GBC Audio Causa v1.0.0_WIN-itUsed

图片[1]_GBC Audio Causa

均衡器插件GBC Audio Causa
VST插件格式:
VST3/CLAP

GBC Audio Causa 24段参数均衡器插件,提供四种相位模式,切换相位不改变频响。支持八种滤波形态,每段可独立配置动态处理、M/S及环绕声道,参数调节灵活,满足精细频谱塑造需求。

翻译:
Causa
一个均衡器,四种相位。

概述
Causa 是一款 24 段参数均衡器插件。频段直接添加到曲线上:放置一个频段,拖动它,选择其形状。纵轴会自动拉伸以适应您创建的任何形状。

大多数提供相位选择的均衡器都只提供两种选择:完全不移动相位和尽可能少地移动相位。Causa 增加了第三个选项:真实模拟均衡器的相位特性,只需一个按钮即可从该选项切换到完全不移动相位。无论您选择哪种设置,频率响应都不会发生丝毫变化。

平坦相位意味着声音前面会有一些能量提前到达。感知模式可以抑制这种能量提前到达,同时保留平坦相位的特性,这也是它存在的意义。

任何频段都可以独立进行动态调整:动态模式会在电平超过阈值时移动整个频段;频谱模式只会抑制频段内部的突出部分;扩展模式会提升低于阈值的部分。

主要特性:
四种相位模式
原生模式完全零延迟,模拟模式延迟 6.7 毫秒,提供更高精度的模拟均衡器相位,然后是感知模式和线性模式。菜单从上到下依次递增延迟。

曲线不会移动
切换相位只会改变相位本身,不会改变其他任何特性。四种模式的频率响应相同。切换过程大约需要 0.1 到 1 秒,音频会持续播放。

24 个频段,八种波形
钟形滤波器、低架滤波器、高架滤波器、陷波滤波器、高通滤波器、低通滤波器、带通滤波器和倾斜架滤波器。高通滤波器和低通滤波器的增益范围为 6 到 48 dB/倍频程。陷波滤波器、高通滤波器、低通滤波器和带通滤波器不提供增益,仅作为频率控制旋钮。

Q 值范围:0.1 到 40
频率范围:10 Hz 到 30 kHz,±30 dB,Q 值范围:0.1 到 40。带宽足够宽,可以塑造整个频段;窄带范围足够窄,可以消除单个共振。

动态范围(按频段)
可对任意频段进行动态、频谱或扩展调整,每次调整一个频段。阈值默认设置为“自动”,因此您只需控制 RNG 即可。RNG 即为深度,因此 -3 表示 3 dB 的动态变化。

频谱
仅对频段内部进行调整,并抑制突出于其他频段的部分,这与同时调整整个频段的目标不同。“聚焦”选项从宽广的峰值逐渐过渡到仅保留尖锐的峰值;“柔和”选项允许短促的声音通过,并捕捉持续的声音。

动态范围
仅聆听频段动态的变化。它的作用在于回答效果的实际作用量,而深度控制本身无法回答这个问题。

中/侧(按频段)
立体声、中置、侧置、左声道或右声道,可逐个频段选择,而非针对整个实例。

环绕声至 32 声道
在环绕声总线上,每个频段还可以选择扬声器:共 12 个组,包括所有扬声器、LFE(低频效果)、中置、宽声道、前置顶部和后置顶部。扬声器决定频段输出到哪些设备;声道决定频段在各自设备中的处理方式。

可调整大小,并显示当前位置
拖动右下角即可调整窗口大小以适应屏幕。双击即可输入每个读数,每个开关上方的 LED 指示灯会跟随主机自动化设置,当前运行的版本会显示在仪表下方。
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原文:
Causa
One EQ, four phases.

Overview
Causa is a 24-band parametric EQ. Bands go straight onto the curve: place one, drag it, choose its shape. The vertical axis stretches on its own to fit whatever you build.

Most EQs that offer a choice of phase offer a choice between not moving it at all and moving it as little as possible. Causa adds a third option, the phase behaviour of a real analogue EQ, and one button takes you from there to phase that does not move at all. Whichever you pick, the frequency response does not change by a hair.

Flat phase comes with a little energy arriving ahead of the sound. Perceptual mode holds that back while keeping the character of flat phase, which is the reason it is there.

Any band can also carry dynamics, on its own: Dynamic moves the whole band once the level crosses a threshold, Spectral holds down only what protrudes inside the band, and Expansion lifts whatever falls below.

Key features:
Four phase modes
Native with no latency at all, Analog at 6.7 ms for an analogue EQ’s phase at much higher precision, then Perceptual and Linear. The menu runs top to bottom by increasing latency.

The curve does not move
Switching phase changes what happens to phase and nothing else. The frequency response is the same in all four. Switching settles in about 0.1 to 1 second and audio keeps playing throughout.

24 bands, eight shapes
Bell, Low Shelf, High Shelf, Notch, High-Pass, Low-Pass, Band-Pass and Tilt Shelf. High-Pass and Low-Pass run 6 to 48 dB/oct. Notch, HP, LP and Band-Pass carry no gain and act as frequency handles.

Q to 40
10 Hz to 30 kHz, ±30 dB, Q from 0.1 to 40. Wide enough to shape a whole region and narrow enough to take out one resonance.

Dynamics, per band
Dynamic, Spectral or Expansion on any band, one at a time. Threshold sits at AUTO by default, which leaves RNG as the only control you need. RNG is the depth itself, so −3 moves 3 dB.

Spectral
Looks inside the band and holds down only what protrudes above the rest of it, which is a different aim from moving the whole band together. FOCUS runs from broad to sharp-peaks-only; SOFT lets short sounds through and catches what is sustained.

DELTA
Hear only what a band’s dynamics are changing. It exists to answer how much the effect is actually doing, which is the question a depth control never answers on its own.

Mid/Side, per band
Stereo, Mid, Side, Left or Right, chosen band by band rather than for the whole instance.

Surround to 32 channels
On a surround bus each band also gets a Speakers choice: 12 groups, from All Speakers to LFE, Centre, Wide, Top Front and Top Rear. Speakers decides which outputs a band reaches; Channel decides how it is treated within them.

Resizable, and it tells you where you are
Drag the bottom-right corner to fit the window to your screen. Every readout takes a typed value on a double-click, the LED above each switch follows host automation, and the build you are running is printed under the meters.

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GBC Audio Causa
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