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混音总线插件Fiedler Audio Gravitas MDS
VST插件格式:
VST3/AAX/OBAM
翻译:
gravitas MDS——终极混音总线和母带压缩器插件
混音总线和母带压缩器,立体声和多通道
Gravitas MDS 是我们高端的混音总线和母带压缩器,从单声道、编组、总线到完整的混音,它都能出色地处理。它是唯一一款能够赋予杜比全景声 (Dolby Atmos) 混音如同无数立体声唱片般光彩夺目的多通道压缩器。轻轻一按,它就能发出通透无比的声音,仿佛不存在,却又奇迹般地塑造了动态范围。或者压缩鼓组,赋予它们前所未有的冲击力。以及介于两者之间的一切。
几乎任何格式
Gravitas MDS 适用于任何格式,从单声道、立体声到 128 通道。在立体声模式下,它提供可选的中/侧处理功能,将其用作多通道压缩器时,您可以单独调整 LFE 通道。Gravitas MDS 还提供多通道侧链输入,以实现最大的灵活性。
杜比全景声 (Dolby Atmos) 混音压缩
作为一款可加载到杜比全景声 (Dolby Atmos) 作曲家 (Composer) 以及即将推出的母带处理控制台 (Mastering Console) 的 OBAM 插件,gravitas MDS 是唯一一款能够处理整个杜比全景声 (Dolby Atmos) 混音的多通道母带压缩器,无论是混音会话还是导入的 ADM/BWF 文件。在杜比全景声 (Dolby Atmos) 作曲家 (Composer) 中,gravitas MDS 甚至提供侧链输入。
阈值以上和以下
gravitas MDS 独特的 DSP 算法可在阈值以上和以下进行压缩和扩展,同时仍保持单一动态电路的特性。因此,它既保留了高端母带压缩器的纯净清晰度,又提供了无数种方法来塑造任何给定信号的动态范围。
传奇升级
3DET 模式重现了世界著名的 AMEK 母带压缩器的惊人功能,该功能使用三个不同调谐的检测器进行精细的压缩。但在 Gravitas MDS 中,您不再局限于简单的压缩,现在您可以完全访问每个检测器的所有参数,从而实现最大程度的控制。
轻松实现多通道
Gravitas MDS 提供详细的控制选项,让您可以控制多通道输入信号的哪一部分以何种方式进行处理。使用“输入配置”对话框可以选择要处理的通道以及触发处理的通道。检测器输入混音器可让您微调 Gravitas MDS 对每个选定通道的反应方式。
参数链接
专业人士广泛使用的一项功能是将混音过程中不同实例的参数链接起来。参数链接编辑器允许您同步选择要访问的实例和参数,从而轻松实现复杂混音场景中的自动更改。
主要特点:
适用于任何音轨格式的混音总线和母带压缩器,从单声道和立体声到最多 128 个通道
可访问所有 4 种动态类型(压缩/扩展、向上/向下)
在一个动态电路中实现覆盖整个动态范围的复杂压缩/扩展曲线
用于处理和电平检测的独立滤波器
立体声轨道可选的中/侧处理
用作多通道压缩器时,可手动调节 LFE 音量
独特的限制器功能,用于降低/增加增益
外部侧链,最多 64 个通道(取决于 DAW)
受传奇 AMEK 母带压缩器启发的“3DET”模式,用于处理复杂动态
渐进式通道链接和渐进式峰值模式
全面的输入配置选项,用于处理和检测
跨会话中所有实例的参数链接
唯一一款支持杜比全景声 (Dolby Atmos) 的混音总线和母带压缩器!
(需要 Dolby Atmos Composer v1.6+ 版本)
最多 128 个通道,用于完整的 Atmos 混音处理
通过 Dolby Atmos Composer 的侧链输入,最多可支持 64 个通道的外部侧链
轻松处理导入的 ADM/BWF 文件,并带有多个 LFE 通道
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原文:
gravitas MDS—–The ultimate mix bus & mastering compressor
Mix bus and mastering compressor, stereo & multi-channel
Gravitas MDS is our highend mix bus and mastering compressor which excels on anything, from single sources, groups, buses to complete mixes. It is the only multi-channel compressor capable of giving your Dolby Atmos mix the same glue and shine you know from countless stereo records. Treat it gently to sound marvellously transparent almost as if not existing but miraculously shaping the dynamic range. Or compress your drums to give them a punch never heard before. And everything in between.
Really any format
Gravitas MDS works on anything, from mono and stereo up to 128 channels. In stereo mode it offers optional Mid/Side processing and using it as a multi-channel compressor you can adjust the LFE channels separately. Gravitas MDS also offers a multi-channel sidechain input for maximum flexibility.
Dolby Atmos mix compression
As an OBAM plug-in loadable into the Dolby Atmos Composer and soon the Mastering Console, gravitas MDS is the only multi-channel mastering compressor capable of processing your entire Dolby Atmos mix, be it a mixing session or an imported ADM/BWF file. In the Dolby Atmos Composer gravitas MDS even offers a sidechain input.
Above and below the threshold
The unique DSP algorithm of gravitas MDS offers compression and expansion above and below the threshold while still being one dynamics circuit. Thus the pristine clarity of a highend mastering compressor is maintained while offering innumerable ways of shaping the dynamic range of any given signal.
A legend on steroids
The 3DET mode resurrects an amazing feature of the world famous AMEK mastering compressor where three differently tuned detectors are used for finetuned compression. But in gravitas MDS you are not restricted to mere compression and you now have full access to all parameters of each detector for maximum control.
Multi-channel made easy
Gravitas MDS offers detailed access to which part of your multi-channel input signal is processed in what way. Use the Input Configuration dialog to select the channels to process and the channels to trigger processing. The detector input mixer lets you finetune how gravitas MDS reacts to each selected channel.
Parameter linking
A feature used extensively by professionals is linking the parameters of different instances across a mixing session. The Parameter Linking editor lets you select the instances and parameters you want to access synchronously and automating changes in complex mixing scenarios become a piece of cake.
Key Features:
Mix bus & mastering compressor for any track format, from mono and stereo up to 128 channels
Access to all 4 types of dynamics (compression/expansion, upward/downward)
Complex compression/expansion curves for the entire dynamic range in one dynamics circuit
Separate filters for processing and for level detection
Optional Mid/Side processing on stereo tracks
Manual LFE volume adjustment when used as a multi-channel compressor
Unique limiter function for gain reduction / gain increase
External side chain with up to 64 channels (depends on DAW)
“3DET” mode for complex dynamics inspired by the legendary AMEK mastering compressor
Gradual channel linking and gradual peak mode
Comprehensive input configuration options for both processing and detection
Parameter linking accross all instances in a session
The only mix bus and mastering compressor for Dolby Atmos!
(requires Dolby Atmos Composer v1.6+)
Up to 128 channels for complete Atmos mix processing
External sidechain with up to 64 channels through sidechain input of the Dolby Atmos Composer
Easy processing of imported ADM/BWF files with multiple LFE channels
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