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磁带机插件Wavesfactory Cassette
VST插件格式:
VST/VST3/AAX
Wavesfactory Cassette 是一款模拟磁带机插件,精准建模四种磁带类型,还原模拟质感、哇音与底噪,重现复古听感。
翻译:
磁带
磁带赋予了这种常被诟病的录音媒介独特的音质。
它拥有其他任何媒介都无法比拟的个性,而我对此深爱不已。
这不是一台磁带机,这是一台时光机。
回到过去
整整一代人都是通过磁带聆听那些塑造了他们人生的音乐。我从小就在家、在车里、用随身听听着磁带长大。
它们并不完美,事实上,它们远非完美。
而这正是我爱它们的原因。
这是我对塑造我童年的声音的致敬。我在那些细微的瑕疵和随机的波动中发现了对音乐的热情。看着仪表指针随着我对着老式麦克风唱歌而移动。红色的峰值和模拟饱和度。
倒带,再听一遍。
你为什么会爱上磁带
磁带的设计旨在带来乐趣,悦耳动听,并忠实地展现磁带媒介本身的魅力。
磁带模拟
我们对大量录制在真实磁带上的音频信号进行了详尽的分析,并以此为基础精心建模。因此,我们能够获得与原机相同的音质和特性。
随机性可控
磁带并非无菌介质,它会赋予录音独特的音色。其中一些非线性效应是不可预测的,这使得信号听起来更加自然生动。
强大的功能
其内在功能远比您第一眼看到的要强大得多。在设置面板中,您可以完全控制所有使磁带音色更具特色的参数。
您喜欢哪种磁带?
我们模拟了四种常见的磁带类型。每种磁带都具有不同的音色特征。
I:是当时标准且兼容性最强的磁带格式。采用氧化铁涂层 (Fe2O3)。最早出现于 20 世纪 60 年代。
II:20 世纪 70 年代初,采用二氧化铬 (CrO2) 配方的磁带问世,其高频响应得到了显著提升。
III:铁铬合金 (FeCr) 磁带在 70 年代中期至 80 年代初期短暂流行,但未能进入黄金时代。
IV:金属配方磁带于 70 年代末期问世,其特点是低音更浑厚,高频更响亮。
关于磁带
磁带并非无菌介质。它会给录制的信号赋予独特的音色特征,包括不同的频率响应、频率相关的饱和度、高频压缩、嘶嘶声、粗糙噪声等等。
播放系统也会留下自身的“指纹”:抖晃、颤动、随机高频损失、串扰、立体声不平衡等等。
所有这些细微的差异和随机波动都在 Cassette 中得到了精细的建模。
还有更多……设置!磁带
我一直想要一个模块化的磁带插件,可以启用或禁用处理的每个步骤。
稳定性
控制前面板上“稳定性”参数的内部运作方式。包含“随机性”选项,使声音更加不可预测,更具模拟感。
附加功能
更多使磁带听起来更像磁带的元素。包括创新的“重新磁带”参数,该参数会多次运行处理过程。
失真
控制前面板上“失真”参数的内部运作方式。包含“随机卡顿”选项,用于模拟磁带瞬间卡顿的效果。
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原文:
Cassette
Cassette imparts the unique sound from an often maligned recording medium.
A one that offers character like nothing else and I’m in love with.
This is not a tape machine, this is a time machine.
Rewind back in time
An entire generation heard the music that shaped their lives on cassette tape. I grew up listening to them at home, on the car or on a Walkman.
They are not perfect, in fact, they are far from perfect.
That’s what I love about them.
This is my tribute to the sound that shaped my childhood. I discovered the passion for music between quirks and random fluctuations. Watching the meters move as I sang into an old microphone. Red peaks and analog saturation.
Rewind, listen again.
Why you’ll love Cassette
Cassette has been designed to be fun, pleasant to the ear and true to the medium.
Tape emulation
Cassette has been carefully modelled after exhaustive analysis of a high number of sound signals recorded into real tapes. As a result, we get the same sound and behaviour as the original unit.
Randomness under control
Magnetic tape is not a sterile media. It will impart its own sound signature. Some of these non-linear effects are unpredictable, which make the signal sound more natural and alive.
Powerful features
There’s much more under the hood than what you see at a first glance. In the settings panel you are able to fully control all the parameters that make tape sound like tape.
What’s your type?
We modelled the four cassettes types available. Each one delivers different sonic characteristics.
I: was the standard and most compatible tape format. Featured a ferric-oxide coating (Fe2O3). First appeared in the 1960s.
II: with a chromium dioxide (CrO2) formulation was introduced at the dawn of the 1970s featuring an undeniable increase in high frequency response.
III: living a short period between the mid 70s and early 80s, the ferro-chrome (FeCr) never made it into the golden era.
IV: metal-formulated hit the scene at the end of the 70s. Features firmer bass as well as louder high frequencies.
About magnetic tape
Magnetic tape is not a sterile media. It will impart its own sound signature to signals recorded into it. These include different frequency response, frequency dependent saturation, high-frequency compression, hiss, asperity noise and much more.
Reproduction systems will also induce their fingerprint: wow, flutter, random high-frequency loss, crosstalk, stereo unbalances and other.
All of these little quirks and random fluctuations have been modelled meticulously in Cassette.
There’s more… settings!
Tape
I always wanted to have a modular tape plugin in which I could enable or disable each step of the processing.
Stability
Control how the Stability parameter in the front panel works internally. Includes “randomness” in order to make things unpredictable and analog.
Extra
More of what makes a cassette sound like a cassette. Including the innovative “Re-Cassette” parameter that runs the processing several times.
Artifacts
Control how the Artifacts parameter in the front panel works internally. Includes “Random Snap” for simulating the tape being caught momentarily.
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