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混音插件包Mellowmuse Bundle 2025
VST插件格式:
VST/VST3/AAX
Mellowmuse Bundle 2025整合了全部11款音频插件,包含均衡器插件、压缩器插件、限制器插件、饱和器插件及独特的延迟补偿工具,提供从清洁到复古的全套混音方案。
自 2008 年以来,Mellowmuse 一直致力于为音乐家、制作人和声音设计师开发创新的音频插件。他们始终专注于音质和易用性。现在,Mellowmuse 的所有插件首次以套装形式推出,为您提供所有必备的压缩器插件、均衡器插件和混音工具。
包含:
1. ATA———–自动时间调节插件
2. CP1A———-压缩器插件
3. CP2V———-复古压缩器插件
4. CP3V———-复古压缩器插件
5. CS1V———-通道条插件
6. EQ1A———-均衡器插件
7. EQ2V———-复古均衡器插件
8. EQ3V———-母带均衡器插件
9. IR1A———–卷积插件
10. LM1V——–母带限制器插件
11. SATV———复古饱和器插件
1. ATA
ATA 自动时间调整器
ATA 自动时间调整器是一款插件延迟补偿 (PDC) 插件,最初设计用于 Pro Tools LE 7 和 8 (RTAS) 版本,因为这些版本缺少内置的 PDC 功能。ATA 在包含 PDC 功能的较新版本的 Pro Tools (9+/AAX) 中仍然是一款实用工具,用户可以受益于其更大的延迟限制(50,000 个采样点)以及直接测量插件(包括外部设备)延迟的更高精度,而无需依赖插件报告的值。
ATA 插入到混音中的每个轨道上。然后,通过从插入到主推子上的 ATA 触发的短音频脉冲(或称“ping”)来测量所有插件和外部设备插入的实际延迟。ATA 随后计算并设置每个轨道或总线上每个 ATA 的适当延迟,使所有轨道对齐并提供尽可能精确的时间控制。
2. CP1A
CP1A 压缩器
CP1A 是一款音频动态压缩器插件,专为对各种素材进行干净、低失真的处理而开发;从细微的动态控制到创意十足的鼓组塑形,它都能胜任。它采用多级前馈设计,即使在极高的压缩设置下也能最大限度地减少失真。界面设计简洁实用。
独立的干湿信号电平控制允许将压缩信号与原始信号混合,从而轻松实现纽约风格的并行压缩。包络检测器的高通滤波器控制可以精细地控制低频压缩,非常适合保持底鼓的冲击力。
3. CP2V
CP2V 压缩器
复古风格的 CP2V 是一款音轨和程序音频动态压缩器插件,充满个性魅力。它拥有简洁易用的界面设计,并采用多级模拟建模处理,可添加平滑的饱和谐波。
无论是处理强劲的鼓声、柔化人声,还是增强原声吉他,它都能轻松胜任。毫无疑问,这是我们目前为止音色最“醇厚”的压缩器!
4. CP3V
CP3V 压缩器
CP3V 是一款音频动态压缩器插件,其灵感部分源自经典的 1176 模拟压缩器。模拟建模的饱和度和压缩级相结合,在高电平下为压缩信号增添逐渐增强的温暖感,同时又不会产生刺耳的声音。
凭借超快的启动和释放时间,它提供了丰富的创意压缩选项,能够帮助你的音轨在任何混音中脱颖而出。
5. CS1V
CS1V 控制台通道
CS1V 为你的音轨和混音带来模拟控制台的温暖和深度。“驱动”旋钮可增加饱和度。“音调”旋钮可调节前置放大器的特性;逆时针旋转可使低频更加浑厚,顺时针旋转则可逐渐增强高频谐波提升,使声音更加明亮。有两种可选的前置放大器模式:A 模式整体音色偏暗,而 B 模式的频率响应更平坦。
默认的“通道”模式适用于单声道音轨。当插入立体声音轨或辅助通道时,可以使用“总线”设置来添加少量串音,类似于硬件调音台的效果。启用自动增益控制 (AGC) 会衰减输出以匹配源音量。
“编组”控制允许将编号相同的实例作为一个组进行控制,从而轻松调整合奏效果。
6. EQ1A
EQ1A 均衡器
EQ1A 是一款超平滑的模拟建模均衡器,相位染色极小。它具有可变 Q 值的高通滤波器、频率可调的低频和高频搁架式滤波器,以及可变 Q 值的可调低频和高频峰值滤波器。每个滤波器部分都配有旁通开关,以提高灵活性。
该均衡器的界面设计灵感源自经典的模拟外置均衡器,所有控制按钮都触手可及。高效的 CPU 设计支持高实例数,使其成为一款适用于各种任务的多功能均衡器。
7. EQ2V
EQ2V 均衡器
EQ2V 是一款复古建模均衡器,重现了经典模拟硬件设备的厚重感和音色。谐波染色会随着输入电平和滤波器增益的增加而增强,为任何素材增添深度和温暖感。
独特的 SofTran 功能非常适合在高频过载时,处理像军鼓和踩镲这样具有尖锐瞬态峰值的信号。所有均衡和饱和算法均采用过采样,并使用 64 位内部处理,以实现卓越的清晰度和分辨率。
8. EQ3V
EQ3V均衡器
EQ3V是一款灵活的7段复古均衡器插件,提供5段全参数均衡、可变Q值高通/低通滤波器,以及其独特的模拟建模饱和度。非常适合需要精准音色和特性的混音或录音工作。
所有参数的当前值均清晰显示,并支持输入精确值。每个均衡器部分均可单独旁通。所有均衡和饱和算法均采用过采样,并使用64位内部处理,以实现卓越的清晰度和分辨率。
9. IR1A
IR1A卷积器
IR1A卷积器是一款卷积插件,可让您使用脉冲响应文件将一个声音的音色特性实时应用到另一个声音上。
它配备了高质量、零延迟的卷积引擎,能够重现从吉他箱体到饱满自然的混响和特殊效果等各种音色。脉冲响应 (IR) 长度、高通或低通滤波以及预延迟均可设置,用于创意声音塑造。
内置文件浏览器使浏览和加载 IR 文件(包括导入外部文件)变得轻松便捷。它支持加载标准的单声道或立体声 AIFF 或 WAV 格式脉冲响应文件,并附带一个预设库。
10. LM1V
LM1V 母带处理限制器
LM1V 是一款模拟建模的砖墙式限制器,具有 8 倍过采样和采样间峰值检测功能。它能够在最大限度减少失真的情况下实现高响度。处理结果始终极具音乐性。
独立的起音、释放和立体声链接控制,可实现从接近削波到平滑限制的广泛设置,且不会产生过度的抽吸效应或失真。采样间峰值检测功能可捕捉过载,从而保持输出电平稳定。LM1V 既适用于处理单个音轨,也适用于混音总线。
11. SATV
SATV 饱和器
SATV 是一款模拟建模的饱和插件,可为任何音轨增添谐波深度和丰富度。无论是单个乐器还是多轨鼓组,SATV 都能让您轻松改变整个混音的谐波成分和动态。
四种可选的饱和模型:晶体管、变压器、电子管和磁带,提供了丰富的音色塑造选项,从微妙的温暖到极致的失真,应有尽有。“编组”控制功能允许将编号相同的所有实例作为一个组进行控制,从而轻松实现整体音色的调整。
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Mellowmuse has been developing innovative audio plugins for musicians, producers and sound designers since 2008. Their focus has always been on sound quality and ease of use. For the first time, get all of Mellowmuse’s plugins in a single bundle and get all the essential compressors, EQs and mixing tools you could need.
Include:
1. ATA
2. CP1A
3. CP2V
4. CP3V
5. CS1V
6. EQ1A
7. EQ2V
8. EQ3V
9. IR1A
10.LM1V
11.SATV
1. ATA
ATA Auto Time Adjuster
Auto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 & 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of Pro Tools (9+/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.
ATA is inserted on each track in your mix. The actual latency of all plugin and outboard inserts is then measured using a short burst of audio, or ‘ping’ triggered from the ATA inserted on the master fader. ATA then calculates and sets appropriate delays for each ATA on each track or bus, bringing all tracks into alignment and providing the tightest timing possible.
2. CP1A
CP1A Compressor
CP1A is an audio dynamics compressor plug-in, developed for clean, low distortion processing of a range of material; from subtle dynamics taming to creative drum shaping. It employs a multi-stage feed forward design to minimise distortion artefacts, even at extreme compression settings. The interface design is clean and functional.
Separate wet and dry level controls allow the compressed signal to be mixed with the original, making New York style parallel compression super easy. The high pass control for the envelope detector, allows fine control of low frequency compression, great for keeping your kick drum from loosing its thump.
3. CP2V
CP2V Compressor
The vintage styled CP2V is a track and program audio dynamics compressor plug-in that oozes character and attitude. With an interface designed with simplicity in mind and multi-stage analogue modeled processing adding smooth saturating harmonics.
You’ll find it equally at home smashing drums, taming vocals or enhancing acoustic guitar. Without a doubt our ‘gooiest’ sounding compressor so far!
4. CP3V
CP3V Compressor
The CP3V is an audio dynamics compressor plug-in, inspired in part by the classic 1176 analogue compressor. The analogue modelled saturation and compression stages combine to add progressively more warmth to the compressed signal at higher levels, while never sounding harsh.
Together with the ultra fast attack and release time it offers a wide range of creative compression options that will help your tracks cut through any mix.
5. CS1V
CS1V Console Channel
CS1V brings the warmth and depth of an analogue console to your tracks and mixes. Drive increases the level of saturation. Tone adjusts pre-amp character; darker and heavier in the low range anti-clockwise, and progressively brighter high end harmonic boost clockwise. There are two selectable preamp modes: A is darker in character overall, while B has a flatter frequency response.
The default “Channel” mode is intended for mono tracks. When inserted on stereo tracks or auxes, the “Buss” setting can be used to add a subtle amount of crosstalk, as in a hardware mixer. Engaging the automatic gain control (AGC) attenuates the output to match the source volume.
The Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.
6. EQ1A
EQ1A Equalizer
EQ1A is a super smooth, analog modelled equalizer, with minimal phase coloration. It features a high pass filter with variable Q, frequency sweepable low and high shelf filters, and sweepable low and high peak filters with variable Q. A bypass switch is available for each filter section for increased flexibility.
The interface takes it’s inspiration from classic analogue outboard equalizers, with all controls in easy reach. And the CPU efficient design allows for high instance counts, making it a versatile EQ for all tasks.
7. EQ2V
EQ2V Equalizer
The EQ2V is a vintage modelled equalizer that recreates the weight and colour of classic analogue hardware units. Harmonic coloration builds with input level and filter gain, adding depth and warmth to any material.
The unique SofTran feature is perfect for taming signals with sharp transient peaks like snare and high hats when pushing the high end. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.
8. EQ3V
EQ3V Equalizer
The EQ3V is a flexible 7-band vintage equalizer plug-in that offers 5 bands of fully parametric EQ, variable Q High Pass/Low Pass filters, and it’s own unique analogue modelled saturation. Perfect for mix or tracking duties where character and precision is key.
Current values are clearly displayed for all parameters, and precise values can be entered. Each EQ section may be individually bypassed. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.
9. IR1A
IR1A Convolver
IR1A Convolver is a convolution plugin that let you apply the sonic characteristics of one sound to another in real time, using an impulse response file.
It features a high quality, zero latency convolution engine, capable of reproducing everything from guitar cabinets to lush natural reverbs and special effects. IR length can be set, along with high or low pass filtering, and predelay for creative sound shaping.
The integrated file browser makes it easy to navigate and load IR files including importing external files. It loads standard mono or stereo AIFF or WAV format impulse response files, and comes with a starter library of presets.
10.LM1V
LM1V Mastering Limiter
LM1V is an analogue modelled brickwall limiter, with 8x oversampling, and inter-sample peak detection. It is able to achieve high loudness levels with the minimum of distortion. Results are always extremely musical.
Separate attack, release and stereo link controls, allow a wide range of settings, from near clipping to smooth limiting, all without excessive pumping or artefacts. While inter-sample peak detection, catches overs to keep output levels firmly in place. LM1V is equally at home processing individual tracks as it is on the mix bus.
11.SATV
SATV Saturator
SATV is an analogue modeled saturation plug-in that adds harmonic depth and richness to any track. Equally suited to individual instruments or multi-track drum kits, SATV allows you to effortlessly change the harmonic content and dynamics of your whole mix.
The four selectable saturation models: Transistor, Transformer, Tube and Tape allow a wide range of sound shaping options, from subtle warming to extreme crunch. The Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.
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