Iconic Instruments SP140 Plate Reverb v1.0.1_WIN-R2R

板式混响插件Iconic Instruments SP140 Plate Reverb
VST插件格式：
VST/VST3

Iconic Instruments SP140 板式混响插件，精准建模五款经典德国钢板混响单元，配备独创密度控制、电子管风格失真驱动及20种预设，助你轻松获得从复古到现代的丰富混响音色。

翻译：
Iconic Instruments 出品的 SP140 是一款忠实还原五款经典德国钢板混响器的 VST/AAX 插件。这些经典混响器于 1957 年首次问世，并在 20 世纪 60 年代和 70 年代，乃至今天，被广泛应用于众多经典录音作品中。

SP140 由 Gorilla Engine 引擎驱动，并与 Numerical Sound 合作开发，保留了 SP140 的经典功能，例如预延迟控制、发送宽度、包含高通和低通滤波器的滤波器部分、可塑形节点、尾音长度控制（从 6 秒到仅 20 毫秒，远短于模拟设备）以及带有便捷独奏开关的混音控制，方便用户单独预览混响效果。

此外，SP140 还对原版进行了一些创新，例如五档密度控制，可在不降低混响饱满度的前提下，实现从浑厚板状混响到轻盈透明的混响效果。此外，驱动功能可提供经典的电子管式失真，您可以将其应用于混响之前或之后。高通和低通驱动调节螺丝可让您将失真精确地放置在频谱中的所需位置。最后，您可以从精心打造的 20 个预设中进行选择，这些预设涵盖了从经典参考到现代甚至抽象的范例。

功能：
SP140 不仅仅是一款普通的板式混响器……它在一个插件中集成了五种不同的板式混响，均基于经典案例。

前所未有的密度控制功能可让您实际改变混响的密度，从饱满、丰润的板式混响到轻盈、透明的混响，而不会降低混响的饱满度。

驱动旋钮不仅可以让您在混响之前或之后添加电子管式失真，而且高通和低通调节螺丝还能让您将失真精确地放置在频谱中的所需位置。

SP140 的发送单元 (Send Unit) 如同经典的录音棚工作流程，包含一个滤波器部分，配备高通和低通滤波器，以及一个可塑形节点，用于控制混响的音色。

滑动式电平表可让您控制混响尾音的长度，从完整的 6 秒到 20 毫秒（远短于模拟板式混响），或者您可以使用加减按钮以半秒为单位轻松调整尾音长度。

发送单元 (Send Unit) 配备经典的预延迟 (Pre-Delay) 控制，用于延迟（并略微分离）混响信号与原始信号。发送宽度 (Send Width) 控制允许您在信号进入混响之前将其收窄，以帮助聚焦您的音轨。混响单元 (Reverb Unit) 提供混响宽度 (Reverb Width) 控制，范围从完整的立体声混响到完全压缩的单声道混响。这些脉冲响应经过专门设计，能够以真正匹配经典单声道板式混响的方式进行单声道叠加，而不是简单地将左右声道叠加，后者可能会导致声音过于浑浊。混响声像控制旋钮可让您将混响置于中央，或将整个板式混响信号左右声像分开（想想埃迪·范·海伦前五张专辑中的吉他音色）。

混合旋钮可让您设置干湿比，此外还有一个便捷的独奏开关，可让您单独预览混响效果。

SP140 内置 20 个精心打造的预设，涵盖从经典到抽象的各种风格。
————————————————————————————————————
原文：
The SP140 by Iconic Instruments is a faithful VST/AAX recreation of five famous examples of the revered German steel plate reverb units, first introduced in 1957 and used ubiquitously on your favorite recordings throughout the 1960’s and 70’s, and even up until today.

Powered by Gorilla Engine, and made in collaboration with Numerical Sound, the SP140 includes classic functionality, like a pre-delay control, send width, a filter section with high- and low-pass filters, as well as a shapable node, tail length control from a full 6 seconds down to a mere 20ms (much shorter than an analog unit) and a mix control with a convenient solo switch to preview only the reverberation.

But the SP140 also sports some new twists to the original, like a 5-position density control that ranges from full-bodied plate sounds to a light, transparent wash without reducing the fullness of the reverb. Additionally, the drive feature gives you a classic tube-style distortion that you can apply pre- or post-reverb, and the high- and low-pass drive set screws allow you to place the distortion exactly where you want in the frequency spectrum. And finally, choose from a list of twenty carefully crafted presets that range from classic references to modern, or even abstract examples.

FEATURES:
The SP140 is not just another plate reverb… it’s five different plates in one plugin, based on famous examples.

The never-before-seen Density control allows you actually change the density of the reverb to range from a full, lush plate sounds to a light, transparent wash without reducing the fullness of the reverb.

The Drive knob allows you to not only add tube-style distortion either pre- or post-reverb, but the high- and low-pass set screws give you the ability to place the distortion exactly where you want in the frequency spectrum.

As in a classic studio workflow, the SP140 has a Send Unit that features a filter section with high- and low-pass filters and a shapeable node to control the color of the reverb.

The slidable meter gives you control over the tail length, from a full six seconds down to 20 milliseconds (much shorter than available in an analog plate unit), or you can use the plus and minus buttons to conveniently jump in length by half-second intervals.

The Send Unit features a classic Pre-Delay control to delay (and slightly separate) the reverb from the original signal. The Send Width control allows you to narrow the input signal on the way into the reverb to help focus your track. And the Reverb Unit gives you a Reverb Width control that ranges from a full stereo reverb to a fully collapsed mono reverb. These impulses were specifically designed to sum to mono in a way that actually matches a true classic mono plate, rather than just summing left and right channels, which can give you an overly thick, muddy result. And the Reverb Pan control allows you to place the reverb in the center, or pan the entire plate signal off to one side or the other (think Eddie Van Halen’s guitar sound on the first 5 records).

The Mix knob allows you set the wet/dry level, but there’s also a convenient Solo switch that allows you to preview just the reverberation.

The SP140 includes 20 carefully crafted presets that range from classic to abstract.

VST619音频资源网收集整理！