Temecula DSP MSP-126 v0.1.5_WIN-R2R

立体声处理插件Temecula DSP MSP-126
VST插件格式：
VST3/AAX

Temecula DSP MSP-126 插件，12个延迟触点，8种处理模式，从单声道到立体声转换、早期反射到音乐性梳状滤波，以独特的延迟架构创造非凡空间效果。

翻译：
Temecula DSP MSP-126 插件
十二个抽头。双通道。无限可能。

它不是混响，也不是延迟，而是完全不同的效果器。
MSP-126 在信号处理领域独树一帜。它拥有十二个独立控制的延迟抽头（每个通道六个），能够实现传统延迟线和混响器都无法企及的效果。透明的单声道到立体声转换，完美兼容单声道。早期反射模式模拟声学空间，避免了冗长的衰减尾音。基于延迟的声像定位，即使偏离中心也能保持清晰。音乐调校的梳状滤波器。在扬声器之间回荡的立体声回声模式。八种不同的处理模式，每种模式都包含 256 种延迟和增益设置组合——以及令人着迷的音色，让你恨不得把它应用到所有音频中。

这款插件忠实地模拟了原版硬件的 PROM 驱动架构。这款设备仅生产了约 70 台，如今几乎不可能找到，但现在您可以将这件稀有设备集成到您的 DAW 中，并 100% 还原原版音质。

功能：
8 种处理模式，每种模式 256 种组合
12 个独立控制的延迟抽头（每通道 6 个）
44.1kHz 采样率下最高可达 376ms 的延迟
80+ dB 动态范围（15 位 PCM 模拟）
单声道输入，带自动立体声上混功能
峰值电平表，带 5 段指示器
逼真的 16 段 LED 显示屏模拟

八种处理模式：
MSP11 — 立体声处理
将单声道转换为立体声，在左声道、右声道和单声道总和上保持平坦的频率响应。这是最透明的模式，非常适合通用立体声增强。

CSP — 梳状滤波器立体声
互补梳状滤波器可营造出强烈的立体声色彩，同时保持完美的单声道兼容性。类似于带有两个镜像输出的静态镶边器。

房间 — 早期反射
模拟声学空间的早期反射模式，可调节大小和距离。增加深度，而不会像混响器那样产生长长的尾音。

延迟 — 延迟簇
在可调节的预延迟之后，设置一组短立体声延迟。增加声音的厚度和宽度，并使其与声源自然分离。

声像 — 基于延迟的声像定位
多抽头延迟模式可创建稳健的立体声定位，即使在偏离中心的情况下也能保持稳定，并且在较高的宽度设置下仍能保持单声道兼容性。

数字延迟线 — 数字延迟线
简单易用的单抽头延迟，可选择通道路由，延迟时间最长可达 360 毫秒。简单、清晰且用途广泛。

重复 — 重复
在通道之间交替的均匀间隔的立体声重复。可调节重复次数、时序和幅度曲线，包括反向磁带效果。

音阶 — 音阶滤波器
调谐到音乐音程的梳状滤波器。左声道锁定在 A=440Hz，而右声道则按半音阶进行循环。在宽频素材上表现尤为出色。
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原文：
Temecula DSP MSP-126 Plugin
Twelve taps. Two channels. A world of possibilities.

Not a Reverb. Not a Delay. Something Else Entirely.
The MSP-126 occupies a unique space in the signal processing world. With twelve independently controlled delay taps — six per channel — it can do things that neither a conventional delay line nor a reverberator can. Transparent mono-to-stereo conversion with perfect mono compatibility. Early reflection patterns that simulate acoustic spaces without the long decay tail. Delay-based panning that holds up off-center. Musically tuned comb filters. Stereo echo patterns that bounce between speakers. Eight distinct processing modes, each with 256 combinations of delay and gain settings — and an addictive sound you’ll want to put on everything.

This plugin faithfully emulates the original’s hardware PROM-driven architecture. Only about 70 units were ever made, so finding one today is almost impossible, but now you can have this rare piece of kit in your DAW 100% bit accurate to the original.

Features:
8 processing modes with 256 combinations each
12 independently controlled delay taps (6 per channel)
Up to 376ms of delay at 44.1kHz
80+ dB dynamic range (15-bit PCM emulation)
Mono input with automatic stereo upmixing
Peak level metering with 5-segment indicator
Authentic 16-segment LED display emulation

Eight Modes of Processing:
MSP11 — Stereo Processing
Converts mono to stereo with flat frequency response across left, right, and mono sum. The most transparent mode — ideal for general-purpose stereo enhancement.

CSP — Comb Filter Stereo
Complementary comb filters create dramatic stereo coloring while maintaining perfect mono compatibility. Like a static flanger with two mirror-image outputs.

ROOM — Early Reflections
Simulates the early reflection patterns of acoustic spaces with adjustable size and distance. Adds depth without the long tail of a reverberator.

DLAY — Delay Cluster
A cluster of short stereo delays after an adjustable pre-delay. Adds body and width with natural separation from the source.

PAN — Delay-Based Panning
Multi-tap delay patterns create robust stereo positioning that holds up off-center and maintains mono compatibility at higher width settings.

DDL — Digital Delay Line
A straightforward single-tap delay with selectable channel routing and up to 360ms of delay time. Simple, clean, and versatile.

RPTS — Repeats
Evenly spaced stereo repetitions that alternate between channels. Adjustable count, timing, and amplitude profile — including a reversed-tape effect.

SCALE — Musical Scale Filter
Comb filters tuned to musical intervals. The left channel locks to A=440Hz while the right steps through a chromatic scale. Dramatic on broadband material.

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