Mastering The Mix Plugins Collection v5.0_WIN-V.R

母带混音插件套装Mastering The Mix Plugins Collection v5
VST插件格式：
VST3/AAX/SAL
翻译：
Mastering The Mix 是一家专注于音频混音和母带处理的英国插件效果器品牌。他们的产品特点鲜明，旨在帮助音乐制作人和混音师解决母带处理过程中遇到的问题，提升音频质量。
Mastering The Mix提供了一整套先进的音频处理工具，包括音频均衡器、压缩器、扩展器、限制器、噪声消除器等，可以用来调整音频的音量、动态和噪声水平。

混音与母带处理插件
Mastering The Mix插件无需您拥有完美的耳朵、昂贵的录音棚或多年的反复试验，即可帮助您做出更佳的混音和母带处理决策。它们能清晰地展现混音的真实情况，并引导您做出与专业工程师相同的决策，从而更快地获得专业级的效果。

Mastering The Mix 是一家专注于为音乐制作人和工程师提供音频母带处理软件和工具的公司。公司由业内专业人士创立，旨在简化母带处理流程，提升音乐制作质量。其旗舰产品，例如“Reference”和“Expose”，为用户提供创新功能，帮助他们分析和改进混音。Mastering The Mix 注重用户友好的界面，让所有技能水平的用户都能轻松掌握高级音频技术。公司还提供丰富的教育资源，包括教程和文章，帮助用户更好地理解母带处理的概念。凭借对品质和创意的执着追求，Mastering The Mix 赢得了全球音乐人和制作人的忠实拥趸。他们的工具旨在帮助用户在音乐项目中实现专业级的音质效果。总而言之，《混音大师》致力于帮助艺术家提升他们的音乐水平，并充分发挥他们的潜力。

包括：
1.FUSER————————–智能混音插件/提升音频清晰度
2.LIMITER————————限制器插件/智能母带制作插件
3.ANIMATE———————-多功能混音插件( 失真/箱模 /激励器/调制/镶边/合唱)
4.RESO—————————动态共振抑制器插件
5.MIXROOM——————– 智能均衡器插件
6.BASSROOM——————-母带均衡器插件
7.REFERENCE——————- 混音母带插件
8.EXPOSE————————音质控制软件
9.LEVELS————————-混音电平插件
10.REFSEND
11.FASTER MASTER———–母带处理插件

1.FUSER
您是否厌倦了无论怎么尝试，您的分层听起来总是杂乱无章？
FUSER 是一款完美的插件，能够消除冲突，并在杂乱的混音中创造清晰的声音。

快速混音转换
借助 FUSER 的智能冲突检测和突破性的“解决冲突”功能，您可以轻松找到一个完美的起点来修复音频冲突，而不会造成过度处理。

令人难以置信的清晰度
创新的相位分析功能可自动找到最佳的相位旋转，确保在叠加类似声音（例如底鼓和贝斯）时将相位抵消降至最低。

01.FUSER 快速入门
确定两个冲突的通道，并将 FUSER 作为最终插件添加到受控通道。将插件封装器的侧链设置为主导通道。
例如，如果底鼓和贝斯在混音中发生冲突，请将 FUSER 放置在贝斯上，并对底鼓进行侧链处理。
频率显示中，主导侧链信号显示为白线，受控信号显示为灰色。

02. 音乐的视觉清晰度
红色光晕表示中间通道冲突，黄色光晕表示侧通道冲突。

03. 平衡通道
输入增益电平匹配指针显示所需的增益调整，以使受控通道的感知音量与侧链音频匹配。无论您是希望受控通道与主通道音量相同还是略低，这个简单的目标都能帮助您设置良好的相对音量平衡。

04. 解决冲突
点击“解决冲突”按钮即可自动启动处理，透明地解决通道冲突和频率遮蔽，而不会造成过度处理。

05. 掌控
要手动创建节点，请双击频率显示。向下拖动节点以增加处理量。分别调整中/侧、Q、启动和释放。点击右上角的小三角形按钮 (Δ) 即可收听 Delta 信号。它将帮助您设置完美的启动和释放设置。

06. 专业级叠加
想要减少相位抵消，让您的叠加音色更出彩？FUSER 能满足您的需求。创新的相位分析功能可自动找到最佳相位旋转，确保在叠加类似音色（例如底鼓和贝斯）时最大程度地减少相位抵消。一旦您听到了令人惊叹的效果，就再也离不开 FUSER 进行叠加了。

2. 限制器
别让糟糕的限制器设置毁掉数小时的辛苦混音成果……
LIMITER 是一款音质出色、智能的母带处理插件，它可以分析您的音频并为您的音乐提供最佳设置建议。
使用这款干净、通透且响亮的母带处理限制器，您可以省去这些麻烦，在更短的时间内创作出音质惊艳的母带作品。

智能分析
LIMITER 会聆听您的音乐，并建议最佳的响度、启动、链接和上限设置。

干净响亮
LIMITER 独特的限制算法意味着您可以将其推到非常响，同时避免失真并保持强劲的音色。

01. 设置预设
在主通道上加载 LIMITER 实例并选择预设，例如 Loud、Spotify 或 Apple Music。

02. 分析音频
监听音轨中音量最大的部分，然后点击“分析”。
您将看到输入增益滑块上高亮显示的目标范围，其中显示了为达到您的音质目标建议的增益调整。
您还会看到启动、释放、链接和上限旋钮上的目标箭头，帮助您优化这些设置以适合您的音乐。

03. 目标让一切变得简单
将增益滑块¹设置在高亮显示的目标范围内，然后根据 LIMITER 分析的建议调整启动²、链接³ 和上限⁴ 旋钮。
为了获得最佳的音乐效果，我们建议将“释放”设置为自动。

04. 比竞争对手更清晰
与其他限制器相比，LIMITER 可显著提高母带低频的清晰度。
当分别通过市场领先的限幅器 LIMITER 和售价 299 欧元的限幅器运行 100Hz 正弦波时，我们可以看到 Mastering The Mix 的 LIMITER 产生的谐波失真明显更低。在本次测试中，谐波失真降低了 20dB 到 40dB，从而带来了更清晰的声音。

3.ANIMATE
ANIMATE 能以精准、灵活且色彩丰富的方式为您的混音注入活力。它拥有四种不同的动态模式，每种模式都拥有独立的频率分配和中/侧功能，让您的音乐精准地从扬声器中跃然呈现。

为您的音乐注入活力
如果您的音乐听起来毫无生气、缺乏活力、缺乏个性，那么它根本无法与听众产生共鸣。ANIMATE 能帮助您精准地为音乐注入活力。

绝对的赢家
相位衰减全通滤波器使 ANIMATE 成为母带处理的理想选择。其他滤波器可能会引入瞬态拖尾，削弱音乐的冲击力。

01.EXPAND
Expand 模式允许您进行纯净纯净的向上扩展。这会增加超过阈值的信号音量，从而以通透的方式为您的音频提供更大的动态范围。

02.PUNCH
Punch 模式增强音频的瞬态，使其在混音中更具穿透力。无论您是想巧妙地突出母带中频通道的高频瞬变，还是想在单个通道上营造出强烈的冲击感，Punch 都能轻松应对。

03.IGNITE
Ignite 模式允许您根据输入信号，以动态方式调节丰富的谐波失真。Ignite 可以提升通道的感知响度、功率和临场感，而无需使用压缩器的抽吸效果。

04.GROW
Grow 模式允许您使用心理声学优先效果来增加所选频率的宽度。Grow 可以动态应用，这意味着只有超过阈值的信号才会被加宽。这与频率选择功能相结合，为您的音乐注入了新的活力。

4.RESO
过多的共振会破坏混音，使其产生刺耳且不悦耳的声音。

RESO 可以识别并平滑这些刺耳的共振，使您的混音保持清晰、平衡且悦耳。

快速获得结果
智能分析功能可分析您的音频并快速找出音质不佳的共振。

助您拥有金耳朵
扫描功能让您轻松手动查找并修复破坏混音的共振。

01. 在任何通道上使用 RESO
RESO 可用于解决混音中任何通道的共振，无论是人声、合成器、打击乐、总线还是母带处理链。

02. 分析您的音频
– 在可视化显示中查找不成比例的峰值
– 使用频率扫描功能帮助您识别音质不佳的共振。
– 计算目标值功能将定位共振最强的频率并提供目标值，以便您清晰地解决共振问题。

03. 完美调整
创建节点非常简单，只需在界面上的任意位置点击即可。将节点定位到您希望共振抑制开始的峰值电平，然后滚动调整Q值。

5.MIXROOM
MIXROOM是一款智能均衡器，无论您是混音人声、合成器还是母带处理，都能帮助您实现饱满度和清晰度的完美平衡。
在分析您的音频后，MIXROOM会精确定位需要调整的频率以增强音质。其均衡目标建议为您提供了一个坚实的起点，以便您根据自己的喜好对混音进行精细调整。

问题解决
告别浑浊、沉闷、单薄或刺耳的混音。使用完全根据您的音乐量身定制的预设，获得出色的音质。

快速简便
工作流程速度！点击“添加智能频段”即可立即设置出色的均衡曲线。

01.快速入门指南
您可以使用MIXROOM对工程中的任何内容进行均衡处理。它适用于人声、乐器、分组总线或主通道。

02. 选择预设
为了充分利用 MIXROOM，请先选择最适合您正在处理的素材的预设。

03. 或导入参考音轨
您可以创建自己的目标值，以帮助您更接近您喜爱曲目的声音。只需点击 MIXROOM 左下角的目标图标并导入参考音轨即可。

04. 塑造您的声音
现在，您可以监听音频的完整部分。目标均衡曲线消除了猜测，并帮助您在几秒钟内获得专业级的音效。“添加智能频段”按钮将立即加载与目标均衡曲线匹配的均衡频段，为您提供良好的起点。
MIXROOM 独特且经过专门设计的均衡滤波器可在塑造音频时为您提供最大的清晰度和透明度。

05. 电平匹配
均衡器调整可能会改变音频的感知响度，因此很难判断所做的更改是否改善了声音。
将增益滑块与电平匹配指针匹配，以匹配音频在经过 MIXROOM 之前的感知响度。
这可以让您主观地听到这些变化对声音的影响。

06. 聆听差异
无论您的音频是浑浊、沉闷、单薄、刺耳，还是近乎完美，MIXROOM 都能帮助您提升混音效果，使其达到饱满度和清晰度的完美平衡。

6.BASSROOM
还在为浑浊的低音而苦恼吗？它会影响音乐的冲击力和清晰度。
BASSROOM 为您提供清晰的指导，帮助您塑造低频，使其强劲、紧凑，并与您的音乐风格完美平衡。

效果显著
预设系统 100% 专为您的音乐而设计。获得出色的音效效果再简单不过了。

令人难以置信的通透性
BASSROOM 独特的滤波器经过优化，可塑造低频。您找不到其他插件能如此通透地调整低音，同时保持音乐的冲击力和清晰度。

01.加载到主通道
BASSROOM 采用复杂的算法，能够准确识别人耳对低频的感知，并根据整体混音的平衡进行调整。因此，您应该将其加载到主通道，以便进行分析并将其应用于整个混音。

02. 选择预设
为了最大限度地发挥 BASSROOM 的功能，请先选择最适合您正在制作素材的预设。

03. 或者创建目标
您可以点击左下角的目标图标并导入参考音轨，创建您自己的目标值。

04. 调整您的低频
现在，监听作品中低音较重的部分（例如 Drop 或合唱部分），您将看到目标值根据混音的音调平衡与预设的音调平衡，移动到建议的 EQ 位置。使用这些目标值来获得一个良好的起点，然后根据耳朵的感受进行调整，将低频调整到完美状态。该算法会考虑响度差异，因此无论您是在混音还是母带处理，目标值都将准确且相关。

05. 电平匹配
EQ 调整可能会改变音频的整体增益。如果增益变化超过 2dB，扬声器图标将变为橙色。将鼠标悬停在旁路图标上，即可打开输出增益和电平匹配指针。将增益滑块与电平匹配指针匹配，以匹配音频通过 BASSROOM 之前的感知响度。

06. 聆听差异
不仅低频会变得到位，电平匹配还能在整个频谱范围内带来均衡的声音。打开或关闭旁路，聆听差异。

7. 参考
您是否为混音听起来与您喜爱的曲目相比显得沉闷无生气而感到沮丧？
REFERENCE 会精准定位制约混音的因素，并向您展示如何进行改进，以获得精致专业的音质。

混音改造
比以往任何时候都更接近您喜爱混音的声音。

轻松获得结果
指导您如何改进混音

01. 导入参考
在主控总线上加载 REFERENCE 作为最终插件，并导入参考音轨。

02. 音量匹配
音量匹配功能可帮助您将混音与参考音轨以完全相同的响度进行比较，从而帮助您做出明智的混音决策。

03. 实用见解
可视化效果可向您展示如何调整均衡器平衡、立体声宽度和压缩，使其听起来更接近参考音轨。

8.EXPOSE
EXPOSE 2 是一款音频质量控制应用程序，可帮助您识别音乐中的问题。
从均衡器平衡不佳、峰值削波到过度压缩和相位问题，太多的音轨在发布时都存在可预防的缺陷。
EXPOSE 2 可确保您及早发现并修复这些问题，从而让您能够提供最佳的聆听体验，并自信地发布音乐。

令人难以置信的音调平衡对比
查看您歌曲的平均音调平衡与参考曲目或我们特定类型的预设的对比情况。所有这些预设均基于商业成功曲目的音色配置文件创建。

发布前修复错误
在 EXPOSE 中，只需 3 秒钟即可识别音频问题。分析反馈会为您提供具体的建议，帮助您解决问题并优化音乐，以便在您的 DAW 中发布。

01.快速入门指南
打开应用程序，并将您的音频拖放到控制面板上。

02. 选择预设
选择音频在哪个平台播放，例如 Spotify、Youtube、CD 等。然后，通过加载参考音轨或从预设中选择，选择音调平衡配置文件。

03. 读数
四个部分为您提供有关音频响度、峰值、立体声/相位信息和动态范围的详细信息。您可以创建循环来查看歌曲特定部分的读数。

04. 识别问题
如果 EXPOSE 检测到可能出现问题，相应部分图标将变为红色。点击部分图标，在波形图上隔离问题，查看问题的确切位置。分析反馈将为您提供具体的指导，帮助您实现技术目标，无论您是想获得超响度的母带效果，还是想优化音乐，使其在流媒体网站上听起来更出色。

05. 音调平衡
比较均衡器显示您的平均音调平衡与导入的参考音轨的比较情况。或者，您可以选择特定类型的预设，所有这些预设均基于商业成功曲目的声学配置文件创建。±3dB 以内的偏差代表音调平衡非常相似。大于 ±6dB 的偏差则代表音调平衡存在显著差异，您可能需要进行调整。

06. 响度匹配与播放
您可以点击播放图标或按空格键预览音频。点击“响度匹配”可将所有音频标准化为相同的感知音量，以便进行客观比较。

9. LEVELS
您是否曾觉得您的音乐可以做得更好？
混音和母带处理过程中需要关注的技术细节非常多，因此经常出现错误。
LEVELS 提供适用于 CD、俱乐部、流媒体、YouTube 等平台的预设，帮助您确保音乐无论在何处播放都能保持出色音质。

告别困惑
计量表虽然枯燥乏味，但如果您想创作出专业级的音乐，它是必不可少的。 LEVELS 旨在简化音频计量，帮助那些希望保持创作流畅的艺术家。如果检测到您的音乐存在问题，问题部分将亮起红灯。全绿灯表示没有问题，您可以继续创作。

随时随地，音质卓越
让您的音乐在任何播放平台上都能呈现最佳音质。

01. 真实峰值
中央显示屏配备真实峰值计，可显示曲目与 0dBTP（真实峰值分贝）的接近程度。每个条形代表 1dB（分贝），每个预设都有一个阈值，我们建议您不要超过该阈值，以便通过该播放方式（例如 Spotify）获得最佳聆听体验。目标是将您的音频保持在阈值以下，并位于绿色下半部分。如果您的音频超出阈值，电平表将开始移至红色上半部分，并将 PEAK 图标变为红色，如上图所示。

02. LUFS
LUFS 测量标度在显示音频素材的感知响度方面非常精确。在混音和母带处理过程中，掌握这些信息非常有用。点击 LUFS 图标即可查看这些 LUFS 计量表。左侧是短期 LUFS 计量表，右侧是集成 LUFS 计量表。与真实峰值计量表类似，每个条形代表 1 个单位。
母带处理预设有各种响度目标。它们的范围从最大值 -6 到 -12 LUFS。这些不一定是目标，更像是阈值，如果突破这些阈值，可能会对您的音乐产生负面影响。

03.立体声场
矢量示波器显示音频在立体声场中的位置。当图像在整个圆圈中展开时，主音频为宽音频。当图像只是中间的一条细线时，主音频为单声道音频。中央显示区域底部的 L-R [左右] 电平表显示左右输出的均衡程度。如果指针位于中央，则表示音乐在两个扬声器之间均衡。如果输出不平衡，指针将悬停在过左或过右的位置并发出红光，这也会将立体声场图标变为红色。
圆圈左侧的相关性电平表显示左右声道之间的相似度。读数接近 +1 表示混音均衡。如果指针悬停在中心点附近且接近 -1，则表示混音存在相位问题。这会导致混音在单声道播放时失真。超出立体声相关性阈值也会导致立体声场图标变为红色。

04.立体声滤波器
立体声场部分中的滤波器 (FILTER) 允许您隔离母带中的特定频率，以查看它们的立体声位置。这有助于查看哪些频率在混音中位置更集中，哪些频率位置更宽。
母带中低频位置过宽可能会对母带产生负面影响。宽的低音频率在单声道播放时可能会受到相位抵消的影响，导致母带声音变弱。低音也占用大量空间，因此通过使其主要保持单声道，您可以将剩余的立体声频谱用于混音中的其他元素。当您启用滤波器（通过点击“滤波器”按钮），并将高切设置为 250Hz 或更低时，您会在矢量示波器中看到过宽的低频发出黄光和红光。目标是将低频保持在更中心的绿色区域。这将使母带更强劲、更平衡。如果您的低频较宽，可以尝试使用立体声位置插件将母带的低频设置为单声道。

05.动态范围
中央显示圈中的示波器将对通过“LEVELS”的音频素材做出反应。视觉效果将立即显示音乐的动态范围。如果音乐的动态范围高于设定的阈值，示波器将发出绿光。如果音乐接近阈值，示波器将开始变为橙色。如果音乐突破阈值，示波器将变为红色。
LEVELS 会创建曲目“短期 LUFS”与“峰值电平”的比率，并为您提供 DR（动态范围）读数。数值越低，曲目的动态范围越小。动态范围与音乐的响度无关，因此，如果音乐压缩过度，无论曲目多么安静，示波器都会变为红色。
过大的动态范围可能是由于过度压缩和限制造成的。这会削弱音乐的活力，还会降低音乐中瞬态的清晰度和冲击力。因此，为了获得出色的最终混音，您需要确保动态范围准确无误。

06. 响度范围
响度范围（以 LU（响度单位）为单位）将告诉您整首曲目响度变化的统计测量值。通过长期读数，您可以了解曲目主歌、副歌和其他部分之间的音量差异。如果曲目的响度范围持续 30 秒以上小于 3LU，则相应部分图标将变为红色。
如果曲目各个部分之间的响度差异较大，则响度范围会更大。
如果曲目各个部分的响度非常相似或相等，则响度范围会较小。
响度范围在 6 LU 到 12 LU 之间，表明曲目各个部分之间的响度差异较大。

07. 低音空间
低音空间 (BASS SPACE) 可识别混音中是否有任何声道输出了不需要的低频。您只能在 Stem Master（将音乐分组弹跳，底鼓和贝斯分开）上使用 Bass Space，而无法在立体声 Master（单个音频文件）上使用。
为了让底鼓和贝斯元素听起来强劲清晰，它们需要尽可能多的空间。要使用 BASS SPACE，请先在 DAW 中将底鼓和贝斯元素静音。中央显示区域的频率条会显示 40Hz、80Hz、120Hz 和 160Hz 的读数。如果低频能量过多，它们会跳转到圆圈的上半部分红色区域。如果是这种情况，您需要确定哪些通道输出了多余的低频。逐个静音各个通道，直到频率条变为绿色，找到问题所在，然后使用高通滤波器清除多余的低频轰鸣声，以最大限度地提高音轨的清晰度和力量。注意不要去除您真正想在混音中听到的素材。

10.REFSEND
REFSEND 是与 REFERENCE 一起安装的附加插件，允许您从 DAW 内部将音频发送到 REFERENCE。当您想试听插件、效果器链，甚至整个母带处理链的前后效果时，此功能非常有用。

在 DAW 中，在要进行 A/B 测试的插件之前加载 REFSEND 实例。确保 REFERENCE 在要进行 A/B 测试的插件之后实例化。实例化 REFSEND 后，您会看到一个新的轨道选项卡自动出现，标签为“REFERENCE SEND”。选择此轨道选项卡，并将“原始”和“参考”按钮切换为 A/B 测试。

您可以将 REFERENCE 的所有工具和功能与 REFSEND 结合使用，例如电平匹配、轨道对齐、电平表以及所有 Trinity Display 视觉效果。

11.FASTER MASTER
FASTER MASTER 由 David Guetta 和 Nicky Romero 共同打造，只需点击几下即可为您带来专业品质的母带处理。它会分析您的音轨，生成定制的智能预设，并允许您微调均衡器、瞬态、压缩、立体声宽度和限制，所有这些都具有精确的响度匹配功能，确保您做出的每一个决定都真实可靠。

快速转换
FASTER MASTER 会分析您的歌曲，并立即提供 10 个定制预设，帮助您完成 95% 的母带处理。找到最佳氛围并进行调整，直至完美。

更明智的决策
每个调整都会自动进行电平匹配，因此您可以听到更改的真实效果，而不会被音量差异所迷惑，从而做出更自信、更专业的决策。

01.快速入门
将 FASTER MASTER 作为母带处理链中的最后一个插件加载。
播放音轨最响亮的部分，然后点击“分析”。

02.智能预设
经过分析后，智能预设会根据您的曲目氛围提供 10 款量身定制的预设。
使用预设箭头浏览预设，快速获取灵感。
打开预设面板，探索特定类型的选项，或导入参考音轨以自定义配置文件。

03.匹配参考音轨
导入您喜爱的曲目并匹配其声音配置文件。
如果使用基于参考的预设，您可以将母带处理后的曲目与参考音轨进行比较。点击预设显示中的“播放”按钮，即可预览参考音轨自动循环播放并与母带处理后的歌曲进行电平匹配的音效。

04.均衡器
纯净的滤波器可最大限度地减少相位失真和瞬态拖尾，确保您的曲目在母带处理过程中保持清晰度和冲击力。
您所做的所有均衡器调整都会实时进行电平匹配，因此当您选择旁路时，您可以公平地比较前后效果。
只需拖动即可调整混音百分比。

05.瞬态
优化瞬态是打造专业音效的关键。瞬态模块在直观的界面背后，处理复杂的处理。
向上拖动可增强冲击力，向下拖动可减弱冲击力。
您所做的调整将实时进行电平匹配，确保您只听到瞬态处理的效果，而不会受到响度变化的影响。

06.压缩
使用简单易用的卓越压缩效果，平衡您的混音并增强凝聚力。
只需根据喜好调整音量，阈值和其他参数将根据您选择的设置自动调整：关闭、轻度、动态或紧密。
使用低切侧链可从检测信号中去除超低音，防止响亮的底鼓和低音造成不必要的抽吸。
每次调整都会立即进行响度匹配，因此您可以听到压缩的真实效果，而不会受到音量变化的影响。

07.立体声
在四个频率范围（低频、中频、中高频、高频）内调整音轨的宽度，同时保持音频完整性并避免相位问题。
向内拖动节点可缩小每个范围，向外拖动节点可扩大每个范围，每次调整都会进行响度匹配，以确保公平、准确的比较。

08.限制
限制器可以成就您的音乐，也可以毁掉您的音乐。糟糕的限制器设置会立即毁掉您的音轨。
FASTER MASTER 为您提供优化的限制器设置，以满足您独特的歌曲需求。您只需设置您喜欢的最大响度即可。
增加驱动以获得更高的感知响度，设置上限，并根据需要启用真正的峰值限制。

09.锁定
锁定模块可在切换预设时保持设置不变。
如果您找到了理想的立体声设置，但想探索不同的均衡器设置，这非常有用。
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原文：
Mixing & Mastering Plugins
Our plugins help you make better mixing and mastering decisions, without perfect ears, expensive studios, or years of trial and error. They show you what’s really happening in your mix and guide you toward the same decisions pro engineers make, so you get professional results faster.

Mastering The Mix is a company that specializes in audio mastering software and tools for music producers and engineers. Founded by industry professionals, the company aims to simplify the mastering process and enhance the quality of music production. Their flagship products, such as “Reference” and “Expose,” provide users with innovative features to analyze and improve their mixes. Mastering The Mix focuses on user-friendly interfaces, making advanced audio techniques accessible to all skill levels. The company also offers educational resources, including tutorials and articles, to help users understand mastering concepts better. With a commitment to quality and creativity, Mastering The Mix has gained a loyal following among musicians and producers worldwide. Their tools are designed to help users achieve professional-sounding results in their music projects. Overall, Mastering The Mix is dedicated to empowering artists to elevate their sound and reach their full potential.

Included:
1.FUSER
2.LIMITER
3.ANIMATE
4.RESO
5.MIXROOM
6.BASSROOM
7.REFERENCE
8.EXPOSE
9.LEVELS
10.REFSEND
11.FASTER MASTER

1.FUSER
Tired of your layers sounding cluttered and messy no matter what you try?
FUSER is the perfect plugin for eliminating conflicts and creating sonic clarity in messy mixes.

Rapid Mix Transformation
With FUSER’s smart conflict-detection and groundbreaking “Resolve Conflicts” feature, you’ll effortlessly find a great starting point to fix audio clashes without overdoing it.

Incredible Clarity
The innovative Phase Analyze feature automatically finds the optimal phase rotation ensuring minimal phase cancellation when layering similar sounds such as kicks and basses.

01.FUSER Quickstart
Identify two conflicting channels and add FUSER as the final plugin on the submissive channel. Set the plugin wrapper’s side chain to the dominant channel.
For example if the kick and bass are clashing in the mix, place FUSER on the bass and side chain the kick.
The frequency display shows the dominant side chain signal as a white line and the submissive signal in gray.

02.Visual Clarity For Your Music
The red glow indicates mid channel conflict, the yellow glow indicates side channel conflict.

03.Balance The Channels
The input gain level match pointer shows the gain adjustments needed to match the perceived volume of your submissive channel to the side chained audio. This simple target helps you set a great relative volume balance, whether you want the submissive channel to be equally loud or slightly quieter than the dominant channel.

04.Resolve Conflicts
Click the ‘Resolve Conflicts’ button to automatically initiate processing that transparently resolves channel conflict and frequency masking without overdoing it.

05.Take Control
To manually create a node, double-click the frequency display. Drag the node down to increase the processing amount. Adjust mid/side, Q, attack, and release individually. Click the small triangle button (Δ) in the top right to listen to the Delta signal. It will assist you in setting the perfect attack and release settings.

06.Layering Like A Pro
Need to reduce phase cancellation and make your layered sounds shine? FUSER has you covered. The innovative Phase Analyze feature automatically finds the optimal phase rotation ensuring minimal phase cancellation when layering similar sounds such as kicks and basses. Once you hear the breathtaking results, you’ll never layer sounds without FUSER again.

2.LIMITER
Don’t let bad limiter settings undo hours of hard mixing work…
LIMITER is a great-sounding, smart mastering plugin that analyses your audio and suggests the best settings for your music.
Avoid the hassle and create incredible sounding masters in less time with this clean, transparent and LOUD mastering limiter.

Smart Analysis
LIMITER listens to your music and suggests the best loudness, attack, link and ceiling settings.

Clean and Loud
LIMITERS unique limiting algorithm means you can push it very loud whilst avoiding distortion and retaining punch.

01.Set Your Preset
Load up an instance of LIMITER on your master channel and select your preset, such as Loud, Spotify, or Apple Music.

02.Analyze Your Audio
Monitor the loudest section of your track, and click analyze.
You’ll see a target range highlighted on the input gain slider showing you what gain adjustment is suggested to achieve your sonic goal.
You’ll also see target arrows on the attack, release, link and ceiling knobs, helping you optimize those settings to suit your music.

03.Targets Make It Easy
Set the gain slider¹ within the highlighted target range, then adjust the attack², link³, and ceiling⁴ knobs to match the suggestions based on LIMITERs analysis.
We recommend leaving ‘Release’ on auto for the most musical result.

04.Cleaner Than The Competition
LIMITER gives your masters dramatically improved clarity in the low-end compared to other limiters.
When running a 100Hz sine wave through LIMITER, a market leading limiter, and a €299 limiter, we can see that Mastering The Mix’s LIMITER produces considerably less harmonic distortion. In this test the harmonic distortion was 20dB to 40dB less, giving an audibly cleaner sound.

3.ANIMATE
ANIMATE helps you inject life into your mixes in a precise, versatile and colorful way. With four different movement modes, each with individual frequency assignments and mid/side functionality you’ll get your music jumping out of the speakers precisely how you want.

Breathe Life Into Your Music
If your music is sounding lifeless, lacking energy, and missing character then it simply will not connect with your listeners. ANIMATE helps you revitalise your music with precision.

A Clear Winner
The phase reducing all-pass filters makes ANIMATE a great choice during mastering. Other filters can introduce transient smearing, reducing the impact of your music.

01.EXPAND
Expand mode allows you to dial in a pristinely clean sounding upward expansion. This increases the volume of signals over the threshold, giving your audio more dynamic range in a transparent way.

02.PUNCH
Punch mode enhances the transients of your audio to help them bite through the mix. Whether you want to subtly accentuate the high-frequency transients in the mid-channel of your master or bring out serious smack on an individual channel,Punchcan handle the task.

03.IGNITE
Ignite mode allows you to dial in rich harmonic distortion in a dynamic way based on the input signal. Ignite can increase the perceived loudness, power and presence of a channel without the pumping effects of a compressor.

04.GROW
Grow mode lets you increase the width of the selected frequencies using a psychoacoustic precedence effect. Grow can be applied in a dynamic way meaning only the signal surpassing the threshold is widened. This along with the frequency selection gives you a new realm of movement to inject into your music.

4.RESO
Excessive resonances ruin mixes, giving them a harsh and unpleasant sound.
RESO identifies and smooths out those harsh resonances so your mix stays clear, balanced, and enjoyable to listen to.

Fast Results
Smart analysis that analyzes your audio and finds bad-sounding resonances fast.

Gives You Golden Ears
The sweep feature makes it easy for you to manually find and fix FIND the resonances that are ruining your mix.

01.Use RESO on any Channel
RESO can be used to resolve the resonances of any channel in your mix, whether it’s a vocal, a synth, percussion, busses, or your mastering chain.

02.Analyze Your Audio
– Look for disproportionately high peaks in the visual display
– Use the Frequency Sweep to help you identify resonances that sound unpleasant.
– The Calculate Targets feature will locate the most resonant frequencies and give you targets so you can resolve the resonances transparently.

03.Tweak To Perfection
Creating a node is as easy as clicking anywhere on the interface. Position the node at the peak level at which you want the resonance suppression to start and scroll to adjust the Q.

5.MIXROOM
MIXROOM is an intelligent EQ that helps you achieve the perfect balance of richness and clarity, whether you’re mixing vocals, synths, or mastering your track.
After analyzing your audio, MIXROOM pinpoints which frequencies need adjustment to enhance your sound. Its EQ target suggestions give you a solid starting point to fine-tune your mix to fit your exact preferences.

Problem Solved
No more muddy, dull, thin or harsh sounding mixes. Get a great sound with presets that are completely bespoke to your music.

Fast & Easy
Speed of workflow! Click ‘Add Smart Bands’ to instantly dial in a great sounding EQ curve.

01.Quickstart Guide
You can use MIXROOM to EQ anything in your session. It works great on vocals, instruments, grouped buses, or on your master channel.

02.Chose A Preset
To get the most value from MIXROOM, start by selecting a preset that best suits the material you’re working on.

03.Or Import A Reference Track
You can create your own target values to help you get closer to the sound of your favorite tracks. Do this by clicking the target icon in the bottom left corner of MIXROOM and importing reference tracks.

04.Shape Your Sound
Now monitor a full bodied section of your audio. The Target EQ Curve takes out the guesswork and helps you dial in pro-sounding results in seconds. The ‘Add Smart Bands’ button will instantly load EQ bands that match the Target EQ Curve to give you a great starting point.
MIXROOM’s unique and specifically designed EQ filters give you maximum clarity & transparency when shaping your audio.

05.Level Match
The EQ adjustments may have changed the perceived loudness of your audio making it difficult to hear whether the changes you’ve made are improving your sound.
Match the gain slider to the level match pointer to match the perceived loudness of your audio before it passed through MIXROOM.
This allows you subjectively hear how the changes have affected your sound.

06.Hear The Difference
Whether your audio is muddy, dull, thin, harsh, or even almost perfect, MIXROOM helps you elevate your mix to get the perfect balance of richness and clarity.

6.BASSROOM
Struggling with muddy bass that kills the punch and clarity in your tracks?
BASSROOM gives you crystal-clear guidance to shape your low-end, making it powerful, tight, and perfectly balanced for your genre.

Impressive Results
The preset system is 100% unique to your music. It couldn’t be easier to get great sounding results

Unbelievably Transparent
The unique filters in BASSROOM are optimised to shape low-frequencies. You won’t find another plugin that can adjust bass more transparently, retaining the punch and clarity of your music.

01.Load On Master Channel
BASSROOM uses complex algorithms that accurately identifies how the human ear perceives low-frequencies relative to the balance of the whole mix. For that reason it should be loaded on your master channel so it can analyse and be applied to your whole mix.

02.Choose A Preset
To get the most value from BASSROOM, start by selecting a preset that best suits the material you’re working on.

03.Or Create A Target
You can create your own target values by clicking the target icon in the bottom left corner and importing reference tracks.

04.Shape Your Low-end
Now monitor a bass heavy section of your production (i.e. the drop or chorus), and you’ll see the targets move to the suggested EQ positions based on the tonal balance of your mix compared to the tonal balance of your preset. Use the targets to get a great starting point, then adjust by ear to tweak your low-end to perfection. The algorithm accounts for differences in loudness, so the targets will be accurate and relevant whether you’re mixing or mastering.

05.Level Match
The EQ adjustments may have changed the overall gain of your audio. If the gain has changed by more than 2dB the speaker icon will turn orange. Hover your mouse over the bypass icon to open the output gain and level match pointer. Match the gain slider to the level match pointer to match the perceived loudness of your audio before it passed through BASSROOM.

06.Hear The Difference
Not only will your low-end fall into place, but the level matching will give you a well balanced sound across the whole frequency spectrum. Toggle bypass on and off to hear the difference.

7.REFERENCE
Frustrated that your mix sounds dull and lifeless compared to your favorite tracks?
REFERENCE pinpoints what’s holding your mix back, showing you exactly what to improve to get that polished, professional sound.

Mix Transformation
Get closer than ever to the sound of your favourite mixes.

Easy Results
Directs you on what to do to make improvements to your mix

01.Import Your References
Load up an instance of REFERENCE as the final plugin on your master bus and import your reference tracks.

02.Level Match
Level Match helps you compare your mix to the reference tracks at the exact same loudness, allowing you to make informed mixing decisions.

03.Actionable Insights
The visuals show you how to adjust your EQ balance, stereo width and compression to sound more like your reference track.

8.EXPOSE
EXPOSE 2 is an audio quality control application that helps you identify issues with your music.
From poor EQ balance and true peak clipping to over-compression and phase problems, too many tracks are released with preventable flaws.
EXPOSE 2 ensures you identify and fix these issues early, so you can deliver the best listening experience and release your music with confidence.

Incredible Tonal Balance Comparisons
See how the average tonal balance of your song compares to your reference track, or our genre-specific presets. All of which were created using sonic profiles from commercially successful tracks.

Fix Mistakes Before Release
It takes 3 seconds to identify audio issues in EXPOSE. The analysis feedback gives you specific feedback on how to resolve the issues and optimize your music for release within your DAW.

01.Quickstart Guide
Open the application and drag your audio onto the dashboard.

02.Select A Preset
Select where your audio will be heard at the top, such as Spotify, Youtube, CD etc. Then select your tonal balance profile by loading a reference track or choosing from the presets.

03.Readings
The four sections give you detailed information about the loudness, peaks, stereo/phase information, and dynamic range of your audio. You can create a loop to see the readings of specific sections of your song.

04.Identify Issues
If EXPOSE detects that issues would arise, the section icon will turn red. Click on the section icon to isolate the issues on the waveform to see the exact location of the issues. The analysis feedback will give you specific guidance to help you hit your technical goals, whether you’re aiming for a super-loud master, or trying to optimize your music to sound great on streaming sites.

05.Tonal Balance
Compare EQ shows how your average tonal balance compares to your imported reference track. Or you can select a genre-specific preset, all of which were created using sonic profiles from commercially successful tracks. Anything within ±3dB represents a very similar tonal balance. Anything greater than ±6dB would represent a considerable difference in tonal balance and you may wish to make adjustments.

06.Loudness Match and Playback
You can click the play icon or hit the spacebar to preview the audio. Click Loudness Match to normalize all audio to the same perceived volume for unbiased comparison.

9.LEVELS
Ever felt that your music could have sounded better?
There are so many technical details to focus on when mixing and mastering that mistakes are common.
LEVELS has presets for CD, Club, Streaming, Youtube and more to help you make sure your music sounds great wherever its heard.

No More Confusion
Metering is boring and confusing, but necessary if you want to create pro-sounding music. LEVELS was created to make metering simple for artists who want to stay in their creative flow. If an issue is detected with your music, the problematic section will glow red. All green = no issues and you can get back to making music.

Sound Great Everywhere
Get your music sounding it’s best on any playback platform.

01.True Peak
The central display has a true peak meter which gives you a reading of how close your track is to 0dBTP [decibels true peak]. Each bar represents 1dB [decibel] and each preset has a threshold that we recommend you don’t breach to get the best listening experience from that playback method (i.e Spotify). The goal is to keep your audio below the threshold and in the lower green half. If your audio breaches the threshold, the meter will start moving into the upper red half and it will turn the PEAK icon red as seen in the image above.

02.LUFS
The LUFS measurement scale is extremely accurate at displaying the perceived loudness of audio material. It’s a useful insight to have whilst both mixing and mastering. Navigate to these LUFS meters by clicking the LUFS icon. There is a short-term LUFS meter on the left and an integrated LUFS meter on the right. Similarly to the true peak meter, each bar represents 1 unit.
The mastering presets have various loudness targets. They range from a maximum of -6 to -12 LUFS. These aren’t necessarily targets, more like thresholds that if breached could have a negative effect on your music.

03.Stereo Field
The vectorscope displays your audios placement in the stereo field. When the image is spread out across the circle, your master is wide. When the image is simply one thin line down the middle, your master is mono. The L-R [Left Right] meter at the bottom of the central display area shows how even the left and right outputs are. If the pointer is central, then your music is evenly balanced between the two speakers. If you have an unbalanced output the pointer will hover either too far left or right and will glow red, this will also turn the STEREO FIELD icon red.
The correlation meter on the left side of the circle shows the degree of similarity between the left and right channels. A reading near +1 indicates a well-balanced mix. If the pointer hovers passed the central point towards -1 it indicates that the mix has phase issues. This can cause the mix to fall apart when played back in mono. A breach of the stereo correlation threshold will also cause the STEREO FIELD icon to turn red.

04.Stereo Filter
The FILTER in the Stereo Field section allows you to isolate certain frequencies in the master to view their stereo placement. This is useful to see which frequencies are placed more centrally in the mix and which frequencies are placed wider.
Having low frequencies placed very wide in your master can have negative effects on your master. Wide bass frequencies might suffer from phase cancellation when played in mono, making your master sound weak. Bass also takes up a lot of space, so by keeping it mostly mono, you can utilize the rest of the stereo spectrum for other elements in your mix. When you engage the FILTER (by clicking the ‘FILTER’ button), and you set the high-cut to 250Hz or less, you can see the low frequencies that are too wide glowing yellow and red in the vectorscope. The goal is to keep the low frequencies in the more central green area. This will lead to a more powerful and balanced master. If you have wide low frequencies, you could try using a stereo placement plugin to place the low frequencies of your master in mono.

05.Dynamic Range
The oscilloscope in the central display circle will react to the audio material passing through LEVELS. The visuals will immediately show you how dynamic your music is. If your music has a dynamic range above the set threshold, the oscilloscope will glow green. If your music approaches the threshold it will begin to turn orange. If your music breaches the threshold, the oscilloscope will turn red.
LEVELS creates a ratio of the ‘short-term LUFS’ to ‘peak level’ of your track and gives you a DR [Dynamic Range] reading. The lower the number, the less dynamic range your track has. The dynamic range is not relative to the loudness of your music, so if your music is over compressed the oscilloscope will turn red regardless of how quiet the track might be.
A small dynamic range can come about from over compression and limiting. This can suck the life out of your music. It can also reduce the clarity and punch of the transients in your music. So to get a great final mix, you’ll need to make sure that the dynamic range is on point.

06.Loudness Range
Loudness Range [Measured in LU (loudness Units)] will tell you the statistical measure of loudness variation of your entire track. This long-term reading will give you an idea of the difference in volume between the verse, chorus and other sections of your track. If your track has a loudness range of less than 3LU for more than 30 seconds than the section icon will turn red.
If there is a big difference in loudness between the various sections of your track then your loudness range will be a higher number.
If the loudness of the various sections in your track are very similar or equal, the loudness range will be smaller.
A loudness range between 6 LU to 12 LU shows that a track has a considerable difference in loudness between the various sections.

07.Bass Space
BASS SPACE identifies if any channels within your mix are outputting unwanted low frequencies. You will only be able to use Bass Space on a stem master (music bounced into groups with kick and bass separated), not on a stereo master (just one audio file).
For your kick and bass elements to sound powerful and clear, they need as much space as possible. To use BASS SPACE first mute your kick and bass elements within your DAW. The frequency bars in the central display area will give you a reading at 40Hz, 80Hz 120Hz and 160Hz. They will jump into the upper red half of the circle if there is too much low-end energy. If this is the case you need to identify which channels are outputting the excess low frequencies. Mute the individual channels one at a time until the bars drop into the green to find the culprit and then use a high pass filter to clean up this excess low-end rumble to maximise the clarity and power of your track. Be careful to not remove the material you actually want to hear in your mix.

10.REFSEND
REFSEND is an additional plugin installed alongside REFERENCE that allows you to send audio to REFERENCE from within your DAW. This can be useful for when you want to hear the before and after effect of a plugin, an FX chain, or even your entire mastering chain.

Load up an instance of REFSEND in your DAW before the plugins that you want to A/B test. Ensure REFERENCE is instantiated after the plugins that you want to A/B test. Once REFSEND is instantiated, you’ll see a new Track Tab automatically appear labeled ‘REFERENCE SEND’. Select this Track Tab and toggle the Original and Reference buttons to A/B test.

You can use all of REFERENCE’s tools and insights with REFSEND, such as Level Match, Track Align, as well as the metering and all Trinity Display visuals.

11.FASTER MASTER
FASTER MASTER, co-created with David Guetta and Nicky Romero, gives you professional-quality masters in just a few clicks. It analyzes your track, generates tailored Smart Presets, and lets you fine-tune EQ, transients, compression, stereo width, and limiting, all with precise loudness matching so every decision you make is honest and reliable.

Rapid Transformation
FASTER MASTER analyzes your song and instantly delivers 10 custom-tailored presets that get you 95% of the way to a finished master. Find the best vibe and tweak to perfection.

Better Decisions
Every adjustment is automatically level-matched, so you hear the real impact of your changes without being fooled by volume differences, leading to more confident, pro-level decisions.

01.Quickstart
Load FASTER MASTER as the final plugin in your mastering chain.
Play your track’s loudest section and click “Analyze.”

02.Smart Presets
After analysis, Smart Presets deliver 10 tailored presets for your track’s vibe.
Use the preset arrows to flip through presets for quick inspiration.
Open the preset panel to explore genre-specific options or import reference tracks for custom profiles.

03.Match Reference Tracks
Import your favourite tracks and match their sonic profile.
If using a reference-based preset, you can compare your mastered track to the reference track. Click the ‘Play’ button in the preset display to preview your reference track auto-looped and level-matched to your mastered song.

04.EQ
Pristine filters that minimize phase distortion and transient smearing, ensuring your tracks maintain their clarity and impact during the mastering process.
All EQ adjustments you make are level-matched in real-time, so when you hit bypass, you can fairly compare the before and after.
You can adjust the mix percentage with a simple drag.

05.TRANSIENTS
Refining transients is key to achieving a pro sound. The Transient module handles the complex processing in the background behind an intuitive interface.
Drag up to boost punch, down to soften it.
The adjustments you make are level-matched in real-time, ensuring you only hear the effect of the transient processing without being influenced by a change in loudness.

06.COMPRESS
Balance your mix and bring cohesion with exceptional-sounding compression that’s easy to use.
Simply adjust the amount to taste, while thresholds and other parameters adapt automatically based on your chosen setting: Off, Light, Dynamic, or Tight.
Use the low-cut sidechain to remove sub-bass from the detection signal, preventing loud kicks and bass from causing unwanted pumping.
Every adjustment is instantly loudness-matched, so you hear the true effect of the compression without being misled by volume changes.

07.STEREO
Shape the width of your track across four frequency ranges (low-end, low-mid, high-mid, high-end) while preserving audio integrity and avoiding phase issues.
Drag nodes inward to narrow or outward to widen each range, with every adjustment loudness-matched for fair, accurate comparisons.

08.LIMIT
Limiting can make or break your music. Bad limiter settings can ruin your track instantly.
FASTER MASTER gives you optimized limiter settings tailored to your unique song. All you need to do is set your preferred maximum loudness.
Add drive for more perceived loudness, set your ceiling, and enable true peak limiting if desired.

09.LOCK
Locking a module keeps the settings unchanged when switching presets.
Great if you found the perfect stereo setting, but want to explore different EQ settings.

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