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音频插件套装Voxengo Premium Plugins 2026
VST插件格式：
VST/VST3/AAX
Voxengo Premium Plugins专业音频插件套装，包含 46 款高品质效果器。具备变色龙 GUI 技术，提供母带、环绕声及创意处理解决方案，深受格莱美获奖工程师信赖。
Voxengo 为您提供适用于 Windows 电脑的高品质 DAW 音频插件：VST 插件、AAX 插件和采样率转换器。
我们的目标是为音频和音乐制作提供用户友好、强大高效的解决方案，涵盖流媒体、母带处理和环绕声等领域。采用变色龙式 GUI 技术，让您的创作生活更加丰富多彩！
Voxengo 专业音频插件将激发您的创作灵感，并帮助您提升立体声和环绕声、音频和音乐制作的品质。众多格莱美奖得主和公告牌排行榜冠军制作人、混音师和母带工程师都曾使用 Voxengo 软件，参与制作了无数顶级音乐作品。
包含：
1. AnSpec
2. Beeper
3. BMS
4. Boogex
5. Correlometer
6. CRTIV Tape Bus
7. Crunchessor
8. CurveEQ
9. Deft Compressor
10. Drumformer
11. EBusLim
12. Elephant
13. GlissEQ
14. HarmoniEQ
15. Latency Delay
16. LF Max Punch
17. Marquis Compressor
18. Marvel GEQ
19. MSED
20. OldSkoolVerb
21. OldSkoolVerb Plus
22. OVC-128
23. Overtone GEQ
24. Peakbuster
25. PHA-979
26. Polysquasher 3
27. Powershaper
28. PrimeEQ
29. Shinechilla
30. Shumovick
31. Sobor
32. Soniformer
33. Sound Delay
34. SPAN
35. SPAN Plus
36. Spatifier
37. Stereo Touch
38. Tempo Delay
39. TEOTE
40. TEQ-421
41. TransGainer
42. Tube Amp
43. VariSaturator
44. Voxformer
45. Warmifier
46. Water Chorus
简介：
1. AnSpec
AnSpec 是一款模拟风格的频谱分析器 AAX 和 VST 插件，适用于专业音乐制作应用。 它的设计目的是为那些喜欢模拟分析仪的视觉流畅性和易用性的用户提供一个方便的视觉反馈工具。 AnSpec 还提供峰值电平指示。
AnSpec 具有可选的频带计数、视觉斜率和 “红色 “电平阈值。 您还可以更改电平表的弹道和调整插件窗口的大小。
2. 蜂鸣器
Beeper 是一款辅助音频处理 AAX 和 VST 插件，可用于在任何声音材料中插入短蜂鸣器、噪声脉冲或静音信号。 该插件可帮助您保护作品免遭未经授权的使用。 由于插件不会对插入信号之间的音频进行任何处理，因此在任何关键任务材料中使用该插件都是安全的。
您可以指定信号的持续时间、哔哔声频率、信号的响度、信号之间的间隔时间以及所有参数的随机变化量。
3. BMS
应用
2.1 低音管理
5.1 环绕声低音管理
7.1 环绕声低音管理
通过低音炮进行低频监控
BMS 是一款适用于专业环绕声应用的低音管理系统 AAX 和 VST 插件。 BMS 能够提取和处理非 LFE 声道的低频内容，最高可达 7.1 环绕声配置。
BMS 的主要目的是简化母带制作过程中对非 LFE 通道中低频内容的评估。 同时，还可以将提取的低频内容混入 LFE（”低频效果”）通道。 还可以选择从非 LFE 通道中移除提取的信号。
在 BMS 中，您可以指定所需的分频滤波器频率，并调整其陡度。
4. Boogex
应用
实时吉他处理
扬声器箱体模拟
立体声卷积处理
Boogex 是一款免费的吉他放大器 AudioUnit 和 VST 插件，具有多种音效塑造功能，适用于专业音效和音乐制作应用。 使用 Boogex 可以获得重度失真音效以及轻微的 “爵士 “饱和音效。 Boogex 还能应用任何扬声器箱脉冲响应（可选择内置脉冲）。 处理延迟接近于零，因此可以使用 Boogex 进行实时吉他处理。
Boogex 还包括输入门模块和源自 Voxengo OldSkoolVerb 混响插件的混响模块。
Boogex 能产生 “极简 “的摇滚乐音效，但在较高的过载设置下可能会有些嘈杂。
关闭 Boogex 的 “放大器 “级后，它还可用作普通的立体声卷积处理器。 卷积模块的延迟为零，对 CPU 的要求也不高。 就 Boogex 目前提供的放大器模式而言，它并不特别适合金属音乐，但仍可用作金属音乐的箱体脉冲响应处理器。
5. 相关仪
应用
多波段相关测量
相位问题检测器
跨轨道相位一致性估计
单声道兼容性检查器
Correlometer 是一款免费的模拟式立体声多波段相关性测量仪、AAX 和 VST 插件，适用于专业音乐制作应用。 它基于 PHA-979 相位校准插件中的相关计数值。
多频段相关测量是检查混音中是否存在失相元素的高级方法。 宽带相关性测量可报告整体相位问题，但可能会误报选定频段中存在的问题，而多频段相关性测量可轻松突出显示耳朵不易听到的中高频率问题，但仍可能降低混音的清晰度。 多频段相关测量的另一个应用是通道和音轨的相位和时间对齐，特别是低音和低音鼓对、吉他话筒和 D.I. 音源对、双麦克风立体声录音等。
相关仪可显示 4 至 64 个单独的频谱带，频谱带品质因数可调，用于控制频谱带的选择性。 相关性估计器的平均时间可以调整。 Correlometer 支持侧链输入，便于在独立音轨之间进行相关性估计。
6. CRTIV 磁带总线
应用
磁带饱和效应
硬剪切效果
高频平滑效果
CRTIV Tape Bus AAX 和 VST 插件适用于专业音乐制作应用，可重现卷轴磁带音效的特征元素。 其中包括饱和度、调制噪声和涂抹效果，这些效果以给音频录音带来 “模拟 “感而著称。 该插件还应用了我们从现有磁带机中选取的脉冲响应。 非常适合中高频平滑处理。
在 CRTIV Tape Bus 中，你可以选择 4 种不同的磁带脉冲、2 种飘忽噪音模式和几种 “过载保护 “电路模式。
7. 压缩器
应用
舞曲和室内踢踏鼓处理
乐器音轨压缩器插件
人声音轨压缩器
侧链压缩器
立体声、中置、5.1 环绕声压缩器
音质纯净的压缩器
平滑的谐波增强器
Crunchessor 是一款音轨压缩器 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 它的主要优点之一是易于调整，同时可立即提供出色的音质表现。 Crunchessor 的另一个显著特点是其类似于模拟电子管的处理过程，与压缩同时进行。 这使得 Crunchessor 成为喜欢模拟压缩音效和温暖音质的音乐家和制作人的理想选择。
除此以外，Crunchessor 还为你提供了多种压缩着色风格选择，这对于压缩器来说本身就是一项非常独特的功能。 通过选择合适的样式，你可以为正在处理的声音素材添加最适合的色彩。 您还可以选择禁用着色和电子管处理，以获得中性、干净的压缩音效。
作为一款多用途压缩器，Crunchessor 可用于处理任何类型的声音素材：鼓、人声、贝斯、吉他、合成器声音等。 Crunchessor 既适用于单音轨，也适用于整个混音处理。 Crunchessor 还可接受外部侧链信号源，并允许你在对关键信号进行压缩前对其进行过滤。
8. 曲线均衡器
应用
母带均衡器插件
频谱匹配均衡器
立体声、中置、5.1 环绕声均衡器
透明均衡器
FFT 频谱分析器（类 SPAN）
自由绘制均衡器
CurveEQ 是一款花键均衡器 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 CurveEQ 通过样条线（一条平滑的曲线）向您显示您正在设计的实际滤波器响应，还能显示输出频谱，因此您可以很容易地看到均衡器对声音所做的处理。 这反过来又能让你从混音和音轨中获得最佳效果。 CurveEQ 完全满足母带制作的需要。
此外，CurveEQ 还采用了频谱匹配技术，可以将一个录音的频谱形状转移到另一个录音中。 换句话说，这可以让你 “复制 “经过时间验证的现有混音的频率平衡，从而让其他仍在制作中的混音有机会听起来更好。 这项技术对音乐母带制作也大有帮助，因为它能轻松缩小不同音轨之间在频率平衡方面的巨大差异。
CurveEQ 的滤波器可以在线性模式和最小相位模式之间切换。 CurveEQ 还具有可深度定制的频谱分析器，就像 Voxengo GlissEQ 和 SPAN 插件中的频谱分析器一样。 您还可以显示、保存和加载静态频谱图，以便进行比较和匹配。
9. Deft 压缩器
应用
母带压缩器插件
乐器音轨压缩器
声轨压缩器
侧链压缩器
立体声、中置、5.1 环绕声压缩器
透明压缩器
平滑谐波增强器
Deft Compressor 是一款音频信号压缩器 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 该压缩器的特点是能产生 “纤细 “和 “光滑 “的压缩音效，并具有增强可懂度的效果。 这种效果是通过压缩器的定时功能实现的，该功能在攻击和释放阶段都非常类似于 S 曲线（sigmoid 曲线）。 S 曲线定时功能还有助于压缩器在大多数设置下发出 “温暖 “和 “干净 “的声音。
虽然在高攻击设置下，Deft Compressor 可以用来强调音频瞬态，但如果使用低至 0.01 毫秒的攻击设置，它也可以用来 “粉碎 “音频信号。 尽管 S 形曲线是 Deft Compressor 的显著特征，但您可以通过调整 “Punch “参数将其平滑地转换为更陡峭的 L 形曲线。
Deft Compressor 还具有所谓的 “复古 “压缩模式，它产生的压缩音效让人想起模拟电子管压缩器：它能产生温暖、柔和的饱和音效，并能对输出信号进行超载。 此外，您还可以在 “前馈 “和 “反馈 “压缩模式之间切换。
Deft Compressor 可完美地用于压缩人声、鼓、吉他和其他乐器，无论是在技术上还是在创意上。 此外，它还可用于压缩混音组和完整混音。
10. 鼓成型机
应用
多频段压缩器/扩展器插件
谐波增强器和激励器插件
特殊饱和效果
侧链压缩器
立体声、中置、5.1 环绕声插件
鼓麦克风出血衰减
噪音门
吉他过载
Drumformer 是一款多频段鼓和主音轨动态处理 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 Drumformer 的设计宗旨是为最广泛的声音处理任务提供全面的解决方案，让您可以轻松实现几乎所有的动态处理想法。
Drumformer 可在宽带、2 波段和 3 波段模式下运行，每个波段都有压缩器-扩展器和饱和模块。 压缩器的声音可以被定义为 “乒乒乓乓的胶水声”，因为它能立即产生 “紧密粘合 “的声音，同时巧妙地强调瞬态。 饱和模块有六种饱和模式可供选择，每种模式都具有平滑的声音和不同的谐波含量。
Drumformer 具有一个精确的门模块，声音圆润，控制多样，在处理多伴奏鼓时非常有用。 内置参数均衡器及其频谱分析器也会派上用场。 插件中的 “Clipper “模块可以让你获得艺术化的主输出削波效果。
Drumformer 将积极增强你的专业工具集，帮助你更快地制作出更好的录音。
11. EBusLim
应用
主干、子混音、总线峰值限制器插件
音轨、鼓总线压缩器插件
语音流限制器插件
母带峰值限制器
响度最大化器
立体声、5.1 环绕声母带限制器
EBusLim 是一款砖墙峰值限制器和响度最大化器 AAX 和 VST 插件，适用于专业流媒体、声音和音乐制作应用。 EBusLim 实现了基于 EL-4 的单一限制器模式，该模式最初是在 Elephant 母带限制器插件中设计的。 该模式适用于总线、鼓总线、主总线和音轨处理。 EBusLim 背后的设计理念是制作一个极其简单易用且高效的限幅器。
由于 EBusLim 只具有单一的处理模式，因此处理延迟降低到了 0.5 毫秒，从而可以在立体声和多通道实时应用中将此限制器用作主母线过载保护器。
12. 大象
应用
母带峰值限制器插件
主干、副混音、鼓母线压缩器插件
响度最大化器
立体声、5.1 环绕声母带限制器
带噪声整形的 TPDF 颤振器
直流偏移去除滤波器
EBU R128、K 系统电平表
Voxengo Elephant 是一款适用于专业音响和音乐制作应用的母带限制器 AAX 和 VST 插件。 这款信号限制器最突出的特点是其音质透明。 Elephant 可实现声音限制和响度最大化，而不会产生明显的 “模糊 “和 “抽水 “音效。
Elephant 是一款极具竞争力的母带处理应用插件：它拥有多种可深度定制的限制器模式，以及一套全面的电平测量工具，包括净空估计、EBU R128 和 K 系统测量。 Elephant 内置的线性相位过采样是实现高质量峰值限制和响度最大化的重要因素，不会出现采样间过冲（真峰值限制）。
大象限幅器可用于任何标准采样率的立体声和多声道音乐和声音材料的混音和母带制作。 限制过程可通过增益降低表和实时波形图直观显示。
此外，Elephant 还具有直流偏移滤波器和高质量比特深度转换器，并可选配噪声整形功能，让您的音乐和音频制作更加完美！
13. GlissEQ
应用
音轨均衡器插件
母带均衡器插件
立体声、中置、5.1 环绕声均衡器
动态均衡器
FFT 频谱分析器（类似 SPAN）
多轨频谱比较
透明均衡器
平滑谐波增强器
GlissEQ 是一款参数均衡器 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 GlissEQ 最有趣、最独特的功能是其滤波器的动态行为。
要了解动态滤波器，我们首先要重新说明一下普通均衡器可能显而易见的一点：你总是能得到你所设置的东西。 换句话说，当你指定在 100 Hz 处增强 6 dB 时，你将在 100 Hz 处得到精确的 6 dB 增强。
但 GlissEQ 不同。 当您指定在 100 Hz 处增强 6 dB 时，并不一定会获得 6 dB 的增益。 相反，滤波器的有效增益会根据节目素材进行动态调整。 这就是我们所说的动态滤波，也是 GlissEQ 的关键所在。
您应该注意到这些立竿见影的好处：使用 GlissEQ 提升高音往往能避免过载的疲劳效应。 而增强低音则可避免让声音听起来浑浊。 相反，你可以获得令人愉悦的瞬态强调，为音轨带来生命力和立体感。 简而言之，GlissEQ 滤波器的 “动态行为 “能在混音和母带处理过程中助你一臂之力。
除了动态滤波器，GlissEQ 还具有实时频谱分析器。 音轨的频谱可以导出到 GlissEQ 的任何其他实例中，从而实现音轨间的实时频谱比较。 这有助于释放一个音轨上的频率范围，让另一个音轨上占用相同频率的乐器得以呼吸。
14. HarmoniEQ
应用
母带均衡器插件
立体声、中置、5.1 环绕声均衡器
动态均衡器
FFT 频谱分析器（类似 SPAN）
谐波增强器
“特色 “均衡器
“电子管均衡器
经典灯管增强器
HarmoniEQ 是一款参数化谐波增强均衡器 AAX 和 VST 插件，适用于专业音乐制作应用。 HarmoniEQ 应用于声音的谐波增强是其整体音质的固有元素。 HarmoniEQ 还具有动态均衡模式，可为您提供大量适合母带制作的声音塑造功能。 此外，HarmoniEQ 还具有原创 “Lampthruster “算法的饱和模块，能产生独特、有冲击力的声音特性。
在制作这款插件时，我们的目标之一就是方便调整，因此 HarmoniEQ 采用了单一控制面来指定均衡器曲线。 HarmoniEQ 的控制面板工作流程实现了我们在 “用户-均衡器 “互动领域的最佳发现。 只需将滤波器控制点拖到合适的位置即可。 您最多可以启用 7 个参数滤波器，滤波器类型可从峰值、低架、高架、低通、高通和陷波滤波器类型中自由选择。
HarmoniEQ 的另一个有用元素是其控制面板的频率范围高达 38 kHz。 如此宽广的频率范围可以让你轻松实现平滑的 “空气 “增强。 虽然 HarmoniEQ 最适合用于增强，但它的削减效果也很不错。
15. 延迟延时
Latency Delay 是一款辅助的 AAX 和 VST 音频插件，可用于补偿由任何音频插件、乐器和处理过程产生的延迟，这些延迟不会报告给音频主机应用程序。 延迟延迟本身会引入 10000 个采样点的延迟，并将音频信号延迟 10000 减去指定的采样点数或毫秒数，从而消除未报告的延迟。 请注意，音频主机应用程序本身应支持延迟补偿，这样该插件才能正常工作。
16. LF 最大冲孔
应用
低音动态增强器
次谐波合成器
低音饱和器和谐波增强器
立体声、中置、5.1 环绕声插件
Voxengo LF Max Punch 是一款专业音频效果器 AAX 和 VST 插件，适用于需要低频砰砰声和重击声的音乐和音效。 LF Max Punch 是专为严肃的现代音乐制作人设计的低频效果，为他们提供方便的工具，为音轨和音效带来平滑的冲击力和 “震撼力”。
LF Max Punch 插件可动态强调选定的低频频段，在其上应用平滑的饱和度，并产生额外的次谐波内容，还能将其与原始低频频段的声音融合在一起。 然后，还可以对产生的低频声音进行压缩。 LF Max Punch 首先将宽频信号分成低频和高频两个频段，然后仅对低频频段应用上述效果。
这种效果可应用于多种声音素材：鼓音轨、低音音轨、现代音乐混音：说唱、嘻哈、恍惚、俱乐部音乐；摇滚音乐也能受益于 LF Max Punch 的低频增强效果。
17. 侯爵压缩器
应用
音轨压缩器插件
母带压缩器插件
有 “特色 “的压缩器
立体声、中置、5.1 环绕声压缩器
侧链压缩器
门/向下扩展器
去噪器
谐波激励器/饱和器
Marquis Compressor 是一款 “通用 “压缩器 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 这款压缩器的压缩性能非常流畅，音色和谐丰富，适合混音和母带处理。 作为一款 “通用 “压缩器，它可用于各种声音素材：单独音轨、音源和混音，产生 “干净 “或 “彩色 “的声音。
Marquis 压缩器插件是围绕一个电子管三极管模型级联放大器制作的。 在低驱动力设置下，级联会产生轻微的谐波色彩，而在较高驱动力设置下，则会产生强烈的电子管饱和度，非常适合鼓、贝斯和人声。 在中等驱动力设置下，级联可为混音增添悦耳的沙沙声。
Marquis Compressor 采用独特的 “圆形 “信号电平检测算法，可产生非常开阔、有力的压缩音效，并具有令人印象深刻的瞬态响应。 此外，Marquis Compressor 还提供经典的反馈（光电）压缩模式，可切换为更常见的前馈压缩模式。
Marquis Compressor 有 3 种独特的压缩算法，其中一种（T3）以经典模拟压缩器为模型。 此外，还提供门算法，可有效减少鼓声音轨中的鼓声渗漏。
18. Marvel GEQ
应用
音轨图形均衡器插件
语音流均衡器插件
母带图形均衡器
立体声、中置、5.1 环绕声均衡器
透明图形均衡器
Marvel GEQ 是一款免费的线性相位 16 段图形均衡器、AAX 和 VST 插件，支持多通道操作（最多支持 8 个输入/输出通道，取决于音频主机应用程序），适用于专业音乐制作应用。 Marvel GEQ 具有广泛的内部通道路由功能，并支持中间/侧边通道处理。
Marvel GEQ 允许音频工程师和音乐家对音轨和完整混音快速应用均衡器调整。 Marvel GEQ 提供的线性相位滤波功能适用于要求高质量和出色音质的均衡任务。
19. MSED
应用
中端编码器/解码器
中端立体声加宽器
立体成像
立体声通道交换器
180 度通道相位翻转器
立体声相关性和平衡表
独特的 “等离子 “矢量范围
MSED 是一款用于中间处理的专业音频编码器-解码器 AAX 和 VST 插件，它能将输入的立体声信号编码（分割）为两部分：中间信号对，反之亦然：将中间信号对解码为立体声信号。
MSED 还能在 “内联 “模式下工作，无需依次使用两个插件实例，即可调整中置和侧置通道的增益和平移。
MSED 可用于将中间和侧边通道的相位翻转 180 度，交换立体声通道，以及提取中间或侧边通道。
MSED 具有 “等离子 “矢量范围、立体声相关性和平衡度量表，可以更轻松地监测音频信号中的立体声信息。
20. OldSkoolVerb
应用
室内混响
板式混响
声音流混响插件
OldSkoolVerb 是一款免费的算法混响 AAX 和 VST 插件，适用于专业流媒体、声音和音乐制作应用。 该插件采用了一种 “经典 “的立体声混响算法，技术简单，但效果最佳。 它能产生非常清晰的空间图像，与混音效果完美融合。
OldSkoolVerb 提供了一套全面的参数，可实现从平板混响、房间混响到大厅混响的各种混响效果。 OldSkoolVerb 最适合人声、钢琴和垫子音效等非撞击音效和软攻击音效。 不过，窄范围的 “板式 “设置可用于打击乐，效果也不错。
21. OldSkoolVerb Plus
应用
板式混响
室内混响
大厅混响
立体声混响
OldSkoolVerb Plus 是一款算法混响 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 该插件是免费 OldSkoolVerb 插件的扩展版本。 OldSkoolVerb Plus 插件实现了一种 “经典 “的立体声混响算法，技术上简单而优化。 它能产生非常清晰的空间图像，与混音效果完美融合。
OldSkoolVerb Plus 提供了一套全面的参数，可实现从板式混响、室内混响到大厅混响的各种混响效果。 OldSkoolVerb Plus 适合各种音效：打击乐、硬音效（如鼓和吉他）以及软音效（如人声、钢琴和垫子音效）。
与免费的 OldSkoolVerb 插件相比，Plus 版本增加了一个空间化模块，可对混响的空间图像进行额外控制，并大大增加了混响的密度。 不过，声音可能会带有 “共振 “或 “金属 “边缘。
22. OVC-128
应用
EDM 制作
鼓总线削波
主母线削波
软过载/饱和
OVC-128 是一款大规模过采样软/硬剪切效果器，适用于专业音乐制作应用的 AAX 和 VST 插件。 该插件的一个常见用途是在最终母带限制器之前进行硬剪辑。 在现代电子音乐中，这是一种有效的方法，即使用剪辑插件提高响度，而过高的轻微峰值则由最终峰值限制器吸收，该限制器本身不应用额外的增益。
通过 OVC-128 对音轨进行削波，实际上与使用高品质外置模拟设备进行削波类似。 在 44.1kHz 的源采样率下，OVC-128 的内部音频采样率高达 5.6 MHz！
OVC-128 与 Voxengo Elephant 母带限幅器在 “EL-C “或 “EL INS “模式下的完美组合，可用于现代电子音乐制作。 这种组合既能产生能量，又能保持平稳。
需要注意的是，OVC-128 是一款对 CPU 要求较高的特效插件，需要高端处理器才能轻松使用。 在单个音轨上执行 128 倍过采样削波的计算量与在 1000 个音轨上执行简单削波的计算量相似。
23. 泛音 GEQ
应用
图形均衡器插件
语音流均衡器插件
立体声、中置、5.1 环绕声均衡器
平滑谐波增强器
Overtone GEQ 是一款免费的 7 波段谐波（泛音）图形均衡器、AAX 和 VST 插件，支持多通道操作（最多支持 8 个输入/输出通道，取决于音频主机应用程序）。 Overtone GEQ 具有广泛的内部通道路由功能，并支持中间/侧边通道处理。
除均衡外，Overtone GEQ 还能进行谐波增强：它使用 7 个谐波增强模块，每个均衡频段一个。 这将产生一种复杂的谐波色彩，你可能会非常喜欢。
Overtone GEQ 的设计目的是让音频工程师在快速调整均衡器形状的同时，还能为音频素材（主要是混音和子混音，因为这种均衡器对 CPU 的负载相对较高）增加一些丰富的谐波。
24. 峰值克星
应用
瞬态增强器（M1 模式）
瞬态降低/消除（M3 模式）
共振平滑器（M3 模式）
频谱压缩器 FX（FX1 模式）
谐波增强器
Peakbuster 是一款瞬态（攻击相位）增强、共振平滑和谐波增强、AAX 和 VST 插件，适用于专业音乐和声音制作应用。 Peakbuster 是一款多频段瞬态增强器效果插件，采用先进的自动算法。 Peakbuster 在竞争中脱颖而出，即使在全频谱主母线上也能始终保持自然的音效。 效果的强弱取决于所处理的素材：算法能巧妙地分析所处理声音的动态，并以 “恰到好处 “的数量进行增强或削减。 此外，该算法的反应速度非常 “快”，使其调整听起来 “流畅 “而不 “杂乱无章”。
低频和高频的效果量可以单独选择：这使得 Peakbuster 可以用于各种节目素材，包括完整的混音和单独的音轨。
此外，由于算法设计的性质，Peakbuster 还能应用独特的谐波色彩或增强效果：因此，即使增益调节表在给定时间内只显示最小的增益调节量，插件仍能以一种对某些工程师来说听起来 “完全是另一个层次 “的方式改变被处理的声音；我们 Voxengo 称其为 “超越电子管的温暖”。
除了瞬态增强（M1 模式）和共振平滑（M3 模式）外，Peakbuster 还具有 “FX1 “模式，该模式可用作 “频谱压缩器 “效果，可对低音和人声等个别音轨进行独特的转换，使其 “脱颖而出”。 M3 “模式提供了一种瞬态减弱模式，具有非常透明的 “去声”、”平滑 “和 “抛光 “效果。
25. PHA-979
应用
轨道相位固定器
轨道时间转换器
相位旋转器
中侧立体声扩宽器
立体声平移器
立体声平衡计
多频段相关分析器
PHA-979 是一款专业音频 AAX 和 VST 插件，可对声音材料应用任意相移（旋转）。 这里所说的相移是指在信号的有效频率范围内，所有频率同时按给定的度数旋转。 这是通过线性相位设计实现的。
PHA-979 在混音过程中非常有用，尤其是在处理通过麦克风阵列录制的声音材料时。 在许多情况下，您可以通过它解决由于跟踪过程中选择的麦克风位置而产生的各种相位问题。 在其他情况下，这个过程可以帮助你将鼓和其他乐器相互对齐，带来普通时间对齐无法实现的冲击力和时间连贯性。
除了相位移动外，PHA-979 还具有正负时间延迟功能，在对任何一组录制音轨进行时间对齐时，无需在音序器中移动音轨中的事件。 PHA-979 还提供中/侧声道平衡和平移控制，允许您将立体声麦克风对录制到单个立体声音轨中，而无需采用双单声道录制（在不同的音轨上），这在进一步编辑时通常会变得非常耗时。
PHA-979 具有多频段模拟式相关表，大大简化了相位和时间对准过程。 此外，您还可以使用 PHA-979 提供的功能设置耳机监听，使其更接近立体声扬声器监听产生的声场。
26. Polysquasher 3
应用
母带压缩器插件
立体声、中置、5.1 环绕声压缩器
透明压缩器
Voxengo Polysquasher 是一款母带压缩器 AAX 和 VST 插件，适用于专业音响和音乐制作应用。 Polysquasher 设计的主要目标是：透明。 透明的压缩效果是任何母带压缩器的基石。 音频信号处理的透明性是保留混音中所有现有元素的必要条件，而压缩本身则是使混音听起来与其他混音（音轨）一致，并使其听起来更加坚实和 “粘合 “的必要条件。
Polysquasher 采用独特的压缩算法，只需少量参数（基本上只有阈值和比率）即可实现目标，因此这款压缩器使用起来非常方便。 更多高级设置隐藏在 “压缩器模式编辑器 “面板中，你可以在这里创建自己的压缩器模式，方便日后调用。
Polysquasher 压缩器最适合作为终结压缩器使用，插入到最终母带限制器之前的压缩链中。
Polysquasher 还具有实时增益降低和波形图功能。 支持完整的多通道操作。
27. Powershaper
应用
饱和效果
极度超载
混音饱和器
临场感增强器
Powershaper 是一款饱和、失真和过载效果、AAX 和 VST 插件，适用于专业音乐制作应用。 Powershaper 的饱和方法非常独特，它以多级方式工作，在特定变化中使用数十个饱和级。 Powershaper 设计用于应用极端饱和度，但也可用于巧妙地增强音轨的存在感。
这款饱和器插件的灵活性在对鼓声应用饱和度时体现得淋漓尽致：它可以通过拨号设置保留甚至延长鼓声的冲击力，同时应用强烈的悦耳色彩和临场效果。
Powershaper 可用于对人声、鼓声、贝斯、吉他、合成器和混音等各种声音应用饱和度，效果良好。 不过，这种效果对 CPU 的要求很高，尤其是在连续改变参数时，需要更高端的处理器才能轻松使用。
28. PrimeEQ
应用
音轨均衡器插件
语音流均衡器插件
母带均衡器
立体声、5.1 环绕声均衡器
FFT 频谱分析器（类似 SPAN）
透明均衡器
PrimeEQ 是一款参数均衡器、AAX 和 VST 插件，适用于专业音响和音乐制作应用。 PrimeEQ 的设计初衷是，当需要对音轨或混音进行均衡时，它可以成为第一个均衡器：只需插入插件，将控制点放到并拖动到所需位置即可。
PrimeEQ 采用了极为优化的用户界面。 它具有创新的 “差值 “显示功能，可显示所选滤波器对整体均衡器形状的确切贡献。 所有控制点都位于整体均衡器形状上，因此使用该均衡器的工作流程快速而高效。 在这方面，PrimeEQ 与 CurveEQ 相似，但 PrimeEQ 使用独立的参数滤波器，而不是连续的均衡曲线。
PrimeEQ 具有可深度定制的频谱分析器，其质量与 SPAN、GlissEQ 和其他 Voxengo 插件相同。
29. Shinechilla
应用
强烈的和声色彩
彻底改变音色
频谱饱和度
音效设计
立体声、中置、5.1 环绕声插件
Voxengo Shinechilla 是一款实验性创意音效 AAX 和 VST 插件，适用于专业音效和音乐制作应用。 通过 Shinechilla，您可以生成二次、三次和四次谐波，并将其与原始的干声音混合在一起。 Shinechilla 提供的谐波生成过程在插件市场上非常独特，因为它几乎不会产生互调失真。
Shinechilla 主要用于独奏乐器处理，它能产生令人信服的、饱满的谐波色彩，”闪耀 “不凡。 Shinechilla 的独特之处还在于，它能在声音的顶部添加谐波色彩，而不是扭曲整个声音。 不过，也可以选择使整个声音饱和。
Shinechilla 添加的谐波色彩强度可以在整个频率范围内针对每个谐波进行灵活调整。 总的来说，Shinechilla 是当代电子音乐制作人和音效设计师寻找令人印象深刻的音色和音效的绝佳工具。
30. 舒莫维克
应用
电子音乐制作
让合成器音效不再无声无息
为音效增添复古气息
微妙的立体拓宽效果
适用于专业音乐制作应用的 Shumovick、AAX 和 VST 插件可产生创造性的动态噪音填充效果。 这种效果对电子音乐制作中使用的节拍和合成音效最为有效： EDM、嘻哈音乐等。 该插件产生的噪音填充效果与被处理声音的频谱内容相关。
因此，在节拍上，它能产生圆润的噪音爆破，使低音鼓的声音变得更加柔和，并具有一定的立体声场增强效果。 另一方面，在合成器中，这种噪音填充效果可以增强声音的力量和密度。 舒莫维克在无声低音方面也很有效，它可以增加一些 “枕状 “噪音背景。 在实践中，舒莫维克还可用于原声鼓总线，为其增添 “复古 “感和侵略性。 当在全混音中轻度使用时，Shumovick 可以为声音增添轻微的 “复古 “感，使其略显粗糙，并增添立体拓宽效果：这自然会让人联想到卷盘式磁带和黑胶唱片的声音效果。
Shumovick 是一款对 CPU 要求较高的特效插件，因此需要较高端的电脑处理器才能轻松使用。 不过，可以通过调整插件的处理带数来降低对 CPU 的要求。
31. 索博
应用
自然的混响效果
“真实立体声 “混响
语音流混响插件
主混响
人声/吉他/合成器/鼓混响
低音吉他混响
Sobor 是一款立体声混响效果、AAX 和 VST 插件，适用于专业音乐制作应用。 该混响插件提供了广泛的混响空间，只需极少的操作即可获得有用的效果。 该混响器产生的尾音非常密集，能产生明确的空间感。 由于混响采用的是一种 “真实立体声 “算法，因此平移后的声音可以获得良好的立体声场。 我们相信，Sobor 可以提供市场上最丰富、最宽广的混响尾音。
除了在中型和大型空间设置下产生闪亮的混响音效外，Sobor 在超小型空间设置下也同样出色，甚至能在 100% 湿设置下模仿吉他箱体音效。 Sobor 甚至可以用来 “重塑 “低音吉他音色，效果非常自然。
早期反射的位置和混响电平是根据 “大小 “和 “环境 “参数的预定义模型自动选择的。 此外，用户还可以指定 “预延时 “和 “立体声宽度 “参数。 从技术上讲，Sobor 是基于哈达玛矩阵的反馈延迟网络（FDN），并使用了自调制技术。
Sobor 适用于任何音源：人声、吉他、合成器、鼓、混音。 这种混响效果对 CPU 的要求相对较高：要使用得舒适，需要更高端的处理器。
32. Soniformer
应用
光谱母带动态插件
光谱中侧立体增宽器
光谱立体平移器
共振驯服插件
光谱去噪器
恢复辅助插件
立体声，中端，5.1动态插件
模拟式频谱分析仪
Soniformer是一个频谱掌握动态处理器AAX，和VST插件的专业音乐制作应用程序。 在其操作过程中，Soniformer将传入的声音信号分成多个频谱带。 这使得Soniformer成为用于母版制作和声音恢复目的的强大而精确的工具。
Soniformer中的每个参数都是通过一个图形包络来定义的，该包络可以自由修改，并且可以包含任何数量的控制点。 除了通常的阈值、攻击、释放和压缩/扩展比参数外，Soniformer还提供了对“立体声宽度”和“平移”参数的控制，使Soniformer成为立体声场调整的有效工具。
Soniformer不仅为您提供了一个易于使用的参数包络编辑界面，还提供了一套全面的光谱测量工具：您可以在输入、输出、立体相关和立体平衡光谱之间切换。 频谱增益变化表（始终显示在用户界面上）为您提供插件处理链应用的整体信号功率变化的概述。
33. 声音延迟
Sound Delay是一款辅助多声道信号延迟的AAX和VST插件，适用于专业声音和音乐制作应用。 您可以以毫秒和采样为单位指定延迟时间，并具有高精度。 这个插件-在其目的是技术-只提供一个基本的信号延迟功能，没有信号反馈或调制功能。
声音延迟还具有内部中间/侧编码和解码，并允许您延迟中间和侧通道独立。
34. 跨度
应用
FFT频谱分析仪
立体声、中侧、环绕声频谱分析仪
立体相关计
EBU R128，K系统仪表
RMS、真峰值电平和限幅检测器
SPAN是一款免费的实时“快速傅立叶变换”（FFT）音频频谱分析仪AAX和VST插件，适用于专业声音和音乐制作应用。
SPAN为您提供了一个非常灵活的“模式”系统，您可以使用它来设置频谱分析仪的首选项。 您可以指定样本中的傅立叶块大小，FFT窗口重叠百分比，频谱的视觉斜率。 除此之外，您还可以选择显示所需类型的二级光谱（例如，实时最大值、历史最大值）。 光谱可以在视觉上平滑，便于检查。
SPAN支持多通道分析，可设置为同时显示两个不同通道或通道组的频谱。 光谱的颜色可以选择的味道。
SPAN还具有可调弹道和积分时间的输出电平计量，EBU R128，K系统计量（包括校准K系统计量）。 SPAN显示电平测量统计、净空估计和真正的削峰检测。 相关计量也是可用的。
35. SPAN Plus
应用
FFT频谱分析仪
立体声、中侧、环绕声频谱分析仪
立体相关计
多道谱比对
PNG光谱快照保存
宽谱显示
EBU R128，K系统仪表
RMS、真峰值电平和限幅检测器
SPAN Plus是一款实时“快速傅立叶变换”（FFT）音频频谱分析仪AAX和VST插件，适用于专业音乐和音频制作应用。
SPAN Plus是免费软件SPAN插件的扩展版本：SPAN Plus提供了几个额外的功能，如PNG文件导出，实时光谱导入/导出用于多轨光谱比较，静态光谱显示和“宽”显示模式。
SPAN Plus为您提供了一个非常灵活的“模式”系统，您可以使用它来设置频谱分析仪的首选项。 您可以指定样本中的傅立叶块大小，FFT窗口重叠百分比，频谱的视觉斜率。 除此之外，您还可以选择显示所需类型的二级光谱（例如，实时最大值、历史最大值）。 光谱可以在视觉上平滑，便于检查。
除了多轨频谱比较，SPAN Plus还支持多通道分析，可设置为同时显示两个不同通道或通道组的频谱。 光谱的颜色可以选择的味道。
SPAN Plus还具有可调弹道和积分时间的输出电平计量、EBU R128、K系统计量（包括校准K系统计量）。 SPAN Plus显示电平测量统计、净空估计和削波检测。 相关计量也是可用的。
36. 分隔符
应用
空间增强
单声道到立体声转换
Spatifier是一个“单声道到立体声”的空间增强效果AAX和VST插件，用于专业的声音和音乐制作应用。 这个插件可以有效地用于将单声道轨道转换为空间增强的立体声轨道：它适用于干净和扭曲的吉他，合成器乐器，钢琴，风琴，后声和其他声音。 除此之外，Spatifier还可以用来“增加”混响发送的声音，并为薄而平的声音添加“身体”。
空间分离器在保留“单声道兼容性”的同时，对左右声道中的信号进行去相关。 这种去相关产生了“尽可能宽”的环绕效果。 这种效果通常可以用来代替双跟踪技术。 空间印象可以在从“在你的脸上”，直接，到更远的房间声音的范围内进行调整。
Spatifier通过首先设计一个复脉冲响应来实现其结果，然后由其内部卷积处理器使用。 脉冲响应通过图形均衡器式控件定义（可在徒手模式下使用鼠标右键进行调整）。 这使得可以单独设置每个频带的空间效果。 在许多实际情况下，空间放大器增加了大量的温暖和丰富的音色的声音被处理。
37. 立体声触摸
应用
轨道立体声增宽器
中侧立体声延迟插件
这个专业的AAX和VST音频插件实现了一个经典的技术，通过中/侧编码技术将单声道轨道转换为宽敞的立体声轨道。
立体声触摸是最有效的单声道声音没有过于尖锐的瞬变：它的作品都很好的声学和电/过驱动吉他，合成垫的声音，甚至人声。 通过这个插件，你可以很容易地得到宽敞，甚至“环绕”发声轨道，而无需利用双轨录音技术。
基本上，该插件采用单声道输入信号并生成立体声输出信号。 该插件也可以处理多声道输入信号，但在这种情况下，所有声道都被独立处理，就像它们是单独的单声道输入信号一样，然后所有产生的立体声信号被混合在一起，以产生单个立体声输出信号。
38. 速度延迟
应用
立体声延迟
乒乓立体声延迟
滤波器延迟效果
Tempo Delay是一个多功能立体声延迟AAX，和VST插件，用于专业的声音和音乐制作应用。 “Tempo Delay”（速度延迟）以速度为基础，将滤波器和颤音部分与每个立体声通道的单独控制相结合。 而不是一个单一的“延迟时间”控制，这个插件功能单独的“延迟”，“重复周期”，和“延迟平移”控制，让您创建一个均匀的声音“乒乓”立体声回声。
39. 特奥特
应用
轨道内自动均衡
当代音乐掌握
均衡导
立体声、中边、5.1环绕声处理
TEOTE是一个用于专业音乐制作应用的自动频谱平衡器、AAX和VST插件。 它被设计成一个非常有用的工具，既混合和掌握。 它会自动执行一些任务，如柔和的共振驯服、去噪、倾斜均衡，通常在混音和母带制作过程中执行。 在混音中，TEOTE在几乎任何材质上都听起来不错。
虽然根据定义，TEOTE是一种动态均衡器，但其技术仅基于多频带动态处理。 这使得TEOTE仅具有较小的相位问题，并产生与动态处理相关联的微妙的瞬变强调效果。 TEOTE试图使节目素材遵循指定的频谱配置文件，默认情况下调整为当代母版制作标准。 可以说，TEOTE“拉直”了频率响应，使进一步的调整变得容易得多;它消除了大量的重复工作。
TEOTE是AI插件吗？ 从某种意义上说，人工智能通常归结为一个“曲线拟合任务”，TEOTE是一个人工智能插件，它执行增益调整决策的数量等于每秒“采样率乘以带宽计数”。 然而，TEOTE并不使用神经网络;它是基于一个极其精确的、完全可预测的曲线拟合函数。
“TEOTE”是“那更容易戴在耳朵上”的首字母缩写。 TEOTE是一个严重的竞争者，在帮助您的音乐制作到一个新的水平！
40. 四氯硝基苯
应用
单声道均衡器
组和主总线均衡器
平滑的调和着色
声学录音EQ
TEQ-421是一个免费的均衡器AAX，和VST插件的专业音乐制作应用程序。 此均衡器仅具有三个频段（三重均衡器），在许多情况下经过微调可提供良好的效果，因此非常易于使用。 除此之外，该插件还具有内部非参数谐波着色模块（源自HarmoniEQ插件），可产生平滑的饱和度和“存在”效果。
频带的频率是经过仔细选择的，并且不可调整。 这些频率针对对声音感知影响最大的特定频谱区域。 此插件的最佳用例是均衡未处理的声音录音，这些录音通常缺乏现代低频、中频和高频的平衡。
该插件在单个轨道、组和主总线上同样有用。 它的设计是通过调整到一组不同的声源，包括人声，原声吉他，鼓，贝司和完整的混音。
41. TransGainer
应用
混合瞬态整形器
轨道瞬态整形器
瞬态处理器
立体声，中侧，5.1环绕瞬态插件
TransGainer是一款音频效果AAX和VST插件，适用于各种专业声音和音乐制作用途，实现了一种音频信号包络调整算法，该算法对瞬态而不是信号的响度水平做出反应。 该算法允许您调整音量的攻击和维持阶段的任何声音，你使用它。transGainer的设计方式，以适应所有可能的声源-无论是个别轨道或完整的混合。
在许多情况下，TransGainer可以用来代替门和扩展器插件，同时提供更好的声音和更容易的控制。 除此之外，TransGainer还可以用于音频录制恢复/重制目的和混响尾部修改，效果非常好。
TransGainer允许您为声音的瞬态阶段指定正或负增益调整。 您还可以选择瞬变和瞬变阈值电平之间的预期平均时间，以便算法为您提供最精确的结果。 随着TransGainer的帮助下，你可以通过边界从好到优秀的录音！
42. 管放大器
Tube Audio是一个免费的音频效果，AAX和VST插件，适用于专业的声音和音乐制作应用程序，适用于通常在单管前置放大器麦克风盒中使用的基于三极管的Audio。 这个插件产生的声音从一个温和的“温暖”的杂音到模糊的失真。
电子管滤波器还包括一个-6 dB/oct低通滤波器，该滤波器内置于plugin的电子管建模方程中，可用于模拟较低质量的电子管滤波器。 除此之外，管放大器具有可切换的输出饱和器级，可用于额外放大输出信号。
Tube Vectors具有所有标准Voxengo插件功能，如完整的多通道操作，通道路由，内置过采样和其他功能。
43. 可变饱和器
应用
强谐波增强子
混合饱和器
轨道饱和器
鼓形母线压缩机
立体声、中端、5.1环绕声插件
VariSaturator是一个音频效果AAX和VST插件，旨在将饱和效果应用于音频材料。 VariSaturator既可用于提高音轨的响度而不按比例增加其峰值水平，也可用于应用微妙的谐波着色，使音轨听起来更明显和抛光。
VariSaturator具有两个饱和模块，可在双频段或宽带模式下依次应用。 阀（管）饱和器模块采用非对称管处理，非常类似于高品质管放大器级联的声音。 另一个饱和模块VariSaturator功能是一个数字“波形”饱和器与反馈拓扑结构。 该模块应用平滑饱和，可以放大信号电平并应用所需的谐波着色。 如果你有一些“闷响”的轨道在混合，需要通过混合更好地削减，VariSaturator将帮助你在这种情况下很容易。
VariSaturator可用于各种音频处理情况：您可以将其应用于鼓，低音和声乐曲目，子混音，当然还有完整的混音。
44. Voxformer
应用
声道压缩器插件
语音流压缩器插件
仪表轨道压缩机
轨道均衡器
存在增强器
轨道饱和器
德埃塞尔
噪声（去呼吸）门
通道条
立体声、中端、5.1环绕声插件
Voxformer是一个多功能的声乐通道条AAX，和VST插件的专业音频应用程序。 Voxformer结合了几个专业的高质量处理模块，旨在成为一个全面的解决方案，满足您所有的声音处理需求-无论是口语还是演唱。
Voxformer最酷的功能是它的单旋钮声乐压缩器。 只需一个旋钮，您就可以立即获得紧凑、开放、明确的专业人声，并具有出色的清晰度。 您不必担心公比和补偿增益控制，因为它们是由高级压缩算法自动选择的，而攻击和释放参数则存储在模式预设中。 此外，Voxformer具有两个这种类型的压缩器，允许您应用双波段或两阶段（串行）声乐压缩。
Voxformer还具有可选择中心频率和阈值的de-esser。 多波段噪声门是可用的，它以类似于压缩机的方式，旨在方便调谐，同时提供出色的声音效果。 对于那些喜欢饱和人声的人来说，Voxformer实现了一个特殊的模块，可以应用平滑的饱和度。 Voxformer提供的另一个有用的功能是存在增强模块，您可以使用它来为人声添加一些光泽和空间。
最后，Voxformer为您提供灵活、易于操作的5波段参数均衡器（前/后可选），并带有实时输出级快速傅里叶变换（FFT）频谱分析仪显示屏。 在大多数情况下，Voxformer可用于处理人声之外的各种乐器。
45. 温米菲耶
应用
管温效应
电子管前置放大器模拟器
控制台着色模拟器
平滑谐波增强器
立体声，5.1环绕管插件
Warmifier是一个特殊的音频效果，AAX和VST插件，用于专业的声音和音乐制作应用程序，以类似于模拟管设备的方式处理音频信号。 通过使用Warmifier，您可以实现模拟“变暖”和“控制台”着色效果。
Warmifier既适用于完整的混音，也适用于单独的乐器音轨。 您可以使用多个参数来控制效果的强度和颜色。 此外，您有几种管类型可供选择。 每种管类型提供不同的整体颜色。
虽然这个插件的效果肯定是微妙的，但它所带来的差异类似于各种模拟混音控制台之间的声音差异。 在大多数情况下，它归结为添加一个微妙的“火花”，“存在”，“温暖”，或“凝固”的效果，以音轨的插件被应用。
46. 水上合唱团
应用
经典立体声合唱效果器
法兰合唱效果
立体声增宽效应
特殊音效
Water Chorus是一个立体声合唱效果AAX和VST插件，用于专业声音和音乐制作应用程序。 水合唱团能够产生立体声扩大和奇怪的“水”调制效果，可能与镶边盛传。
Water Chorus插件为每个通道使用4个操作符，从而创建一个相当密集的立体声合唱声音，这也是非常顺利的。
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Voxengo offers you high-quality DAW audio plugins: VST plugins, AAX plugins,and sample rate converters, for Windows computers.
Our goal is to provide user-happy, robust and efficient solutions for audio and music production, including streaming, mastering, and surround sound. Featuring chameleon GUI tech: more colors in life!
Voxengo professional audio plugins will empower your creativity and help improve the quality of your stereo and surround sound, audio and music production. Voxengo software was purchased by numerous Grammy-winning and Billboard top producers, mixing, and mastering engineers who took part in the production of countless top musical acts.
Inclusion:
1. AnSpec
2. Beeper
3. BMS
4. Boogex
5. Correlometer
6. CRTIV Tape Bus
7. Crunchessor
8. CurveEQ
9. Deft Compressor
10. Drumformer
11. EBusLim
12. Elephant
13. GlissEQ
14. HarmoniEQ
15. Latency Delay
16. LF Max Punch
17. Marquis Compressor
18. Marvel GEQ
19. MSED
20. OldSkoolVerb
21. OldSkoolVerb Plus
22. OVC-128
23. Overtone GEQ
24. Peakbuster
25. PHA-979
26. Polysquasher 3
27. Powershaper
28. PrimeEQ
29. Shinechilla
30. Shumovick
31. Sobor
32. Soniformer
33. Sound Delay
34. SPAN
35. SPAN Plus
36. Spatifier
37. Stereo Touch
38. Tempo Delay
39. TEOTE
40. TEQ-421
41. TransGainer
42. Tube Amp
43. VariSaturator
44. Voxformer
45. Warmifier
46. Water Chorus
简介：
1. AnSpec
AnSpec is an analog-style spectrum analyzer AAX and VST plugin for professional music production applications. It was designed to be a handy visual feedback tool for those who like visual smoothness and easiness of use of analog analyzers. AnSpec also provides peak level indication.
AnSpec features a selectable band count, visual slope, and “red” level threshold. You can also change level meter ballistics and resize plug-in’s window.
2. Beeper
Beeper is an auxiliary audio processing AAX and VST plugin which you can use to insert short beep, noise burst, or silence signals to any sound material. This plugin may help you protect your work from an unauthorized use. It is safe to apply this plugin to any mission-critical material because the plugin does not perform any processing over the audio between the inserted signals.
You can specify signal’s duration, beep frequency, signal’s loudness, period between signals, and the amount of random variation of all parameters.
3. BMS
Applications
2.1 bass management
5.1 surround bass management
7.1 surround bass management
Low-freq monitoring through subwoofer
BMS is a bass management system AAX and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations.
The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available.
In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.
4. Boogex
Applications
Real-time guitar processing
Speaker cabinet simulation
Stereo convolution processing
Boogex is a free guitar amplifier AudioUnit and VST plugin with a variety of sound shaping features, for professional sound and music production applications. With Boogex it is possible to get a heavy distorted sound as well as slight “jazzy” saturation sound. Boogex is also able to apply any speaker cabinet impulse response (selection of built-in impulses is available). The processing latency is close to zero making it possible to use Boogex for real-time guitar processing.
Boogex also includes the input gate module, and reverberation module derived from Voxengo OldSkoolVerb reverb plugin.
Boogex produces a nice “minimalist” rock music-geared sound which may be a bit noisy at higher overdrive settings; higher frequencies can be easily suppressed with its built-in Emphasis EQ.
Boogex can be also used as a plain stereo convolution processor when its “Amp” stage is turned off. The convolution module has zero latency and is not CPU-demanding. With the amp modes Boogex currently provides, it is not particularly well-suited for metal music, but can still be used as a cabinet impulse response processor for metal music.
5. Correlometer
Applications
Multi-band correlation metering
Phase issues detector
Cross-track phase coherency estimation
Mono-compatibility checker
Correlometer is a free analog-style stereo multi-band correlation meter, AAX, and VST plugin for professional music production applications. It is based on correlation meter found in PHA-979 phase-alignment plugin.
Multi-band correlation metering is an advanced way to check for presence of out-of-phase elements in the mix. Broadband correlation metering reports overall phase issues and may misrepresent problems present in select spectral bands, while multi-band correlation meter easily highlights problems present in mid to high frequencies that are not easily heard by ear, but may still reduce clarity of the mix. Another application of multi-band correlation metering is phase- and time-aligning of channels and tracks, especially bass and bass-drum pairs, guitar mic and D.I. source pairs, two-microphone stereo recordings, etc.
Correlometer can display 4 to 64 individual spectral bands, with adjustable band quality factor that controls the degree of band’s selectivity. Averaging time of correlation estimator can be adjusted. Correlometer supports side-chain inputs for easy correlation estimation between separate audio tracks.
6. CRTIV Tape Bus
Applications
Tape saturation effect
Hardclipper
High-frequency smoothing effect
CRTIV Tape Bus AAX, and VST plugin for professional music production applications recreates characteristic elements of the reel-to-reel tape sound. This includes saturation, modulation noise, and smearing effects which are known for the “analog” feel they bring to audio recordings. This plugin also applies a selected impulse response taken by us from the existing tape machines. Great for mid-high frequency smoothing.
In CRTIV Tape Bus you can choose between 4 distinct tape impulses, 2 flutter noise modes, and several “overload protection” circuitry modes.
7. Crunchessor
Applications
Dance and house kick drum processing
Instrumental track compressor
Vocal track compressor
Side-chain compressor
Stereo, mid-side, 5.1 surround compressor
Clean-sounding compressor
Smooth harmonic enhancer
Crunchessor is a track compressor AAX, and VST plugin for professional sound and music production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its analog tube-alike processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of analog compression sound and its warmness.
Beside this, Crunchessor offers you a selection of compression coloration styles, by itself a pretty unique feature for a compressor. By choosing an appropriate style, you can add the coloration most suitable for the sound material you are working with. As an option, you can disable both coloration and tube processing to get a neutral and clean compression sound.
Being a multi-purpose compressor, Crunchessor can be used for any kind of sound material: drums, vocals, bass, guitars, synth sounds, etc. Crunchessor can be suitable both for single track and whole mix processing. Crunchessor also accepts external side-chain source signals and allows you to filter the key signal before it is used for compression.
8. CurveEQ
Applications
Mastering equalizer
Spectrum matching equalizer
Stereo, mid-side, 5.1 surround equalizer
Transparent equalizer
FFT spectrum analyzer (SPAN-like)
Free-hand drawing equalizer
CurveEQ is a spline equalizer AAX, and VST plugin for professional sound and music production applications. CurveEQ shows you the actual filter response you are designing by means of a spline (a smooth curvy line), plus it displays the output spectrum, so you can readily see what the EQ is doing with the sound. This, in turn, allows you to get the best from your mix and your tracks. CurveEQ perfectly suits the needs of mastering.
Additionally, CurveEQ implements spectrum matching technology that allows you to transfer spectrum’s shape of one recording to another. In other words, this allows you to “copy” frequency balance of existing time-proven mixes so that other mixes that are still in the works may have a chance to sound better. This technology also greatly helps in music mastering since it easily lessens any dramatic differences in the area of frequency balance between various tracks.
CurveEQ’s filters can be switched between linear- and minimum-phase modes. CurveEQ also features a deeply-customizable spectrum analyzer like the one found in Voxengo GlissEQ and SPAN plugins. You can also display, save, and load static spectrum plots for comparison and matching purposes.
9. Deft Compressor
Applications
Mastering compressor
Instrumental track compressor
Vocal track compressor
Side-chain compressor
Stereo, mid-side, 5.1 surround compressor
Transparent compressor
Smooth harmonic enhancer
Deft Compressor is an audio signal compressor AAX, and VST plugin for professional sound and music production applications. The characteristic feature of this compressor is its ability to produce “slim” and “slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve (sigmoid curve) on both attack and release stages. S-curve timing function also helps compressor to sound “warm” and “clean” at most settings.
While at high attack settings Deft Compressor can be used to emphasize audio transients, it can also be used to “smash” audio signal if you use attack settings as low as 0.01 millisecond. Even though the S-curve is the marked feature of Deft Compressor, you can smoothly change it to a steeper L-shape by adjusting the “Punch” parameter.
Deft Compressor also features a so called “vintage” compression mode which produces compression sound reminiscent of analog tube compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Beside that, you may switch between the “feed-forward” and “feedback” compression modes.
Deft Compressor is perfectly usable for compressing vocals, drums, guitars and other instruments, both technically and creatively. Beside that, it can be used to compress mix groups and full mixes.
10. Drumformer
Applications
Multiband compressor/expander
Harmonic enhancer and exciter
Special saturation effects
Side-chain compressor
Stereo, mid-side, 5.1 surround plugin
Drum mic bleed attenuation
Noise gate
Guitar overdrive
Drumformer is a multiband drum and master track dynamics processing AAX and VST plugin for professional sound and music production applications. Drumformer was designed to be a comprehensive solution for the broadest range of sound processing tasks, allowing you to easily implement almost any dynamics processing idea you may have.
Drumformer can operate in broadband, 2-band and 3-band modes, with each band having compressor-expander and saturation modules. The sound of the compressor can be defined as “gluey with a ping”, because it instantly creates a “tight and glued together” sound while masterfully emphasizing the transients. The saturation module offers you a choice between six saturation modes, each having a smooth sound and differing harmonic content.
Drumformer features a precise gate module with a round sound and multifaceted controls that is useful when you are processing a multi-tracked drum kit. The built-in parametric equalizer with its spectrum analyzer will also come in handy. The “Clipper” module which is a part of the plugin allows you to get artistic master output clipping effects.
Drumformer will positively enhance your professional toolset and may help you produce even better recordings faster.
11. EBusLim
Applications
Stem, sub-mix, bus peak limiter
Track, drum bus compressor
Voice streaming limiter plugin
Mastering peak limiter
Loudness maximizer
Stereo, 5.1 surround mastering limiter
EBusLim is a brickwall peak limiter and loudness maximizer AAX, and VST plugin for professional streaming, sound and music production applications. EBusLim implements a single EL-4-based limiter mode originally designed in Elephant mastering limiter plugin. This mode is suitable for bus, drum bus, master bus, and track processing. The design idea behind EBusLim is to produce an extremely easy-to-use yet effective limiter.
Since EBusLim only features a single processing mode the processing latency was reduced down to 0.5 milliseconds permitting the use of this limiter as master bus overload protector for both stereo and multi-channel real-time applications.
12. Elephant
Applications
Mastering peak limiter
Stem, sub-mix, drum bus compressor
Loudness maximizer
Stereo, 5.1 surround mastering limiter
TPDF dither with noise-shaping
DC offset removal filter
EBU R128, K-system level meter
Voxengo Elephant is a mastering limiter AAX, and VST plugin for professional sound and music production applications. The most remarkable feature of this signal limiter is its sonic transparency. Elephant brings sound limiting and loudness maximization without audible “fuzz” and “pumping” sonic artifacts.
Elephant is a highly competitive plugin for mastering applications: it features a variety of limiter modes that can be deeply customized, and a comprehensive set of level metering tools, including headroom estimation, EBU R128 and K-system metering. Elephant’s built-in linear-phase oversampling is an important element in achieving high-quality peak limiting and loudness maximization without inter-sample overshoots (true-peak limiting).
Elephant limiter can be used for mixing and mastering of both stereo and multi-channel music and sound material, at any standard sample rate. Limiting process can be visualized both as gain reduction meter and real-time waveform graph.
Elephant, also featuring a DC offset filter, and a high-quality bit-depth converter with an optional noise-shaping, allows you to finish your music and audio productions with a spark!
13. GlissEQ
Applications
Track equalizer
Mastering equalizer
Stereo, mid-side, 5.1 surround equalizer
Dynamic equalizer
FFT spectrum analyzer (SPAN-like)
Multi-track spectrum comparison
Transparent equalizer
Smooth harmonic enhancer
GlissEQ is a parametric equalizer AAX, and VST plugin for professional sound and music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters.
To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz.
But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.
You should notice these immediate benefits: boosting highs with GlissEQ tends to avoid the fatiguing effect of overload. And boosting lows avoids making things sound mushy. Instead, you get a pleasant emphasis of transients, bringing life and dimension to your tracks. In short, the “dynamic behavior” of GlissEQ’s filters gives you a helping-hand during mixing and mastering.
In addition to dynamic filtering, GlissEQ also features a real-time spectrum analyzer. The spectrum of a track can be exported to any other instance of GlissEQ thus making real-time inter-track spectrum comparisons possible. This helps you free frequency ranges on one track to allow an instrument on another track occupying same frequencies to breathe.
14. HarmoniEQ
Applications
Mastering equalizer
Stereo, mid-side, 5.1 surround equalizer
Dynamic equalizer
FFT spectrum analyzer (SPAN-like)
Harmonic enhancer
“Characterful” equalizer
“Tube equalizer”
Classic Lampthruster enhancer
HarmoniEQ is a parametric, harmonically-enhanced equalizer AAX and VST plugin for professional music production applications. Harmonic enhancement HarmoniEQ applies to the sound is an inherent element of its overall sonic quality. HarmoniEQ also features dynamic equalization modes that offer you a vast palette of sound-shaping capabilities, suitable for mastering. Beside that, HarmoniEQ features a saturation module of the original “Lampthruster” algorithm which produces a unique, impactful, sonic character.
Since the easiness of tuning was one of our goals when producing this plugin, HarmoniEQ features a single control surface to specify the equalizer curve. HarmoniEQ’s control surface workflow implements our best findings in the area of “user-equalizer” interaction. Just drag the filter control points to the right places. You can enable up to 7 parametric filters, with the filter type freely-selectable from peaking, low-shelf, high-shelf, low-pass, high-pass, and notch filter types.
Another useful element of HarmoniEQ is its control surface’s frequency range which goes up to 38 kHz. Such extended range allows you to make smooth “air” boosts easily. While HarmoniEQ is best suited for boosts, its cuts also sound great.
15. Latency Delay
Latency Delay is an auxiliary AAX, and VST audio plugin which allows you to compensate latency produced by any audio plugins, instruments, and processes that produce latency, but do not report it to the audio host application. Latency Delay introduces 10000 samples latency itself and delays the audio signal by 10000 minus the specified amount of samples or milliseconds, thus eliminating the unreported latency. Please note that audio host application should support the latency compensation itself for this plugin to function properly.
16. LF Max Punch
Applications
Bass dynamics booster
Sub-harmonic synthesizer
Bass saturator and harmonic enhancer
Stereo, mid-side, 5.1 surround plugin
Voxengo LF Max Punch is a professional audio effect AAX, and VST plugin for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life. LF Max Punch provides a low-frequency effect specially designed for serious contemporary music producers, offering them a convenient tool for bringing a smooth punch and “oomph” to audio tracks and sounds.
LF Max Punch plugin dynamically emphasizes selected bass-frequency band, applies a smooth saturation over it, and produces additional sub-harmonic content, with the ability to blend it with the original bass-band sound. Optional compression can then be applied to the resulting low-frequency sound. LF Max Punch first splits the broad-band signal into low- and high-frequency bands, and then applies the aforementioned effects to the lower band only.
This effect can be applied over a wide range of sound material: drum tracks, bass tracks, contemporary music mixes: rap, hip-hop, trance, club music; also rock music can benefit from LF Max Punch’s low-frequency enhancements.
17. Marquis Compressor
Applications
Track compressor
Mastering compressor
Compressor with a “character”
Stereo, mid-side, 5.1 surround compressor
Side-chain compressor
Gate/downward expander
Deesser
Harmonic exciter/saturator
Marquis Compressor is a “universal” compressor AAX and VST plugin for professional sound and music production applications. You’ll find a very smooth compression performance in this compressor, coupled with a harmonically-rich sound, both suitable for mixing and mastering. Being “universal” this compressor can be used on a wide range of sound material: individual tracks, stems and mixes, producing “clean” or “colored” sound.
Marquis Compressor plugin was built around a tube triode-modeled amplifier cascade. At low Drive settings this cascade produces a mild harmonic coloration while at higher Drive settings you can get a brutal tube saturation which works great for drums, bass, and vocals. At moderate Drive settings this cascade can add a pleasant grit to the mix.
Marquis Compressor features a unique “round” signal level detection algorithm, which creates a very open, punchy, compressed, sound with an impressive transient response. Beside this, Marquis Compressor offers a classic feedback (opto) compression mode switchable to a more common feed-forward compression.
Marquis Compressor carries 3 distinctive compression algorithms, one of them (T3) being modeled after a classic analog compressor. The Gate algorithm is also available which is handy at reducing drum bleed in drum tracks.
18. Marvel GEQ
Applications
Track graphic equalizer
Voice streaming equalizer plugin
Mastering graphic equalizer
Stereo, mid-side, 5.1 surround equalizer
Transparent graphic equalizer
Marvel GEQ is a free linear-phase 16-band graphic equalizer, AAX, and VST plugin with multi-channel operation support (supporting up to 8 input/output channels, audio host application-dependent) for professional music production applications. Marvel GEQ offers extensive internal channel routing capabilities, and supports mid/side channel processing.
Marvel GEQ allows audio engineers and musicians to apply EQ adjustments quickly, both to audio tracks and full mixes. The linear-phase filtering offered by Marvel GEQ is suitable for equalization tasks where high quality and excellent sonic character are a must.
19. MSED
Applications
Mid-side encoder/decoder
Mid-side stereo widener
Stereo imaging
Stereo channels swapper
180-degree channel phase flipper
Stereo correlation and balance meter
Unique “plasma” vector scope
MSED is a professional audio encoder-decoder AAX, and VST plugin for mid-side processing which is able to encode (split) the incoming stereo signal into two components: mid-side pair, and vice versa: decode mid-side signal pair into stereo signal.
MSED is also able to work in the “inline” mode with the ability to adjust mid and side channels’ gain and panning without the need of using two plugin instances in sequence.
MSED can be used to flip the phase of the mid and side channels by 180 degrees, and swap the stereo channels, and to extract the mid or side channel.
MSED features the “plasma” vector scope, stereo correlation and balance meters which make it easier to monitor the stereo information present in the audio signal.
20. OldSkoolVerb
Applications
Room reverb
Plate reverb
Voice streaming reverb plugin
OldSkoolVerb is a free algorithmic reverberation AAX, and VST plugin for professional streaming, sound, and music production applications. This plugin implements a kind of “classic” stereo reverb algorithm which is technically simple yet optimal. It produces a very clear spatial image that blends well with the mix.
OldSkoolVerb offers you a comprehensive set of parameters permitting you to achieve various reverbs ranging from plate reverb to room reverb to hall reverb sound. OldSkoolVerb is best suited for non-percussive and soft-attack sounds like vocals, piano, and pad sounds. A narrow “plate” range of settings, however, can be used on percussive sounds, with good results.
21. OldSkoolVerb Plus
Applications
Plate reverb
Room reverb
Hall reverb
Stereo reverb
OldSkoolVerb Plus is an algorithmic reverberation AAX, and VST plugin for professional sound and music production applications. This plugin is an extended version of the free OldSkoolVerb plugin. OldSkoolVerb Plus plugin implements a kind of “classic” stereo reverb algorithm which is technically simple yet optimal. It produces a very clear spatial image that blends well with the mix.
OldSkoolVerb Plus offers you a comprehensive set of parameters permitting you to achieve various reverbs ranging from plate reverb to room reverb to hall reverb sound. OldSkoolVerb Plus is suited all kinds of sounds: both percussive, hard-attack sounds like drums and picked guitars, and soft-attack sounds like vocals, piano, and pad sounds.
In comparison to freeware OldSkoolVerb plugin, the Plus version features an additional spatialization module which provides additional control over reverb’s spatial image and greatly increases reverb’s density. However, the sound may have a “resonant” or “metallic” edge to it.
22. OVC-128
Applications
EDM production
Drum bus clipping
Master bus clipping
Soft overdrive/saturation
OVC-128 is a massively-oversampled soft/hard clipper effect , AAX, and VST plugin for professional music production applications. A common use for this plugin is hard-clipping before the final mastering limiter. This is an effective approach in contemporary electronic music, when loudness is boosted using a clipper plugin while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself.
Clipping the tracks via OVC-128 is practically similar to clipping using high-quality outboard analog gear. At 44.1kHz source sample rate, the internal audio sample rate of OVC-128 is a whopping 5.6 MHz!
A perfect combination for contemporary electronic music production is OVC-128 followed by Voxengo Elephant mastering limiter in the “EL-C” or “EL INS” mode. This combination produces both energy and smoothness.
Note that OVC-128 is a relatively CPU-demanding effect plugin, it requires a higher-end processor for comfortable use. Performing 128X-oversampled clipping on a single track is computationally similar to performing a simple clipping on 1000 tracks.
23. Overtone GEQ
Applications
Graphic equalizer
Voice streaming equalizer plugin
Stereo, mid-side, 5.1 surround equalizer
Smooth harmonic enhancer
Overtone GEQ is a free 7-band harmonic (overtone) graphic equalizer, AAX, and VST plugin with multi-channel operation support (supporting up to 8 input/output channels, audio host application-dependent). Overtone GEQ offers extensive internal channel routing capabilities, and supports mid/side channel processing.
Beside equalizing, Overtone GEQ applies harmonic enhancement: it uses 7 harmonic enhancement modules, one for each EQ band. This generates a complex harmonic coloration you will probably like a lot.
Overtone GEQ was designed to allow audio engineers to apply quick EQ shape adjustments together with adding a bit of harmonic richness to the audio material (mainly mixes and sub-mixes due to a comparably high load this EQ puts on a CPU).
24. Peakbuster
Applications
Transient Booster (M1 mode)
Transient Reducer/Deharsher (M3 mode)
Resonance smoother (M3 mode)
Spectral compressor FX (FX1 mode)
Harmonic Enhancer
Peakbuster is a transient (attack-phase) boosting, resonance smoothing, and harmonic enhancement, AAX, and VST plugin for professional music and sound production applications. Peakbuster is a multi-band transient enhancer effect plugin that uses an advanced automatic algorithm. Peakbuster stands from the competition in its ability to always sound natural, even on a full-spectrum master bus. The strength of the effect depends on the material being processed: the algorithm masterfully analyses dynamics of the sound it processes, and applies boosting or cutting in quantities that are “exactly right”. Moreover, the algorithm has a suitably “fast” reaction time making its adjustments sound “fluid”, and not “all over the place”.
The amount of effect can be chosen independently for the lower and higher frequency ranges: this permits the use of Peakbuster on a variety of program material, both full mixes and individual tracks.
Additionally, due to the nature of the algorithm’s design, Peakbuster applies a unique harmonic coloration or enhancement: so, even if the gain adjustment meter shows only a minimal gain adjustment amount at a given time, the plugin still transforms the sound being processed in a way that to some engineers may sound “on a completely another level”; we at Voxengo would call it “beyond tube warmness”.
Beside transient boosting (M1 mode) and resonance smoothing (M3 mode), Peakbuster also features the “FX1” mode which works as a “spectral compressor” effect that performs a unique transformation useful on individual tracks like bass and vocals, it makes them “stand out”. The “M3” mode offers you a transient reduction mode which works as a very transparent “deharsher”, “smoother” and “polisher” effect.
25. PHA-979
Applications
Track phase fixer
Track time shifter
Phase rotator
Mid-side stereo widener
Stereo panner
Stereo balance meter
Multi-band correlation analyzer
PHA-979 is a professional audio AAX, and VST plugin which allows you to apply an arbitrary phase shift (rotation) to sound material. What is meant by the phase shift here is simultaneous rotation of all frequencies across the active frequency range of the signal by the given value in degrees. This is achieved by linear-phase design.
PHA-979 is useful during mixing sessions, especially when working with the sound material recorded through an array of microphones. In many cases this allows you to solve various phasing problems arising from the microphone placement chosen during the tracking session. In other cases this process may help you to align drums and other instruments to each other bringing punch and time coherence not attainable by the ordinary time-aligning alone.
Beside the phase shifting, PHA-979 features positive and negative time delaying that eliminates the need to move in-track events in the sequencer when doing time alignment over any set of recorded tracks. PHA-979 also provides mid/side channel balance and panning controls that permit you to record stereo microphone pairs into a single stereo track without resorting to dual mono recording (on separate tracks) which usually becomes time-consuming in a further editing.
PHA-979 features multi-band analog-style correlation meter that greatly simplifies phase- and time-aligning process. Moreover, you can use functionality PHA-979 provides to setup headphone monitoring so that it closer resembles sound stage produced by stereo speaker monitoring.
26. Polysquasher 3
Applications
Mastering compressor
Stereo, mid-side, 5.1 surround compressor
Transparent compressor
Voxengo Polysquasher is a mastering compressor AAX, and VST plugin for professional sound and music production applications. Polysquasher was designed with a main goal: to be transparent. Transparent compression action is a cornerstone for any mastering compressor. Transparency of audio signal processing is necessary to preserve all existing elements in the mix, while compression itself is necessary to make the mix sound uniform to other mixes (tracks) and to make it sound more solid and “glued”.
Polysquasher achieves its goal by using a unique compression algorithm which requires a small number of parameters – basically threshold and ratio only – making this compressor a joy to use. More advanced settings are hidden in the “compressor mode editor” panel where you can create your own compressor modes that can be easily recalled later.
Polysquasher is best used as a finishing compressor inserted in the chain before the final mastering limiter.
Polysquasher also features real-time gain reduction and waveform graphs. Full multi-channel operation is supported.
27. Powershaper
Applications
Saturation effects
Extreme overdrive
Mix saturator
Presence booster
Powershaper is a saturation, distortion, and overdrive effect, AAX, and VST plugin for professional music production applications. Powershaper’s approach to saturation is quite unique as it works in multi-stage manner utilizing dozens of saturation stages in a specified variation. While Powershaper was designed to apply extreme saturation, it can be also used to boost presence of audio tracks, subtly.
The flexibility of this saturator plugin is most apparent when applying saturation to the drums: it is possible to dial settings that retain or even extend the punch while applying strong pleasant coloration and presence effect.
Powershaper can be used to apply saturation with good results to various sounds: vocals, drums, bass, guitars, synths, mixes. This effect is, however, quite CPU-intensive, especially during continuous parameter changes, and requires a higher-end processor for a comfortable use.
28. PrimeEQ
Applications
Track equalizer
Voice streaming equalizer plugin
Mastering equalizer
Stereo, 5.1 surround equalizer
FFT spectrum analyzer (SPAN-like)
Transparent equalizer
PrimeEQ is a parametric equalizer, AAX, and VST plugin for professional sound and music production applications. PrimeEQ was designed to be the first equalizer to reach for when track or mix equalization is necessary: just insert the plugin, put and drag the control points to the desired positions.
PrimeEQ implements an extremely optimized user interface. It features an innovative “differential” display which shows you how exactly a given selected filter contributes to the overall EQ shape. All control points are placed on the overall EQ shape making the workflow with this equalizer fast and efficient. PrimeEQ is similar to CurveEQ in this respect except that PrimeEQ uses independent parametric filters instead of a continuous EQ curve.
PrimeEQ features a deeply customizable spectrum analyzer of the same high quality as found in SPAN, GlissEQ, and other Voxengo plugins.
29. Shinechilla
Applications
Strong harmonic coloration
Radical timbre changing
Spectral saturation
Sound design
Stereo, mid-side, 5.1 surround plugin
Voxengo Shinechilla is an experimental creative sound effect AAX, and VST plugin for professional sound and music production applications. Shinechilla allows you to generate and blend 2nd, 3rd and 4th harmonics with the original dry sound. The harmonic generation process offered by Shinechilla is quite unique on the plugin market since it produces almost no intermodulation distortion.
Shinechilla is mainly usable for solo instrument processing where it literally “shines” by producing convincing and full-bodied harmonic coloration. Shinechilla is also unique in that it is able to add harmonic coloration on top of the sound instead of distorting the whole sound. However, the option to saturate the whole sound is also available.
The strength of harmonic coloration added by Shinechilla can be flexibly adjusted over the whole frequency range, for each harmonic. In overall, Shinechilla is a great tool for contemporary electronic music producers and sound designers looking for impressive timbres and sounds.
30. Shumovick
Applications
Electronic music production
Making synth sounds less sterile
Adding a vintage vibe to the sounds
Subtle stereo-widening effect
Shumovick, AAX, and VST plugin for professional music production applications produces a creative dynamic noise-padding effect. This effect is most effective on beats and synth sounds used in electronic music production: EDM, hip-hop, and many others. The noise-padding effect created by this plugin is correlated to the spectral content of the sound being processed.
As a result, on beats, this creates mellow noise bursts that make bassdrum sounds a lot softer, with a bit of stereo-field enhancement effect. On synths, on the other hand, such noise-padding effect may boost the power and density of the sound. Shumovick can be also effective when used on sterile-sounding basslines where it can add a bit of “pillowy” noise background. In practice, Shumovick can be also used on acoustic drum buses adding “vintage” feel and aggression to them. When used on a full mix lightly, Shumovick can add a slight “vintage” feel to the sound, make it slightly rougher, and add a stereo-widening effect: this is reminiscent of what a reel-to-reel tape and vinyl recording media does to the sound, naturally.
Shumovick is a relatively CPU-demanding effect plugin, so it requires a higher-end computer processor for a comfortable use. However, the CPU requirements can be lowered by adjusting plugin’s processing band count.
31. Sobor
Applications
Natural sounding reverb
“True-stereo” reverberation
Voice streaming reverb plugin
Master mix reverb
Vocal/Guitar/Synth/Drum reverb
Bass-guitar re-cabineting
Sobor is a stereo reverberation effect, AAX, and VST plugin for professional music production applications. This reverb plugin provides a wide palette of reverb spaces while requiring only a minimal effort to obtain useful results. The tails created by this reverb are very dense and produce a well-defined spatialization. Since the reverb uses a kind of “true-stereo” algorithm the panned sounds receive a good stereo-field placement. We believe Sobor provides one of the lushest and widest reverb tails available on the market.
Beside producing a shining reverb sound at medium and larger space settings, Sobor is equally great-sounding at ultra-small space settings, going as far as being able to imitate guitar cabinet sound at 100% wet setting. Sobor can even be used to “re-cabinet” a bass-guitar sound yielding very natural results.
The early reflections placement and reverb levels are chosen automatically based on a pre-defined model that depends on the “Size” and “Ambience” parameters. Additionally, the user may specify the “Pre-Delay” and “Stereo Width” parameters. Sobor is technically based on Feedback Delay Networks (FDNs) with the Hadamard matrix, and uses self-modulation techniques.
Sobor is great on any sound sources: vocals, guitars, synths, drums, mixes. This reverb is a relatively CPU-demanding effect: for comfortable use it requires a higher-end processor.
32. Soniformer
Applications
Spectral mastering dynamics plugin
Spectral mid-side stereo-widener
Spectral stereo panner
Resonance-taming plugin
Spectral de-noiser
Restoration assistance plugin
Stereo, mid-side, 5.1 dynamics plugin
Analog-style spectrum analyzer
Soniformer is a spectral mastering dynamics processor AAX, and VST plugin for professional music production applications. During its operation, Soniformer splits incoming sound signal into multiple spectral bands. This makes Soniformer a powerful and precise tool for mastering and sound restoration purposes.
Every parameter in Soniformer is defined by means of a graphical envelope which is freely-modifiable and which may contain any number of control points. Beside usual threshold, attack, release, and compression/expander ratio parameters, Soniformer offers you control over “stereo width” and “panning” parameters making Soniformer an effective tool for stereo-field adjustments.
Not only Soniformer offers you an easy-to-use parameter envelope editing interface, it also features a comprehensive set of spectral metering tools: you can switch between input, output, stereo correlation, and stereo balance spectrums. The spectral gain change meter (that is always present on the user interface) gives you an outline of the overall signal power change applied by the plugin’s processing chain.
33. Sound Delay
Sound Delay is an auxiliary multi-channel signal delaying AAX, and VST plugin for professional sound and music production applications. You may specify delay time in both milliseconds and samples, with a high level of precision. This plugin – being technical in its purpose – provides a basic signal delaying function only, without signal feedback or modulation capabilities.
Sound Delay also features internal mid/side encoding and decoding, and allows you to delay mid and side channels independently.
34. SPAN
Applications
FFT spectrum analyzer
Stereo, mid-side, surround spectrum analyzer
Stereo correlation meter
EBU R128, K-system meter
RMS, true peak level, and clipping detector
SPAN is a free real-time “fast Fourier transform” (FFT) audio spectrum analyzer AAX, and VST plugin for professional sound and music production applications.
SPAN provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.
SPAN supports multi-channel analysis, and can be set to display spectrums from two different channels or channel groups at the same time. Spectrum’s color can be chosen to taste.
SPAN also features output level metering with adjustable ballistics and integration time, EBU R128, K-system metering (including calibration K-system metering). SPAN displays level metering statistics, headroom estimation, and true peak clipping detection. Correlation metering is available as well.
35. SPAN Plus
Applications
FFT spectrum analyzer
Stereo, mid-side, surround spectrum analyzer
Stereo correlation meter
Multi-track spectrum comparison
PNG spectrum snapshot saving
Wide spectrum display
EBU R128, K-system meter
RMS, true peak level, and clipping detector
SPAN Plus is a real-time “fast Fourier transform” (FFT) audio spectrum analyzer AAX, and VST plugin for professional music and audio production applications.
SPAN Plus is an extended version of the freeware SPAN plugin: SPAN Plus provides several additional features such as PNG file export, real-time spectrum import/export for multi-track spectrum comparisons, static spectrums display, and a “wide” display mode.
SPAN Plus provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.
Beside multi-track spectrum comparison, SPAN Plus supports multi-channel analysis and can be set to display spectrums from two different channels or channel groups at the same time. Spectrum’s color can be chosen to taste.
SPAN Plus also features output level metering with adjustable ballistics and integration time, EBU R128, K-system metering (including calibration K-system metering). SPAN Plus displays level metering statistics, headroom estimation, and clipping detection. Correlation metering is available as well.
36. Spatifier
Applications
Spatial enhancing
Mono to stereo conversion
Spatifier is a “mono to stereo” spatial enhancer effect AAX, and VST plugin for professional sound and music production applications. This plugin can be effectively used to turn mono tracks into spatially-enhanced stereo tracks: it works great for clean and distorted guitars, synth instruments, piano, organ, back vocals, and other sounds. Beside that, Spatifier can be used to “densify” the sound of reverb sends, and to add “body” to thin and flat sounds.
Spatifier decorrelates the signal in the left and right channels while retaining the “mono compatibility”. Such decorrelation creates the “as wide as possible” surround effect. This effect can be usually used in place of double-tracking technique. The spatial impression can be adjusted in the range from the “in your face”, direct, to a more distant, room sound.
Spatifier achieves its result by first designing a complex impulse response that is then used by its internal convolution processor. The impulse response is defined by means of graphic equalizer-like controls (which can be adjusted in a freehand mode with the right mouse button). This makes it possible to set the spatial effect for each frequency band individually. In many practical cases Spatifier adds a great deal of warmness and enriches the timbre of the sound being processed.
37. Stereo Touch
Applications
Track stereo-widener
Mid-side stereo delay plugin
This professional AAX, and VST audio plugin implements a classic technique of transforming a monophonic track into spacious stereophonic track by means of mid/side coding technique.
Stereo Touch is most effective on monophonic sounds without overly sharp transients: it works great for both acoustic and electric/overdriven guitars, synthetic pad sounds and even vocals. By means of this plugin you can easily get spacious, and even “surround” sounding tracks, without utilizing a double-tracked recording technique.
Basically, the plugin takes a mono input signal and generates a stereo output signal. This plugin can also work with multi-channel input signal, but in this case all channels get processed independently of each other like they are separate mono input signals, and then all resulting stereo signals get mixed together to produce a single stereo output signal.
38. Tempo Delay
Applications
Stereo delay
Ping-pong stereo delay
Filter delay effects
Tempo Delay is a multi-feature stereo delay AAX, and VST plugin for professional sound and music production applications. Tempo Delay is based on tempo, incorporating filter and tremolo sections with separate controls for each stereo channel. Instead of a single “delay time” control this plugin features separate “delay”, “repetition period”, and “delay panning” controls which allow you to create an evenly sounding “ping-pong” stereo echoes.
39. TEOTE
Applications
Automatic in-track equalizing
Contemporary music mastering
Equalizing guide
Stereo, mid-side, 5.1 surround processing
TEOTE is an automatic spectral balancer, AAX, and VST plugin for professional music production applications. It was designed to be a very useful tool for both mixing and mastering. It automatically performs such tasks like gentle resonances taming, de-essing, tilt equalizing, usually performed during mixing and mastering. In mixing, TEOTE sounds good on pretty much any material.
While by definition TEOTE is a dynamic equalizer, its technology is solely based on multi-band dynamics processing. This allows TEOTE to have only minor phase issues, and to produce a subtle transient-emphasis effect associated with dynamics processing. TEOTE tries to make the program material follow the specified spectral profile, tuned to the contemporary mastering standards by default. It can be said that TEOTE “straightens” the frequency response, making further adjustments a lot easier; it removes a lot of repeating work.
Is TEOTE an AI plugin? In a sense that AI usually boils down to a “curve-fitting task”, TEOTE is an AI plugin that performs gain adjustment decisions in a quantity equal to “SampleRate multiplied by BandCount” per second. However, TEOTE does not use neural networks; it is based on an extremely-refined, completely predictable, curve-fitting function.
“TEOTE” is an acronym for “That’s Easier On The Ear”. TEOTE is a serious contender in helping bring your music production to the next level!
40. TEQ-421
Applications
Individual tracks equalizer
Groups and master bus EQ
Smooth harmonic coloration
Acoustical recordings EQ
TEQ-421 is a free equalizer AAX, and VST plugin for professional music production applications. This equalizer features only three bands (Triple EQ), finely tuned to deliver good results in many cases, thus being extremely easy to use. Beside that, the plugin features internal non-parametric harmonic coloration modules (derived from HarmoniEQ plugin) which produce a smooth saturation and a “presence” effect.
The frequencies of the bands were carefully selected and are not adjustable. These frequencies target specific spectral areas that affect sound’s perception the most. The best use-case for this plugin is equalization of unprocessed acoustical recordings that usually lack in modern balance of low, mid, and high frequencies.
The plugin is equally useful on individual tracks, groups, and master bus. It was designed by tuning to a set of various sound sources, including vocals, acoustic guitars, drums, basses, and full mixes.
41. TransGainer
Applications
Mix transient shaper
Track transient shaper
Transient processor
Stereo, mid-side, 5.1 surround transient plugin
TransGainer, an audio effect AAX, and VST plugin suitable for a wide range of professional sound and music production uses, implements an audio signal envelope adjustment algorithm that reacts on transients rather than on a signal’s loudness level. This algorithm allows you to adjust volume of attack and sustain stages of any sounds you use it on. TransGainer was designed in a way to be suitable for all possible sound sources – be it individual tracks or full mixes.
In many cases TransGainer can be used in place of gate and expander plugins while delivering a better sound and offering an easier control. Beside that, TransGainer can be used for audio recording restoration/re-mastering purposes and reverb tail modifications with excellent results.
TransGainer allows you to specify positive or negative gain adjustment for a sound’s transient stage. You can also choose an expected average time between transients and transient threshold level so that the algorithm delivers you the most precise results possible. With the help of TransGainer you can pass the border from good to excellent audio recordings!
42. Tube Amp
Tube Amp is a free audio effect, AAX, and VST plugin for professional sound and music production applications that applies tube triode-based overdrive usually found in single-tube pre-amp boxes for microphones. The sound this plugin produces varies from a mild “warm” overdrive to a fuzzy distortion.
Tube Amp also includes a -6 dB/oct low-pass filter that is built-in into plugin’s tube modeling equation, and can be used to imitate a lower-quality tube triode. Beside that, Tube Amp has a switchable output saturator stage which can be used to additionally overdrive the output signal.
Tube Amp features all standard Voxengo plugins features like full multi-channel operation, channel routing, built-in oversampling, and other functions.
43. VariSaturator
Applications
Strong harmonic enhancer
Mix saturator
Track saturator
Drum bus compressor
Stereo, mid-side, 5.1 surround plugin
VariSaturator is an audio effect AAX, and VST plugin designed to apply saturation effects to audio material. VariSaturator can be used both to boost the loudness of the audio tracks without increasing their peak levels proportionally, and to apply subtle harmonic coloration that makes tracks sound more pronounced and polished.
VariSaturator features two saturation modules which are applied in sequence, in two-band or broadband mode. The valve (tube) saturator module applies asymmetric tube processing that closely resembles sound of a high-quality tube amplifier cascade. Another saturation module VariSaturator features is a digital “waveshaping” saturator with feedback topology. This module applies smooth saturation which can amplify signal level and apply desirable harmonic coloration. If you have some “muffled” track in the mix that needs to cut through the mix better, VariSaturator will help you in this case easily.
VariSaturator can be used in a variety of audio processing cases: you may apply it with good results over drum, bass, and vocal tracks, over sub-mixes, and of course over complete mixes.
44. Voxformer
Applications
Vocal track compressor
Voice streaming compressor plugin
Instrumental track compressor
Track equalizer
Presence booster
Track saturator
De-esser
Noise (de-breath) gate
Channel strip
Stereo, mid-side, 5.1 surround plugin
Voxformer is a multi-functional vocal channel strip AAX, and VST plugin for professional audio applications. Combining several professional quality processing modules, Voxformer was designed to be a comprehensive solution for all your vocal processing needs – be it spoken or sung vocals.
The coolest feature of Voxformer is its one-knob vocal compressor. Using only a single knob, you can get a tight, open, and definitive professional vocal sound with an excellent articulation instantly. You do not have to worry about common ratio and make-up gain controls since they are automatically selected by the advanced compression algorithm, while the attack and release parameters are stored in a mode preset. Moreover, Voxformer features two compressors of this type, allowing you to apply either a two-band or a two-stage (serial) vocal compression.
Voxformer also features the de-esser with selectable center frequency and threshold. Multi-band noise gate is available, which, in a manner similar to the compressor, was designed to bring ease of tuning while providing excellent sonic results. For those who like a saturated vocal sound, Voxformer implements a special module which applies a smooth saturation. Another useful feature Voxformer has to offer is the presence boosting module which you can use to add some shine and space to the vocals.
As a finishing touch, Voxformer offers you a flexible easy-handling 5-band parametric equalizer (pre/post selectable) with a real-time output stage fast Fourier transform (FFT) spectrum analyzer display. In most cases Voxformer can be used for processing of a wide range of instruments beside vocals.
45. Warmifier
Applications
Tube warming effect
Tube preamp simulator
Console coloration simulator
Smooth harmonic enhancer
Stereo, 5.1 surround tube plugin
Warmifier is a special audio effect, AAX, and VST plugin for professional sound and music production applications which processes audio signal in a way similar to analog tube equipment. By using Warmifier you can achieve analog “warming” and “console” coloration effects.
Warmifier is applicable both to the complete mixes and to the individual instrument tracks. You have several parameters at your disposal that allow you to control the strength and the coloration of the effect. Also, you have several tube types to choose from. Each tube type offers a different overall coloration.
While the effect of this plugin is definitely subtle, the difference it makes is similar to the difference in sound between various analog mixing consoles. In most cases it boils down to adding a subtle “sparkle”, “presence”, “warming”, or “solidifying” effect to a sound track the plugin was applied to.
46. Water Chorus
Applications
Classic stereo chorus effect
Flange chorus effect
Stereo-widening effect
Special sound effect
Water Chorus is a stereo chorus effect AAX, and VST plugin for professional sound and music production applications. Water Chorus is able to produce stereo-widening and weird “watery” modulation effects, possibly with a flanger vibe.
Water Chorus plugin uses 4 operators for each channel thus creating a quite dense stereo chorus sound, which is also very smooth.
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