Epica Audio All Plugins Bundle 2026.09_WIN-itUsed

VST插件套装Epica Audio All Plugins Bundle 2026
VST插件格式：
VST3

Epica Audio All Plugins Bundle 2026包含8款音频插件，涵盖创意混响、EQ、拉丁风格延迟、Juno合唱、失真、压缩、调制滤波器与工程笔记工具，一站式提供混音塑形、空间营造与声音设计全套效果，适配各类音乐制作场景。

翻译：
重塑你的音色。
让频率尽情绽放，打造迷人的延迟效果，进行大胆的 EQ 调整，并为每一条音轨注入独特个性。“Complete Bundle”套装助你打破创作界限。该套装包含 Resonant Reverb、Trinity EQ、Andes Echo、DriveDown Distortion、Feedback Chorus、UFO Filter、The Hammer II 和 Epic Notes。一套合集，无限创意可能。

套装内容：
1.Resonant Reverb – 混响插件
2.Trinity – 均衡器插件
3.Andes Echo – 创意延迟插件/回声插件
4.Feedback Chorus – 合唱插件
5.Epic Notes – 记事本插件
6.Drivedown – 失真插件
7.The Hammer II – 压缩器插件
8.UFO Filter – 滤波器插件

1. RESONANT REVERB
Resonant Reverb 是一款基于独特信号链构建的创意多重效果插件。
它以谐振滤波器和精心设计的失真级为起点，信号随后进入板式混响（Plate Reverb）——该混响不仅拥有宽广的立体声声像，内部还集成了受 1176 压缩器启发的动态处理电路。信号链的末端是第二个干净的谐振滤波器，让您能够精确掌控声音的最终特质。

从“射电望远镜”般的人声效果、宏大的 808 底鼓延展音、枪击般清脆的军鼓声和白噪声质感的军鼓音色，到 70 年代复古摇滚空间感、即时贝斯箱体音色、Techno 风格贝斯重复音效以及极度压缩的人声，Resonant Reverb 能在瞬间将普通声音转化为充满灵感的新颖音色。

混响应当既能激发灵感，又充满冲击力与魔力。本插件由 11 次格莱美奖得主、制作人兼工程师 Joe Chiccarelli（曾与 The White Stripes、The Strokes、Morrissey、Little Dragon、The Killers、U2 等艺人合作）联手开发。

功能概览
Resonant Reverb 专为现代工作流程打造，实现零附加延迟，非常适合录音、制作、混音、声音设计及现场演出。

01. 混响前滤波器 1 (Pre-reverb Filter 1)
在进入混响前塑造信号
“混响前滤波器”在信号到达混响引擎之前对其进行塑形——提供平滑的滤波斜率、可调的 Q 值以及丰富的谐波失真。您可以进行细微调节以平衡音色，也可以大幅推高参数，在信号进入混响路径前增添谐振感与独特个性。

✓ 高通 (HPF) 与低通 (LPF) 滤波器（20 Hz – 20 kHz），支持可变 Q 值
✓ 谐波失真，增添音色质感
✓ 独立启用或旁通——可选择经滤波处理或原始信号进入混响

02. 混响 (Reverb)
内置 1176 风格处理的板式混响引擎
核心是一个板式（Plate）混响引擎——涵盖从紧凑的空间氛围到悠长、充满意境的衰减效果。其设计灵感源自 Joe Chiccarelli 数十年来打磨出的信号链，内部集成了 1176 风格的压缩级，赋予声音密度、动态起伏与独特个性；此外还配备了立体声声像处理器，让混响效果在极宽广与细腻微妙之间自由切换。

✓包含混合（Mix）、宽度（Width）和预延迟（Pre-Delay，0.02-300毫秒）控制
✓衰减时间（Decay）范围：从0.5秒的紧凑氛围感（ambience）到47秒的宏大氛围（atmospheres）
✓混响尾音中内置了1176风格的压缩效果

03. 混响后置滤波器 2 (Post Reverb Filter 2)
精细雕琢输出的混响尾音
“混响后置滤波器”位于混响引擎之后，用于对处理后的信号（即混响尾音）进行精确的音色塑形。该滤波器设计纯净透明，既保留了混响信号的完整性，又让您能够精细控制共振和频率平衡。您可以独立启用或旁通该滤波器。

✓高通滤波器（HPF，20 Hz-5 kHz）和低通滤波器（LPF，500 Hz-20 kHz），均支持可变Q值
✓精细调节和控制混响输出的频率
✓通过自动化控制夸张的共振效果，让混响尾音随时间动态变化

04. 混合、输出与预设
轻松应用，快速调用
分段混合控制、全局干湿比（Dry/Wet）以及输出微调（Output Trim）功能，使得 Resonant Reverb 既适合作为发送（Send）效果使用，也能胜任主总线（Master Bus）的处理任务。Joe Chiccarelli 制作了58个预设，是您快速上手 Resonant Reverb 的绝佳途径——只需一键点击，即可获得充满灵感的创作起点。

✓分段混合控制 + 全局干湿比控制
✓输出微调功能，确保纯净的增益级（Gain Staging）管理
✓包含 Joe Chiccarelli 及更多制作人与艺术家打造的签名预设

2. TRINITY
均衡器（EQ）应当平滑、富有特色且用途广泛。Trinity 是一款零延迟的三段式均衡器，内置谐波饱和功能，能赋予声音温暖感、深度感和模拟设备的特质。其均衡曲线独树一帜。

Trinity EQ 不仅仅是传统的均衡器，更是一款以谐波饱和为核心的三段式音色塑形工具。
每个频段都加入独特的音乐性谐波激励，将简单的均衡调节转化为富有表现力的音色增强，带来平滑、模拟风格的质感，为任何混音注入活力与凝聚力。凭借零延迟性能，它适用于从录音、制作到混音、母带处理的各个制作阶段，且不会拖慢工作流程。

无论是混音总线（Mix Bus）的粘合处理，还是针对贝斯、鼓组、合成器或钢琴的调节，Trinity 都能在全频段范围内提升声音的厚度、清晰度和音乐丰富度，瞬间将普通音轨转化为精致、和谐的混音作品。

功能概览
Trinity EQ 是一款三段式参量均衡器，具备零延迟并行处理路径和各频段独立的饱和功能，适用于录音、制作、混音、声音设计及现场演出。

01. 并行架构
始终保留原始信号特质的均衡器
Trinity EQ 采用零延迟运行模式，在输出端将未处理的原始输入信号与经过均衡处理的信号进行叠加——这种并行处理路径已深度集成于其架构之中。与传统的串行均衡器相比，其增益提升（Boost）或衰减（Cut）效果更自然，听感不那么生硬突兀；即使进行大幅度衰减，也只是降低该频段的音量，而非将其彻底抹除。

✓ 零延迟并行信号叠加，始终保持开启状态
✓ 增益调节响应具有音乐性，听感自然柔和
✓ 极佳的音色塑形能力——建议搭配串行均衡器进行精细的频率切除（Surgical Cut）

02. 三段式均衡器
设计简洁，覆盖全频段
包含三个全参量频段——低频（Low）、中频（Mid）和高频（High）。每个频段均拥有独立的增益、频率和带宽控制，且可在 20 Hz 至 20 kHz 的全频段范围内自由定位。各频段特性一致，专为叠加使用而设计，助您实现和谐统一的全频段音色塑形。

✓各频段提供 ±18 dB 增益调节
✓各频段频率均可在 20 Hz 至 20,000 Hz 范围内连续扫频调节
✓带宽独立可调，涵盖从窄到宽的各种设置

03. 模拟饱和效果
无论何种频段或设置，均能赋予声音温暖质感
每个频段都内置了始终生效的微妙谐波饱和效果——其力度恰到好处，既不会产生可闻的失真，又能为每一次调节增添温暖感与声音密度。结合并行处理路径，赋予了 Trinity EQ 独特的模拟设备音色特质。

✓各频段内置谐波饱和效果，随增益调节实时生效
✓增加声音密度与层次感，且不产生刺耳感
✓赋予声音更具“成品感”的特质，而非仅仅是简单的音色改变

04. 全局控制功能
包含输入、输出控制及可靠的旁通功能
集成的输入级允许您调节进入 EQ 的信号增益，而输出增益则用于补偿因提升或衰减频段而产生的电平变化。真正的旁通（True Bypass）功能让电平匹配下的 A/B 直接对比变得简单——确保您听到的是 EQ 处理后的音色，而不仅仅是音量增加带来的错觉。

✓集成输入增益级
✓输出增益，实现纯净的电平补偿
✓真正的旁通功能，支持电平匹配的 A/B 对比

3. ANDES ECHO
回声效果应当富有律动感、音色温暖且充满律动（groove）。Andes Echo 是一款独特的延迟插件，其设计灵感源自拉丁音乐的节奏型；它配备了双低通滤波器和丰富的饱和度效果，能为每一声回响增添深度与个性。

Andes Echo 是一款基于拉丁节奏型的创意立体声延迟插件。
它摒弃了传统的 1/4、1/8 和 1/16 音符设置，转而采用源自安第斯山脉及其他地区的节奏风格——包括奔马般的节奏型（galloping patterns）、切分律动（syncopated grooves），以及带有拉丁风味的 Saltillo（跳跃感节奏）和 Saltillo Inverso（反向跳跃感）律动。内置饱和度功能的双低通滤波器赋予了声音独特的个性，而饱满的集成合唱（chorus）效果则带来了更宽广的声场和动态感。

无论是复杂的鼓点切分（drum breaks）、富有表现力的吉他编排，还是不断变化的合成器琶音、大胆的人声延迟效果或打击乐采样，Andes Echo 都能在瞬间将普通声音转化为充满生命力与灵魂的动态音色。

功能概览
Andes Echo 是一款基于南美音乐节奏型的立体声延迟插件，在录音、制作、混音、声音设计及现场演出中均能实现零延迟（zero latency）运行。

01. 节奏 (Rhythm)
源自南美音乐的延迟时值
Andes Echo 不再使用传统的四分音符或八分音符设置，而是从植根于南美传统的节奏型中汲取灵感——包括切分音（Syncopation）、苏格兰切分音（Scotch Snap）、奔马节奏（Gallop）、三连音（Triplet）等。每种节奏型都会将回声落在节拍内的不同位置，为您提供标准延迟插件所不具备的丰富节奏表达手段。

✓ 每个声道包含 10 种节奏型，涵盖从切分音到全音符的各种时值
✓ 左右声道独立的节奏选择器
✓ 延迟长度范围从 1/16 到 1/2，并与宿主软件的 BPM 同步

02. 反馈 (Feedback)
从单次拍击声到无限循环
反馈参数决定了信号在衰减前会重复多少次——或者信号是否会衰减。您可以独立调节每个声道的反馈量以实现非对称衰减，也可以将其推至最大，从而锁定重复信号，将该声道转变为一个循环播放器（looper）。

✓ 左右声道独立的反馈控制
✓ 极端设置下产生自激振荡
✓ 反馈调至最大时，任一通道均可变为循环乐句（Looper）效果

03. 低通滤波与合唱（Chorus）
使重复音色更暗，拓宽立体声声像
各通道独立的低通滤波器将重复音置于干声信号之后，确保在复杂的混音中依然保持清晰度。内置的合唱级电路——利用三角波 LFO 调制延迟时间（原理同 Roland CE-1）——为尾音增添了音高起伏与空间宽度。

✓ 左右声道独立的低通滤波
✓ 三种合唱设置：关闭、轻度、深度
✓ CE-1 风格的三角波 LFO 调制

04. 信号路由与全局控制
联动、干湿比（Dry/Wet）、旁通（Bypass）
左右声道可完全独立运行以构建多节奏纹理，也可进行联动以实现统一的立体声控制。全局干湿比调节与旁通开关，让 Andes Echo 既能胜任微妙的节奏纹理营造，也能作为完全湿声输出的自激振荡乐器使用。

✓ 左右声道联动，实现统一立体声控制
✓ 全局干湿比调节（0–100%）
✓ 真实旁通（True Bypass）开关

4. FEEDBACK CHORUS（反馈合唱）
合唱效果应当丰满、宽广且富有动态变化。Feedback Chorus 是一款受 Roland Juno-60 启发的立体声插件，它将经典的模拟温暖音色与创新的反馈控制相结合，带来无限的调制可能。

Feedback Chorus 是一款基于标志性 Roland Juno-60 打造的立体声合唱插件。
它旨在提供既有模拟风格的丰满调制感、又不失现代感的音色；通过结合经典的合唱温暖感与创新的反馈控制，它开启了广泛的声音设计空间——从微妙的立体声增强到深邃、不断演变的音色质感。其强大的调制引擎能创造出从轻微加厚到旋转、迷幻等各种效果，为任何音源增添宽度、深度与动态感。

无论是极具个性的吉他音色、Tame Impala 风格的贝斯音色，还是沉浸式的主唱与和声、合成器音色以及电影般的音景，Feedback Chorus 都能在瞬间将普通声音转化为沉浸式、超凡脱俗的音色质感。

功能概览
Feedback Chorus 模拟了 Juno-60 的 BBD（桶链式器件）电路并引入了反馈机制，且在录音、制作、混音、声音设计及现场演出中均保持零延迟。

01. BBD Chorus（BBD 合唱）
忠实模拟 Juno-60 电路
Feedback Chorus 基于桶链式器件（BBD）延迟线构建——这正是 Roland Juno-60 背后所采用的模拟技术——从而捕捉到了真实 BBD 链路特有的温暖感与柔和的非线性特征。Rate（速率）和 Depth（深度）参数对延迟时间的调制方式与原始硬件完全一致。

✓ 忠实模拟桶链式器件（BBD）延迟线
✓ 具备与传奇 Juno-60 电路相同的温暖感与音色特征
✓ Rate 和 Depth 控制调制 LFO，完美还原原始硬件特性

02. Feedback（反馈）
自我反馈的合唱效果
这是 Juno-60 原本不具备的信号通路——Feedback 功能将 BBD 的部分输出信号重新送回其输入端。在低设置下，它能微妙地加厚调制效果；若进一步增加反馈量，效果会产生叠加，形成致密、共鸣丰富且近乎镶边（flanger）质感的音色，这是传统合唱效果无法实现的。

✓ Feedback（反馈）范围 0–100%，将 BBD 的输出信号回送至自身
✓ 设为 0% 时，呈现经典的 Juno 风格合唱（Chorus）效果
✓ 极端设置可营造出金属质感及自激振荡（self-generating）的音色纹理

03. Rate（速率）与 Depth（深度）
缓慢、丰满且忠实于原版音色
Depth 决定了音高调制及由此产生的立体声动态强度；Rate 则控制内部 LFO 的速度——其范围特意限制在缓慢的扫频速度（忠实于 Juno-60 的特性），而非现代调制效果器中常见的较快速率。

✓ Depth 旋钮控制调制强度与立体声动态
✓ Rate 范围 0–1.2 Hz，提供地道的 Juno 风格扫频速度
✓ 结合低 Rate 与高 Depth 设置，可营造宽广、类似颤音（vibrato）的动态效果

04. 全局控制
调节反馈信号的源头​​
Input（输入）旋钮用于控制进入 Feedback Chorus 的信号量——当将 Feedback 推向更致密、共鸣更强的音色领域时，这一点至关重要，因为输入电平决定了反馈回路信号叠加的强度。True Bypass（硬直通）功能让操作更简洁，确保输入信号在完全不受影响的情况下直接输出。

✓ Input 旋钮控制进入 BBD 和反馈回路的信号电平
✓ 在高 Feedback 设置下，对于控制或激发自激振荡至关重要
✓ True Bypass（硬直通）开关

5. EPIC NOTES
笔记应当简洁、条理清晰且触手可及。Epic Notes 是一款专为 DAW 工作流程打造的记事本插件——无论你是捕捉灵感、记录录音会话细节，还是管理混音笔记，一切都能在 DAW 内部轻松完成。

Epic Notes 是一款围绕 DAW 和音乐制作工作流程构建的记事本插件。
它专为制作人、工程师和音乐人设计，让所有信息触手可及——无论是勾勒歌曲灵感、记录和弦与歌词、标记最佳录音片段（take），还是保存设备设置以便快速调用。它轻量、直观且随时可用，能有效简化从会话记录到混音调整及创意构思的整个工作流程。

从录音笔记和歌曲草图，到片段对比和设备设置调用，Epic Notes 让你的灵感井井有条且触手可及——无需离开 DAW 即可完成所有操作。

6. DRIVEDOWN
失真效果应当温暖、充满侵略性且富有生命力。Drivedown 是一款基于独特 Pi 算法的模拟风格失真插件，通过三种截然不同的模式，提供温暖的饱和、过载（overdrive）以及极具侵略性的法兹（fuzz）音色。

Drivedown 是一款基于独特 Pi 算法构建的创意失真插件。
它旨在提供丰富且悦耳的谐波饱和效果，其三种模式涵盖了广泛且极具音乐性的驱动音色——从柔和的模拟温暖感，到充满侵略性的法兹质感，应有尽有。它能自然响应输入信号，让你轻松调节出理想的音色与强度；与传统失真插件不同，即使大幅增加驱动量，它也不会导致声音塌陷——低频始终扎实，高频始终通透开放。

无论是人声、鼓组、电吉他，还是贝斯、弦乐或合成器，Drivedown 都能完美适配各种音源，瞬间将普通音轨转化为充满深度、棱角与个性的音色质感。

内部构造
Drivedown 采用无滤波的反正切（arctan）波形整形技术，且零延迟，非常适合录音、制作、混音、声音设计及现场演出。

01. Arctan（反正切）失真
自然的饱和，未经滤波处理
Drivedown 的核心在于基于反正切函数构建的波形整形器——这是一条平滑、连续的曲线，能产生渐进式的饱和效果，而非生硬的削波（clipping）。由于输出端未经过滤，完整的谐波成分得以保留，赋予了 Drivedown 一种原始、鲜活的特质——而这种特质往往会被其他饱和类插件抹平。

✓ 采用反正切（Arctan）传递曲线，带来平滑、自然的饱和感
✓ 失真前后均无滤波处理——保留完整的谐波成分
✓ 零附加延迟，适合实时演奏与音频追踪

02. 模式与增益 (Mode & Gain)
三种音色特质，无限强度变化
“模式”（Mode）决定了失真的整体特质：从“Warmth”（温暖）模式下柔和的模拟风格音染，到“Raw”（原始）模式下更具颗粒感与存在感的音色，再到“Insane”（狂暴）模式下浓郁且极具侵略性的饱和效果。“增益”（Gain）控制则在选定模式的基础上，进一步驱动信号进入反正切曲线，从而在任何模式下都能增加谐波密度。

✓ 三种模式：Warmth（温暖）、Raw（原始）和 Insane（狂暴）
✓ 增益控制独立于模式，直接作用于反正切曲线
✓ 涵盖从微妙音染到极致饱和的各种音色

03. 深度 (Depth)
保持低频与高频的纯净，默认呈现有力质感
“深度”（Depth）功能激活一个滤波器，专门控制失真处理前后的低频与高频段，确保低频紧实、高频清晰，避免因谐波堆积而导致声音浑浊。“深度”功能默认开启——这意味着一旦加载 Drivedown 插件，它便已开始塑造您的音色。

✓ 内置滤波器，针对失真处理前后的低频与高频进行塑形
✓ 即使在重度饱和状态下，也能保持低频紧实与高频清晰
✓ 插件加载时默认开启

04. 输出与全局控制 (Output & Global Controls)
混合、电平调节与旁通
“混合”（Mix）控制用于平衡失真信号与干信号（原始输入），既可在低设置下实现并行失真效果，也可在 100% 设置下获得完全饱和的音色。“输出微调”（Output trim）用于管理增益级，确保音量提升不会被误认为是音质的真正改善；“硬旁通”（True bypass）功能则确保了 A/B 对比的客观准确。

✓ 混合（Mix）控制：0–100% 干/湿信号比例
✓ 输出微调（Output trim）：实现纯净的增益级管理
✓ 硬旁通（True bypass）开关

7. THE HAMMER
压缩效果应当充满冲击力、个性鲜明且富有乐感。The Hammer II 是一款极具力度的压缩器，它集成了饱和效果，且零延迟，能为你的混音注入冲击力、独特个性和充沛能量。

The Hammer II 是一款基于经典硬件强劲特性的强力压缩器。
它专为提升混音的冲击力、个性和能量感而设计；其内置的饱和功能确保音轨在任何音量下都清晰突出，呈现出大胆、稳定且富有乐感的音色。它融合了现代精度与经典特质，在并行压缩（parallel compression）方面表现卓越，且具备独特的动态响应——随着驱动力度的增加，它会产生更强的反作用力，从而增添声音的强度、厚度和临场感。由于零延迟，它非常适合实时录音，让你在演奏的同时就能塑造动态。

无论是挖掘混音中隐藏的细节，还是增强现场录音效果，The Hammer II 都能在瞬间将普通音轨转化为大胆、动态十足且极具震撼力的声音。

核心特性
The Hammer II 提炼了压缩处理的精髓——快速且富有乐感的增益衰减，内置饱和效果，并实现零延迟，适用于录音、制作、混音、声音设计及现场演出。

01. 压缩 (Compression)
五个旋钮，掌控全局。
The Hammer II 简化了压缩操作——仅需一个 Comp（压缩）旋钮即可控制增益衰减量，在收紧动态范围的同时，无需受困于繁杂的次级参数。它响应迅速、音色悦耳，专为凭听感调节而设计。

✓ 单旋钮 Comp 控制增益衰减
✓ 独特调校，能将混音中被掩盖的元素凸显出来
✓ 快速直观的工作流程——无需设置阈值（threshold）或压缩比（ratio）

02. 启动与释放 (Attack & Release)
塑造听感，而不只是控制音量
Attack（启动）和 Release（释放）决定了压缩的特性——即压缩器介入的速度和释放的速度。将两者都设为快速响应，可获得紧凑、受控的瞬态效果以及随节奏起伏的“抽吸感”（pumping effect）；若设为较慢响应，则能带来更平滑、透明的声音，并保留初始的瞬态冲击力。

✓启动时间（Attack）：1 ms 至 30 ms
✓释放时间（Release）：10 ms 至 222 ms
✓根据音源特性，精准调节冲击感（punch）、控制感（control）或融合感（glue）

03. 谐波饱和（Harmonic Saturation）
在增益衰减过程中自然融入温暖音色
Hamer II 并非以纯粹机械、冰冷的方式进行压缩，而是在信号通路中引入了适度的谐波饱和——这种微妙的音色渲染与压缩过程融为一体，赋予声音温暖感与厚实度，避免了那种生硬、纯数学式的动态削减。

✓饱和效果融入压缩级，始终处于激活状态
✓无需额外控制即可增加温暖感与厚实度
✓有助于提升微弱细节与被掩盖元素的清晰度与存在感

04. 输出与全局控制
补偿、混合、对比
输出（Output）控制可在增益衰减后提升电平，让您可以大幅度压缩而不损失响度。Color（音色）旋钮允许您以并行方式混合 Hamer II 的失真效果，从而独立于压缩处理之外，精确掌控饱和效果的强烈程度或纯净度。具备“硬直通”（True Bypass）功能，可与干信号进行公平、电平匹配的 A/B 对比。

✓输出增益补偿，用于恢复因压缩而损失的电平
✓Color 旋钮，用于并行混合饱和效果
✓硬直通（True Bypass）功能，支持与干信号进行电平匹配的对比

8. UFO Filter
滤波器应当富有表现力、充满律动且鲜活灵动。UFO Filter 是一款立体声插件，具备先进的 LFO 调制功能、低通与高通之间的实时形态变换（morphing），以及丰富的模拟风格饱和度，能营造出不断演变的动态音色。

UFO Filter 是一款基于先进 LFO 调制技术的强大立体声滤波器插件。
其多波形 LFO 可调制截止频率（cutoff）和共振（resonance），甚至能在低通和高通滤波器之间无缝切换形态，从而创造出富有表现力且不断变化的音色动态。凭借自然的磁带式饱和效果、与速度同步的律动控制以及宽广的立体声处理能力，它远超传统的滤波器插件——无论是细腻的律动调制，还是极具冲击力的脉冲式音效，都能轻松实现。

从鼓组、合成器、吉他到人声和实验性音景，UFO Filter 能在瞬间将普通声音转化为富有表现力、充满“外星”质感的音色。真相就在那里——而且听起来宛如来自异世界。

功能概览
UFO Filter 是一款具备 LFO 引擎和内置过载（Drive）功能的模拟风格多模式滤波器，适用于录音、制作、混音、声音设计及现场演出。

01. 滤波器 (Filter)
经典滤波器核心，三种模式可选
其核心是一个多功能的模拟风格滤波器，可在低通（Low-Pass）、带阻（Notch）和高通（High-Pass）模式间切换；其共振（Resonance）功能可增强截止频率处的音色，甚至能推至自激振荡（self-oscillation）的临界点。它既简单又极具乐感，构成了 UFO Filter 所有功能的基础。

✓ 包含 LPF（低通）、Notch（带阻）和 HPF（高通）滤波器类型，频率范围 20 Hz–18 kHz
✓ 共振（Q 值）调节范围涵盖从轻微增强到自激振荡的各种效果
✓ 可实时切换拓扑结构，瞬间重塑音色

02. LFO
随心所欲的滤波器动态控制
灵活的 LFO 引擎可调制截止频率或共振（Q 值），提供五种可选波形，涵盖从平滑的正弦波律动到阶梯状的“采样保持”（Sample & Hold）效果。既可将其与宿主工程速度同步以实现律动感十足的滤波变化，也可设置为自由运行模式，营造更随性、更自然的动态效果。

✓ LFO 可调制截止频率（Cutoff）或共振（Resonance/Q）
✓ 五种波形：正弦波（Sine）、相位波（Phasor）、方波（Square）、采样保持（Sample & Hold）、随机波（Random）
✓ LFO 速度支持与速度同步（Tempo-sync）或自由运行模式

03. Drive（激励/过载）
集成于滤波电路中的粗粝质感
Drive 功能在信号通过滤波器时直接施加饱和效果，在进行频率塑形的同时，叠加额外的谐波成分与粗粝质感。轻度调节可带来温暖音色，重度调节则能营造更脏、更具侵略性的音色特质。

✓ Drive 调节范围涵盖从微妙温暖感到完全饱和
✓ 谐波与共振相互作用，增强音色的锋利感与冲击力
✓ 在 0.1 至 7 的全范围内均可有效调节

04. Output & Global Controls（输出与全局控制）
混合、电平调节与旁通
Mix（混合）旋钮用于调节滤波信号与原始干信号（dry path）的比例，既可营造微妙的修饰效果，也能实现极具冲击力的音色变化。Output Trim（输出微调）用于控制最终增益，True Bypass（真旁通）功能则确保了纯净的音色对比。

✓ Mix（混合）：0–100% 干/湿信号比例
✓ Output Trim（输出微调）：-20 dB 至 +20 dB
✓ True Bypass（真旁通）：开关切换
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原文：
Reinvent Your Sound.
Bloom your frequencies, craft hypnotic delays, make bold EQ moves, and inject character into every track. The Complete Bundle gives you the tools to create without limits. Featuring Resonant Reverb, Trinity EQ, Andes Echo, DriveDown Distortion, Feedback Chorus, UFO Filter, The Hammer II, and Epic Notes. One bundle. Endless creative possibilities.

What’s Inside:
1.Resonant Reverb
2.Trinity
3.Andes Echo
4.Feedback Chorus
5.Epic Notes
6.Drivedown
7.The Hammer II
8.UFO Filter

1.RESONANT REVERB
Resonant Reverb is a creative multi-effects plug-in built around a unique signal chain
It begins with a resonant filter and carefully crafted distortion stage feeding into a plate reverb enhanced by a wide stereo image and an 1176-inspired compressor running under the hood. The chain is completed with a second clean resonant filter, giving you precise control over the final character of the sound.

From radio-telescope vocals, massive 808 kick extenders, gunshot snares, and white-noise snare textures to vintage 1970s rock rooms, instant bass cabinet tones, techno bass repeaters, and squashed vocals, Resonant Reverb transforms ordinary sounds into inspiring new textures in seconds.

Reverb should be inspiring, aggressive and magical. Developed in collaboration with 11-time Grammy-winning producer and engineer Joe Chiccarelli (The White Stripes, The Strokes, Morrissey, Little Dragon, The Killers, U2).

What’s inside
Built for modern workflows, Resonant Reverb introduces zero added latency, making it ideal for recording, producing, mixing, sound design, and live performance.

01.Pre reverb filter 1
Shape the signal before the reverb
The Pre Reverb Filter shapes the input before it reaches the reverb engine — smooth filter slopes, adjustable Q, and rich harmonic distortion. Use it subtly for tonal balance, or push it to add resonance and character before the signal enters the reverb path.

✓HPF & LPF (20 Hz-20 kHz) with variable Q
✓Harmonic distortion for added color
✓Enable or bypass independently — filtered or clean into the reverb

02.Reverb
A plate engine with an 1176 under the hood
At the core is a plate-style reverb engine — from tight ambience to long, atmospheric decays. Inspired by the chains Joe Chiccarelli has refined over decades, it runs an 1176-style compression stage under the hood for density, movement and character, plus a stereo imager to spread your reverb from extreme to subtle.

✓Mix, Width and Pre-Delay (0.02-300 ms) controls
✓Decay from 0.5 s tight ambience to 47 s atmospheres
✓1176-style compression baked into the tail

03.Post reverb filter 2
Sculpt the tail on the way out
The Post Reverb Filter shapes the processed signal after the reverb engine for precise tonal sculpting of the tail. Clean and transparent by design, it preserves the integrity of the reverberated signal while giving you detailed control over resonances and frequency balance. Enable or bypass it independently.

✓HPF 20 Hz-5 kHz and LPF 500 Hz-20 kHz, each with variable Q
✓Refine and control the frequencies coming out of the reverb
✓Automate exaggerated resonances to evolve the tail over time

04.Mix, Output & Presets
Easy to place, easy to recall
A per-section mix, global dry/wet and an output trim make Resonant Reverb just as comfortable on a send as it is across the master bus. Joe Chiccarelli made 58 presets that are the best way to get to know Resonant Reverb — an inspiring starting point in a single click.

✓Section mix + global dry / wet
✓Output trim for clean gain staging
✓Signature presets from Joe Chiccarelli and more producers & artists

2.TRINITY
EQ should be smooth, characterful and versatile. Trinity is a zero-latency 3-band EQ with built-in harmonic saturation that adds warmth, depth, and analog character. Its curves are truly one of a kind

Trinity EQ is more than a traditional equalizer—it’s a 3-band tone shaper built around harmonic saturation
Each band adds its own musical harmonic drive, turning simple EQ moves into expressive tonal enhancement and giving you a smooth, analog-inspired character that brings life and cohesion to any mix. With zero-latency performance, it fits every stage of production—from recording and producing to mixing and mastering—without slowing down your workflow.

From mix bus glue to bass, drums, synths, and piano, Trinity adds weight, clarity, and musical richness across the full frequency spectrum, turning ordinary tracks into polished, cohesive mixes in seconds.

What’s inside
Trinity EQ is a three-band parametric EQ with a zero-latency parallel path and per-band saturation, ready for recording, producing, mixing, sound design, and live performance.

01.Parallel Architecture
An EQ that never fully lets go of the source
Trinity EQ runs with zero latency, summing the unprocessed input with the equalised signal at the output — a built-in parallel path baked into the architecture itself. Boosts and cuts land with a more natural, less surgical quality than a conventional serial EQ, and aggressive cuts reduce a frequency rather than erasing it.

✓Zero-latency parallel summing, always on
✓Musical, forgiving response to boosts and cuts
✓Best suited to tonal shaping — pair with a serial EQ for surgical cuts

02.Three-Band EQ
Simple by design, full range by nature
Three fully parametric bands — Low, Mid, and High — each with independent gain, frequency, and bandwidth, and each free to be placed anywhere across the full 20 Hz–20 kHz spectrum. Identical in behaviour, the bands are built to be stacked together for cohesive, full-range tonal shaping.

✓Gain ±18 dB per band
✓Frequency sweepable 20 Hz–20,000 Hz on every band
✓Independent bandwidth control, narrow to wide

03.Analog Saturation
Warmth on every band, at every setting
Each band carries a subtle harmonic saturation that’s always active — gentle enough to stay clear of audible distortion, but present enough to add warmth and density to every adjustment. Combined with the parallel path, it’s what gives Trinity EQ its analog-leaning colour.

✓Per-band harmonic saturation, built into every gain change
✓Adds density and dimension without added harshness
✓Contributes to a more “finished” sound rather than simply altered

04.Global Controls
Input, output, and a trustworthy bypass
An integrated input stage lets you gain-stage the signal going into the EQ, while output gain compensates for level changes introduced by your boosts and cuts. A true bypass makes direct A/B comparison simple and level-matched — so what you’re hearing is the EQ, not just added loudness.

✓Integrated input gain stage
✓Output gain for clean level compensation
✓True bypass, level-matched A/B comparison

3.ANDES ECHO
Echo should be rhythmic, warm and full of groove. Andes Echo is a unique delay plugin built around Latin rhythmic patterns, with dual low-pass filters and rich saturation that add depth and character to every echo.

Andes Echo is a creative stereo delay built around Latin rhythmic patterns
It replaces the usual 1/4, 1/8, and 1/16 settings with rhythmic styles inspired by the Andes and beyond—galloping patterns, syncopated grooves, and Latin-infused saltillo and saltillo inverso feels. Dual low-pass filters with built-in saturation add character, while a lush integrated chorus brings extra width and movement.

From intricate drum breaks and expressive guitar arrangements to evolving synth arpeggiators, bold vocal delays, and percussive samples, Andes Echo transforms ordinary sounds into dynamic textures full of life and soul in seconds.

What’s inside
Andes Echo is a stereo delay built on rhythmic figures from South American music, with zero added latency for recording, producing, mixing, sound design, and live performance.

01.Rhythm
Delay times borrowed from South American music
Instead of quarter notes and eighths, Andes Echo draws its repeats from rhythmic figures rooted in South American tradition — Syncopation, Scotch Snap, Gallop, Triplet and more. Each figure lands the echo in a different place within the beat, giving you a rhythmic vocabulary a standard delay simply doesn’t have.

✓10 rhythmic figures per channel, from Syncopation to Whole Note
✓Independent Left and Right rhythm selectors
✓Delay Length from 1/16 to 1/2, synced to host BPM

02.Feedback
From a single slap to infinite loops
Feedback shapes how many repeats you hear before the signal fades — or whether it fades at all. Push each channel independently for asymmetric decay, or drive it to maximum to lock the repeat in place and turn the channel into a looper.

✓Independent L and R feedback control
✓Self-oscillation at extreme settings
✓Maxed feedback turns either channel into a looper

03.Low-Pass Filter & Chorus
Darken the repeats, widen the stereo image
A per-channel Low-Pass Filter tucks the repeats behind the dry signal, keeping dense mixes clear. A built-in chorus stage — modulating delay time with a triangular LFO, the same principle behind the Roland CE-1 — adds pitch movement and width to the trail.

✓Independent L and R low-pass filtering
✓Three chorus settings: Off, Light and Deep
✓CE-1-style triangular LFO modulation

04.Routing & Global Controls
Link, Dry Wet, Bypass
Left and right channels run fully independently for polyrhythmic textures, or link them for unified stereo control. A global Dry/Wet and on/off bypass make Andes Echo just as at home as a subtle rhythmic texture or a fully wet, self-oscillating instrument.

✓Link L-R for unified stereo control
✓Global Dry/Wet, 0–100%
✓True bypass on/off

4.FEEDBACK CHORUS
Chorus should be lush, wide and evolving. Feedback Chorus is a stereo plugin inspired by the Roland Juno-60, blending classic analog warmth with innovative feedback control for endless modulation.

Feedback Chorus is a stereo chorus plugin built around the iconic Roland Juno-60
Designed to deliver lush analog-style modulation with a modern edge, it combines classic chorus warmth with an innovative feedback control that opens up a wide spectrum of sound design—from subtle stereo enhancement to deep, evolving textures. Its rich modulation engine creates everything from gentle thickening to swirling, psychedelic effects, adding width, depth, and movement to any source.

From crazy, characterful guitars and Tame Impala–style bass tones to immersive lead and backing vocals, synths, and cinematic soundscapes, Feedback Chorus transforms ordinary sounds into immersive, otherworldly textures in seconds.

What’s inside
Feedback Chorus models the Juno-60’s BBD circuit and feeds it back on itself, with zero added latency for recording, producing, mixing, sound design, and live performance.

01.BBD Chorus
The Juno-60 circuit, faithfully modeled
Built around a bucket-brigade device delay line — the same analog technology behind the Roland Juno-60 — Feedback Chorus captures the warmth and gentle non-linearity of a real BBD chain. Rate and Depth modulate the delay time exactly as they would on the original hardware.

✓Faithful bucket-brigade device (BBD) delay line modeling
✓Same warmth and character as the legendary Juno-60 circuit
✓Rate and Depth control the modulating LFO, true to the original

02.Feedback
The chorus that feeds on itself
A signal path the Juno-60 never had — Feedback routes a portion of the BBD’s output back into its own input. At low settings it thickens the modulation subtly; pushed further, the effect compounds on itself into dense, resonant, almost flanger-like textures no traditional chorus can produce.

✓Feedback from 0–100%, routing the BBD’s output back into itself
✓At 0%, behaves like a classic Juno-inspired chorus
✓Extreme settings unlock metallic, self-generating textures

03.Rate & Depth
Slow, lush, and true to the original
Depth sets the intensity of the pitch modulation and resulting stereo movement, while Rate controls the speed of the internal LFO — deliberately restricted to slow, sweeping speeds true to the Juno-60, rather than the faster rates found on modern modulation effects.

✓Depth control for modulation intensity and stereo movement
✓Rate from 0–1.2 Hz, authentic Juno-style sweep speeds
✓Combine slow Rate with high Depth for wide, vibrato-like movement

04.Global Controls
Dial in what feeds the feedback
An Input knob lets you control how much signal is driving into Feedback Chorus — key when pushing Feedback into denser, more resonant territory, since the level going in shapes how hard the loop compounds on itself. A true bypass keeps things simple when you want the input signal to pass through completely unaffected.

✓Input knob controls signal level feeding the BBD and Feedback loop
✓Essential for taming or pushing self-oscillation at high Feedback settings
✓True bypass on/off

5.EPIC NOTES
Notes should be simple, organized and always within reach. Epic Notes is a notepad built for your DAW workflow—capture ideas, track sessions, and manage mix notes, all in one place, right where you

Epic Notes is a notepad plugin built around your DAW and music production workflow
Designed for producers, engineers, and musicians, it keeps everything at your fingertips—sketching song ideas, noting chords and lyrics, tracking which takes work best, or saving gear settings for quick recall. Lightweight, intuitive, and always within reach, it streamlines your workflow from session documentation to mix adjustments and creative goals.

From recording notes and song sketches to take comparisons and gear recall, Epic Notes keeps your ideas organized and within reach—without ever leaving your DAW.

6.DRIVEDOWN
Distortion should be warm, aggressive and alive. Drivedown is an analog-style distortion powered by a unique Pi-based algorithm, delivering warm saturation, overdrive, and aggressive fuzz across three distinct modes.

Drivedown is a creative distortion unit built around a unique Pi-based algorithm
Designed to deliver rich, harmonically pleasing saturation, its three modes cover a wide and musical range of drive—from gentle analog warmth to aggressive, fuzzy textures. It responds naturally to your signal, making it easy to dial in the right color and intensity, and unlike traditional distortion units, it never collapses your sound as you push the drive—your low end stays solid and your high end stays open, always.

From vocals, drums, and electric guitars to bass, strings, and synths, Drivedown adapts effortlessly to any source, transforming ordinary tracks into textures full of depth, edge, and personality in seconds.

What’s inside
Drivedown runs an unfiltered arctan waveshaper with zero added latency, making it ready for tracking, producing, mixing, sound design, and live performance.

01.Arctan Distortion
Natural saturation, unfiltered
At the core of Drivedown is a waveshaper built on the arctangent function — a smooth, continuous curve that saturates gradually instead of clipping hard. No filtering stage tames the output, so the full harmonic content stays exposed, giving Drivedown a raw, alive character other saturation plugins soften away.

✓Arctan transfer curve for smooth, natural-feeling saturation
✓No filtering before or after distortion — fully unfiltered harmonics
✓Zero added latency, tracking and live-ready

02.Mode & Gain
Three characters, endless intensity
Mode sets the overall character of the distortion — from Warmth’s gentle analog-style coloration, through Raw’s grittier presence, to Insane’s dense, aggressive saturation. Gain drives the signal harder into the arctan curve on top of that, increasing harmonic density at any Mode setting.

✓Three Modes: Warmth, Raw, and Insane
✓Gain control drives the arctan curve independently of Mode
✓Scales from subtle coloration to extreme saturation

03.Depth
Clean lows and highs, punchy by default
Depth engages a filter that controls the low end and high end around the distortion, keeping your lows and highs clean and punchy instead of getting buried in harmonic buildup. Depth comes enabled by default — the moment you insert Drivedown, it’s already shaping your tone.

✓Built-in filter shapes low end and high end around the distortion
✓Keeps lows tight and highs clear through heavy saturation
✓Enabled by default on insert

04.Output & Global Controls
Blend it, level it, bypass it
A Mix control balances the distorted signal against the dry input, useful for parallel distortion at low settings or fully committed saturation at 100%. Output trim handles gain staging so added loudness never gets mistaken for genuine tonal improvement, and a true bypass keeps A/B comparisons honest.

✓Mix, 0–100% dry/wet
✓Output trim for clean gain staging
✓True bypass on/off

7.THE HAMMER
Compression should be punchy, bold and musical. The Hammer II is an aggressive compressor that injects punch, character, and energy into your mix with integrated saturation and zero added latency.

The Hammer II is an aggressive compressor built around the raw force of classic hardware
Designed to inject punch, character, and energy into your mix, its integrated saturation keeps tracks present at any level for a bold, consistent, and musical sound. It blends modern precision with timeless character, excels in parallel compression, and pushes back the harder you drive it—adding intensity, weight, and presence. With zero added latency, it’s ideal for real-time recording, letting you shape dynamics as you perform.

From revealing hidden details in a mix to enhancing live recordings, The Hammer II transforms ordinary tracks into bold, dynamic, and unapologetically powerful sound in seconds.

What’s inside
The Hamer II strips compression down to its essentials — fast, musical gain reduction with saturation baked in, and zero added latency for recording, producing, mixing, sound design, and live performance.

01.Compression
Five controls. Serious control.
The Hamer II strips compression down to its essentials — a single Comp control drives the amount of gain reduction, tightening dynamic range without a maze of secondary parameters getting in the way. Fast, musical, and built to be dialed in by ear.

✓Single-knob Comp control for gain reduction
✓Voiced to bring buried elements forward in a mix
✓Fast, intuitive workflow — no threshold or ratio to set

02.Attack & Release
Shape the feel, not just the level
Attack and Release define the character of the compression — how fast it clamps down, and how fast it lets go. Push both fast for tight, controlled transients and pump that breathes with the tempo, or slow them down for a smoother, more transparent result that lets the initial hit through.

✓Attack from 1 ms to 30 ms
✓Release from 10 ms to 222 ms
✓Dial in punch, control, or glue depending on the source

03.Harmonic Saturation
Warmth built into the gain reduction itself
Rather than compressing in a purely clinical way, the Hamer II introduces a touch of harmonic saturation into the signal path — a subtle coloration baked into the compression that adds warmth and density instead of a sterile, mathematical reduction in dynamics.

✓Saturation woven into the compression stage, always active
✓Adds warmth and density without extra controls
✓Helps low-level detail and buried elements regain presence

04.Output & Global Controls
Compensate, blend, compare
An Output control brings the level back up after gain reduction, so you can push Comp hard without losing loudness. A Color knob lets you blend in the Hamer II’s distortion in parallel, so you can decide exactly how aggressive — or clean — the saturation gets independent of the compression itself. A true bypass makes for a fair, level-matched A/B against the dry signal.

✓Output gain compensation for level lost to compression
✓Color knob for parallel blend of the saturation stage
✓True bypass, level-matched comparison against the dry signal

8.UFO FILTER
Filter should be expressive, pulsating and alive. UFO Filter is a stereo plugin with advanced LFO modulation, real-time morphing between low-pass and high-pass, and rich analog-style saturation for evolving sonic movement.

UFO Filter is a powerful stereo filter plugin built around advanced LFO modulation
Its multi-waveform LFO modulates cutoff, resonance, and even morphs seamlessly between low-pass and high-pass filters, unlocking expressive and evolving sonic movement. With organic, tape-like saturation, tempo-synced rhythmic control, and wide stereo processing, it goes far beyond traditional filter plugins—delivering everything from subtle rhythmic modulation to aggressive, pulsating effects.

From drums, synths, and guitars to vocals and experimental soundscapes, UFO Filter transforms ordinary sounds into expressive, extraterrestrial textures in seconds. The truth is out there—and it sounds otherworldly.

What’s inside
UFO Filter is an analog-style multimode filter with an LFO engine and built-in drive, ready for recording, producing, mixing, sound design, and live performance.

01.Filter
A classic filter core, three ways
At its heart is a versatile analog-style filter switchable between Low-Pass, Notch, and High-Pass, with resonance to emphasize the cutoff point up to the edge of self-oscillation. Simple, musical, and the foundation everything else in UFO Filter builds on.

✓LPF, Notch, and HPF filter types, 20 Hz–18 kHz
✓Resonance (Q) from gentle emphasis to self-oscillation
✓Switch topology on the fly to reshape the tone instantly

02.LFO
Motion for the filter, your way
A flexible LFO engine modulates Cutoff or Resonance (Q) with five selectable waveforms, from smooth sine motion to stepped Sample & Hold. Sync it to the host tempo for rhythmic filter movement, or run it free for something looser and more organic.

✓LFO modulates Cutoff or Resonance (Q)
✓Five waveforms: Sine, Phasor, Square, Sample & Hold, Random
✓Tempo-synced or free-running LFO speed

03.Drive
Grit built into the filter path
Drive adds saturation directly into the signal as it passes through the filter, layering in extra harmonic content and grit alongside the frequency shaping. Push it lightly for warmth, or hard for a dirtier, more aggressive character.

✓Drive from subtle warmth to full saturation
✓Harmonics interact with Resonance for added bite
✓Works across the full Drive range, 0.1–7

04.Output & Global Controls
Blend it, level it, bypass it
A Mix control blends the filtered signal with the untouched dry path, keeping the effect as subtle or as extreme as the moment calls for. Output trim handles final gain staging, and a true bypass makes for a clean, fair comparison.

✓Mix, 0–100% dry/wet
✓Output trim, −20 dB to +20 dB
✓True bypass on/off

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