Iconic Instruments GF240 Plate Reverb v1.0.1_WIN-R2R

板式混响插件Iconic Instruments GF240 Plate Reverb
VST插件格式：
VST/VST3
翻译：
Iconic Instruments 隆重推出 GF240 金箔板混响插件，这款 VST/AAX 插件忠实地再现了五台 EMT 240 金箔板混响器深沉而迷人的音色，该混响器最初于 1971 年问世。继著名的 140 钢板混响器取得成功之后，德国制造商 EMT 推出了 240 金箔板混响器，其体积更小，音色也独具特色。与真实模拟设备一样，Iconic Instruments GF240 是 Iconic Instruments SP140 钢板混响器（以原版 EMT 140 为原型）的后续产品，两款插件拥有完全相同的布局和功能。

GF240 由 Gorilla Engine 引擎驱动，并与 Numerical Sound 合作开发，它包含经典功能，例如预延迟控制、发送宽度、带有高通和低通滤波器的滤波器部分、可塑形节点、尾音长度控制（从 6 秒到仅 20 毫秒，远短于模拟设备）以及带有便捷独奏开关的混音控制，可单独预览混响效果。

但与 SP140 一样，GF240 也对原版进行了一些创新，例如 5 档密度控制，可实现从饱满的板式混响到轻盈透明的混响效果，而不会降低混响的丰满度。此外，驱动功能可提供经典的 70 年代风格失真，您可以将其应用于混响之前或之后，而高通和低通驱动调节螺丝则可让您将失真精确地放置在频谱中的所需位置。最后，您可以从精心打造的二十种预设中进行选择，这些预设涵盖了从经典到现代，甚至是抽象的各种风格。

功能特性：
GF240 不仅仅是一款普通的板式混响插件……它在一个插件中集成了五种不同的板式混响，均基于经典案例。

前所未有的密度控制功能让您可以实际调整混响的密度，从饱满丰润的板式混响到轻盈透明的音色，而不会降低混响的饱满度。

驱动旋钮不仅可以在混响之前或之后添加 70 年代风格的失真，而且高通和低通调节螺丝还能让您将失真精确地放置在频谱中的所需位置。

如同经典的录音室工作流程一样，GF240 配备了一个发送单元，其中包含一个带有高通和低通滤波器的滤波器部分，以及一个可塑形节点，用于控制混响的音色。

滑动式电平表让您可以控制混响尾音的长度，从完整的 6 秒到 20 毫秒（比模拟板式混响器短得多），或者您可以使用加减按钮以半秒为单位方便地调整尾音长度。

发送单元配备经典的预延迟控制，用于延迟（并略微分离）混响信号与原始信号。发送宽度控制允许您在输入信号进入混响器之前对其进行窄化，以帮助聚焦您的音轨。混响单元提供混响宽度控制，范围从完整的立体声混响到完全压缩的单声道混响。这些脉冲响应经过专门设计，能够以真正匹配经典单声道板式混响的方式进行单声道叠加，而不是简单地将左右声道叠加，后者可能会导致声音过于浑浊。混响声像控制旋钮可让您将混响置于中央，或将整个板式混响信号左右声像分开（想想埃迪·范·海伦前五张专辑中的吉他音色）。

混合旋钮可让您设置干湿比，此外还有一个便捷的独奏开关，可让您单独预览混响效果。

GF240 内置 20 个精心打造的预设，涵盖从经典到抽象的各种风格。
————————————————————————————————————
原文：
Introducing the GF240 gold foil plate reverb by Iconic Instruments, a faithful VST/AAX recreation of five units of the deep and haunting EMT 240 gold foil plate reverb, first introduced in 1971. Following the success of the famous 140 steel plate reverb, German manufacturer, EMT, released the model 240 gold foil plate, which sported a much smaller form factor and with a distinct character all its own. Like its real world analog, the Iconic Instruments GF240 is a followup to the Iconic Instruments SP140 steel plate reverb (modeled after the the original EMT 140), and both plugins share the exact same layout and feature set.

Powered by Gorilla Engine, and made in collaboration with Numerical Sound, the GF240 includes classic functionality, like a pre-delay control, send width, a filter section with high- and low-pass filters, as well as a shapable node, tail length control from a full 6 seconds down to a mere 20ms (much shorter than an analog unit) and a mix control with a convenient solo switch to preview only the reverberation.

But like the SP140, the GF240 also sports some new twists to the original, like a 5-position density control that ranges from full-bodied plate sounds to a light, transparent wash without reducing the fullness of the reverb. Additionally, the drive feature gives you a classic 70’s-style distortion that you can apply pre- or post-reverb, and the high- and low-pass drive set screws allow you to place the distortion exactly where you want in the frequency spectrum. And finally, choose from a list of twenty carefully crafted presets that range from classic references to modern, or even abstract examples.

FEATURES:
The GF240 is not just another plate reverb… it’s five different plates in one plugin, based on famous examples.

The never-before-seen Density control allows you actually change the density of the reverb to range from a full, lush plate sounds to a light, transparent wash without reducing the fullness of the reverb.

The Drive knob allows you to not only add 70’s-era distortion either pre- or post-reverb, but the high- and low-pass set screws give you the ability to place the distortion exactly where you want in the frequency spectrum.

As in a classic studio workflow, the GF240 has a Send Unit that features a filter section with high- and low-pass filters and a shapeable node to control the color of the reverb.

The slidable meter gives you control over the tail length, from a full six seconds down to 20 milliseconds (much shorter than available in an analog plate unit), or you can use the plus and minus buttons to conveniently jump in length by half-second intervals.

The Send Unit features a classic Pre-Delay control to delay (and slightly separate) the reverb from the original signal. The Send Width control allows you to narrow the input signal on the way into the reverb to help focus your track. And the Reverb Unit gives you a Reverb Width control that ranges from a full stereo reverb to a fully collapsed mono reverb. These impulses were specifically designed to sum to mono in a way that actually matches a true classic mono plate, rather than just summing left and right channels, which can give you an overly thick, muddy result. And the Reverb Pan control allows you to place the reverb in the center, or pan the entire plate signal off to one side or the other (think Eddie Van Halen’s guitar sound on the first 5 records).

The Mix knob allows you set the wet/dry level, but there’s also a convenient Solo switch that allows you to preview just the reverberation.

The GF240 includes 20 carefully crafted presets that range from classic to abstract.

VST619音频资源网收集整理！