN-R2R

VST插件套装BABY Audio Complete Bundle v2026
VST插件格式：
VST/VST3/AAX

Baby Audio Complete Bundle 2026插件包集成14款获奖插件，含4款乐器和10款效果器，从物理建模合成、模拟合成到创意延迟、混响、压缩、饱和等，一站式为音轨注入活力，实现从混音到声音设计的全面升级。

翻译：
Baby Audio 全套插件包
让你的音乐焕然一新
获取我们屡获殊荣的 14 款插件
包含 4 款乐器和 10 款效果器，助你打造全新音乐作品

体验 Baby Audio 新一代创意插件。我们的完整套装涵盖了从饱满的电子乐器到精准的混音工具，再到能够瞬间改变任何平淡无奇音轨的创意多重效果器，应有尽有。

包含：
1. Atoms————————–物理建模合成器插件
2. BA-1—————————-模拟建模合成器插件
3. Comeback Kid—————-创意延迟回声插件
4. Crystaline———————-下一代混响插件
5. IHNY-2————————–强劲压缩器插件
6. Parallel Aggressor————饱和压缩器插件/平行压缩插件
7. Smooth Operator Pro——–智能均衡器插件
8. Spaced Out——————–混响插件
9. Super VHS———————饱和器插件
10.TAIP—————————-AI驱动的磁带饱和器插件
11.Transit————————-多功能效果器/混音插件
12.Grainferno——————–颗粒合成器
13.Humanoid——————–人声变声器插件/硬调音器
14.Tekno————————-鼓合成器

1. Atoms
Atoms 是一款新型合成器插件，它采用尖端的物理建模技术，能够生成无穷无尽的自然音色和超凡脱俗的声音。用它来构建丰富而鲜活的音色，创造前所未有的声音。

复杂物理，简洁呈现
物理建模模拟真实乐器的行为。但 Atoms 带你超越自然界的局限。它的功能强大到足以探索声音设计的极限，同时又简单易用，让你轻松操控、塑造和创造声音。

Atoms 的动力源自对相互连接的物体和弹簧的模拟，这些物体具有可调节的属性和尺寸。该模型由虚拟的弓弦动作触发，这种动作会激发系统并使其振动以产生声音。

如同活的有机体
自然界中没有任何东西是真正静止的。物理建模通过生成与原声乐器相同的自然波动的声音来模拟这一点。

Atoms 更进一步。它的六个主要参数可以通过一系列强大的动态选项进行自动化控制，从而增添更多活力。这使您可以创建像自然生物一样不断变化和再生的音景。

如果您习惯使用采样库，Atoms 将为您的音乐作品带来一种超凡脱俗的真实感。

一键编程新音色
Atoms 配备了强大的随机化引擎。这是一种经过音乐校准的算法，它会根据每个参数与其他参数之间的关系选择性地调整每个参数，让您每次都能获得可用的音色。

您可以通过限制任何旋钮的随机范围或锁定参数的更改来进一步缩小算法的范围。

最后，“循环”按钮是第二个随机化器，它会创建与当前音色相似的新音色。一旦您找到喜欢的声音，点击“循环”按钮即可探索相关选项。

物理建模效果
底部面板为您提供了一系列创意效果，可进一步塑造您的声音。您还可以从四种音色预设中进行选择，每种预设都提供不同的质量弹簧网络模拟结构。

除了“空间”（混响）效果外，底部面板中的所有效果均在物理模型内部生成。这为您提供了一系列独特的调制效果，这些效果是物理模型固有的组成部分，听起来比任何单独的效果链都更加自然。

2. BA-1
BA-1 是一款模拟合成器插件，它能以前所未有的方式，在插件中还原纯正的 80 年代音色。如同真正的硬件一样，它编程极其简单，功能却出乎意料地丰富，并且音色饱满。

BA-1 V1.5 更新内容
BA-1 v1.5 为免费更新。请点击您原始订单邮件中的链接进行下载。新用户将自动获得 v1.5 版本。

✱ 全新效果器插件 – BA-1 FX Strip：
BA-1 不仅仅是一款模拟合成器。它还提供了一个精心建模的效果器部分，其灵感源自 80 年代的入门级机架效果器。用户从 BA-1 诞生之初就一直期待着独立的效果器链版本，现在它终于来了！使用 FX Strip 将任何音频信号输入 BA-1 的虚拟电路，即可添加 80 年代风格的驱动、滤波、延迟、混响、合唱效果，甚至 BA-1 的扬声器模拟器。

✱ 琶音器：
琶音器是 80 年代合成器音色中不可或缺的元素。在 BA-1 v1.5 中，我们新增了一个操作便捷的硬件式琶音器，提供三种模式（上行、下行、上下行）和三个八度音程。琶音器允许与宿主速度不同步，从而获得更真实（例如，略微错位！）的效果。

✱ 灵活的合唱参数：
最初的 BA-1 提供了一个简单的开/关合唱效果，让人想起 Juno 和其他经典的 80 年代合成器。在 v1.5 版本中，合唱效果的设置范围从 0% 到 100% 不等，带来更大的创作灵活性。

✱ 彩蛋：
点击 BA-1 各段之间的彩色圆点，即可显示一些新增的合成器参数。LFO 淡入淡出功能为调制波形添加了渐变时间，使其逐渐（或突然）淡入到设定的频率，从而产生更难以预测的 LFO 效果。混沌功能则在混响和合唱算法中引入了非线性行为，带来不和谐音和不可预测的音高滑音。

✱ 改进的预设浏览器：
BA-1 的预设管理器在 v1.5 版本中得到了极大的改进。您可以按名称搜索预设，按音色包筛选，或使用颜色标签标记音色以便记忆。您可以轻松导入音色包，创建自己的音色包，或浏览可用的 BA-1 扩展包，为您的合成器添加更多音色。

✱ 全新 UI 主题：
全新的黑红 UI 主题，让您以全新的视角体验 BA-1。

传承
BA-1 的灵感源自一款 20 世纪 80 年代的便携式合成器，它外形小巧，音色粗犷。尽管体积小巧，却在音乐史上留下了浓墨重彩的一笔，尽管它并未引起太多关注。在过去的二十年里，瑞典一些最成功的流行音乐制作人将原版 BA-1 用作打造活力四射的合成器音色的秘密武器。它也是 20 世纪 90 年代数字舞厅音乐的代表作，并因其原始的低保真音质而深受独立电子音乐爱好者的喜爱。原版硬件从未被完整地以软件形式复刻过。因此，我们以它为起点，打造了我们的第一款合成器。但我们在此基础上更进一步……

音色
秉承着“进化而非模拟”的理念，我们以尽可能高的精度对硬件进行建模，然后精心升级，添加了许多实用新功能。第二个模拟振荡器、FM 调制、复音等功能极大地扩展了原版 BA-1 的音色范围。这一切都保留了其标志性的音色。

此外，BA-1 还允许您耗尽电池电量、调整电路，并使用内置扬声器——从而获得通常只有硬件才能实现的纯正低保真音效。

效果器
如果您了解我们公司，就会知道效果器是我们的专长。因此，我们为 BA-1 配备了丰富的 FX 部分，以六种独特的效果捕捉了过去十年的经典音色。FX 链的灵感源自 80 年代的廉价硬件，为您带来家庭录音室机架设备的低保真魅力。过载效果器模拟了吉他效果器，而延迟、混响和合唱效果则基于那个时代的颗粒感数字效果器。

在 BA-1 v1.5 中，FX 链现在也作为独立的插件包含在内，因此您可以将其添加到任何您想要的音轨中。

简洁易用
BA-1 操作简单，但可调节性却出乎意料地高。我们投入了大量精力，将所有参数调整到最佳状态。这造就了流畅愉悦的编程体验，让您在调整 BA-1 的过程中充满乐趣，并乐此不疲地创作新的音色。

如果您觉得简单的界面不够快捷，还可以使用智能的“重新生成”功能。点击“重新生成”按钮，BA-1 将在每次点击时自动生成全新且音色优美的音色。

3. Comeback Kid
添加温暖的模拟延迟效果
✱ 创意十足且功能强大的延迟插件，让您雕琢、塑造并改变您的湿信号
✱ 用它来为您的混音增添独特而美妙的延迟/回声色彩——充满氛围感和模拟韵味
✱ 旨在成为理想的“必备”延迟插件——拥有纯净的音质、灵活的功能和快速的工作流程

值得期待的延迟效果
只需两个简单的要素即可改变沉闷的声音或人声：一个绝妙的想法和一个出色的延迟效果。Comeback Kid 为您带来延迟效果——并激发您瞬间迸发新的灵感。

效果器的布局类似于最好的硬件延迟插件：没有子菜单或隐藏功能。取而代之的是 14 个令人满意的“塑形旋钮”，可立即雕琢您的湿信号。想要为您的主音合成器添加磁带延迟效果？为您的歌声添加现代感十足的拍击效果？为您的吉他添加颗粒感十足的低保真回声？没问题！内置参数组合搭配，可涵盖无穷无尽的风格。

Comeback Kid 不仅音质纯净，而且功能多样，可胜任各种混音任务，从微妙的反射到催眠般的回声，无所不能。它或许会成为你新的必备延迟效果器！

功能特性
✱ 延迟设置：
速度同步模式：直线、附点、三连音（与 DAW 的 BPM 同步）。
自由模式：0.01 毫秒 – 2500 毫秒。

✱ 精度：
在“自由”模式下，可精确设置延迟时间至 0.01 毫秒。双击数字显示屏，输入所需的延迟时间即可。

✱ 乒乓效果：
经典的立体声延迟技巧。

✱ 闪避：
在播放干信号时，闪避延迟信号，从而获得更干净、更现代的声音。

✱ 低切 + 高切：
一对饱满的模拟建模滤波器，用于塑造湿信号的音色响应。

✱ 起音 + 延音：
灵活的瞬态调节器，用于塑造延迟信号的包络。

✱ 廉价：
受复古数字延迟启发而定制的 11 位信号路径。

✱ 磁带：
模拟建模的饱和算法，可为您带来经典的磁带延迟音色。

✱ 旋转：
温暖而自然的相位效果，为您的延迟增添动感。

✱ 混响：
算法混响，用于为湿信号添加扩散效果。

✱ 更宽：
改变左右信号之间的时序，以创造更宽广的延迟音色。

✱ 更丰富：
改变左右信号之间的音高，以创造更饱满、更宽广的延迟音色。

✱ 声像：
调整延迟信号的声像。

✱ 单声道：
将延迟信号转换为单声道信号。

✱ 随机化：
一种微妙的随机化算法，可营造更人性化的延迟效果。

✱ 关闭模式：
双击“Comeback Kid”图标即可禁用延迟引擎。这样您就可以像使用常规的多重效果器/色彩盒一样，在干信号上使用插件的各种音色调整工具。

✱ 显示选项：
切换深色和浅色背景。

4. Crystalline
一款现代录音室混响插件
✱ Crystalline 是一款全新、尖端的混响插件，拥有饱满而纯净的音色
✱ 赋予您前所未有的创作控制力，塑造混响空间
✱ 让您将混响的起始时间和衰减时间与歌曲的节奏同步

追寻圣杯
完美的算法混响通常被认为是数字音频效果的圣杯。在整个 20 世纪，算法混响的发展离不开 EMT 和 Lexicon 等公司的贡献。但当时有限的计算能力迫使制造商在狭窄的限制下进行开发。如今，我们拥有了在录音室混响的黄金时代无法实现的资源，无论是在音质还是功能方面。

Crystalline 正是建立在 60 年来对圣杯的不懈追求之上。我们曾设想，如果那些传奇数字混响的先驱们拥有我们今天所拥有的计算资源，他们会创造出怎样的作品？于是，我们打造了这款插件，它具备现代音乐制作人所需的一切功能。

功能特性
✱ BPM 同步的起始和结束时间：
Crystalline 允许您将混响的起音和衰减​​时间与 DAW 的速度同步。这通常会带来更干净的混音效果，使反射的包络与音乐自然同步。更喜欢传统方式？只需按下“Sync/MS”开关，Crystalline 即可让您以毫秒为单位设置预延迟和衰减时间。

✱ 反射部分：
“Size”（大小）允许您设置房间大小，从小到大。此控件与“Length”（长度）控件分离，这意味着您可以获得任何所需的大小/长度组合，包括一些特殊设置，例如具有极短尾音的巨大空间或具有极长尾音的微小空间。 “闪耀”功能会增强混响算法中的高频部分。这会产生更明亮的反射，有助于为歌声或军鼓增添额外的光泽。“宽度”功能允许您设置混响的立体声像，从单声道到宽声道，甚至可以设置为超宽声道。

✱ 深度设置：
“分辨率”功能可将算法的复杂度从“基础”调整到“纯净”。更复杂的设置将带来超干净的混响响应，消除金属音；而“基础”设置则可在保证正常保真度的前提下提供高效的 CPU 性能。“调制”功能会在混响算法中创建音高变化。这会产生更丰富的声音，尤其适用于增强合成器、吉他和人声的音色。“闪烁”功能会使混响尾音的高频衰减速度比其他频段更慢，从而赋予反射一种“天使光环”效果。您可以设置频率截止点以及倍增器效果，后者控制高频衰减所需的时间。请注意，如果启用了“闪烁”功能，高频衰减时间将晚于您指定的混响“结束时间”（2倍、4倍或6倍）。

✱ 清理部分：
“阻尼”是一个双滤波器控制，可让您从混响反射中去除高频和低频成分。此控制可快速去除混音中的杂音和浑浊感。“侧向”是一个高通滤波器，可去除混响低频部分的立体声信息，同时保留单声道信息。这对于创建宽广的人声或主奏乐器反射，而不会使低频浑浊特别有用。“门限”可让您立即重现经典的 20 世纪 80 年代门限混响音效。该门控提供“阈值”和“释放”控制，让您能够快速直观地调整军鼓，打造出“菲尔·柯林斯式”的音色。

✱ 塑形部分：
“音色”是一个倾斜均衡器，可让您快速调整混响的频率平衡，使其更明亮或更暗沉。“平滑”会逐步应用一条定制的均衡曲线，以处理那些容易产生共振和尖锐的频率区域。它可以柔化刺耳感，使 Crystalline 听起来更加细腻。这样，您就可以在不使混音过于浓重的情况下添加更多混响。“扭曲”通过扭曲瞬态响应来帮助您塑造混响的动态特性。此功能在打击乐素材中尤为有用，它可以让您将重点转移到信号的起音或延音部分。

✱ 输出部分：
“闪避”功能会在播放干声/输入音轨时降低混响信号。这样可以获得更干净的混音，让您可以提高混响强度而不会影响干声。 “柔和闪避”模式提供缓慢自然的闪避效果，而标准闪避模式则具有更强的“泵感”。 “反向”功能会反转混响播放，为您提供一些大胆的声音设计可能性。“冻结”是另一个创意效果，点击后会捕捉混响的细微快照，并持续保持该快照，直到再次松开按钮。它可以有效地在混音中创建有趣的过渡效果。“干/湿”功能设置干声/输入信号和混响信号之间的全局混音平衡。点击“湿锁定”按钮，您可以在保持首选干湿比的情况下浏览预设，以便更轻松地进行比较。

✱ 顶部面板：
“颜色”功能允许您在浅色和深色背景颜色之间切换。 “节能模式”允许您通过将分辨率设置为“基本”并禁用闪烁效果，以低 CPU 占用率运行 Crystalline。“保存为默认值”允许您保存自己的默认预设，该预设将在插件初始化或您点击重置按钮时显示。“重置”会将插件状态重置为您的默认预设。“工具提示”会在鼠标悬停时显示帮助文本，解释每个插件参数。

✱ 可调整大小：
插件窗口可完全调整大小（点击并拖动右下角图标）。

5. IHNY-2
强劲、震撼、冲击！
✱ 使用业内最强劲的压缩器，为您的鼓组（以及其他音轨）增添冲击力和强度
✱ 提供精准的控制和全面的灵活性，助您塑造理想的压缩音色
✱ 内置并行信号流，让您可以根据个人喜好混合压缩效果

混音更强劲
现代混音需要强劲的冲击力。为了在不破坏音轨动态的情况下获得最大的冲击力，工程师们会使用并行压缩（一种将干音轨与高度压缩的副本混合的技术）。IHNY-2 提供即插即用的并行配置，因此您无需在 DAW 中设置任何额外的路由。

这款插件专为并行压缩音轨而设计，其冲击力远超您常用的压缩器。 IHNY-2 并非低调内敛，而是一款专为鼓组、混音总线甚至主总线（如果您够胆的话！）增添能量和“冲击力”的专用工具。

IHNY-2 是我们首款插件 I Heart NY 的升级版。原版插件深受众多用户喜爱，并荣获 Sound On Sound 杂志颁发的 SOS 大奖。V2 版本新增了诸多功能，提供了精准的控制，并在音质方面进行了全面提升。

功能特性
配置：
IHNY-2 将输入音频信号分成两路。一路信号保持原声（干声），另一路信号则经过 IHNY-2 的所有处理（湿声）。您可以通过 XY 触控板的垂直轴平衡两路信号，同时在水平轴上设置湿声的压缩量。这样，您只需一个动作即可操作插件最重要的控制项，快速找到最佳平衡点。

IHNY-2 内置自动增益算法，可在您移动节点于 XY 触控板上时提供一致的输出。但如果您发现增益补偿过大或过小，可以使用自动增益滑块进行微调。

在移动节点于 XY 触控板上时，您会在“AGR”（调整增益衰减）下方看到一个数值。该数值综合考虑了当前的增益衰减和干湿比，从而得出压缩强度。我们建议您将 AGR 值设置为 -10 到 -20 之间，以获得良好的初始效果。

微调面板：
IHNY-2 旨在像其前代产品一样快速直观。但如果您需要更深入的设置，微调面板可让您完全控制压缩器。在这里，您会发现 V1 版本中未包含的一些新功能。

启动 + 释放：设置压缩器的启动和释放速度。

比率：设置压缩强度，从轻微到强烈。

冲击力：强力压缩往往会削弱信号的瞬态。冲击力控制可以增强压缩音轨中的瞬态冲击力，即使在高压缩级别下也能使其清晰突出。

谐波：想象一下，一个像压缩器一样工作的饱和器——这就是谐波功能。此功能引入了由增益衰减控制的谐波饱和，这意味着压缩越多的部分饱和度越高。

形状：添加我们自定义的“笑脸均衡曲线”，以突出低频和高频，使压缩信号更加突出。（“笑脸均衡曲线”是“纽约压缩”区别于普通并行压缩的关键所在。IHNY-2 可以同时实现这两种效果）。

倾斜度：使压缩器更侧重于信号的低频或高频——这对于控制低音较重的素材并让高频得以保留（反之亦然）非常有用。

低频+高频保留：防止低频和高频在截止频率以上/以下被压缩。这是在压缩鼓组其他部分的同时保留底鼓的绝佳方法。

其他功能：
– 过采样：插件支持 1 倍、2 倍或 4 倍过采样模式。（我们建议使用 1 倍以获得更好的 CPU 性能）。
– 独奏：在独奏模式下监听湿信号。可用于微调，或将 IHNY-2 用作常规插入式压缩器。
– 工具提示：启用后，在使用插件时可查看每个参数的说明。
– 保存为默认值：保存您自己的默认预设，每次打开新的 IHNY-2 实例时都会加载该预设。
– 重置为默认值：将插件重置为您的默认预设。
– Baby Audio 标志：旁通插件。
– 调整图标大小：调整插件图标的大小。

鼠标控制：
– Cmd+单击：减慢鼠标在“微调面板”中的移动速度，以便进行精细调整。
– Ctrl+单击XY触控板节点：仅水平移动。
– Alt（Cmd）+单击XY触控板节点：仅垂直移动。
– 双击：将任何参数重置为其默认值。

6. 并行侵略者
为您的音轨增添三重冲击
✱ 并行侵略者插件让您在一个插件内即可添加并行饱和和并行压缩效果
✱ 它将您的音频分成三个独立的音轨：原始干声、饱和复制音轨和压缩复制音轨
✱ 平衡并混合这三个信号，在保留原始音轨动态的同时，增强冲击力和力度

并行处理是打造震撼混音效果的关键。通过将同一音频复制成多个副本，并对每个副本进行不同强度的处理，您可以增强音轨的存在感，同时保留其自然动态。这项技术是现代音乐制作的必备工具。

并行侵略者插件正是基于此概念。但与将任何音频路由到外部总线不同，该插件在内部托管并行音轨，并从一开始就对其进行校准，以实现最大冲击力。

“Spank”提供原始音轨的重度压缩副本。“Heat”提供重度饱和副本。 “干声”是干净的音频信号。充分处理这两个副本！然后将三个信号混合，榨干音轨的每一滴能量！

功能
✱ 并行引擎 1：Spank
“Spank”提供极具冲击力的并行压缩音效。通过调节主“Spank”旋钮来设置效果量。然后使用风格注入按钮来控制算法的行为。最后，使用音量滑块来设置要与信号混合的“Spank”/并行压缩量。

风格注入按钮：额外冲击力、额外冲击、侧链滤波器、单声道。

✱ 并行引擎 2：Heat
“Heat”是一种温暖的模拟建模饱和算法，具有强劲的冲击力。它会添加一些丰富的非线性谐波来与信号混合。通过调节主“Heat”旋钮来设置饱和强度，然后使用风格注入按钮来控制引擎的行为。最后，使用音量滑块设置您希望与信号混合的“热度”/并行饱和度。

风格注入按钮：超热、音调、高通滤波器、低通滤波器。

✱ 自动增益：
启用“自动增益”功能，确保插件三个信号的组合电平与输入/干声电平大致匹配。这样，您可以在保持插件输出一致性的同时，尝试不同的内部混音平衡。

✱ 设置混音平衡：
使用插件界面中央的音量推子平衡 Parallel Aggressor 的三个并行信号。

✱ 使用电平表进行混音：
插件界面左右两侧的电平表可帮助您为任何音频信号设置合适的“冲击力”和“热度”。一般来说，我们建议您根据个人喜好调节冲击力/热度旋钮，直到相应的电平表峰值位于橙色线之前。

✱ 单独聆听：
音量滑块下方的单独聆听按钮可让您单独监听每个并行信号，以便进行微调。

✱ 显示选项：
可在黑色、灰色和白色背景之间切换。

7. Smooth Operator Pro
告别杂乱混音
✱ 智能插件，自动消除刺耳共振，提升清晰度
✱ 实时适应音频，有效改善失真频段
✱ 让您以流畅而富有音乐性的方式塑造音色
✱ 提供最快的工作流程，在一个流程中即可实现共振抑制、压缩和均衡

Smooth Operator 将共振抑制、频谱压缩和均衡的优势整合到一个智能的工作流程中。它提供了一种比传统通道条更简洁的替代方案，让您更轻松地处理杂乱的混音。使用该插件，您可以创造性地塑造音色平衡，而算法会自动消除刺耳共振和浑浊的频段。

Smooth Operator 将完成通常由压缩器和均衡器完成的繁琐工作，让您专注于创作。

该插件以 DAW 的采样率分析输入音频，并以每秒数万次的频率调整其设置，以衰减能量过度累积的频率。您只需设置所需的频率响应曲线，Smooth Operator 就会优化信号以匹配该曲线，并消除过程中出现的异常尖峰和共振。最终效果是音轨更加平滑，音乐性更加平衡。

功能
✱ 全局阈值：
向下拖动中间的圆形节点可增加整体效果量。当曲线呈水平状态时，Smooth Operator 将对整个频谱应用相同的效果量。

✱ 更改响应曲线：
移动频率曲线上的 4 个节点来塑造所需的音调响应。向上移动节点可保留某些频率区域，向下拖动节点可增强某些频率区域的效果。使用鼠标滚轮或触控板滚动来调整 Q 值。

✱ 精细调整或全面覆盖：
“聚焦”滑块控制 Smooth Operator 的精细程度。在 100% 的聚焦值下，每个频率峰值都会被独立处理；而较低的聚焦值则会带来更宽广的响应，共振峰值周围的频率会被衰减。这有助于使效果听起来更自然、更悦耳。

✱ 单独监听问题区域：
启用“单独”按钮，即可分别试听频谱的不同区域，并识别音轨中的问题区域。然后，您可以决定 Smooth Operator 应该如何处理这些问题区域。

✱ 将 Smooth Operator 用作智能闪避器：
启用“侧链”模式后，您可以使用混音中其他音轨的频率成分来闪避您的信号。（例如：使用底鼓作为侧链输入来闪避您的贝斯）。此功能类似于普通的侧链闪避器——但它不仅仅是降低音轨的音量，而是实时地精确降低侧链音轨所占据的频率区域。这有助于您实现混音，减少不同元素之间的频率冲突。

✱ 两种算法模式：
点击“M”图标可在“高分辨率”和“经典”算法之间切换。“经典”算法延迟更低，适用于录音和制作流程；“高分辨率”算法响应更清晰，适用于混音和母带处理。

✱ 显示选项：
可在粉色、绿色和蓝色背景之间切换。插件窗口大小可完全调整。

8. Spaced Out
让你的声音充满魔力
✱ 为你的声音、乐器等添加丰富而现代的特效质感
✱ Spaced Out 将延迟、混响和调制功能合而为一，内置超过 50 种独立效果
✱ 直观快捷的工作流程，让你瞬间打造梦幻般的超凡脱俗的效果链

延迟、混响和调制是为音轨增添深度和空间感的最佳方式之一。这些效果单独使用就非常出色。但当你巧妙地将它们组合在一起时，真正的魔力就会显现，最终效果远超各部分之和。

Spaced Out 将延迟、混响和调制功能融为一体，打造出一款独具特色的“湿效果器”，并赋予其现代而梦幻的音色。它内置超过 50 种独立效果，所有效果都经过精心设计，彼此相得益彰。

该插件通过简洁的界面进行控制，无需任何子菜单，即可轻松实现无限的效果组合。点击“骰子”按钮，即可立即生成全新效果，让你的音乐作品焕然一新。之后，你可以根据个人喜好调整效果。

使用 Spaced Out 为平淡无奇的混音注入活力，为你的作品增添一丝魔力。或者，更进一步，探索湿效果处理的极限。我们期待与你相遇！

功能
✱ 回声：
16 步延迟音序器，与您的 DAW 速度同步
延迟模式：直线、2 倍、附点、三连音
强度：通过延音和反馈控制设置音序器的行为
维度：关闭、超宽和动态模式
纹理按钮：干净、磁带怪异、低保真和朦胧
反转：反转延迟播放
滤波器：模拟建模的低通和高通滤波器

✱ 空间：
基于 X-Y 轴的摇杆控制，可直观地在混响长度和调制行为之间进行变形
程序：真空、小空间、中空间、外太空
预延迟：0-250 毫秒
星尘：为混响尾音添加天使般持续的闪烁
柔和：双低频和高频阻尼滤波器
清理：将经过修剪的干信号输入混响算法，以获得更柔和的混响效果响应
宽度：设置混响宽度，介于宽和单声道之间

✱ 中央混音器：
X-Y 摇杆控制，可在回声/空间和干湿信号之间无缝切换
生成：经过音乐调校的随机化器，可即时生成新的效果配置
提升：通过压缩、中侧处理和均衡的组合，将湿信号粘合在一起
闪避：在播放干信号时闪避湿信号，以获得更干净的混音
闪避同步：将闪避器与 DAW 的 BPM 同步，以获得强劲的“四四拍”效果
输出：控制全局效果输出

✱ 显示选项：
可在黑色和白色背景之间切换。插件窗口大小可完全调整。

9. Super VHS
让你的混音重回 1985 年的复古风
✱ Super VHS 融合了六种丰富多彩的效果，为你的音乐带来纯正的 80 年代复古氛围
✱ 磁带饱和、音调漂移、采样率降低、颗粒混响、静电噪音等效果，为你的音乐增添低保真韵味
✱ 快速直观的工作流程：每个效果器都只有一个旋钮，却能控制多个底层参数

作为 80 年代的孩子，我们一直对略微走音的合成器音色、温暖的磁带饱和、粗粝的采样和颗粒混响情有独钟。因此，我们致力于捕捉我们最爱的那个年代，并将其带入新的十年。

使用 Super VHS，就像把你的声音送回过去，然后在 30 年后，在一盘磨损的 VHS 录像带上重新发现它们。这一切只需在你的 DAW 中点击一个按钮即可完成。

Super VHS 能为任何干净的声音增添一丝低保真质感——尤其是在您混合搭配各种效果时。每个效果器都只有一个旋钮，但内部却包含多个参数，让您能够快速操作并获得丰富的音效。

功能特性
Super VHS 拥有六款独特的“单旋钮”效果器，灵感源自 VHS 时代。

✱ 静电：
由内部合成器生成的静电噪音。

✱ 热度：
模拟磁带饱和器，灵感源自消费级磁带机。

✱ 塑形：
采样率降低器，灵感源自 20 世纪 80 年代的 8 位采样器。

✱ 魔幻：
80 年代风格的扩展效果，灵感源自 Juno 合唱效果器，但音色更加暗沉深邃。

✱ 漂移：
音高波动 LFO，可实现不可预测的时间和音高偏移。

✱ Wash：
灵感源自 20 世纪 80 年代经济实惠的机架式混响器，营造出“糟糕的大厅”混响效果。

虽然每种效果都只能通过一个旋钮控制，但其内部却有多个参数协同运作，赋予 Super VHS 独特的音色。我们鼓励您混合搭配各种效果，这将为您带来丰富的音色变化——从细微的失真到彻底的破坏。

10. TAIP
温暖你的声音
✱ TAIP 将模拟磁带的真实音色和特性带入你的 DAW
✱ 用它来为略显单调的鼓、乐器和人声增添自然的饱和度和活力
✱ 直观且功能丰富的插件：根据任何需求自定义磁带音色

磁带录音拥有数字混音常常缺乏的音乐特质。我们希望以最纯粹的方式将这种特质带入 DAW。

在音质方面，TAIP 基于 AI 技术，忠实地模拟了 1971 年欧洲的磁带机。我们的插件将带来与硬件相同的谐波丰富度和非线性魔力。但在功能方面，我们更进一步：TAIP 内置了一系列创新的声音设计参数，让你从“磁带”走向“超越磁带”。

最终呈现的是经典音色与现代多功能性的完美结合。我们鼓励你尽情发挥它的作用！

功能特性
✱ 驱动：
TAIP 最重要的参数——可添加一丝温暖或极致的饱和度（或介于两者之间的任何效果）。

✱ 混合：
并行运行磁带音效。或结合“磨损”和“混合”参数，创建磁带镶边效果。

✱ 模型：
“单机”模拟一台磁带机，“双机”则在内部串联两台磁带机。

✱ 低频/高频整形：
调整低频/高频的饱和度，使其高于或低于其他频段。

✱ 粘合：
增强磁带录音中自然产生的压缩效果。

✱ 噪声：
增加磁带噪声——或完全消除噪声。

✱ 临场感：
恢复磁带录音中丢失的明亮感。

✱ 磨损：
模拟老旧磁带机的运行不稳定性，并微妙地改变磁带速度。

✱ 输入：
允许您在不影响输出电平的情况下，增加或减少信号的失真度。

✱ 自动增益：
允许您在保持插件输出稳定的情况下增加驱动力。

✱ 颜色模式：
可在黑色、灰色和白色背景之间切换。

✱ 可调整大小：
插件窗口可完全调整大小。

11. Transit
这款插件让静态混音焕然一新
我们与 Andrew Huang 合作打造了 Transit：一款能赋予混音过渡超强力量的 FX 插件。它可用于渐强、骤降、动态效果、上升音效和扫频，让你的听众始终保持专注。

更轻松地打造更佳过渡
歌曲段落之间的创意过渡对于保持听众的参与度至关重要。为了实现这一点，制作人通常需要依赖多个音轨和插件，以及数量庞大的自动化通道。

Transit 将这一过程简化为一个插件。它包含 18 个强大的效果模块，可自由加载到 7 个插槽中。所有效果参数都可以链接到一个全局宏控制，你可以通过自动化该控制，只需移动一个旋钮即可创建复杂的 FX 过渡。最终效果：更具吸引力，更流畅自然的混音。

创意无限的创作空间
Transit 中的 18 个效果模块专为过渡而设计。 Transit 提供经典的调制效果、失真和劣化选项、动态效果、混响、延迟、两种滤波器类型，甚至还配备了合成器振荡器和噪声发生器，可用于为过渡添加上升和扫频效果。

Transit 拥有丰富的效果，其半模块化的架构使其成为声音设计师的梦想之选。您或许很快就会发现，它是一款常规的多重效果器，或者是一款全新的 LFO 工具。它的可能性几乎是无限的。

300 多个适用于各种音乐风格的现代预设
想要快速便捷地进行创作？Transit 内置了 300 多个由 Andrew Huang 和 Baby Audio 的朋友们精心打造的创意十足、现代感十足、令人惊艳的预设。这些预设涵盖了各种音乐风格和应用场景，让您即刻获得创作灵感。

此外，您还可以利用灵活的随机化引擎发挥创意，设置特定的随机范围，并锁定模块/参数，仅对插件的特定部分进行随机化。这能让你的音乐走向全新的方向。

动态音序器
从宏模式切换到音序器模式，只需单击按钮即可编程并触发与 DAW 同步的过渡效果。每个过渡效果都会在下一个小节精准开始。这非常适合现场演出，或者用于在混音会话中编写完美定时的自动化，而无需进入自动化轨道。

音序器还解锁了 Transit 的另一种用途：启用循环模式，你的过渡效果将无限循环往复。这使得 Transit 成为一个富有创意的“LFO 工具”，可以为你的音乐添加持续的 FX 动态效果。

✱ 只需一个旋钮，即可打造复杂、震撼、令人惊艳的特效过渡，堪称终极插件
✱ 完美适用于在歌曲段落之间营造氛围，并为您的作品增添悦耳动听的音效
✱ 可通过单个宏旋钮或动态音序器进行控制，只需单击按钮即可触发与 DAW 同步的自动化
✱ 启用“音序器循环”模式，即可将 Transit 用作 LFO 工具，在整个音轨上实现持续的特效动态
✱ 创意无限，适用于录音室和现场演出
✱ 内置 300 多个由 Andrew Huang 和顶尖声音设计师打造的高品质预设

12.Grainferno
重新定义颗粒合成
将您的采样分解，构建全新独特的声音
像合成器一样演奏任何音频文件——与您的歌曲完美契合
以音频为原材料，探索声音设计的新世界

Grainferno 是一款先进的颗粒乐器，其核心在于一种全新的声音合成方式现有音频。其新一代颗粒引擎将您的采样分解成微小的碎片，并将它们重建为全新的纹理。

从纯净的音色云到实验性的数字噪音，Grainferno 将您的采样库变成源源不断的创作灵感。

13. Humanoid
改变你的声音
极致人声处理的行业标准
从任何演唱中生成现代合成人声
通过自动硬调音或 MIDI 轻松控制音高

行业领先的人声重合成
Humanoid 是一款功能强大的插件，可将任何人声转化为机器人般的超合成人声。Humanoid 由 Baby Audio 的专有重合成和相位声码器技术驱动，能够改变任何风格和能力的歌手的声音。

14. Tekno
打造深沉的电子鼓
从零开始构建强劲而现代的合成鼓——无需采样
内置 18 个鼓引擎，采用尖端模拟建模技术
v1.1 新增功能：内置音序器，可快速生成创意节拍

让你的鼓声更加震撼
Tekno 是对定义电子音乐的传奇鼓机的现代诠释——凭借 21 世纪的升级，它拥有更强劲、更深沉的音色。它让你能够从头开始设计极具感染力的合成鼓。
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原文：
Baby Audio Complete Bundle
Transform your tracks
Get our full suite of 14 Award-Winning plugins
Includes 4 instruments and 10 effects to transform your tracks

Experience a new generation of creative plugins by Baby Audio. Our Complete Bundle spans everything from lush electronic instruments over surgical mix tools to creative multi-effects that can instantly transform any lifeless track.

Includes:
1. Atoms————————–PHYSICAL MODELING SYNTHESIZER
2. BA-1—————————-ANALOG-MODELED SYNTH PLUGIN
3. Comeback Kid—————-CREATIVE DELAY-ECHO PLUGIN
4. Crystaline———————-NEXT-GEN REVERB PLUGIN
5. IHNY-2————————–HARD-HITTING COMPRESSOR
6. Parallel Aggressor————PARALLEL PROCESSING PLUGIN
7. Smooth Operator Pro——–NTELLIGENT SIGNAL BALANCER
8. Spaced Out——————–LUSH DELAY-REVERB HYBRID FX
9. Super VHS———————1980S FX CHANNEL STRIP
10.TAIP—————————-AI-POWERED TAPE SATURATOR
11.Transit————————-THE ULTIMATE TRANSITION DESIGNER
12.Grainferno——————–Granular Synthesizer
13.Humanoid——————–Vocal Transformer / Hard-Tuner
14.Tekno————————-Drum Synthesizer

1. Atoms
Atoms is a new kind of synth plugin that uses cutting edge physical modeling to generate an endless variety of organic and otherworldly sounds. Use it to build rich and alive textures the world hasn’t heard before.

COMPLEX PHYSICS IN A SIMPLE PACKAGE
Physical modeling simulates the behavior of real life instruments. But Atoms takes you beyond what’s possible in the natural world. Its features are deep enough to explore the outer bounds of sound design, yet so simple that you can easily mangle, shape and create.

Atoms is powered by a simulation of interconnected masses and springs with tweakable properties and dimensions. The model is triggered by a virtual bowing action that excites the system and makes it vibrate to generate sound.

A LIVING ORGANISM
Nothing in the natural world is ever truly static. Physical modeling mimics this by generating sounds with the same organic fluctuations as acoustic instruments.

Atoms takes it even further. Its six main parameters can be automated with a selection of powerful motion options to add extra life. This lets you create soundscapes that are constantly shifting and re-generating, like a natural organism.

If you’re used to working with sample libraries, Atoms will bring a new level of otherworldly realism into your tracks.

PROGRAM NEW PATCHES WITH A CLICK
Atoms comes equipped with a powerful randomization engine. It’s a musically calibrated algorithm that selectively adjusts each parameter based on its relationship to the others, giving you usable patches with every roll of the dice.

You can narrow the algorithm further by limiting the random ranges for any knob or locking parameters from changing.

Finally, the Recycle button is a second randomizer that will create new patches similar to the current patch. Once you have a sound you like, click recycle to explore related options.

PHYSICALLY MODELED EFFECTS
The bottom panel gives you a range of creative effects to further sculpt your sound. You can also choose between four sonic profiles, each offering a different structure of the mass-spring network simulation.

With the exception of Space (reverb), all effects in the bottom panel are created inside the physical model itself. This gives you a range of unique modulation effects that are an inherent part of the physical model and sound more natural than any separate FX chain ever would.

2. BA-1
BA-1 is an analog-modeled synth that brings you closer than ever to pure and authentic 1980s textures in a plugin. Just like the real hardware, it’s dead-simple to program, surprisingly versatile, and dripping with sonic color.

WHAT’S NEW IN BA-1 V1.5
BA-1 v1. 5 is a free update. Download it by following the links in your original order email. New users get v1.5 automatically.

✱ New Effect Plugin – BA-1 FX Strip:
BA-1 isn’t just an analog modeled synthesizer. It also offers a meticulously modeled FX section, based on budget 1980s rack effects. Users have been asking for a standalone edition of BA-1’s effects chain since the early days and here it is! Use the FX Strip to run any audio through BA-1’s virtual circuits and add 80s-flavored drive, filtering, delay, reverb, chorus – and even BA-1’s speaker simulator.

✱ Arpeggiator:
Arpeggiators were an essential ingredient in the synth sounds of the 80s. For BA-1 v1.5, we’ve added a hands-on, hardware-style arpeggiator with three modes (up, down, up/down) and a three octave range. The arp allows for un-syncing from the host tempo for more authentic (i.e. slightly out of time!) effects.

✱ Flexible Chorus parameter:
The original BA-1 offered a simple on/off chorus effect, reminiscent of the Junos and other classic 80s synths. In v1.5, the chorus can now be set anywhere between 0% and 100% for more creative flexibility.

✱ Easter eggs:
The colored dots between BA-1’s segments reveal some new additional synth parameters when clicked. LFO fade adds ramp time to the modulation wave that gradually (or abruptly) fades up to its set frequency for a more unpredictable LFO effect. Chaos introduces nonlinear behavior in the reverb and chorus algorithms for dissonance and unpredictable pitch glides.

✱ Improved preset browser:
BA-1’s preset manager has a vastly improved workflow in v1.5. Search presets by name, filter by pack, or mark patches with color-coded tags to remember them. You can easily import packs, create your own or browse the available BA-1 Expansions to add more sounds to your synth.

✱ New UI theme:
See BA-1 from a fresh perspective with the new black and red UI theme.

THE LEGACY
BA-1 is inspired by a portable 1980s synth with a toylike appearance and a gritty sound. Despite its small size, it left a big mark on music history, while still flying somewhat under the hype radar. The original has been used as a secret weapon for bubbly synth textures by some of Sweden’s most successful pop producers of the past two decades. It was also a staple of 1990s digital dancehall and beloved by the indietronica scene for its raw lo-fi quality. The original hardware had never been properly captured in software form. So for our first ever synth, we started there. But then we took it so much further…

THE SOUND
In keeping with our philosophy ”it’s an evolution, not an emulation”, we modeled the hardware with the greatest possible accuracy, before carefully upgrading it with new and useful features. A second analog-modeled oscillator, FM, polyphony, and more, help to vastly expand the sonic palette of the original. All while keeping its signature sound unspoiled.

Additionally, BA-1 lets you drain the battery, bend the circuits, and use the built-in speaker – for an authentic lo-fi aesthetic that you could normally only get with hardware.

THE EFFECTS
If you know our company, you’ll know that effects are our specialty. So we’ve treated BA-1 with a juicy FX section that captures the sound of a decade in six distinctive effects. The FX chain is inspired by budget 80s hardware and brings you the lo-fi charm of home studio rack units. The overdrive is modeled after a guitar pedal, while the delay, reverb and chorus effects are based on grainy digital effects from the era.

With BA-1 v1.5, the FX chain is now included as a separate effect plugin as well so you can add it to any track you desire.

THE SIMPLICITY
BA-1 is simple, but surprisingly tweakable. We’ve put great effort into tuning all parameters to be in the perfect sweet spot. This results in a rewarding programming workflow where tweaking BA-1 is a lot of fun and you’ll create new patches on repeat.

And if a simple interface is not fast enough, you can always use the smart ‘Re-Gen’ feature. Hit Re-Gen and BA-1 will automatically create new and musically tuned patches with every click.

3. Comeback Kid
Add warm analog-like delays
✱ Creative and versatile delay plugin that lets you sculpt, shape and transform your wet signal
✱ Use it to add unique and beautiful delay/echo colors to your mixes – full of vibe and analog flavor
✱ Designed as an ideal ‘go-to’ delay – with a pristine sound, flexible features and a fast workflow

A DELAY WORTH WAITING FOR
It only takes two simple ingredients to transform dull sounds or vocals: A great idea and a great delay. Comeback Kid brings you the delay – and inspires you to come up with new ideas in a split second.

The effect lay-out resembles the simplicity of the best hardware delays: There are no sub-menus or hidden features. Instead, you get 14 gratifying ‘shaping knobs’ for instantly sculpting your wet signal. Want a tape delay vibe for your lead synth? A modern slap on your vocals? A crunchy lofi echo on your guitars? Not a problem! The on-board parameters can cover an endless variety of styles when mixed and matched.

Comeback Kid gives you pristine sound quality along with the versatility to cover a variety of mix duties, from subtle reflections to hypnotic echoes. It might just become your new go-to delay!

FEATURES
✱ Delay setup:
Tempo-sync modes: Straight, dotted, triplet (syncs to your DAW’s BPM).
Free mode: 0.01 ms – 2500 ms.

✱ Accuracy:
Set your delays with 0.01ms precision when in “Free” mode. Double-click the numerical display and type-in your desired delay time.

✱ Ping-Pong:
Classic stereo delay trick.

✱ Ducker:
Ducks the delay signal when the dry signal is playing — for a cleaner, more modern sound.

✱ Lo-Cut + Hi-Cut:
A pair of juicy, analog-modeled, filters to shape the tonal response of the wet signal.

✱ Attack + Sustain:
Flexible transient designers to shape the envelope of your delay signal.

✱ Cheap:
A custom 11-bit signal path inspired by vintage digital delays.

✱ Tape:
Analog-modeled saturation algorithm, which will give you a classic tape delay sound.

✱ Swirl:
Warm and organic-sounding phasing effect that adds movement to your delays.

✱ Sauce:
Algorithmic reverb for adding diffusion to the wet signal.

✱ Wider:
Changes the timing between the left and right signals to a create a wider delay sound.

✱ Richer:
Changes the pitch between the left and right signals to a create a lush and wide delay sound.

✱ Pan:
Pans the delay.

✱ Mono:
Turns the delay into a mono signal.

✱ Destiny:
Subtle randomization algorithm that creates a more human delay feel.

✱ Off mode:
Double click the “Comeback Kid” logo to disable the delay engine. This allows you to use the plugin’s flavoring tools on your dry signal — like a regular multi-FX / color box.

✱ Display options:
Switch between dark and light background colors.

4. Crystaline
A modern studio reverb
✱ Crystalline is a new, state-of-the-art, reverb plugin with a lush and pristine sound
✱ Gives you unprecedented creative control to shape the reverb space
✱ Lets you sync reverb start and decay times to your song’s tempo

CHASING THE HOLY GRAIL
A perfect algorithmic reverb is often considered the holy grail of digital audio effects. Throughout the 20th century, algorithmic reverbs evolved thanks to companies like EMT and Lexicon. But limited computing power at the time forced manufacturers to work within narrow constraints. Fast forward, and we now have the resources to do things that couldn’t be done during the golden age of studio reverbs. Both in terms of sound quality and features.

Crystalline stands on the shoulders of 60 years of chasing the holy grail. We’ve asked ourselves what the pioneers of the legendary digital reverbs would have done if they had the computational resources we have today. And then we’ve made exactly that plugin. With all the bells and whistles a modern producer would need.

FEATURES
✱ BPM-Synced Start And End Times:
Crystalline lets you sync the reverb attack and decay time to your DAW’s tempo. This will generally result in cleaner mixes where the envelope of the reflections is naturally in sync with the music. Prefer the classic way? Just hit the “Sync/MS” switch and Crystalline lets you set pre-delay and decay times in milliseconds instead.

✱ Reflections Section:
”Size” lets you set the room size from tiny to large. This control is detached from the “Length” control, meaning you can get any size/length combination you want, including esoteric settings like huge spaces with very short tails or tiny spaces with very long tails. “Sparkle” emphasizes high frequencies inside the reverb algorithm. This generates reflections that are naturally brighter, which will help you achieve that extra shine on vocals or snares.”Width” lets you set the stereo image of the reverb from mono to wide – and even further to extra wide.

✱ Depth Section:
“Resolution” sets the complexity of the algorithm from ‘basic’ to ‘pristine’. More complex settings will give you an ultra-clean reverb response, free of metallic artifacts – while the ‘Basic’ setting will give you an efficient CPU performance at a normal fidelity. ”Modulation” creates pitch variations inside the reverb algorithm. This results in a richer sound that works especially well to fatten up synths, guitars and vocals. “Shimmer” makes the high frequencies of the reverb tail decay slower than the rest of the spectrum, giving the reflections an ‘angelic halo’ effect. You can set the frequency cutoff point as well as the multiplier effect, which controls how much longer it takes for the higher frequencies to decay. Please note that if Shimmer is active, the high frequencies will decay later than your specified reverb “End Time” (either at 2x, 4x or 6x the length).

✱ Clean-Up Section:
“Damping” is a dual filter control that lets you remove high and low frequency content from the reverb reflections. This control offers a fast way to get rid of clutter and muddiness in your mixes. “Sides” is a high-pass filter that removes stereo information from the low end of the reverb, while keeping the mono-information intact. This is especially helpful for creating wide vocal or lead instrument reflections without muddying-up your low end. “Gate” lets you instantly recreate the classic 1980s gated reverb sound. The gate offers ‘threshold’ and ‘release’ controls and makes it fast and intuitive to make your snares go “Phil Collins”.

✱ Shape Section:
“Tone” is a tilt EQ that lets you quickly shift the frequency balance of the reverb to brighter or darker. “Smoothing” gradually applies an EQ-curve custom-designed to address the frequency areas that tend to get resonant and sharp. It mellows out harshness and gives Crystalline a more subtle feel. This allows you to add a little more reverb without drenching your mix. “Warp” helps you shape the reverb’s dynamic profile by warping the transient response. This feature is mostly useful on percussive material where it lets you shift the emphasis toward the attack or sustain part of a signal.

✱ Output Section:
“Ducker” lowers the reverb signal when the dry/incoming track is playing. This gives you a cleaner mix, where you can turn up the reverb more without compromising the dry track. “Ducker Gentle” mode offers a slow and natural ducker setting, while the standard ducker mode has a more ‘pumpy’ feel. ”Reverse” reverses the reverb playback, giving you some radical sound design possibilities. “Freeze” is another creative effect that takes a granular snapshot of the reverb when clicked and holds this snapshot continuously until the button is un-clicked again. It can be a powerful effect for creating interesting transitions in a mix. “Dry/Wet” sets the global mix balance between the dry/incoming signal and the reverb signal. Clicking the “Wet Lock” button lets you browse presets while keeping your preferred wet/dry balance – for easier comparison.

✱ Top Panel:
“Color” lets you change between light and dark background colors. “Eco Mode” lets you run Crystalline in a low-CPU mode by setting the resolution to “Basic” and disabling the shimmer effect. “Save As Default” lets you save your own default preset that will appear when the plugin initializes or you hit the reset button. “Reset” resets the plugin’s state to your default preset. “Tool Tips” gives you help texts explaining each plugin parameter during mouse hover-over.

✱ Resizability:
Plugin window fully resizable (click+drag bottom right icon).

5. IHNY-2
Squash, Slam and Smack!
✱ Add punch and intensity to your drums (and beyond) with the industry’s hardest hitting compressor
✱ Offers surgical control and full flexibility to shape your compression sound
✱ Hosts a parallel signal flow internally, allowing you to blend in the compression effect to taste

MIX HARDER
Contemporary mixes need punch. And to achieve maximum impact, without killing a track’s dynamics, engineers turn to parallel compression (a technique that blends a dry track with a heavily compressed duplicate). IHNY-2 hosts a plug-and-play parallel configuration so you don’t have to set up any extra routing in your DAW.

The plugin is purpose-designed for slamming your tracks in parallel and will hit harder than your typical go-to compressors. IHNY-2 is not subtle, but a dedicated tool for adding energy and “slap” to drums, mix buses or even the master bus (if you dare!)

IHNY-2 is an evolution of our very first plugin, I Heart NY. The original was a favorite with many users and was picked for the SOS Awards by Sound On Sound Magazine. V2 ships with new features, surgical control – and improvements in sound.

FEATURES
CONFIGURATION:
IHNY-2 splits the incoming audio into two duplicates. One remains untouched by the plugin (Dry track), the other is subjected to all the goodness IHNY-2 has to offer (Wet track). You balance the two signals on the vertical axis of the XY pad, while setting the compression amount of the Wet track on the horizontal axis. This allows you to operate the most important controls of the plugin in just one motion and find the sweet spot fast.

IHNY-2 has an autogain algorithm working under the hood to give you a consistent output as you move the node around the XY pad. But if you find that the make-up gain is too loud or too quiet you can use the Autogain slider to nudge its behavior.

While moving the node around the XY pad, you’ll see a value displayed under the “AGR” abbreviation (Adjusted Gain Reduction). This number takes into account the current Gain Reduction and Dry/Wet balance to give you a value for the compression intensity. For a good starting point, we recommend you aim for AGR levels between -10 and -20.

TWEAK PANEL:
IHNY-2 is meant to be as fast and intuitive as its predecessor. But if you need to go deeper, the Tweak Panel gives you full control over the compressor. Here, you’ll find a number of new features that weren’t included in V1.

Attack + Release: Sets how fast the compressor engages and disengages.

Ratio: Sets the compression intensity from mild to aggressive.

Punch: Heavy compression tends to suck the transients out of a signal. The Punch control works to emphasize attack transients in the compressed track, helping it cut through even at very high compression levels.

Harmonics: Imagine a saturator that behaves like a compressor – that’s Harmonics. This feature introduces harmonic saturation controlled by the gain-reduction, meaning more compressed parts get saturated harder.

Shape: Adds our custom ‘smiley EQ curve’ to bring out the lows and highs and make the compressed signal more present. (The smiley EQ curve is what sets “New York Compression” apart from regular parallel compression. IHNY-2 can do both).

Tilt: Makes the compressor work harder on either the low or high end of your signal – which can be useful for controlling bass heavy material and letting the high end breathe (or vice versa).

Lo + Hi Preserve: Prevents the low and high frequencies from being compressed above/below the cutoff points. This is a great way to preserve the kick while squashing the rest of your drum bus.

OTHER FEATURES:
– Oversampling: Run the plugin in 1x, 2x or 4x oversampling modes. (We recommend 1x for better CPU performance).
– Solo: Monitor the wet signal in solo. Useful for finetuning – or for using IHNY-2 as a regular insert compressor.
– Tooltips: Turn on to get explanations of each parameter as you use the plugin.
– Save As Default: Save your own default preset, which will load whenever you open a new instance of IHNY-2.
– Reset To Default: Reset the plugin to your default preset.
– Baby Audio Logo: Bypass the plugin.
– Resize Icon: Resize the plugin.

MOUSE CONTROLS:
– Cmd+Click: Slows down mouse movement in the Tweak Panel for finetuning purposes.
– Ctrl+Click on XY Pad Node: Horizontal movement only.
– Alt (Cmd) + Click on XY Pad Node: Vertical movement only.
– Double Click: Resets any parameter to its default value.

6. Parallel Aggressor
Add Triple Impact To Your Tracks
✱ Parallel Aggressor lets you add parallel saturation and parallel compression from within one plugin
✱ It splits your audio into three individual tracks: Dry original, Saturated duplicate, Compressed duplicate
✱ Balance and mix the three signals to add impact and punch while retaining the dynamics of your original track

Parallel processing plays a fundamental part in getting a big mix sound. By duplicating the same audio into multiple copies and processing each duplicate with different levels of intensity, you can add more presence to a track – while still preserving its natural dynamics. The technique is a staple of modern music production.

Parallel Aggressor is based on this concept. But instead of routing any audio to external busses, the plugin hosts the parallel tracks internally – and has them calibrated for maximum impact from the get-go.

“Spank” offers a heavily compressed duplicate of your original track. “Heat” offers a heavily saturated duplicate. “Dry” is your clean audio. Work the two duplicates hard! Then combine all three signals to squeeze every last drop of sonic juice out of your track!

FEATURES
✱ Parallel Engine 1: Spank
”Spank” offers an addictively punchy parallel compression sound. Set the effect amount by dialing the main “Spank” wheel. Then use the style injection buttons to control the behavior of the algorithm. Finally, use the volume slider to set the amount of “Spank” / parallel compression you want blended in with your signal.

Style injection buttons: Extra Punch, Extra Smack, Sidechain Filter, Mono.

✱ Parallel Engine 2: Heat
”Heat” is a warm, analog modeled, saturation algorithm with an aggressive bite. It will add some rich, non-linear harmonics to blend in with your signal. Set the saturation intensity by dialing the main “Heat” wheel – then use the style injection buttons to control the behavior of the engine. Finally, use the volume slider to set the amount of “Heat” / parallel saturation you want blended in with your signal.

Style injection buttons: Extra Hot, Tone, HP Filter, LP Filter.

✱ Auto Gain:
Engage “Auto Gain” to ensure that the combined level of the plugin’s three signals roughly matches the input/dry level. This allows you to experiment with different internal mix balances while keeping a consistent plugin output.

✱ Setting the mix balance:
Balance Parallel Aggressor’s three parallel signals with the volume faders in the center of the plugin interface.

✱ Mixing with the meters:
The plugin interface’s left and right side meters help you set the appropriate amount of “Spank” and “Heat” for any audio signal. As a general rule of thumb, we recommend you dial the Spank/Heat wheels to taste until their respective meters peak somewhere before the orange line.

✱ Listening in solo:
The solo buttons below the volume sliders let you monitor each parallel signal individually for fine-tuning purposes.

✱ Display options:
Switch between black, gray and white background colors.

7. Smooth Operator Pro
Say Hello To Cleaner Mixes
✱ Intelligent plugin that automatically eliminates harsh resonances and brings out clarity
✱ Adapts to your audio in realtime to combat fatigued frequency areas
✱ Lets you sculpt your track’s tonal character in a smooth and musical way
✱ Offers the fastest workflow for achieving resonance suppression, compression and EQ’ing in one process

Smooth Operator combines the benefits of Resonance Suppression, Spectral Compression and Equalization into one, smart workflow. It offers a simplistic alternative to a traditional channel strip and lets you combat cluttered mixes more easily. Use the plugin to creatively sculpt your tonal balance while the algorithm automatically eliminates harsh resonances and muddy frequency areas.

Smooth Operator will do a lot of the dirty work usually assigned to compressors and EQs – while leaving the creative decisions to you.

The plugin analyzes incoming audio at the DAW’s sample rate and adapts its settings tens of thousands of times per second to attenuate frequencies that have excessive energy build-up. You just set a desired frequency response curve and Smooth Operator will optimize the signal to match it, eliminating odd spikes and resonances along the way. The result is smoother, more musically balanced tracks.

FEATURES
✱ Global threshold:
Pull the middle circle node downwards to increase the over-all effect amount. When the curve is horizontal, Smooth Operator will apply the same effect-amount across the entire frequency spectrum.

✱ Change the response curve:
Move the 4 nodes on the frequency curve to sculpt your desired tonal response. Preserve frequency areas by moving the nodes up, or go harder on frequency areas by dragging the nodes down. Use your mousewheel or trackpad-scroll to adjust the Q-factor.

✱ Go surgical or go broad:
The ”Focus” slider controls how surgical Smooth Operator is in its behavior. At 100%, each frequency spike is processed independently, while lower focus values will give you a broader response, where surrounding frequencies are attenuated around the resonant spikes. This can help the effect sound more natural and musical.

✱ Monitor problematic areas in solo:
Engage the “Solo” button to audition different areas of the frequency spectrum separately and identify problematic areas in your track. Then decide how hard Smooth Operator should tackle them.

✱ Use Smooth Operator as an intelligent ducker:
If you engage “Side Chain” mode, you can duck your signal with the frequency content of another track in your mix. (Example: Ducking your bass with your kick as the side chain input). This feature is like a normal sidechain ducker – except it doesn’t just duck the volume of a track, instead it ducks exactly the frequency areas occupied by the sidechain track – in realtime. This helps you achieve mixes with less frequency clash between different elements.

✱ Two algorithm modes:
Click the “M” icon to switch between “High-Res” and “Classic” algorithms. “Classic” offers lower latency for tracking and production workflows, while “High-Res” offers a cleaner response for mixing and mastering purposes.

✱ Display options:
Switch between pink, green and blue background colors. Fully resizable plugin window.

8. Spaced Out
Soak Your Sound In Magic
✱ Add lush and modern FX textures to your vocals, instruments and beyond
✱ Spaced Out unites delay, reverb and modulation into one plugin – hosting more than 50 individual effects under the hood
✱ Intuitive and fast workflow that enables you to instantly create dreamy and otherworldly FX chains

Delay, reverb and modulation are some of the best ways to add depth and space to a track. These effects can sound great on their own. But when you combine them cleverly, the real magic happens, where the outcome is greater than the sum of its parts.

Spaced Out unites delay, reverb and modulation into a singular “wet-fx powerhouse” with a contemporary and dreamy sound. It hosts more than 50 individual effects under the hood – all designed to compliment each other.

The plugin is controlled via a simple interface that offers endless effect combinations at your fingertips, without any submenus. Clicking the “Dice” button will generate new results in an instant and take your tracks to new places. From there you can tweak the effects to taste.

Use Spaced Out to breathe life into stale mixes and give your productions a touch of magic. Or go even further and explore the outer bounds of wet-FX processing. We’ll see you on the other side!

FEATURES
✱ Echoes:
16-step delay sequencer sync’ed to your DAW’s tempo
Delay modes: Straight, 2x, Dotted, Triplet
Intensity: Sets the sequencer’s behaviour through sustain and feedback controls
Dimension: Off, Ultra-Wide and Motion modes
Texture buttons: Clean, Wonky Tape, Lofi and Hazy
Reverse: Reverses the delay playback
Filter: Analog-modeled low and high pass filters

✱ Space:
X-Y based joystick control for intuitively morphing between reverb length and modulation behavior
Programs: Vacuum, Small Space, Medium Space, Outer Space
Pre-Delay: 0-250 milliseconds
Stardust: Adds an angelic, sustained shimmer to the reverb tail
Mellow: Dual low and high end dampening filter
Clean-Up: Feeds a trimmed dry signal into the reverb algorithm, for a less dense response
Width: Sets the reverb width between wide and mono

✱ Central Mixer:
X-Y joystick control for seamlessly morphing between the Echoes/Space and Wet/Dry signals
Generate: Musically tuned randomizer for instantly generating new effect configurations
Lift-Off: Glues the wet signals together through a combination of compression, mid-side processing and EQ
Ducker: Ducks the wet signal when the dry signal is playing – for a cleaner mix
Ducker Sync: Syncs the ducker to your DAW’s BPM for a pumping ‘four-on-the-floor’ effect
Output: Controls the global effect output

✱ Display Options:
Switch between black and white background colors. Fully resizable plugin window.

9. Super VHS
Degrade your mixes like it’s 1985
✱ Super VHS combines six colorful effects to bring an authentic 1980s retro vibe to your tracks
✱ Add a lo-fi flavor with tape saturation, pitch drift, sample-rate reduction, grainy reverb, static noise and more
✱ Fast and intuitive workflow: Each effect has just one knob – but controls multiple parameters under the hood

As kids of the 1980s we have always been drawn to the sound of slightly out-of-tune synths, warm tape saturation, gritty samples and grainy reverbs. So we set out on a mission to capture our favorite decade – and bring it into a new decade.

Using Super VHS will be like sending your sounds back in time, then re-discovering them on a worn-out VHS tape 30 years later. All with the click of a single button, right inside your DAW.

Super VHS will add some lo-fi authenticity to whatever clean sound you run through it — especially as you mix and match the effects. Each effect has just a single control, but multiple parameters under the hood, allowing for a quick workflow with a wide range of results.

FEATURES
Super VHS features six unique ‘one-knob’ effects inspired by the VHS-era.

✱ Static:
Static noise generated by an internal synthesizer.

✱ Heat:
Analog-emulated tape saturator, inspired by consumer-grade tape machines.

✱ Shape:
Sample rate reducer inspired by 1980s 8-bit samplers.

✱ Magic:
80s style widening FX inspired by the Juno chorus, but darker and deeper.

✱ Drift:
Pitch fluctuation LFO for unpredictable time and pitch shifting.

✱ Wash:
‘Bad hall’ reverb inspired by budget friendly 1980s rack units.

While each effect can only be controlled with one knob, multiple parameters work under the hood to give Super VHS its characteristic sound. We encourage you to mix and match the effects as that will give you a wide range of sonic outcomes – from subtle degradation to all-out destruction.

10.TAIP
Warm Up Your Sound
✱ TAIP brings the true sound and behavior of analog tape into your DAW
✱ Use it to add organic saturation and life to sterile drums, instruments and vocals
✱ Intuitive and versatile feature set: customize any tape flavor for any need

Tape recordings have a musical quality that digital mixes often lack. We wanted to bring this quality into the DAW in the most uncompromising way.

Sonically, TAIP offers a faithful, AI-based, emulation of a 1971 European tape machine. Our plugin will add the same harmonic richness and non-linear magic as the hardware. But feature-wise, we’ve taken the liberty to go one step further: TAIP comes packaged with a set of innovative sound-design parameters that let you go from just ‘tape’ to ‘beyond tape’.

The result is a happy marriage between classic sound and modern versatility. And we encourage you to drive it hard!

FEATURES
✱ Drive:
TAIP’s most important parameter – add a subtle touch of warmth or extreme saturation (or anything in between).

✱ Mix:
Run your tape sound in parallel. Or combine the “Wear” and “Mix” parameters to create tape flanging.

✱ Model:
”Single” brings you one tape emulation, while “Dual” combines two tape machines in a series under the hood.

✱ Lo / Hi-Shape:
Saturates the low/high end more or less than the rest of the frequency spectrum.

✱ Glue:
Exaggerates the compression effect that naturally occurs in tape recordings.

✱ Noise:
Adds more tape noise – or removes it entirely.

✱ Presence:
Brings back the brightness that gets lost on tape recordings.

✱ Wear:
Recreates the instabilities of a worn-out tape machine and subtly alters the tape speed.

✱ Input:
Lets you distort the signal more – or less – without affecting the output level.

✱ Auto-Gain:
Lets you add more drive while keeping a consistent plugin output.

✱ Color Modes:
Switch between black, gray and white background colors.

✱ Resizability:
Fully resizable plugin window.

11.Transit
This plugin kills static mixes
We teamed up with Andrew Huang to create Transit: An FX plugin that’ll give your mix transitions super powers. Use it for build-ups, drops, motion effects, risers and sweeps – and keep your listeners constantly engaged.

AN EASIER WAY TO CREATE BETTER TRANSITIONS
Creative transitions between song parts play a vital role in keeping listeners engaged. To make them, producers rely on multiple tracks and plugins – and a suffocating amount of automation lanes.

Transit simplifies this process down to just one plugin. It hosts 18 powerful effect-modules, freely loadable across 7 slots. All effect parameters can be linked to a global Macro Control, which you automate to create complex FX transitions with one knob movement. The result: More engaging, less static, mixes.

A CREATIVE PLAYGROUND
The 18 effect modules in Transit are purpose-designed for transition duties. You get classic modulation effects, distortion and degradation options, motion FX, reverb, delay, two filter types – and even a synth oscillator and noise generator for adding risers and sweeps to your transitions.

The quality and variety in effects – and the semi-modular architecture of the plugin – makes Transit a sound designer’s dream. You may soon end-up using it as a regular multi-FX or a new go-to LFO tool. The possibilities are near limitless.

300+ MODERN PRESETS FOR ANY GENRE
Want to keep things fast and simple? Transit includes 300+ creative, modern, mind-boggling, and ‘hands-in-the-air-raising’ presets created by Andrew Huang and friends of Baby Audio. The presets give you a wide variety of options across different genres and use cases for some instant gratification.

You can also get creative with a flexible randomization engine that lets you set specific random-ranges and lock modules / parameters to only randomize certain parts of the plugin. This can take your tracks in entirely new directions.

THE MOTION SEQUENCER
Switch from Macro Mode to Sequencer Mode to program and trigger DAW-sync’ed transitions with the click of a button. Each transition will start exactly at the next bar. This is ideal for live use. Or for writing perfectly timed automations into your mix session without entering the automation lanes.

The Sequencer unlocks an additional use case for Transit: Engage Loop mode and your transitions will pulse back and forth indefinitely. This turns Transit into a creative ‘LFO tool’ for adding constant FX movements to your tracks.

✱ The ultimate plugin for creating complex, hand-raising, and jaw-dropping FX transitions with one knob movement
✱ Perfect for building excitement between song parts and adding little moments of ear candy to your productions
✱ Can be controlled with a single Macro Knob or a Motion Sequencer that triggers DAW-sync’ed automations at the click of a button
✱ Engage “Sequencer Loop” mode to use Transit as an LFO tool for constant FX movements across entire tracks
✱ A creative playground, suitable for both studio and live use
✱ Ships with 300+ high quality presets created by Andrew Huang and leading sound designers

12.Grainferno
Granular synthesis redefined
Break your samples apart to build new and unique sounds
Play any audio file like a synthesizer—in tune with your song
Explore a new world of sound design with audio as your raw material

Grainferno is an advanced granular instrument built around a new way of synthesizing sound from existing audio. Its next-gen grain engine breaks your samples into microscopic fragments and rebuilds them into entirely new textures.

From pristine tonal clouds to experimental digital noise, Grainferno turns your sample library into an endless source of playable inspiration.

13.Humanoid
Transform your voice
The industry standard for extreme voice manipulation
Produce modern synthetic vocals from any singing performance
Easily control vocal pitch with automatic hard-tuning or MIDI

Industry-leading voice resynthesis
Humanoid is a versatile plugin for turning any vocal into a robotic, hyper-synthetic performance. Powered by Baby Audio’s proprietary resynthesis and phase-vocoding technology, Humanoid transforms singers of any style and ability.

14.Tekno
Craft deep electronic drums
Build hard and modern synthesized drums from scratch – without samples
Includes 18 drum engines, powered by cutting-edge analog modeling
New in v1.1: Built-in sequencer for quick and creative beat generation

Supercharge your drums
Tekno is a modern take on the legendary drum machines that defined electronic music – hitting harder and deeper thanks to 21st century upgrades. It gives you the power to design infectious synthesized drums from the ground up.

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