Metric Halo MBSI v4.0.89_WIN-R2R

通道条插件Metric Halo MBSI
VST插件格式：
VST/VST3/AAX

Metric Halo与Make Believe Studios合作，推出了一款名为MBSI的新插件。这款插件是对美国最成功的定制控制台之一的精细数字复制品，该控制台最初由MCI的技术人员在迈阿密FL的Criteria Studios的C工作室制作。
MBSI插件是Criteria Studio C Custom MCI控制台通道条的模型，这款控制台在制作众多畅销唱片、销量达数百万张的过程中发挥了重要作用。该插件具有麦克风/线路部分、动态部分、均衡器部分和衰减器，以及控制台立体声总线输出的精确模型。

翻译：
现代经典
MBSI 是美国最成功的定制调音台之一，它忠实地再现了其精湛的工艺。

这款调音台由 MCI 的技术人员为位于佛罗里达州迈阿密 Criteria Studios 的 C 工作室定制打造，曾用于制作数十张销量数百万张的热门唱片。

Eagles、Eric Clapton、Bee Gees 和 Grand Funk Railroad 等艺术家都曾选择在这个房间和这台调音台上与包括 Tom Dowd 和传奇人物 Bill Szymczyk 在内的众多世界顶级制作人合作。

我们与 Make Believe 和 Bill Szymczyk 合作，首次将这款传奇调音台带入您的数字音频工作站 (DAW)。

立即体验 1976 年迈阿密之声。
MBSI 忠实地复制了 Criteria Studio C Custom MCI 调音台的通道条。它包含麦克风/线路部分、动态部分、均衡器部分和推子，并精确模拟了调音台的立体声总线输出。

最初的调音台完全是模拟的，只需通过通道就能印上美妙的箱体音色，而且和当时的许多设备一样，它既独特又令人惊叹。你会发现（就像我们一样），面板上的标记与处理器的实际行为并不匹配。

均衡器模块尤其出色。它采用简洁的设计，元件数量有限，利用元件的固有特性来实现均衡。这意味着所有控制按钮都会相互作用，滤波器的Q值等参数会随着增益和频率的变化而变化。

这在现代看来可能是一个缺陷或使用上的挑战，但就像调音台一样，MBSI会促使你根据所听到的声音以及其有限但富有音乐性的选项范围做出正确的决定。

最初调音台的动态部分是一个抑制器，旨在与模拟磁带一起使用，这在现代制作环境中并不那么有用。调音台的控制按钮是阶梯式的。均衡器的中频部分仅限于增强，滤波器部分仅支持低切或高切。换句话说，这款调音台受限于当时的技术和设计。

在与 Bill 的讨论中，并根据 Beta 测试人员的反馈，我们决定，虽然我们希望忠实地再现原版调音台的通道条（“经典”模式），但如果能有一个更能体现现代工作流程的模式，并能代表我们在更新调音台时所做的修改，那就更好了。因此，我们添加了“现代”模式。

在“现代”模式下，MBSI 会替换一个通道压缩器，该压缩器反映了 Bill 在调音台上使用的外部压缩类型，并使控制按钮能够连续运行（同时仍保留了与原始步进控制值对齐的功能）。我们还添加了修改功能，允许您使用中频进行剪切，并同时启用高切和低切滤波器。

MBSI 捕捉七十年代的声音——现在您也可以！

主要特点：
世界一流的信号处理和工作流程
用户可选的过采样（最高可达 16 倍）
忠实再现线路、麦克风前置放大器、过载麦克风前置放大器、动态和均衡器模块的箱体音色
均衡器模块采用 3 频段设计，包含低频和高频钟形架式滤波器、可扫频的中频钟形滤波器以及高/低切滤波器。所有滤波器均具有高度交互的控制功能，可影响滤波器形状、频率和增益。
阶梯式控制功能与经典模式下的调音台行为一致。
现代模式下，带有插值功能的连续控制功能秉承了原始设计理念（可捕捉到经典阶梯式值）。
现代模式下的操作模块支持使用中频均衡器进行剪切，并启用低切和高切滤波器。
现代模式下，新增一个令人难以置信的压缩器模块，操作简便，音色惊艳，捕捉了 1176 和 dbx160 的动态氛围。
拥有音乐录音史上最伟大的调音台之一的音色和手感。
极性反转。Box-Tone 部分元素的用户控制。
包含多种预设。
可调节的用户界面大小。
MH 预设管理器 – 提供跨平台预设。
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原文：
A Modern Classic
MBSI is a loving and faithful recreation of one of the most successful custom built consoles in the United States.

Custom built by the technicians at MCI for studio C at Criteria Studios, Miami FL, this console was used in the production of dozens of hit records that sold millions of copies.

Artists such as Eagles, Eric Clapton, the Bee Gees, and Grand Funk Railroad chose this room and this Console to work with some of the world’s best producers including Tom Dowd and the legendary Bill Szymczyk.

We teamed up with Make Believe and Bill Szymczyk to bring this legendary console to your DAW for the first time.

Experience the sound of Miami 1976 now.

MBSI is a faithful model of the channel strip from the Criteria Studio C Custom MCI console. It features a mic/line section, a dynamics section, an EQ section and a fader as well as an accurate model of the stereo bus output of the console.

The original console was ruthlessly analog with a wonderful box tone imprinted just by running through the channel, and, like many devices of its time, was quirky and awesome. You will find (just like we did) that the markings on the face plate do not match the actual behavior of the processor.

The EQ module is especially sweet. It featured a simple design with limited components, utilizing the inherent characteristics of the components to achieve equalization. This means that all the controls interact, and that things like the Q of the filters change with gain and frequency.

This may seem (especially in modern times) to be a defect or challenge in use, but just like the console, MBSI pushes you into making good decisions based on what you are hearing and its limited yet musical range of options.

The dynamics section of the original console was a Suppressor meant to be used with analog tape, which is not that useful in a modern production context. The controls of the console were stepped. The mid-band of the EQ section was limited to boost only, and the filter section only supported low or high cut. In other words, the console was limited by the technology and design of the time.

In our discussions with Bill and based upon feedback from our beta testers, we determined that while we want to have a faithful reproduction of the original console’s channel strip (“Classic” Mode), it would be great to have a mode that reflected a more modern workflow and represented the mods we would do to the console if we were updating it, so we added a “Modern” mode.

In Modern Mode, MBSI swaps in a channel compressor that reflects the types of external compression that Bill used with the console, and makes it so that the controls operate continuously (while still maintaining the ability to snap to the original stepped control values). We also added mods to allow you to do cuts with the mid-band, and enable both the high cut and low cut filters at the same time.

MBSI captures the sound of the Seventies – and now you can too!

Key Features:
World-class Signal Processing and Workflow
User-Selectable Over-sampling (up to 16x)
Faithful recreation of the box tone of the Line, Mic Pre, Overdriven Mic Pre, Dynamics and EQ modules
EQ Module features a 3-band design with LF and HF Bell-Shelf filters, a sweepable Mid Bell and Hi/Low Cut Filters. All the filters have highly interactive controls with the filter shape, frequency and gain being affected
Stepped controls matching the behavior of the console in Classic mode
Continuous controls with interpolations in the spirit of the original design in Modern mode (with the ability to snap to the classic stepped values)
Operational Mods in Modern Mode to support cuts with the mid-band EQ and enabling both low cut and high cut filters
An incredible new compressor module in Modern Mode with simple operation and amazing sound capturing the dynamic vibe of the 1176 and dbx160
The Sound and Feel of one of the greatest consoles in the history of music recording
Polarity Invert
User-control of some elements of Box-Tone
Many presets included
Adjustable UI size
MH Preset Manager – Provides cross-platform presets

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