Uhe Uhbik 2 v2.0.0_WIN-R2R

插件套装/混音插件Uhe Uhbik 2
VST插件格式：
VST3/AAX/CLAP

Uhe Uhbik 2 是一款集优雅直观与强大功能于一身的专业音频处理插件套装，它汇集了混响、延迟、压缩、移调、调制等十种高品质效果器，支持高达7.1的环绕声格式，非常适合为音乐作品添加精致的最终润色或构建实验性的效果链。
Uhe Uhbik 2 是一个功能全面、音质出色的专业多效果VST插件套件，无论是用于精细的混音母带处理，还是创造性的声音设计，都能提供强大的支持。

翻译：
流畅、直观、功能强大
十款精致效果器合集，支持高达 7.1 的环绕声格式。非常适合为您的常规项目增添点睛之笔，或打造狂野、实验性的四声道效果链……无论您需要的是微妙的细微差别还是强烈的冲击力，Uhbik 都能满足您的需求！

空间与回声
1 Uhbik 氛围
两全其美：早期反射加上经典板式混响插件
四种截然不同的混响算法可供选择：小幅、直接、开放、自然
独立的低音和高音衰减时间，以及高音截止频率控制

2 Uhbik 延迟插件
5 个并联抽头，分别控制延迟时间、声像、音量和反馈
通过简单的 LFO 或磁带抖动功能进行内置调制的节奏控制
带有软削波失真的高通和低通滤波器

混音和滤波
1 Uhbik 压缩器插件
精巧易用
标准压缩加上膨胀
反馈和前馈检测

2 Uhbik Runciter
具有独特共振和失真的滤波器插件
并联低通、带通和高通输出
额外的法兹阶段

3 Uhbik 均衡器插件
多功能均衡器，具有直观、简化的多频段控制
两个半参数频段，可实现精准、精准的手术效果音色塑形
自动调整 Q 值，带来流畅悦耳的效果

颗粒和音高
1 Uhbik 颗粒移位
2 种模式：颗粒音高移位或相位声码
半音移位，迭代（反馈）
负的 SCALE 值播放颗粒倒放

2 Uhbik 移位器
连续（理发店立柱式）频移效果
可与歌曲速度同步
频偏，带来跨通道空间效果

调制
1 Uhbik 镶边效果器插件
经典磁带机“过零”镶边，可与主机同步
额外延迟，带来更多合唱/镶边效果
驱动：二次谐波失真，带来更明显的“呼啸”效果

2 Uhbik 移相器插件
使用多达 42 个全通滤波器，带来极其丰富的梳状效果
低音圣殿：高通滤波器消除不必要的轰鸣声
可与主机同步

3 Uhbik 颤音插件
节奏：用户可自定义的节奏型11×16 网格
通过 Haas 效果器（通道间短暂延迟）设置环绕声位置
扩展低频振荡器，打造“摇摆”效果

Ubhik 镶边插件
经典的“呼啸”式零点镶边效果，通过在每个音频通道模拟两台磁带录音机，其中一台略微减慢速度来实现。

Drive、高通滤波器以及正反馈或负反馈等附加参数，可让您微调音色和共振，从而获得从流畅运动到强烈旋转的各种效果。

Uhbik 移相器插件
另一款录音棚必备工具，经典的移相器可为任何声音增添动态和变幻的色彩。Uhbik 移相器拥有多达 42 个全通滤波器，可提供极其丰富而富有戏剧性的动态效果——支持从立体声到全四声道或 7.1 环绕声的各种效果。它的共振峰在频谱上滑动，反馈效果则增添了各种效果，从丝滑闪烁的动感到尖锐的金属边缘……

只需稍作调整，Uhbik Phaser 就能变成真正的金属怪兽：创造出原始信号中不存在的新频率。

Uhbik Tremolo
Tremolo 最简单的形式是音量变化，即 LFO 调制振幅。Uhbik Tremolo 超越了基本的“音量摆动”，成为多功能节奏创作工具。LFO 可以同时影响三个参数：音量、滤波器截止频率和立体声（或环绕声）位置。

您可以使用常规的 LFO 来实现一些有趣的同步效​​果，但真正的乐趣始于应用 16 步用户自定义模式！

共享功能：
环绕声处理
Uhbik 最多可处理 8 个环绕声道，包括四声道、5.1 和 7.1 等。当应用于多声道音轨时，镶边器、移相器、颗粒移位和颤音中的通道偏移参数会覆盖所有活动通道，从而产生环绕头部旋转的戏剧性效果。即使是延迟器的声像控制也不仅仅是立体声，它们会覆盖所有活动通道。

矩阵
8 槽调制矩阵可用于通过将调制源（MIDI、LFO、包络、映射器）分配给面板上的任何连续控件来添加动态效果。调制矩阵分配可以通过拖放操作轻松创建，然后在矩阵槽内以各种方式进行修改。

示波器
Uhbik 的内置示波器是制作节奏效果的重要视觉辅助工具。您可以同时查看音频输出和/或最多四个调制信号（包括调制矩阵槽的输出），并以任意组合进行查看。

映射器
“映射器”调制源是一个表格，最多可容纳 128 个介于 -100.00 和 +100.00 之间的值。这些值的解释方式取决于所选模式：MIDI 音符、映射的调制源、触发增量……

包络
与现代模块化合成器中常见的函数发生器类似，Uhbik 的包络确实是一个非常灵活的调制源。它可以用作包络跟随器，对音频素材的动态做出反应，也可以由音频信号或任何可用的调制源触发。

低频振荡器
一个多波形、通用低频振荡器，可用于任何循环调制、采样保持触发，或作为映射器的源。三种循环效果（镶边、移​​相和颤音）包含另一个 LFO，它与每个效果的主要“特性”参数硬连接。
————————————————————————————————————
原文：
Sleek, intuitive and powerful
A collection of ten sophisticated effects with support for surround formats up to 7.1. Perfect for adding the finishing touches to your regular projects or for building wild, experimental quadraphonic effect chains… Whether you need subtle nuance or strong impact, Uhbik has you covered!

Spaces & Echoes
1 Uhbik Ambience
The best of both worlds: Early reflections plus classic plate reverb
A choice of 4 very different reverb algorithms: small, direct, open, natural
Separate bass and treble decay times, treble cutoff frequency control

2 Uhbik Delay
5 parallel taps with individual controls for delay time, pan, volume, feedback
Tempo control with built-in modulation via simple LFO or tape flutter
Highpass and lowpass filters with soft clip distortion

Mixing & Filtering
1 Uhbik Compressor
sophisticated, but simple to use
standard compression plus inflation
feed-back as well as feed-forward detection

2 Uhbik Runciter
filter with characterful resonance and distortion
parallel lowpass, bandpass and highpass outputs
additional fuzz stage

3 Uhbik Equalizer
versatile EQ with intuitive, streamlined multi-band control
two semi-parametric bands for precise, surgical tone shaping
automatically adjusted Q-factors for smooth, musical results

Grains & Pitches
1 Uhbik Grainshift
2 modes: granular pitch shifting or phase vocoding
transposition in semitones, iteration (feedback)
negative SCALE values play grains backwards

2 Uhbik Shifter
continuous (barber-pole) frequency shift effect
syncable to song tempo
frequency offset for spatial effects across channels

Modulation
1 Uhbik Flanger
classic tape machine “through zero” flanging, host-syncable
extra delay for further chorus / flange effects
drive: 2nd harmonic distortion for a more pronounced “whoosh”

2 Uhbik Phaser
exceptionally rich comb effects using up to 42 all-pass filters
bass sanctuary: highpass filter eliminates unwanted boom
host-syncable

3 Uhbik Tremolo
rhythms: user-definable patterns in an 11×16 grid
surround positions via Haas effect (short delays between channels)
extended flow LFO for “swing” effects

Ubhik Flanger
The classic “whoosh” of through zero flanging, created by simulating two tape machines per audio channel, one of which is slowed down slightly.

Additional parameters such as Drive, the highpass filter, and positive or negative feedback let you fine-tune the tone and resonance, giving you everything from smooth motion to intensely swirling effects.

Uhbik Phaser
Another studio staple, the classic phaser adds dynamic, shifting colour to any sound. With up to 42 all-pass filters, Uhbik Phaser delivers exceptionally rich and dramatic movement—supporting everything from stereo to full quadraphonic or 7.1 surround. Its resonant peaks glide across the spectrum, with feedback adding anything from silky, shimmering motion to sharp, metallic edge…

A tweak or two can turn Uhbik Phaser into a true metal monster: New frequencies are created that were not present in the original signal.

Uhbik Tremolo
Tremolo in its simplest form is variation in volume, an LFO modulating amplitude. Uhbik Tremolo goes beyond basic “volume wobbling” into multi-purpose rhythm creation. The LFO can affect three parameters in parallel: volume, filter cutoff and stereo (or surround) position.

You can use the regular LFO for some interesting synchronized effects, but the real fun starts when you apply the 16-step user-definable patterns!

Shared features:
Surround Processing
Uhbik can handle up to 8 channels surround, including e.g. quadraphony, 5.1 and 7.1. When applied to multichannel tracks, the channel offset parameter in the Flanger, Phaser, Grainshift and Tremolo spans all active channels—for dramatic effects that rotate around your head. Even the Delay’s panning controls are not simply stereophonic—they pan across all active channels.

Matrix
The 8-slot modulation matrix is used for adding motion by assigning modulation sources (MIDI, LFO, Envelope, Mapper) to any continuous controls on the panel. Modulation matrix assignments can be created very comfortably via drag & drop, then modified within the matrix slot in various ways.

Scope
Uhbik’s built-in oscilloscope is an essential visual aid for crafting rhythmic effects. You can view the audio output and/or up to four modulation signals at the same time—including the output of a modulation matrix slot—in any combination.

Mapper
The “Mapper” modulation source is a table that can hold up to 128 values between −100.00 and +100.00. How these values are interpreted depends on the selected Mode: MIDI notes, mapped modulation sources, triggered increments…

Envelope
Similar to the function generators seen in modern modular synthesizers, Uhbik’s envelope is a very flexible modulation source indeed. It can serve as an envelope follower, reacting to dynamics in the audio material, or can be triggered by audio signals or by any of the available modulation sources.

LFOs
A multi-waveform, general purpose low frequency oscillator you can use for any cyclic modulation, for Sample & Hold triggering, or as a source for the Mapper. The three cyclic effects (Flanger, Phaser and Tremolo) include another LFO hardwired to the main ‘character’ parameter of each effect.

VST619音频资源网收集整理！