Pulsar Modular Complete Effects Bundle v2025.10.27_WIN-TCD

Pulsar Modular插件套装Pulsar Modular Complete Effects Bundle v2025
VST插件格式：
VST3/AAX

Pulsar Modular Complete Effects Bundle包含了多种虚拟音频效果器，旨在用于音乐制作、声音设计以及混音等领域。Pulsar Modular系列插件以其模块化的设计而闻名，用户可以通过拖放的方式构建复杂的信号流程，实现个性化的音效处理。此插件包集成了该系列中的多个效果器。

翻译：
Pulsar Modular Complete Effects Bundle 用于混合和掌握高质量声音，是一个强大且彻底的被动 EQ 插件。 该程序将过去 70 年来顶级无源均衡器的优势与许多独特的设计元素相结合，产生完全原创的声音。 凭借合成器垫或合成贝斯等极其丰富的资源，它也可以用作雕刻工具。 它具有简单且用户友好的图形界面，以及快速且适应性强的过程，可产生高品质的声音。

包括：
1.P11 Abyss———————————-压缩器插件
2.P42 Climax MOD————————–染色插件/饱和器插件/放大器插件
3.P44 Magnum——————————染色插件/饱和器插件
4.P440 Sweet Spot————————–母带均衡器插件
5.P450 MDN EQ&6.P455 MDN Sidecar—总线混音插件/均衡器插件/总线压缩器插件
7.P565 Siren Filter Set———————–滤波器插件
8.P915 Medusa——————————-滤波器插件
9.P422 Fairuz———————————-共振均衡器插件
10.P930 Lunar Lander————————混响插件/延迟插件
11.P821 MDN Tape—————————磁带机插件
12.P19 Igloo———————————–压缩器插件
13.Q Sahara————————————压缩器插件
14.P410 Joyride——————————-图形均衡器插件

1.P11深渊
P11 Abyss 是一款变色龙音频压缩器，可以超干净地与最干净的母带压缩器竞争，也可以超脏地与最好的色彩压缩器竞争。

现代制作人、工程师和艺术家不应被需要了解多种物理压缩器拓扑提供的不同特性所限制。 他们不需要投射和翻译这些信息来为正确的目的选择正确的工具。 当寻求深度、侵略性的打击时，人们会选择 VCA； Opto 实现干净、开放、平稳的动作； Vari Mu 代表流动、有节奏的脉动。

Abyss 完全抛开了物理强加的规则和约束，使其能够巧妙地展示任何所需的特性。 攻击性的、有力的、平滑的、开放的、呼吸的、浓密的、干净的、肮脏的……一切都在你的指尖。 Abyss 实现了与音频直接连接的梦想，而无需陷入技术细节。

潜入并体验 Abyss 从您的音频中精美呈现的无限色彩、色调和人物。 它的设计非常适合在单独的轨道和乐器、团体巴士、回程和主要巴士上使用。 它旨在满足所有混音、主干和立体声母带处理需求。

现在，Pulsar Modular 比以往任何时候都更令人难以置信。

2.P42高潮MOD
Pulsar Modular P42 Climax 是一款创新的多面电源板，用于音色塑造/着色、饱和度，并让人联想到与多个专业级音频硬件单元配合使用的更多想法。 P42 Climax 以硬件线路放大器的心跳开始，并在每个轨道上结束，因为它有 CPU 覆盖范围（单个会话中超过 300 个实例）。 无论是处理单个乐器、分组轨道、2 总线，还是在母带处理时，都可以塑造您的完美声音。 这声音简直……难以置信！

P42 Climax就像一只变色龙，能够吸收许多不同的着色硬件设备，但从未打算复制任何一个！ P42 Climax 在鼓总线、军鼓，当然还有低音吉他上发挥着神奇作用。 将 P42 插入 2 总线轨道上，立即打开您的混音并暴露混音中隐藏的宝石。 凭借其中/侧处理和详细计量（峰值、RMS 和 LUFS）和自动。 P42 的增益补偿工作流程非常适合您的母带信号链，使其成为全球大多数母带工程师的必备工具。

3.P44万能
P42 Climax 的设计师推出了 P44 Magnum，它继承了 P42 的标志性饱和度，但采用了全新设计的电路； 来认识一下 Oomph、Poomph 和 Sweet！
除此之外，快船将使大多数快船提前退役。

如何在歌曲中描述P44？
就像打雷、闪电一样
你爱我的方式令人恐惧
我最好敲敲木头，宝贝。

4.P440甜蜜点
P440 Sweet Spot Mastering Equalizer 音频插件。

您很可能多次听到类似以下的关于母带处理的话语：“它让音乐变得栩栩如生”或“它是最终的润色，转变为令人惊叹的东西”或“它就像……魔法！”。 当然，巫术掌握在从业者的手中，但可以肯定的是，正如所有巫师都使用一种不起眼但无限强大的设备来连接他们的神秘知识和物理世界一样，母带工程师也是如此。 对于巫师来说，它是魔杖，对于母带工程师来说，它是均衡器。

忘记您所学到的有关 30Hz 以下“高通”频率的一切，欢迎来到 Sweet Tremor 增强次声频率！ 衰减频率，您最终会得到更有冲击力和开放的声音！ 提高频率，最终让甜蜜的棉花糖沾满你的耳朵！ 当你在 Plugin Doctor 中检查 200 Hz 的低架或 2 kHz 的高架并带有“通往天堂的阶梯”图表时，你会惊恐地尖叫，但当你听它时，你会在椅子上融化——就像炎热夏日的糖果一样 。 视觉上没有任何意义，但耳朵却告诉你事实并非如此。

P440 Sweet Spot EQ 将让您重新思考音频均衡器的功能。 P440……你的神秘魔杖。

5.P450 MDN EQ&6.P455 MDN Sidecar
P455 MDN Sidecar 是一款求和和 2 总线混音和母带音频插件，捕获 Marc Daniel Nelson 的模拟链，Marc Daniel Nelson 是两次获得格莱美奖和法国学院奖提名的混音工程师、音乐制作人、创意总监和教育家。

P455 提供 Marc 的模拟工作流程，其中包括模拟求和、电子管驱动立体声成像、2 总线有力的立体声均衡器、定制胶水 2 总线压缩器以及两个高端模数转换器的独特特性。

P455 MDN Sidecar 不仅仅是一个插件；它还是一个插件。 它是 Marc 经验丰富的方法和 Pulsar Modular 渐进式音频设计的校准融合，重点关注信号路径每一步的音乐性。

多年来，马克·丹尼尔·尼尔森一直公开、慷慨地分享他的技术和专业知识。 他现在更进一步，通过 P455 MDN Sidecar 和 P450 MDN EQ 音频插件向您提供他的标志性声音，没有任何限制或妥协。

特征
P455 MDN Sidecar
无需在每个通道上插入插件即可进行求和。
不同的路由和选项可实现真正的模拟工作流程体验。
定制 2 总线压缩机。
2 总线立体声比例均衡器。
两个 ADC 仿真。

P450 MDN EQ
4 段 EQ，具有步进频率和增益。
低架和高架阶梯式。
增益乘数覆盖替代增益和 Q。
运算放大器的行为和签名打孔。

7.P565警报器过滤器组
P565 Siren 滤波器组融合了来自不同硬件音频设备的令人垂涎的滤波器的完美工作流程，具有独特的标志性声音，使其成为 Pulsar 模块化产品。
P565 Siren 具有高通和低通滤波器，具有可选择的斜率和可调谐的音乐共鸣，将您带入一些最受追捧的共鸣滤波器的领域。 它还具有两个陷波/峰值滤波器，专为精确调整和创意表达而设计。 这些滤波器中的每一个都可以根据外部输入信号或内置双包络跟随器进行动态调制，并对启动、释放、数量和速度特性进行精细控制。 这些功能累积起来形成了强大的创造性用途，范围从微妙的运动到时髦的节奏增强，同时仍然涵盖定相、镶边和共鸣扫频。
P565 警笛并不止于此。 使用驱动器为任何声音赋予实体、特征和维度，或将其扭曲为过载，将您的声音带到以前没有过载的地方！

8.P915美杜莎
固定滤波器组的目的是增强合成器的主信号，添加特定频率的谐波或消除其他频率的谐波。 有些人想要全新的、以前从未听过的声音景观，以将自己和观众带入新的音乐体验世界。 其他人则希望创造更传统和熟悉的声音，同时仍然突破界限并利用传统“不插电”乐器所不具备的新电压控制、功能和特性。 有些人两者都想要。

输入全新重新设计的 P915 MEDUSA 固定滤波器组。 一种滤波器，可为信号添加微妙或不那么微妙的共振或完全消除频带。 当这个过程与未改变的“干”信号混合时，可以模仿传统仪器的实际行为。 它还可以单独作为声音塑造可能性的独特且创造性的来源，这是其他滤波器结构所不具备的。

主要基于有源滤波器设计结构推出了 915 的多个硬件克隆版本。 915 的原始结构使用简单的电感器、电容器和电阻器作为滤波器单元，它们提供了在无菌的半导体世界中丢失的微妙相互作用。 然而，基于原始结构的设计却亟待追求。 找到了电感器的来源，仔细检查了原理图，消除了复制中的原理图错误，设计了电路板，结果是穆格在其原始用户手册中发布的原始响应的极其准确和忠实的副本 。

有了可靠的硬件版本，就可以开始软件模型了。 对硬件的仔细表征和测量，以及保持 Moog FFB 独特结构及其两级设计的软件模型，形成了忠实匹配并遵循原始模型的软件模型。 添加一些额外的功能，例如能够将每个单元的输出定向到左通道或右通道，开辟了额外的可能性，增加了滤波器的魅力、实用性和特征。

P915 的设计、实施和质量控制是与 Analogue Realities 的 David Ingebretsen 合作进行的。简单地说，P915 MEDUSA 是对 Inductor 915 固定滤波器组的精心、精确的实施，但在功能、可用性和性能方面更上一层楼 。

9.P422 Fairuz
尽管绿松石有很多名字，但它目前的名称来自法国的 pierretourques，即“土耳其石”。 该短语指的是 13 世纪通过丝绸之路将宝石引入欧洲的土耳其商人。

古代波斯人相信绿松石可以防止他们受到伤害，并用绿松石覆盖他们的匕首和缰绳。 他们将绿松石称为“pirouzeh”，翻译过来就是“胜利”。 美洲原住民阿帕奇人佩戴绿松石作为护身符，并相信将其固定在武器和弓上可以更好地瞄准。 阿兹特克酋长佩戴绿松石首饰作为权威的标志。

P422 Fairuz 将带出您正在 EQ 处理的乐器的自然共鸣和丰富度。 即使在极端增强或减弱的情况下，也能保持声音的完整性。

P422 Fairuz 是一款多功能通道比例均衡器。 步进频率的每个点都是通过耳朵调谐到最佳位置的。 尽管如此，还是为高级用户提供了将频段切换为连续操作的选项。 带可以是峰值曲线或冲孔（推/拉）曲线。 Fairuz 不模拟任何硬件设计。 它是一种原创设计，不受现有硬件均衡器的限制和声音影响。

10.P930 Lunar Lander
P930 Lunar Lander 将我们喜爱的板式混响和延迟提升到了新的高度，为音频信号提供了更高级别的控制、整形和增强。
灵活而富有创意的闪避电路、可调节的噪音和多级湿/干混合选项完善了这款纯算法强大设备的一些其他可用功能。
P930 配备三重 P42 Climax 饱和电路、LPF 和 HPF，每个模块均具有带宽控制，以及可路由的闪避、反向闪避和门控电路。
将它放在您的塑料声音软合成器上，然后调高饱和度，将您的 Chihuahua 合成器转换为 Dobermann 合成器！
简而言之，P930 只需进行最少的调整即可让声音完美地融入混音中。

特点：
自然的感觉和行为。
BBD 模拟延迟。
三板混响。
三重 P42 Climax 变压器，用于饱和度和色彩。
串联和并联处理。
每个模块都有干/湿混合控制，可实现一些很酷的创意效果。
闪避、反向闪避和门电路。
适用于单声道或立体声信号。
所有参数都暴露给您的 DAW 以实现自动化。
零延迟！

11.P821 MDN Tape
821A 是首款不使用变压器的多轨磁带录音机。它没有绞盘或压带轮，因此磁带路径可以自由移动，不会产生任何阻力或音频信号衰减。

工程师和制作人首次能够清晰地听到录音过程的物理原理，而不会受到过多电子设备的干扰。他们能够体验到未经任何改变的磁带声音，并能够更清晰地呈现给客户录音棚现场录制的声音。

P821 MDN Tape 基于 Marc Daniel Nelson 的私人 Stephens 821 2 英寸磁带机打造，这台磁带机曾用于制作人工作室 (Producer’s Workshop)，该工作室以制作《The Wall》、《Aja》、《Rumours》等标志性专辑而闻名。

P821 的标志性声音非常开放，音色饱满，这得益于磁带机中电子元件数量极少且零变压器，使得声场宏大，且没有强烈的压缩或压抑。这是同类插件中第一款能够真正聆听磁带声音并感受其反应的插件。

现在，聆听 P821 MDN Tape 插件，您将获得同样的体验。它真的令人惊叹，与市面上其他任何插件都截然不同。

功能：
调制关闭时零采样延迟补偿，调制开启时延迟 1.1 毫秒。
两款传奇磁带格式：900 和 456。
速度：15 和 30 ips。
真正的磁带嘶嘶声发生器（非噪音）。
前/后置搁架式均衡器。
低频和高频偏置控制。
带有双输入/输出指针的音量表。
带反馈和滤波的磁带延迟电路。
调制电路——抖晃（慢/快），带磁带镶边。

12.P19 Igloo
冷却峰值，温暖混音。
P19 IGLOO 的设计灵感源自大自然最具标志性的庇护所——冰雪覆盖的优雅韧性，它不仅仅是一台压缩器，更是一台动态雕塑家，如同其名称一样，能够承受极端环境。IGLOO 的核心是一款创新的反冲峰值压缩引擎，它可以对增益衰减做出反应，即使在繁重的处理下也能保持音频的冲击力、开阔度和清晰度。
P19 IGLOO 迅速赢得了其作为首选鼓机压缩器的地位——它能够提供强劲的冲击力，同时又不牺牲音乐性或模糊瞬态。它强劲有力，却又充满活力。

简易模式，即时控制。
只需一个开关，P19 即可切换到简易模式——一个专注、直观的界面，让所有复杂的电路在后台运行。它并非简化，而是精简。
从预设开始，自信地进行调整，无需深入研究。

不止于鼓。
IGLOO 不仅擅长鼓音色，更能为各个音轨和混音总线带来清晰、能量和凝聚力。从强劲有力到顺滑流畅，P19 都能适应您的声音和工作流程。

保持冷静，保持专注。P19 IGLOO。

特点：
独特的 PSI 电路（源自 P11 ABYSS）。
独特的 DYNAMICS 参数。
步进和连续参数。
零采样延迟。
预读选项。

13.Q Sahara
冷却峰值，温暖混音。
Sahara 是一款专为不想与控件搏斗的用户打造的压缩器。
输入信号，设置比例，让程序相关的启动和释放跟随音乐节奏。
固定阈值：始终保持一致，无需设置。
平滑曲线：比例和拐点协同工作，实现自然的动态。
自适应时序：启动和释放根据程序进行调整，保持通透性和音乐性。
轻量级 CPU：专为现代工程打造——可插入数百个音轨，速度丝毫不减。
极简设计：无需额外功能，只为您所需。
Sahara 提供即时效果，且不会对您造成任何干扰。

特点：
CPU 友好。
前馈拓扑。
反冲压缩器电路。
500 系列风格的 GUI 格式。
步进比例和 S/C 高通滤波器。
零采样延迟。
过采样：复古、英特尔和高清

14.P410 Joyride
重新定义图形均衡器的功能 有时候，声音的意义不仅仅在于平衡，而在于律动，在于呼吸、弯曲和闪耀的色彩。

P410 Joyride 并非为了修饰您的混音，而是为了赋予它生命力。
一段穿越音调、质感和谐波光辉的旅程。欢迎来到您的下一个专属专属世界。

Tone Flux 图形均衡器
P410 的设计捕捉了音调、色彩和谐波运动之间动态流畅的相互作用。每个均衡器频段都模拟了一个 LC（电感电容）谐振电路，而不是像大多数现代均衡器那样采用纯 RC（电阻电容）网络。这赋予了它与经典无源或半无源均衡器共同拥有的独特“平滑而厚重”的音色。

特点：
10 段电感式图示均衡器
可变比例 Q 值
SCALE 扩展频段
6 个驱动引擎，可设计您的输入变压器
接近零延迟
CPU 友好
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原文：
Pulsar Modular Complete Effects Bundle for mixing and mastering high-quality sounds, is a robust and thorough passive EQ plugin. The program combines the strength of the top passive equalizers from the previous 70 years with a number of unique design elements to produce a completely original sound. With extremely rich sources like synth pads or synth basses, it can also be utilized as a sculpting tool. It features a straightforward and user-friendly graphic interface with a quick and adaptable process for producing high-quality sounds.

Included:
1.P11 Abyss
2.P42 Climax MOD
3.P44 Magnum
4.P440 Sweet Spot
5.P450 MDN EQ
6.P455 MDN Sidecar
7.P565 Siren Filter Set
8.P915 Medusa
9.P422 Fairuz
10.P930 Lunar Lander
11.P821 MDN Tape
12.P19 Igloo
13.Q Sahara
14.P410 Joyride

1.P11 Abyss
P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors.

Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.

Abyss casts physically imposed rules and constraints completely aside, allowing it to masterfully exhibit any characteristic that is desired. Aggressive, punchy, smooth, open, breathy, dense, clean, dirty… it’s all here at your fingertips. Abyss fulfills the dream of having a direct connection with the audio without being mired in technicalities.

Dive in and experience the infinite colors, hues and characters Abyss beautifully draws out of your audio. It is very much designed to be equally at home on individual tracks and instruments, group buses, returns and main buses. It is designed to fulfill all mixing, stem and stereo mastering needs.

Now, more than ever – Pulsar Modular – The sound is unbelievable.

2.P42 Climax MOD
Pulsar Modular P42 Climax is an innovative multifaceted powerstrip for tone shaping/coloration, saturation and conjures more of the idea of working with multiple pro-grade audio hardware units. P42 Climax begins with the heartbeat of a hardware line amp, and ends on every single track because it has the cpu coverage to do so (more than 300 instances in a single session). Sculpt your perfect sound whether processing a single instrument, grouped tracks, the 2-bus or even when mastering. The sound is simply… unbelievable!

P42 Climax is a chameleon like, able to assimilate many different coloring hardware devices, but never intended to copy any single one! P42 Climax works magic on drum bus, snare, and of course the bass guitar. Inserting P42 on the 2-bus track, immediately opens up your mix and exposes hidden gems in your mix. With its Mid/Side processing and detailed metering (peak, RMS and LUFS) and Auto. Gain Compensation workflow, P42 fits nicely into your mastering signal chain, making it an essential tool to most Mastering engineers around the world.

3.P44 Magnum
From the designer of P42 Climax comes P44 Magnum carrying the signature saturation of P42 but with new designed circuits; meet Oomph, Poomph and Sweet!
Add to all this, a clipper that will send most clippers into early retirement.

How to describe P44 in a song?
It’s like thunder, lightning
The way you love me is frightening
I better knock, knock on wood, baby.

4.P440 Sweet Spot
P440 Sweet Spot Mastering Equalizer audio plugin.

You have very likely heard words similar to the following uttered many times about mastering: “it makes the music come to life” or “it is the final polish that transitions into something breathtaking” or “It is like… magic!”. The wizardry lies in the hands of the practitioner of course, but surely, as all wizards wield an unassuming yet infinitely powerful device that is a conduit between their mystical knowledge and the physical world, so does the mastering engineer. To the wizard, it is the magic wand and to the mastering engineer, it is the equalizer.

Forget everything you have been taught about “High Passing” frequencies below 30Hz, and welcome to Sweet Tremor boosting infrasonic frequencies! Attenuate frequencies and you end up with a punchier and open sound! Boost frequencies and end up with sweet cotton candy all over your ears! Scream in horror when you check in Plugin Doctor the low shelf at 200 Hz or the high shelf at 2 kHz with a “stairway to heaven” graph, but then melt in your chair when you listen to it- like candy on a hot summer day. Nothing makes sense …visually but your ears tell you otherwise.

P440 Sweet Spot EQ will let you rethink what an audio equalizer can do. P440… your mystical magic wand.

5.P450 MDN EQ&6.P455 MDN Sidecar
The P455 MDN Sidecar is a summing and 2-bus mixing and mastering audio plugin capturing the analog chain of Marc Daniel Nelson, a two-time Grammy and French Academy Award-nominated mixing engineer, music producer, creative director and educator.

The P455 delivers Marc’s analog workflow which includes analog summing, tube driven stereo imaging, 2-bus punchy stereo EQ, custom glue 2-bus compressor and the unique character of two high end analog to digital converters.

The P455 MDN Sidecar isn’t just a plugin; it’s a calibrated blend of Marc’s seasoned approach and Pulsar Modular progressive audio design with focus on musicality at each step of the signal path.

For years, Marc Daniel Nelson has been openly and graciously sharing his techniques and expertise. He is now taking this a step further and delivering his signature sound to you, without restrictions or compromise, through the P455 MDN Sidecar and P450 MDN EQ audio plugins.

Features
P455 MDN Sidecar
Summing without need to insert a plugin on each channel.
Different routings and options for a true analog workflow experience.
Custom 2-bus compressor.
2-bus stereo proportional EQ.
Two ADC emulations.
P450 MDN EQ
4 bands EQ with stepped frequency and gain.
Low & High Shelf- stepped.
Gain Multiplier to cover alternative gain and Q.
Op-amp behavior and signature punch.

7.P565 Siren Filter Set
The P565 Siren Filter Set is a merge for the perfect workflow of highly coveted filters from different hardware audio equipment with a unique signature sound that makes it a Pulsar Modular product.
P565 Siren features high and low pass filters with selectable slope and tunable musical resonance that brings you into the realm of some of the most sought after resonant filters and beyond. It also features two notch/peak filters designed for precise adjustment and creative expression. Each of these filters can be dynamically modulated based on an external input signal or the built-in dual envelope followers with fine control over attack, release, amount and speed characteristics. These features accumulate to a powerful creative use that ranges from subtle movement to funky rhythmic enhancement while still covering phasing, flanging and resonance sweeps.
P565 Siren doesn’t stop there. Use the drive to give body, character and dimension to any sound or warp it into overdrive, taking your sound to where no overdrive has gone before!

8.P915 Medusa
The intent of the Fixed Filter Bank was to enhance the primary signal of the synthesizer, adding harmonics at specific frequencies or removing them at others. Some wanted completely new and never before heard sonic landscapes to push themselves and their audiences into new worlds of musical experience. Others wanted to create more traditional and familiar sounds, while still pushing the boundaries and making use of the new voltage controls, features, and character not available in a traditional “un-plugged” instrument. Some wanted both.

Enter the new reimagined P915 MEDUSA Fixed Filter Bank. A filter which adds subtle or not so subtle resonances to the signal or removing frequency bands altogether. This process, when mixed in with the unaltered, “dry” signal, can mimic the actual behavior of a traditional instrument. It can also act on its own as a unique and creative source of sound shaping possibilities not available in other filter structures.

Several hardware clones of the 915 were being introduced primarily based on active filter design structures. The original structure of the 915 used simple inductors, capacitors, and resistors for the filter cells, which delivered a subtle interactions were lost in the sterile world of semiconductors. However, a design based on The original structure was begging to be pursued. A source for inductors was found, the schematics were scrutinized, errors in the schematics from copying were weeded out, circuit boards were designed, and the result was an extremely accurate and faithful copy of the original response as published by Moog in their original owner’s manual.

With a solid hardware version in hand, a software model could begin. Careful characterization and measurement of the hardware, along with a software model keeping the unique structure of the Moog FFB with its two stage design, has resulted in a software model that faithfully matches and follows that of the original. Adding some extra features, such as being able to direct the output of each cell to either the left or right channel, opens up additional possibilities that add to the charm, utility, and character of the filter.

The P915 design, implementation and quality control was in collaboration with David Ingebretsen of Analogue Realities The P915 MEDUSA is simply put, a meticulous, spot-on implementation of the Inductor 915 Fixed Filter Bank but taken to the next level in functionality, usability and performance.

9.P422 Fairuz
Though it has gone by many names, turquoise get its current name from French pierre tourques, or “Turkish Stone.” This phrase refers to the Turkish traders who introduced the gem to Europe via the Silk Road in the 13th century.

Ancient Persians believed that turquoise could prevent them from harm and covered their daggers and bridles with it. They referred to turquoise as pirouzeh, which translates to “victory.” The Native Americans Apaches wore turquoise as talismans and believed that attaching it to weapons and bows made for better aim. Aztec chiefs wore turquoise jewelry as a mark of authority.

P422 Fairuz will bring out the natural resonance and richness of the instrument you are EQ-ing. Even at extreme boosts or cuts, the integrity of the sound is maintained.

P422 Fairuz is a versatile channel proportional EQ. Each point of the stepped frequencies is tuned by ear for that sweet spot. Still, the option to switch the band to continuous operation is provided for power users. Bands can be either peak or a punch (push/pull) curve. Fairuz does not emulate any hardware design. It is an original design free from the limitations and sonics of existing hardware equalizers.

10.P930 Lunar Lander
P930 Lunar Lander elevates everything we love about plate reverb and delay to new heights, offering next-level control, shaping, and enhancement of the audio signal.
A flexible and creative ducking circuit, adjustable noise and multiple stages of wet/dry blend options round out some of the other available features of this purely algorithmic powerhouse.
P930 is equipped with a triple P42 Climax saturation circuit, LPF and HPF with bandwidth control in each module and a routable ducking, inverse ducking and gating circuit.
Put it on your plastic sounding soft synth, and crank the saturation up, and transform your Chihuahua synth to a Dobermann Synth!
Simply said, the P930 gets the sound to sit perfectly in the mix with minimum tweaking.

Features:
Organic feel & behavior.
BBD analog delay.
Three plate reverb.
Triple P42 Climax transformers for saturation and color.
Series and parallel processing.
Dry/Wet Mix Control for each module for some cool creative effects.
Ducking, inverse ducking and gate circuits.
Works with Mono or Stereo signal.
All parameters are exposed to your DAW for automation.
Zero latency!

11.P821 MDN Tape
The 821A is the first multitrack tape machine that doesn’t use a transformer. It doesn’t have a capstan or a pinch roller, so the tape path is free to move without any resistance or audio signal degradation.

For the first time, engineers and producers could hear the physics of the recording process without interference from excessive electronics. They experienced the unaltered sound of tape and could present their clients with a clearer representation of what was captured on the studio floor.

P821 MDN Tape is based on Marc Daniel Nelson’s personal Stephens 821 2” tape machine, which was utilized at the Producer’s Workshop, renowned for producing iconic albums such as The Wall, Aja, Rumours, and others.

The P821 signature sound is very open and has a large sonic character, as there is very little electronics and zero transformers in the tape machine, making the sound stage massive and no aggressive compression or clamping down. This is the first plugin of its type where you’re actually hearing TAPE and how it reacts.

Now, hearing the P821 MDN Tape plugin recreates that same experience. It’s truly incredible and unlike anything else out there.

Features:
Zero samples delay compensation when modulation is off or 1.1 ms when on.
Two legendary tape formulas: 900 & 456.
Speed: 15 and 30 ips.
True tape-hiss generator (not noise).
Pre/Post shelving EQ.
Low and High Bias controls.
VU meter with dual input/output needles.
Tape delay circuit with feedback and filtering.
Modulation circuit—Wow & Flutter (Slow/Fast) with tape flanging.

12.P19 Igloo
Chill your peaks. Warm your mix.
Inspired by the elegant resilience of nature’s most iconic shelter, P19 IGLOO is not just a compressor—it’s a dynamic sculptor built to endure extremes, just like its namesake. At the heart of IGLOO is a novel recoil peak compression engine that reacts against gain reduction, preserving the punch, openness, and clarity of your audio—even under heavy processing.
P19 IGLOO quickly earned its place as a go-to drum compressor — delivering serious punch without sacrificing musicality or smearing your transients. It hits hard, but stays alive.

EASY Mode. Instant control.
With a single switch, P19 flips into EASY mode — a focused, intuitive interface that keeps all the complex circuitry running under the hood. It’s not simplified. It’s streamlined.
Start with a preset, tweak with confidence, and skip the deep dives.

More than drums.
While IGLOO excels on drums, it also brings clarity, energy, and cohesion to individual tracks and mix buses alike. From aggressive punch to smooth glue, P19 adapts to your sound and your workflow.

Keep it cool. Keep it glued. P19 IGLOO.

Features:
Unique PSI circuit (from P11 ABYSS).
Unique DYNAMICS parameter.
Stepping and continuous parameters.
Zero samples latency.
Lookahead option.

13.Q Sahara
Chill your peaks. Warm your mix.
Sahara is a compressor built for people who don’t want to fight with controls.
Drive your signal in, set the ratio, and let the program-dependent attack and release follow the music.
Fixed Threshold: Always consistent, no setup required.
Smooth Curve: Ratio and knee work together for natural dynamics.
Adaptive Timing: Attack and release adjust to the program, staying transparent and musical.
Light on CPU: Built for modern sessions — insert on hundreds of tracks without slowdown.
Minimal Design: Nothing extra, just what you need.
Sahara delivers instant results and stays out of your way.

Features:
CPU friendly.
Feed-forward topology.
Recoil compressor circuit.
500-series style GUI format.
Stepped ratio and S/C HPF.
Zero samples latency.
Oversampling: Vintage, Intel. and HD

14.P410 Joyride
Redefining what a graphic EQ can do Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows.

P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive.
A journey through tone, texture, and harmonic light. Welcome to your next obsession.

Tone Flux Graphic Equalizer
Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.

Features：
10-band inductor-base graphic EQ
Variable proportional Q
SCALE spread frequency bands
6 drive engines to design your input transformer
Near-zero latency
CPU friendly

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