BLEASS Complete Effects Bundle v2025.10_WIN-TCD

套装效果器BLEASS Complete Effects Bundle 2025
VST插件格式：
VST3/AAX

BLEASS 是一款创新的音频插件品牌，由法国开发者 Guillaume Vinet 创立。这个品牌下的插件以其独特的创意和强大的功能受到了音频制作人的欢迎。BLEASS 插件主要专注于声音创意效果和处理，提供了一系列用于音效设计、声音编辑和音乐制作的工具。

翻译：
BLEASS 是一家音乐科技公司，总部位于 Plaine Images，这是法国图尔宽致力于创意产业的欧洲主要中心。
BLASS 成立于 2018 年，旨在为所有音乐家设计高品质的数字乐器和音频效果。

经典效果器（9 个插件）：
1. BLEASS Chorus———————————-合唱效果器
2. BLEASS Compressor—————————-压缩效果器
3. BLEASS Delay————————————延迟效果器
4. BLEASS Filter————————————滤波器插件
5. BLEASS Flanger———————————-镶边效果器
6. BLEASS Phaser———————————–移相器
7. BLEASS Reverb———————————–混响插件
8. BLEASS Saturator———————————饱和器插件
9. BLEASS Shimmer———————————-变调混响器插件

创意效果器（10 个插件）：
10. BLEASS Dragonfly———————————颤音效果器
11. BLEASS Fusion————————————-波形塑形器
12. BLEASS Granulizer———————————颗粒合成效果器
13. BLEASS Motion EQ——————————–动态均衡器插件
14. BLEASS Motion FX——————————–创意效果器/音序器
15. BLEASS Phase Mutant—————————–相位失真插件
16. BLEASS Sidekick————————————侧链压缩器/闪避插件
17. BLEASS Slow Machine—————————–磁带停止/减速效果器
18. BLEASS Multiband Compressor——————-多频段压缩器
19. BLASS Tides—————————————–立体声延时插件

人声效果器（2 个插件）：
20. BLEASS Voices————————————–人声合唱效果器
21. BLEASS Vox—————————————–人声处理器插件

插件简介：
1. BLASS 合唱
创建复杂合唱效果的简单方法

从最微妙的移动和增厚到闪烁的立体声调制，BLEASS Chorus 都能做到。 该插件具有多达四个完全立体声合唱声音，可以创建华丽丰富且复杂的效果，同时允许精确控制结果的立体声宽度、突出度和强度。

当在高通模式下运行时，BLASS Chorus 的输入滤波器非常适合展现声音中的空间感和空气感，然后先进的调制引擎使空气感闪烁并跳舞。 将滤波器切换到搁架模式，然后开启一系列全新的可能性，从令人愉悦的温暖增厚效果到更稀疏、稀疏的低保真调制。

位于 BLASS Chorus 触觉界面中心的详细且丰富多彩的示波器让您一目了然地清楚地看到插件正在做什么。 得益于 BLASS 超高效的处理引擎，这种有用的可视化不会影响您的系统资源。

2.BLASS压缩器
强大而灵活的动态处理

控制声部和录音的动态是实现专业混音的重要一步。 凭借 BLASS Compressor 强大的性能和直观的用户界面，这种专业级的动态控制从未如此简单。

BLASS 压缩机灵活的动态引擎使其成为许多不同情况下的理想选择。 凭借高达 60:1 的压缩比、可变拐点以及灵活的启动和释放阶段，BLASS 压缩机可以提供各种不同的响应特性。

强大的双滤波器进一步增强了插件的灵活性，该滤波器对分析的信号进行操作，提供低通和高通滤波。 滤波器对内部和侧链信号都起作用，并且也谐振，因此可以轻松创建高度依赖于频率的动态效果。

尽管 BLASS 压缩机具有多功能性和强大功能，但其设置和使用都很简单。 压缩和过滤曲线是使用触觉图形小部件设置的，同时您会收到有关插件如何运行的持续易于阅读的视觉反馈。

也许最重要的是，BLEASS 压缩机非常高效，因此您可以将其直观的动态控制纳入任何需要它的部分。

3.BLASS延迟
多用途延迟/回声/移频器

BLASS Delay 是为混音添加深度、动感和趣味性的理想工具。 无论您制作什么风格的音乐以及使用什么乐器，BLASS Delay 的多功能性和易用性都可以帮助您轻松获得完美的结果。

回声只是 BLASS Delay 的起点。 集成移频器和双滤波器允许对生成的重复的特征和声音进行深度控制，使您可以通过一个插件实现音效，否则可能需要完整的插件堆栈和复杂的路由。

BLASS Delay 还包括三个 LFO，每个 LFO 用于延迟引擎、移频器和滤波器。 除了允许插件创建经典的调制效果（例如合唱和镶边）之外，专用的 LFO 还非常适合创建令人兴奋的音效和史诗般的、不断变化的音景。

4.BLASS 滤波器
具有丰富视觉反馈的响应式滤镜

无论是塑造合成声音、增加鼓的深度和咬合力，还是探索人声和吉他的新声音领域，BLASS Filter 都是完美的解决方案。

受到世界上最著名的经典合成器上的老式模拟滤波器的启发，并采用我们标志性的超现代界面设计，BLEASS Filter 提供了出色的声音以及直观和触觉的用户体验。 该插件还提供详细的视觉反馈，可以一目了然地阅读和理解。

静态滤波器可能会像根本没有滤波器一样沉闷，这就是为什么我们在 BLEASS 滤波器中包含了包络跟随器和 LFO（低频振荡器）。 包络跟随器可进行调整以完美匹配您的音频，为您的音乐增添动态趣味，而低频振荡器则可创建可自由运行或与节拍同步的重复扫频和运动。

凭借卓越的多功能性、超高效的处理能力和优惠的价格，BLASS Filter 保证为您的音频带来新的特性和兴趣，并让您的脸上露出笑容！

5.BLASS 镶边
21世纪翻边

BLASS Flanger 利用经典镶边效果的声音特征，并通过一对灵活的 LFO、可变调制路由、包络发生器和节拍同步为它们带来完全最新的效果。

经典镶边是一种基于延迟的效果，可调节延迟时间以创建独特的、重复的镶边声音。 但通过 BLASS Flanger，多个调制源相结合，在声音中创造出详细、复杂且不断变化的音色运动。

添加由输入信号触发的包络发生器，为镶边效果增加了一个额外的维度，使其对表演的动态和细微差别敏感。 第二个 LFO 可以进一步发挥声音的可能性，可以选择调制延迟的反馈强度或立体声宽度。

借助多模式输入滤波器，可以轻松控制效果的音调特征，同时将 LFO 与音乐节拍同步的能力使您可以探索全新的节奏和不断变化的效果。

BLEASS 的标志性界面设计确保了这一系列功能强大的工具使用起来既简单又有趣，因此您可以利用它们的声音多功能性，而不会妨碍您的音乐创造力。 凭借超高效的 CPU 使用率，以及与桌面、iPad 或 iPhone 上所有主要主机和 DAW 的兼容性，BLEASS Flanger 是您唯一需要的镶边器。

6.BLASS 移相器
全方位相位效果

移相比镶边更微妙，比合唱更丰富多彩，长期以来一直是吉他手、键盘手、歌手和贝斯手的首选效果，他们希望为自己的声音注入一丝超凡脱俗的特质。 如果没有移相器，任何效果器集合都是不完整的！

BLASS Phaser 提供全面且高度通用的定相效果。 无论您是在寻找轻柔的运动、共鸣的漩涡，还是令人惊叹的大气音景，BLASS Phaser 都能满足您的需求。

该插件的界面以丰富多彩且迷人的可视化为主，说明了产生定相效果的陷波频率。 这种详细而直观的显示，加上 BLASS 标志性的触觉界面设计，揭开了整个定相过程的神秘面纱，让使用 BLASS Phaser 成为一种乐趣。

移相器使用全通滤波器在声音中创建特定于频率的相位变化。 当该声音叠加在原始未处理的声音上时，它会在全通滤波器的截止频率处创建陷波滤波器。 通过使用多个全通滤波器，其频率从第一个全通滤波器确定的“中心”频率扩展，产生复杂的梳状滤波效果。 对滤波器频率添加调制会产生特征性的扫频、嘶嘶声，这是众所周知的定相声音。

BLASS Phaser 有两个 LFO 调制源。 第一个调制陷波滤波器截止频率，第二个调制陷波频率围绕初始中心频率的扩展。 这使得该插件能够创建经典的重复定相效果，以及复杂的、不断变化的陷波模式，为零件增添大量的声音趣味。

有了 BLASS Phaser，您将不再需要另一个移相器！

7.BLASS混响
创意可变混响

混响让我们可以模拟声学空间，但通过 BLASS Reverb，您可以通过触觉、手动控制实时改变和扭曲该空间。

如果您需要的是听起来很棒的声学模拟，那么 BLASS Reverb 很乐意为您提供帮助。 但 BLASS Reverb 远远超出了传统的混响处理器。 它的可变混响发生器、冻结模式和内置闪避器为您打开了通往声音可能性的全新世界的大门。

BLASS Reverb 清晰、色彩丰富且直观的界面让您能够专注于声音的重要细节，而不会被无数晦涩难懂的选项和设置压垮。 您的计算机或设备也不会被 BLASS Reverb 的超高效引擎淹没。

8.BLASS饱和器
创意音频破坏

BLASS Saturator 是一个创造性的饱和度和失真工具箱，可让您在整个音频中留下您的权威。 烘烤你的贝斯，击碎你的鼓，让你的主音从混音中爆发出来，这一切都来自插件丰富多彩且直观的界面的轻松舒适。

Drive 模块将模拟式过载引入您的信号中，从温和的温暖一直到真正的烘烤。 该模块的内置均衡器还可以精确控制饱和度的音调特征。

波形整形器使用第二个波形扭曲您的音频。 这种情况发生的方式取决于所使用的波形整形算法 – BLASS Saturator 有九种可供选择。 该算法对所产生的失真的特征有重大影响。 凭借清晰的可视化以及对波形整形算法关键参数的详细而直观的控制，Waveshaper 模块提供了近乎无限的声音染色和失真选择。

BLASS Saturator 的 Bit 模块模拟模数转换的失真特性。 我们都熟悉当采样率和位深度都适当高时产生的原始音质，但降低这些值可能会产生美妙的毛刺和失真，这些毛刺和失真基本上都是数字特征。 通过在 Waveshaper 模块之前或之后应用 Bit 模块的选项，可以提供更多的创意可能性。

内置 LFO 可以路由到任何插件的参数，并且可以同步到主机的节拍和节奏。 这使您能够探索传统饱和器难以实现的演变、变化和节奏扭曲。

温和的设置可以创造令人愉悦的温暖和模糊的结果，但尽管 BLASS Saturator 占用空间小且 CPU 使用量轻，但它有能力像大量砖块一样打击您的音频！

9. BLASS 微光
变调工作室混响

BLASS Shimmer 独特的变调混响将使您的表演以您从未想象过的方式跳舞和唱歌。 当混响的甜美洗涤变得浓稠并与您的表演融为一体时，谐波得到强调，新的音色也随之显现，开启了空间和环境效果的全新创意维度。

BLASS Shimmer 的处理阶段构成了一个高度通用的插件，充满了创造性的音乐可能性：传入的声音可以使用多模式输入滤波器进行整形； 两个变调模块可以放置在信号链中的不同点，以获得截然不同的结果； 混响干净、丰富； 集成的闪避器有助于直接信号从混响中脱颖而出，非常适合节奏和“绽放”效果。

这种巨大的声音潜力很容易被驾驭，无论是在现场还是在录音室，这要归功于清晰且触觉灵敏的用户界面，只需演奏即可。 该插件还加载了 30 多个预设，揭示了所提供的可能性的深度，并且可以作为您自己的声音设计的良好起点。

该插件为几乎任何音乐表演（吉他、合成器垫和主音、人声，甚至鼓）提供了令人兴奋和迷人的补充。 一切都将因 BLASS Shimmer 而闪闪发光！

10. 祝福蜻蜓
动态颤音野性

BLASS Dragonfly 是一种全新的颤音效果方法，为所有音乐制作人带来了新的声音可能性。 让您的合成器、声音或任何旋律根据其自身频率或外部低音和主音“振动”！ 就像 Billie Eilish 的歌曲“Xanny”一样，Dragonfly 可以帮助您达到与重低音调制声音相同的效果。

BLEASS Dragonfly 使用各种触发器自动同步应用于轨道上的颤音效果：

首先，您可以在输入音轨（“自身模式”）或侧链音轨（“侧链模式”）上使用音调跟踪模块。 您还可以使用 MIDI 输入准确触发 Dragonfly：颤音将自动与音符频率同步。 最后，手动模式允许您设置固定频率。

然后，您可以通过调整精细度、因子、平滑度、立体声、起音和释放来微调您的设置。 “狂野”模式对信号应用波形整形器以产生微妙的饱和度。 最终的震音效果率由蜻蜓拍动的翅膀反映。

11.BLASS融合
波表失真点火

BLASS Fusion 是一款独特而强大的波形整形工具，它利用波表的无限灵活性来释放华丽平滑的饱和度、可耻的肮脏扭曲和最疯狂的混搭。

BLASS 将 Fusion 设计为当今最通用、适应性最强的失真和饱和度插件之一，能够立即完全改变其整个音调和特性。 神奇之处在于波表定义处理声音结果的方式，因此赋予插件多功能性，以满足您每一个破坏声音的突发奇想。

无论您是想用最轻微的嘶嘶声为您的音频增添趣味，还是想用华丽的蓬松毯子将其窒息，或者将其粉碎成碎片，BLASS Fusion 都能为您提供完美的波形塑造武器。 如果您发现 58 个包含的波表不能完全满足您的失真梦想，导入您自己的自定义波表只需将文件拖放到文件夹中即可。

一对多模式谐振滤波器允许 BLASS Fusion 将其愤怒集中在特定频率上，或者可用于抑制其更极端的过度行为。 凭借全套调制器，为您的声音增添动感和活力，丰富的表现力、节奏感和不断变化的失真效果正等待您去探索。

12.BLASS造粒机
颗粒纹理效果

BLEASS Granulizer 是一款颗粒纹理效果插件，具有随机化、4 路多总线音频输入和令人着迷的 3D 可视化器。
BLEASS Granulizer 通过调制不同的参数，从不同的输入信号生成短样本（“颗粒”），您可以通过 3D 可视化工具将这些参数可视化

13.BLASS 动态均衡器
创意音调控制器

BLASS Motion EQ 是一款功能强大且易于使用的音频均衡器，具有独特的功能，可开启音调创造力的新领域。

该插件遵循图形均衡器模型，三个频段的推子式剪切/增强控件的位置也提供均衡器曲线的即时视觉反馈。 但与传统的图形均衡器不同的是，BLEASS Motion EQ 的带宽是可调的，因此可以轻松选择受每个频段影响的频率范围。

BLASS Motion EQ 不仅可以让您平衡音频的音调，还可以用作灵活的滤波器。 通过使用频段静音控制可以实现低通、带通和高通滤波。 您甚至可以通过将高截止频率和低截止频率移近来创建全通滤波器效果。

BLEASS Motion EQ 的运动部分采用一对 LFO（低频振荡器）的形式。 这些可以控制每个频段的频率截止点，以及每个频段应用的剪切或增强量，使您能够创建旋转的、不断变化的音调模式。 通过将 LFO 同步到 DAW，可以实现各种有节奏的音调脉冲和运动。

BLASS Motion EQ 能够将每个频段的信号发送到其自己的输出总线*，从而将创意可能性提升到一个新的水平。 这使得该插件像交叉一样运行，允许您将每个乐队路由到自己的轨道以进行进一步处理和混合。

14.BLASS 运动特效
创意效果声音设计

BLASS Motion FX 为效果声音设计提供了全新且富有创意的工作流程。 借助高度通用的运动音序器，可以在 11 种不同的效果中进行选择并对其进行动态调制。 加载任意数量的 Motion FX 实例并揭开新的声音领域！

BLASS Motion FX 包含 11 种不同的效果，您可以通过直观且全面的音序器精确调制它们。

包括的 11 种效果是：
低通滤波器
高通滤波器
带通滤波器
体积
平底锅
变调器
移频器
环形调制器
温暖
比特破碎机
延迟

每个效果都有一个由音序器自动执行的参数，并且可以有一个或多个辅助参数。 选择一个效果，然后通过运动音序器对其进行动态调制。 切换效果时，动作音序器保持其状态，邀请您体验新的声音设计理念！

15. BLASS 阶段突变体
调频即外汇！

开发 BLASS Omega 为我们提供了深入研究 FM 合成令人着迷的声音功能的绝佳机会，这激发了一个创新想法：一个可以将频率调制原理应用于任何源材料的插件。

结果是 BLASS 阶段突变体。

现有的相位失真插件通过使用音频输入信号进行自身调制来产生效果，而 BLASS Phase Mutant 通过添加一个可以调制输入信号或被输入信号调制的振荡器，将事情提升到一个全新的水平。 这使得 BLASS Phase Mutant 能够充分利用 FM 的能力来创建复杂且丰富多彩的谐波失真、极富表现力的音调变化和迷人的声音挂钩。

BLEASS Phase Mutant 的振荡器跟踪输入信号的音调，并且可以设置为该输入音调的一个因子。 它还可以产生一系列不同的波形，所有这些波形都可以通过偏移左声道和右声道的相位来分布在立体声场中。

结合起来，这些功能开辟了一个独特的、现代的声音效果的全新世界，非常适合人声、贝斯、琶音和主奏。 您也会喜欢 BLASS Phase Mutant 对您的鼓和打击乐器部件的作用！

16.BLASS 伙伴
创意节奏伴侣

BLASS Sidekick 是底鼓合成器、步进音序器和闪避器（又名侧链压缩器）的组合。 结果是一个插件提供了一种独特的方式来在您的音乐中创建令人兴奋的节奏动态。

底鼓合成器使用受复古beatbox启发的模拟式引擎，这使得它可以轻松创建各种经典的模拟底鼓音色。 该合成器可由内置 16 步音序器或外部 MIDI 输入触发； 它的声音可以与通过插件的音频混合，用于触发插件的闪避阶段，或两者兼而有之。

不使用闪避器时，BLASS Sidechain 可以轻松地将您自己的踢鼓声部添加到循环和其他打击乐声部中。

每当触发底鼓合成器时，引入闪避器都会导致输入信号的音量减小。 当在鼓循环上使用时，您可以将自己的创造力强加在循环的基本感觉和节拍上，隐藏循环的底鼓声音和模式，以便您可以用您制作的声音和模式替换它们。

不过，也许 BLASS Sidekick 的最佳技巧是使用底鼓合成器和音序器纯粹作为闪避器的触发器。 这使您可以在任何部分或曲目中创建迷人且详细的动态节奏，无论是单个乐器还是整个混音。

17.BLASS慢速机器
磁带停止和减速效果

Slow Machine 将任何节拍或旋律从可预测的变为创新的。 改造引入深沉的低音，加强打击乐，并添加现场和排序磁带停止效果！

凭借 3 种不同但互补的创造性操控时间的方式，BLASS Slow Machine 可以通过完全或部分减慢音频信号来加深任何节拍，将史诗般的主音转换为重低音，并通过触摸精确地添加一些“磁带停止”效果 X/Y Stop 触发器，或通过精确序列自动化进行拨动。

18. BLEASS Multiband Compressor（新！）
BLASS 多频段压缩器是为您的混音、主干和音轨注入响度、力量和冲击力的完美工具。 无论您是在 iPad 上创作移动音乐、在工作室创作杰作，还是两者兼而有之，BLEASS Multiband Compressor 都能对音乐动态进行细致的精确控制。

多频段动态处理器是专业混音和母带工程师的秘密武器之一，与传统宽带处理器相比具有多种优势。 通过将音频分为三个频段并独立处理每个频段，BLASS 多频段压缩器可确保一个频率范围内的响亮段落和瞬态不会影响其他频段的行为。 这消除了宽带压缩器经常表现出的“音量泵送”效果，使 BLASS Multiband Compressor 成为处理鼓组、合成器、钢琴，当然还有完整混音和主干的完美工具。 该插件也可以与其他来源完美配合，从独奏乐器到人声和口语。

与多频段处理器不同的是，BLEASS Multiband Compressor 的三个频段均配备双级动态处理器。 它由一个“上方”级和一个“下方”级组成，“上方”级用于感测并处理电平超过“上方”阈值的信号，“下方”级用于感测并处理比“下方”阈值更安静的信号。 此外，每个级都可以作为压缩器运行，或者通过拨入低于 1:1 的比率值作为扩展器运行。 总而言之，这使得您可以对混音、主干和声部的音量和响度进行极其灵活的控制。

BLEASS Multiband Compressor 的另一个创新功能是其灵活的侧链系统。 这允许您选择哪些频段将以正常方式从输入信号中键控，以及哪些频段将从滤波和/或外部信号中键控。 这非常适合控制共振、嘶嘶声和其他不需要的人工制品等纠正工作，但也是一个极好的创意工具，可以实现时尚的闪避效果和超深的动态控制。

最后，该插件提供了全面的输出电平和干/湿平衡控制，以及软削波功能，可确保过热的信号不会变得令人讨厌和刺耳，而是呈现经典的类似阀门的饱和特征。

BLASS 多频段压缩器以其出色的音质、创新的功能、多功能的动态控制和卓越的效率而脱颖而出。

侧链：
压缩器的侧链（有时称为“密钥”）是处理器用来测量何时以及调整多少来调整正在处理的信号的增益的信号。

侧链源有3种类型：
（确定侧链信号的来源）

关闭：所有频段的侧链都馈送正在处理的信号的精确副本。

内部：在 TARGET 下激活的频段的侧链被馈送通过侧链滤波器馈送的正在处理的信号的副本。 未定位的频段将像侧链源设置为“关闭”一样运行。

外部：在 TARGET 下激活的频段的侧链由单独的信号馈送。 将轨道或信号总线传输到插件侧链输入的方法因所使用的 DAW 而异。 外部侧链输入由侧链过滤器（如果启用）处理。 未定位的频段将像侧链源设置为“关闭”一样运行。

侧链滤波器：对侧链信号应用高通和/或低通滤波。 使用“HP”和“LP”按钮（分别）启用或禁用高通和低通滤波器。 向左或向右拖动滤波器手柄可调整滤波器的截止频率，向上或向下拖动可调整滤波器的谐振。 当侧链源设置为关闭时，侧链滤波器不会运行，并且不会应用于目标设置未启用的任何频段。

监听：启用后，您可以监视和检查侧链信号，并听到正在应用的任何侧链过滤器的结果。

增益：调整侧链信号的音量水平。 这是统一调整所有压缩器频段灵敏度的有用方法。

目标：设置将使用内部或外部侧链信号的压缩器频段。 任何未启用的频段都将充当侧链源设置为关闭的状态。

一般的：
输入：设置输入信号电平。

Att Factor：全局调整所有压缩器启动时间。 使用正值可加快攻击速度，使用负值可降低攻击速度。

相对因子：全局调整所有压缩器释放时间。 使用正值可加快释放速度，使用负值可减慢释放速度。

低于攻击：将 x2 或 x15 的乘数应用到低于压缩器攻击时间。 （另外，下面的压缩器的释放时间是显示值乘以0.1。因此，如果释放时间为30ms，下面的压缩器的释放时间就是3ms。）

拐点：调整信号电平接近阈值时压缩器的响应方式。 低值会产生“硬”拐点，一旦信号超过阈值，就会应用全比率压缩。 较高的值会产生“较软”的拐点，从而在信号超过阈值之前压缩比开始增加，并且直到信号电平高于阈值才实现全比压缩。 较软的膝盖往往更透明，但可以允许突然、响亮的瞬变逃避压缩。

Look Ahead：向正在处理的信号添加 2ms 或 5ms 的短延迟，但不向侧链添加。 压缩器需要很短的时间来实现全比率压缩，特别是在使用较长的起音时间和较软的拐点时，这可能会让不需要的瞬态不受影响地通过压缩器。 Look Ahead 延迟对于防止这种情况发生非常有用 – 从某种意义上说，它为即将到来的音频预先准备了压缩器。 Look Ahead 延迟会由 DAW 自动补偿，因此不会出现延迟。

压缩机设置：
中央面板：中央面板允许您在单个视图中查看和编辑所有三个频段的设置。

交叉：窗口顶部的垂直条允许您设置三个压缩器频段的交叉频率。 拖动左边界标记可设置低/中交叉频率，拖动右边界标记可调整中/高交叉频率。

频段阈值：每个频段都有两个阈值，可通过拖动频段可视化上的标记进行修改。 当前频段级别显示为叠加层。
上方标记控制上方压缩阈值。 当信号电平超过此阈值时，将应用上述压缩。
下标记控制低于压缩阈值。 当信号电平低于此阈值时，将应用低于压缩。

频段开/关：通过单击频段的电源符号来启用或绕过频段的处理。

乐队静音：启用此按钮可使乐队完全静音。

乐队独奏：启用此按钮可使其他两个乐队静音，以便您可以只专注于其中一个。

频段输入：控制频段的输入电平。

频段输出：控制频段的输出电平。

（应该注意的是，用于创建频带的滤波器不是线性相位的。）

侧面板：
中央面板右侧的侧面板一次显示一个频段的其他设置。

低/中/高：选择要在侧面板中查看的频段

压缩曲线可视化：显示频段当前设置产生的压缩曲线，并覆盖频段的信号电平。 在图表上上下拖动以同时调整高于和低于阈值。

高于阈值：设置频段高于阈值的替代方法。

高于比率：设置超过高于阈值时将应用于频段的压缩比。 高于 1 的值会导致标准向下压缩。 低于 1 的值会导致向上扩展。

低于阈值：设置频段低于阈值的替代方法。

低于比率：设置当信号电平低于低于阈值时将应用于频段的压缩率。 高于 1 的值会导致向上压缩。 低于 1 的值会导致向下扩展。

Attack：设置频段的压缩起音时间。

释放：设置乐队的压缩释放时间。

掌握：
Dry：设置未处理的输出信号的主电平。 仅当干/湿平衡小于 100% 时才会产生影响。

湿：设置已处理输出信号的主电平。 仅当干/湿平衡大于 0% 时才会产生影响。

干/湿：未处理的“干”信号和处理的“湿”信号之间的平衡。

软削波：当输出信号超过 0dB 时启用软削波器。

19. BLASS Tides
BLASS Tides 用一波波富有个性的反射声波，洗去了传统延迟处理器干涩乏味的回声。

该插件流畅的延迟处理方式意味着可以调整延迟时间，而不会像其他延迟处理器那样产生令人不快的扭曲效果，并且可以选择控制磁带式的时序偏移，或在不同时序的延迟之间进行简单的交叉淡入淡出。

更棒的是，借助 BLASS 最新插件技术提供的增强调制系统，您可以充分利用这种延迟时间的流动性，搭配立体声 LFO、包络跟随器和宏控制器，探索激动人心的延迟效果的全新境界。

创造独特而迷人的延迟线不仅仅是时间上的调整，因此 BLASS Tides 提供了多种塑造和添加重复音色的方式。

结合低通和高通谐振频段的输入滤波器，让您可以轻松地塑造输入信号，从而塑造最终的回声。为了实现更深层次、更令人振奋的塑形效果，Tides 的反馈路径设有五个插入点，可加载 11 种不同的效果处理器。这些效果处理器包括失真、滤波器、音高和频移、环形调制，甚至还有一个额外的延迟处理器，所有这些效果都可以通过插件的立体声调制器实现。

Tides 是首款使用 BLASS v2 插件引擎的插件，其重新设计的界面设计赋予了插件简洁明了的外观，同时保留了之前 BLASS 插件熟悉且亲切的外观和感觉。

新界面使用触摸屏和鼠标操作同样简单，并包含创新的交互元素，例如 Tides 的延迟可视化工具，只需用鼠标点击或用手指触摸，即可产生引人入胜的交互式频移效果。此外，还有瞬时冻结和终止按钮，可实现实时交互，无论是在舞台上、旅途中还是在录音室，它们都非常适合创作自然流畅的效果。

BLASS Tides 的独特方法将延迟处理带入了新的领域，具有前所未有的立体声效果和调制、广泛的音调塑造以及美观且易于使用的用户界面。

20. BLASS 声音
释放终极声音和谐器

BLEASS Voices 是一款灵活而强大的音频插件，专用于音调、变换、加倍和协调人声和其他单声道源。 BLASS Voices 共有 12 个音调变化的声音，每个声音都提供对音调、共振峰、音调、宽度和位置的详细控制，将重新定义您的声乐创造力并释放您内心的合唱。

BLASS Voices 的四种和声可独立移调至高或低八度，或者可压平至选定的音高。 其余八个声音通过 MIDI 触发，转换输入信号以匹配传入的 MIDI 音符。 再加上 BLASS Voices 对 MPE 的深入实现，这让您可以演奏富有表现力和细微差别的声带，以及具有真实滑音、颤音和装饰的声乐独奏。

除了广泛的 MPE 支持之外，BLASS Voices 还包括合成器风格的调制器，可为您的声乐表演添加新的运动和变化维度。 BLASS Voices 拥有两个 LFO、一个包络跟随器和一个模式音序器，就像一个人声表演合成器！

所有声音都可以使用该插件的智能音调校正算法，该算法强制声音进入选定的调和音阶。 此外，除了输入主输出外，每个声音都有自己独立的输出总线，允许您混合这些声音并为其添加效果，就像它们是独立的录音*一样。

BLASS Voices 的基频范围为 66Hz（大约 C1**）到 5.2kHz（大约 E7**），这使其成为不仅可以对人声部分进行调音、加倍和和声的理想插件，还可以对许多其他单声道乐器部分进行调音、加倍和和声。

BLASS Voices 还为现场表演提供实时模式，确保超低延迟。

BLASS Voices 现已在 Windows、Mac 和 iOS 上提供。

* 访问独立的输出总线需要支持来自插件的多个输出的主机 DAW。

** 其中 C3 = 中 C / MIDI 音符 #60

21. BLASS Vox
释放声乐创造力的新维度

BLASS Vox 是您轻松操控声音的门户。 这款尖端处理器让您沉浸在声音可能性的世界中，轻松塑造声乐表演的每一个细微差别。

该插件强大而高效的引擎允许您操纵和塑造人声的共振峰特征，使您能够制作出真正使您的人声与众不同的独特效果。 BLASS Vox 可让您轻松探索和改变您的声乐旋律，变调或固定音高，以提供迷人的新旋律和和声。

BLASS Vox 的 UNISON 处理器从合成器世界中汲取灵感，为您的声音增添了惊人的深度和重量。 UNISON 处理器还可以在整个立体声图像中传播多达 10 个失谐声音，从而提供其他声音处理器无法比拟的巨大而迷人的声音存在。

BLASS Vox 灵活的颤音处理器让您触手可及的表现力新境界。 无论是创造微妙而优雅的音高波动还是极端的特效，专用的颤音控制意味着无需配置 LFO 或搞乱调制映射。

BLASS Vox 适合在工作室和路上使用，其实时处理模式可提供跟踪会话和现场表演期间所需的速度和效率，而其标准处理模式可提供关键编辑和混音阶段所需的质量和准确性。 你的项目。

有了 BLASS Vox，您就不会陷入复杂的声音处理链的细节中，让您可以自由地专注于塑造独特的声音和美妙的音乐。
————————————————————————————————————
BLEASS is a music tech company based at Plaine Images, the main european hub dedicated to creative industries in Tourcoing, France.
Founded in 2018, BLEASS aims at engineering high quality digital instruments and audio effects for all musicians.

原文：
CLASSIC EFFECTS (9 Plug-ins) :
1. BLEASS Chorus
2. BLEASS Compressor
3. BLEASS Delay
4. BLEASS Filter
5. BLEASS Flanger
6. BLEASS Phaser
7. BLEASS Reverb
8. BLEASS Saturator
9. BLEASS Shimmer

CREATIVE EFFECTS (10 Plug-ins) :
10. BLEASS Dragonfly
11. BLEASS Fusion
12. BLEASS Granulizer
13. BLEASS Motion EQ
14. BLEASS Motion FX
15. BLEASS Phase Mutant
16. BLEASS Sidekick
17. BLEASS Slow Machine
18. BLEASS Multiband Compressor
19. BLEASS Tides

VOCAL EFFECTS (2 Plug-ins) :
20. BLEASS Voices
21. BLEASS Vox—–NEW

Plug-in introduction:
1. BLEASS Chorus
The Easy Way To Create Complex Chorus Effects

From the subtlest movement and thickening to scintillating stereo modulations, BLEASS Chorus can do it all. With up-to four fully stereo chorus voices, the plugin can create sumptuously rich and complex effects whilst allowing precise control over the stereo width, prominence and intensity of the results.

When running in high-pass mode, BLEASS Chorus’ input filter is perfect for bringing out the space and airiness within a sound, before the advanced modulation engine makes that airiness shimmer and dance. Switching the filter to its shelving mode then opens up a whole new range of possibilities, from deliciously warm thickening effects to sparser, thinned-out lo-fi modulations.

The detailed and colourful oscilloscope that sits at the centre of BLEASS Chorus’ tactile interface shows you at a glance exactly what the plugin is doing. This helpful visualisation won’t impact on your system’s resources either thanks to BLEASS’ super-efficient processing engine.

2. BLEASS Compressor
Powerful & Flexible Dynamics Processing

Controlling the dynamics of your parts and recordings is an essential step towards a professional sounding mix. With BLEASS Compressor’s powerful performance and intuitive user interface, such pro-grade dynamics control has never been easier.

BLEASS Compressor’s flexible dynamics engine makes it an ideal choice in many different situations. With compression ratios of up-to 60:1, a variable knee, and flexible attack and release stages, BLEASS Compressor can deliver a wide range of different response characteristics.

The plug-in’s flexibility is further enhanced by a powerful dual filter that operates on the analysed signal, providing both low-pass and high-pass filtering. The filters work on both internal and sidechain signals, and are resonant too, making it easy to create dynamics effects that are highly frequency dependant.

Despite its versatility and power, BLEASS Compressor is simple to setup and work with. Compression and filter curves are set using tactile graphical widgets, whilst you receive constant easy-to-read visual feedback about how the plugin is operating.

Perhaps best of all, BLEASS Compressor is ultra-efficient, so you can include its intuitive dynamics control to any-and-every part that needs it.

3. BLEASS Delay
Multi Purpose Delay / Echo / Frequency Shifter

BLEASS Delay is the ideal tool for adding depth, movement and interest to your mixes. No matter what style of music you are producing and what instrumentation you are working with, the versatility and ease-of-use of BLEASS Delay helps you achieve perfect results with the minimal of fuss.

Echoes are just the starting point for BLEASS Delay. The integrated frequency shifter and dual filter allow deep control over the character and sound of the generated repeats, allowing you to achieve with one plugin sound effects that may otherwise require a complete plugin stack and complex routing.

BLEASS Delay also includes three LFOs, one each for the delay engine, the frequency shifter and the filter. As well as allowing the plugin to create classic modulation effects such as chorus and flanging, the dedicated LFOs are ideal for creating exciting sound effects and epic, constantly-shifting soundscapes.

4. BLEASS Filter
Responsive Filter With Rich Visual Feedback

Whether sculpting a synth sound, adding depth and bite to drums, or exploring new sonic territory with vocals and guitars, BLEASS Filter is the perfect solution.

Inspired by the vintage analogue filters found on the world’s most renowned classic synths, and wrapped in our trademark super-modern interface design, BLEASS Filter delivers a great sound along with an intuitive and tactile user experience. The plugin also provides detailed visual feedback that can be read and understood at a glance.

A static filter can be as dull as no filter at all, which is why we have included both an envelope follower and an LFO (Low Frequency Oscillator) in BLEASS Filter. The envelope follower can be tuned to perfectly match your audio, adding dynamic interest to your music, whilst the LFO creates repeating sweeps and movement that can run freely or sync to the beat.

With superb versatility, ultra-efficient processing, and a great price, BLEASS Filter is guaranteed to bring new character and interest to your audio, and a smile to your face!

5. BLEASS Flanger
21st Century Flanging

BLEASS Flanger harnesses the sonic characteristics of classic flanger effects and brings them fully up-to-date with a pair of flexible LFOs, variable modulation routing, an envelope generator and beat synchronisation.

Classic flangers are a delay-based effect, and modulate the delay time to create the distinctive, repetitive flanged sound. But with BLEASS Flanger, multiple modulation sources are combined to create detailed, complex and evolving timbral movement within your sound.

The addition of an envelope generator, which is triggered by the incoming signal, adds an additional dimension to the flanger effect, making it sensitive to the dynamics and nuances of your performances. The second LFO can take the sonic possibilities further still, with the option for it to modulate the delay’s feedback strength or stereo width.

The tonal character of the effect can be controlled easily thanks to the multi-mode input filter, whilst the ability to synchronise the LFOs to the beat of your music allows you to explore completely new rhythmic and evolving effects.

BLEASS’ trademark interface design ensures this powerful collection of tools are both easy and fun to work with, so you can harness their sonic versatility without ever hindering your musical creativity. And with super-efficient CPU usage, and compatibility with all major hosts and DAWs on desktop, iPad or iPhone, BLEASS Flanger is the only flanger you will ever need.

6. BLEASS Phaser
All-around Phasing Effect

More subtle than flanging and more colourful than chorus, phasing has long been a go-to effect for guitarists, keyboardists, vocalists and bassists who want to inject a touch of other-worldly character into their sound. No effects collection is complete without a phaser!

BLEASS Phaser delivers a comprehensive and highly versatile phasing effect. Whether you’re looking for gentle movement, resonant swirls, or stunning atmospheric soundscapes, BLEASS Phaser can do it all.

The plugin’s interface is dominated by a colourful and captivating visualisation that illustrates the notch frequencies that create the phasing effect. This detailed and intuitive display, coupled with BLEASS’ trademark tactile interface design, demystifies the entire phasing process, and makes working with BLEASS Phaser a joy.

Phasers use all-pass filters to create frequency-specific phase changes within a sound. When this sound is overlaid on the original unprocessed sound, it creates notch filters at the cutoff frequencies of the all-pass filters. By using multiple all-pass filters, with frequencies that spread from a “centre” frequency determined by the first all-pass filter, a complex comb filtering effect is generated. Adding modulation to the filter frequencies leads to the characteristic sweeping, whooshing sound that phasing is known for.

BLEASS Phaser has two LFO modulation sources. The first modulates the notch filter cutoff frequencies, the second modulates the spread of notch frequencies around the initial centre frequency. This allows the plugin to create classic repetitive phasing effects, as well as complex, ever-shifting notch patterns that add tons of sonic interest to a part.

With BLEASS Phaser in your collection, you will never need another phaser!

7. BLEASS Reverb
Creative Mutable Reverb

Reverbs let us simulate acoustic spaces, but with BLEASS Reverb you can mutate and warp that space in realtime with tactile, hands-on controls.

If what you need is great-sounding acoustic simulation then BLEASS Reverb is happy to help. But BLEASS Reverb goes far beyond conventional reverb processors. It’s mutable reverb generator, freeze mode, and built-in ducker open doors to whole new worlds of sonic possibilities for you to explore.

BLEASS Reverb’s clear, colourful and intuitive interface allows you to focus on the important details of your sound without overwhelming you with countless arcane options and settings. And nor will your computer or device be overwhelmed by BLEASS Reverb’s super-efficient engine.

8. BLEASS Saturator
Creative Audio Destruction

BLEASS Saturator is a creative saturation and distortion toolbox that lets you stamp your authority all over your audio. Roast your basses, crush your drums, and make your leads explode from a mix, all from the relaxing comfort of the plugin’s colourful and intuitive interface.

The Drive module introduces analogue-style overdrive into your signal, from a gentle warming all the way to a veritable roasting. The module’s built in EQ allows precise control over the tonal character of the saturation as well.

The Waveshaper distorts your audio using a second waveform. The way this happens depends upon the waveshaping algorithm that is used – BLEASS Saturator has nine to choose from. The algorithm has a significant impact on the character of the distortion that is produced. With its clear visualisation, and detailed-but-intuitive control over key parameters of the waveshaping algorithms, the Waveshaper module offers a near infinite choice of sonic colourations and distortions.

BLEASS Saturator’s Bit module simulates the distortion characteristics of analogue-to-digital conversion. We’re all familiar with the pristine sound quality that is produced when both sample rate and bit depth are suitably high, but dragging these values down can create wonderful glitches and distortions that are fundamentally digital in character. Further creative possibilities are presented by the option of applying the Bit module either before or after the Waveshaper module.

The built-in LFO can be routed to any of the plugin’s parameters, and can be synced to the host’s beat and tempo. This allows you to explore evolving, shifting and rhythmic distortions that would be hard to achieve with conventional saturators.

Gentle settings can create pleasingly warm and fuzzy results, but despite its small footprint and lightweight CPU usage, BLEASS Saturator has the strength to hit your audio like a ton of bricks!

9. BLEASS Shimmer
Pitch Shifting Studio Reverb

BLEASS Shimmer’s unique pitch shifting reverb will make your performances dance and sing in ways you never imagined possible. Harmonics are emphasised and new tonal colours revealed as the luscious washes of reverb thicken and harmonise with your performance, opening a whole new creative dimension of spatial and ambient effects.

The processing stages that comprise BLEASS Shimmer make for a highly versatile plugin that’s overflowing with creative musical possibilities: The incoming sound can be shaped with the multi-mode input filter; the two pitch shift modules can be placed at different points in the signal chain for wildly differing outcomes; the reverb is clean and rich; and the integrated ducker helps the direct signal to stand out from the reverb, and is perfect for rhythmic and “blooming” effects.

This vast sonic potential is easy to tame, both live and in the studio, thanks to a clear and tactile user interface that just begs to be played with. The plugin also comes loaded with more than 30 presets that reveal the depth of possibilities on offer, and that act as great starting points for your own sound designs.

The plugin delivers an exciting and fascinating complement to practically any musical performance – guitars, synth pads and leads, vocals, and even drums. All will be made to shine with BLEASS Shimmer!

10. BLEASS Dragonfly
Dynamic Tremolo Wildness

BLEASS Dragonfly is a completely new approach to tremolo effect which brings new sonic possibilities to all music producers. Make your synths, voices or any melody “vibrate” in correspondence with its own frequencies, or with external basses and leads! Just like in Billie Eilish’s song “Xanny”, Dragonfly helps you achieve the same effect as when the voice gets modulated by a heavy bass.

BLEASS Dragonfly automatically syncs the tremolo effect applied on a track using various triggers:

First, you can use the pitch tracking module on either the input audio track (“self mode”) or a sidechained audio track (“sidechain mode”). You also can use the midi input to trigger Dragonfly with accuracy: the tremolo will automatically sync with the notes’ frequencies. Finally, a manual mode allows you to set a fixed frequency.

Then you can finetune your settings by adjusting the fine, factor, smoothness, stereo, attack & release. The “Wild” mode applies a waveshaper to the signal to produce a subtle saturation. The final tremolo effect rate is mirrored by the flapping wings of the Dragonfly.

11. BLEASS Fusion
Wavetable Distortion Ignition

BLEASS Fusion is a unique and powerful waveshaping tool that harnesses the limitless flexibility of wavetables to unleash sumptuously smooth saturations, disgracefully dirty distortions, and maximally mad mashups.

BLEASS has designed Fusion to be one of the – if not the – most versatile and adaptable distortion and saturation plugins available today, able to completely change its entire tone and character in an instant. The magic comes from the way in which wavetables define the sonic results of processing, and so empower the plugin with the versatility to satisfy your every sonically-destructive whim.

Whether you want to spice-up your audio with the lightest sprinkle of sizzle, smother it in a luxuriant fluffy blanket, or shatter it into fractured shards, BLEASS Fusion provides the perfect waveshaping weaponry for the job. And should you find that the 58 included wavetables don’t quite fulfil your distortion dreams, importing your own custom wavetables is simply a matter of dropping a file into a folder.

A pair of multi-mode resonant filters allow BLEASS Fusion to focus its fury on particular frequencies, or can be used to tame its more extreme excesses. And with a full complement of modulators that add movement and dynamism to your sound, a huge palette of expressive, rhythmic and evolving distortions are just waiting to be explored.

12. BLEASS Granulizer
Granular Texture Effect

BLEASS Granulizer is a granular texture effect plugin with randomization, 4 multi-bus audio inputs and a mesmerizing 3D visualizer.
BLEASS Granulizer generates short samples (‘grains’) from different input signals by modulating different parameters which you can visualize thanks to a 3D Visualizer

13. BLEASS Motion EQ
Creative Tone Controller

BLEASS Motion EQ is a powerful yet easy-to-use audio equalizer with unique features that unlock new realms of tonal creativity.

The plugin follows a graphic equalizer model, with the position of the three bands’ fader-style cut/boost controls also giving instant visual feedback of the EQ curve. But unlike a conventional graphic equalizer, BLEASS Motion EQ’s band widths are adjustable, making it easy to select the range of frequencies that will be affected by each band.

Not only does BLEASS Motion EQ let you balance the tone of your audio, it can also work as a flexible filter too. Low-pass, band-pass and high pass filtering can be achieved by making use of the band mute controls. You can even create an all-pass filter effect by moving the high and low cutoff frequencies close together.

The motion part of BLEASS Motion EQ comes in the form of a pair of LFOs (Low Frequency Oscillators). These can control the frequency cutoff point of each band, as well as the amount of cut or boost that each band applies, allowing you to create swirling, ever-shifting tonal patterns. And with the LFOs Synced to your DAW, all manner of rhythmic tonal pulses and movements are possible.

The creative possibilities are taken to a new level by BLEASS Motion EQ’s ability to send each band’s signal to its own output bus*. This makes the plugin operate like a crossover, allowing you to route each band to its own track for further processing and mixing.

14. BLEASS Motion FX
Creative Effects Sound Design

BLEASS Motion FX offers a new and creative workflow to effects sound design. Choose between 11 different effects and dynamically modulate it thanks to a highly versatile motion sequencer. Load as many instances of Motion FX as you want and unveil new sonic territories!

BLEASS Motion FX contains 11 different effects which you can modulate precisely thanks to an intuitive and comprehensive sequencer.

The 11 effects included are:
Low Pass Filter
High Pass Filter
Band Pass Filter
Volume
Pan
Pitch Shifter
Frequency Shifter
Ring Modulator
Warmth
Bit Crusher
Delay

Each effect has a parameter automated by the sequencer and can have one or more secondary parameters. Pick an effect and then modulate it dynamically thanks to the motion sequencer. When switching effects, the motion sequencer keeps its state to invite you to new sound design ideas!

15. BLEASS Phase Mutant
FM as FX!

Developing BLEASS Omega gave us the perfect opportunity to take a deep dive into the fascinating sonic capabilities of FM synthesis, and this sparked an innovative idea: A plugin that can apply the principles of frequency modulation to literally any source material.

The result is BLEASS Phase Mutant.

Where existing phase distortion plugins create their effect by using an audio input signal to modulate itself, BLEASS Phase Mutant takes things to an entirely new level with the addition of an oscillator that can modulate the input signal or be modulated by it. This allows BLEASS Phase Mutant to fully harness FM’s ability to create complex and colourful harmonic distortions, achingly expressive tonal variations, and fascinating sonic hooks.

BLEASS Phase Mutant’s oscillator tracks the input signal’s pitch, and can be set to a factor of that input pitch. It can also produce a range of different waveforms, all of which can be spread across the stereo field by offsetting the phase of left and right channels.

In combination, these abilities open up a whole new universe of unique, modern-sounding effects that are perfect for vocals, basses, arpeggios and leads. You’re going to love what BLEASS Phase Mutant can do to your drum and percussion parts too!

16. BLEASS Sidekick
The Creative Rhythm Companion

BLEASS Sidekick is a combination of a kick drum synth, a step sequencer, and a ducker (aka a sidechain compressor). The result is a plugin that provides a unique way to create exciting rhythmic dynamics within your music.

The kick drum synth uses an analogue-style engine inspired by vintage beatboxes, which allows it to create a wide range of classic analogue kick drum tones with ease. This synth can be triggered by the built-in 16-step sequencer or by an external MIDI input; its sound can be mixed with the audio passing through the plugin, be used to trigger the plugin’s ducker stage, or both.

Used without the ducker, BLEASS Sidechain makes it easy to add your own kick parts to loops and other percussive parts.

Bringing in the ducker causes the input signal to reduce in volume whenever the kick synth is triggered. When used on a drum loop this lets you impose your own creativity on the underlying feel and beat of the loop, ducking-out the loop’s kick sound and pattern so that you can replace them with a sound and pattern that you have crafted.

Perhaps BLEASS Sidekick’s best trick, though, is to use the kick synth and sequencer purely as a trigger for the ducker. This lets you create fascinating and detailed dynamic rhythms within any part or track, whether individual instrument or an entire mix.

17. BLEASS Slow Machine
Tape Stop and Slow Down Effect

Slow Machine mutates any beat or melody from predictable to innovative. Revamp leads into deep basses, thicken percussion, and add live & sequenced tape stop effects!

Thanks to 3 different yet complementary ways of manipulating time with creativity, BLEASS Slow Machine can deepen any beat by completely or partially slowing down the audio signal, transform epic leads into heavy basses, and add some “tape stop” effect with precision either by touching the X/Y Stop trigger, or by dialing in precise sequence automations.

18. BLEASS Multiband Compressor (NEW)
BLEASS Multiband Compressor is the perfect tool for injecting loudness, power and punch into your mixes, stems and tracks. Whether you are creating music on-the-move on your iPad, producing your masterpiece in the studio, or doing both, BLEASS Multiband Compressor dispenses detailed precision control over your music’s dynamics.

One of the secret weapons of professional mix and mastering engineers, multiband dynamics processors have various advantages over conventional broadband processors. By separating your audio into three frequency bands, and processing each independently, BLEASS Multiband Compressor ensures that loud passages and transients in one frequency range do not impact on how the other bands behave. This eliminates the “volume pumping” effect often exhibited by broadband compressors, making BLEASS Multiband Compressor the perfect tool for processing drum kits, synths, pianos and – of course – full mixes and stems. The plugin works brilliantly with other sources too, from solo instruments to vocals and spoken voice.

Unusually for a multiband processor, each of BLEASS Multiband Compressor’s three bands features a dual stage dynamics processor. This consists of an Above stage that senses for and processes signals whose level exceeds the Above threshold, and a Below stage that senses for and processes signals that are quieter than the Below threshold. Additionally, each stage can operate as either a compressor or, by dialing in Ratio values below 1:1, an expander. Altogether this makes for phenomenally versatile control over the volume and loudness of your mixes, stems and parts.

Another innovative feature of BLEASS Multiband Compressor is its flexible sidechain system. This allows you to choose which bands will key from the input signal in the normal way, and which will key from a filtered and/or external signal. This is ideal for corrective work such as controlling resonances, sibilances and other unwanted artefacts, but is also a fabulous creative tool, allowing for stylish ducking effects and ultra-deep dynamics control.

Rounding things off, the plugin provides comprehensive output level and dry / wet balance control, along with a soft clipping feature that ensures overly-hot signals don’t become nasty and harsh, but instead take on a classic valve-like saturation character.

BLEASS Multiband Compressor stands out for its great sound, innovative features, versatile dynamics control, and exceptional efficiency.

SIDECHAIN:
A compressor’s sidechain (sometimes known as a “key”) is the signal that the processor uses to measure when – and by how much – to adjust the gain of the signal being processed.

There are 3 types of Sidechain Source:
(Determines where the sidechain signal is sourced from)

OFF: The sidechains for all bands are fed with an exact copy of the signal being processed.

INTERNAL: The sidechains for bands activated under TARGET are fed with a copy of the signal being processed that has been fed through the Sidechain Filters. Bands that are not targeted will operate as though the Sidechain Source were set to OFF.

EXTERNAL: The sidechains for bands activated under TARGET are fed with a separate signal. The method of bussing a track or signal to the plugin’s sidechain input varies depending on the DAW being used. The External sidechain input is processed by the Sidechain Filters (if enabled). Bands that are not targeted will operate as though the Sidechain Source were set to OFF.

Sidechain Filters: Applies high- and/or low-pass filtering to the sidechain signal. Use the “HP” and “LP” buttons to enable or disable the high pass and low pass filter (respectively). Drag the filter handles left or right to adjust a filter’s cutoff frequency, and drag up or down to adjust a filter’s resonance. The Sidechain Filters do not operate when the Sidechain Source is set to OFF, and are not applied to any bands whose Target setting is not enabled.

Listen: When enabled, allows you to monitor and check the sidechain signal, and hear the results of any Sidechain Filters that are being applied.

Gain: Adjusts the volume level of the sidechain signal. This can be a useful way to adjust the sensitivity of all compressor bands uniformly.

Target: Sets the compressor bands that will use the Internal or External sidechain signal. Any bands not enabled will act as the Sidechain Source were set to OFF.

GENERAL:
Input: Sets the input signal level.

Att Factor: Globally adjusts all compressor attack times. Use positive values for faster attack, and negative value for slower attack.

Rel Factor: Globally adjusts all compressor release times. Use positive values for faster release, and negative value for slower release.

Below Attack: Applies a multiplier of x2 or x15 to the Below Compressor attack times. (Also, the release time for the below compressor is the displayed value multiplied by 0.1. So with a release of 30ms, the release time for the below compressor is 3ms.)

Knee: Adjusts how the compressor responds when the signal level is near the threshold. Low values give a “hard” knee in which full-ratio compression is applied as soon as the signal exceeds the threshold. Higher values give a “softer” knee whereby the compression ratio starts to increase before the signal exceeds the threshold, and full-ratio compression is not achieved until the signal level is some way above the threshold. Softer knees tend to be more transparent, but can allow sudden, loud transients to escape compression.

Look Ahead: Adds a short delay of 2ms or 5ms to the signal being processed but not to the sidechain. It takes a short amount of time a compressor to achieve full-ratio compression, especially when using longer attack times and softer knees, and this can allow unwanted transients to pass through the compressor unaffected. The Look Ahead delay is useful as a means of preventing this from happening – in a sense it pre-prepares the compressor for the upcoming audio. The Look Ahead delay is automatically compensated by your DAW so no latency can be experienced.

COMPRESSOR SETTINGS:
Central Panel: The central panels allows you to view and edit settings of all three bands within a single view.

Crossover: The vertical bar at the top of the window allows you to set the crossover frequencies of the three compressor bands. Drag the left boundary marker to set the low/mid crossover frequency, and the right boundary marker to adjust the mid/high crossover.

Band Thresholds: Each band features two thresholds, modified by dragging the markers on a band’s visualisation. The current band level is shown as an overlay.
The upper marker controls the Above compression threshold. When the signal level exceeds this threshold Above compression is applied.
The lower marker controls the Below compression threshold. When the signal level is less than this threshold Below compression is applied.

Band On/Off: Enable or bypass a band’s processing by clicking on its power symbol.

Band Mute: Enable this button to silence a band completely.

Band Solo: Enable this button to silence the other two bands so that you can focus on just one.

Band In: Controls a band’s input level.

Band Out: Controls a band’s output level.

(It should be noted that the filter used to create the band isn’t in linear phase.)

SIDE PANEL:
The side panel, to the right of the central panel, shows additional settings for one band at a time.

Low / Mid / High: Choose which band to view within the side panel

Compression Curve Visualisation: Displays the compression curve that results from the band’s current settings, with the band’s signal level overlaid. Drag up-and-down on the graph to adjust Above and Below thresholds in tandem.

Above Thr: Alternative method for setting the band’s Above threshold.

Above Ratio: Sets the compression ratio that will be applied to the band when the Above threshold is exceeded. Values above 1 result in standard downward compression. Values below 1 result in upward expansion.

Below Thr: Alternative method for setting the band’s Below threshold.

Below Ratio: Sets the compression ratio that will be applied to the band when the signal level is less than the Below threshold. Values above 1 result in upward compression. Values below 1 result in downward expansion.

Attack: Sets the compression attack time for the band.

Release: Sets the compression release time for the band.

MASTER:
Dry: Sets the master level of the unprocessed output signal. Only has an affect when the Dry/Wet balance is less than 100%.

Wet: Sets the master level of the processed output signal. Only has an affect when the Dry/Wet balance is greater than 0%.

Dry/Wet: Balances between the unprocessed “dry” signal and processed “wet” signal.

Soft Clipping: Enables a soft clipper applied when the output signal exceeds 0dB.

19. BLEASS Tides
BLEASS Tides washes away the dry, uninspiring echoes of conventional delay processors with wave after wave of richly characterful reflections.

The plugin’s fluid approach to delay processing means delay times can be altered without the unpleasant warping results produced by other delay processors, with the option of a controlled tape-like timing shift, or a simple crossfade between differently timed delays.

Better still, with an enhanced modulation system provided by BLEASS’ latest plugin technology, you can take full advantage of this delay time fluidity with stereo LFOs, envelope followers and macro controllers that allow you to explore new horizons of exciting delay effects.

There’s more to creating unique and enthralling delay lines than timing alone, and so BLEASS Tides provides many different ways of shaping and adding character to its repeats.

An input filter combining low- and high-pass resonant bands allows you to easily mould the incoming signal and thereby sculpt the resulting echoes. Then, for even deeper and more exhilarating shaping, Tides’ feedback path features five insert points into which any of 11 different effect processors can be loaded. These include distortions, filters, pitch and frequency shifting, ring modulation, and even an additional delay processor, all of which can be brought to life with the plugin’s stereo modulators.

Tides is the first plugin to use BLEASS’ v2 plugin engine, its reimagined interface design giving a crisp and clean look to the plugin whilst retaining the familiar and welcoming look and feel of previous BLEASS plugins.

The new interface is as easy to use with touchscreens as it is with a mouse, and includes innovative interactive elements such as Tides’ delay visualiser that, when clicked with the mouse or touched with a finger, produces fascinating interactive frequency shifting effects. Further realtime interaction comes in the form of momentary Freeze and Kill buttons that are perfect for creating spontaneous, organic effects, whether on stage, on the go, or in the studio.

BLEASS Tides’ unique approach brings delay processing to new shores with never before heard stereo effects and modulations, extensive tonal shaping, and a user interface that’s both easy on the eye and easy to use.

20. BLEASS Voices
Unleash The Ultimate Vocal Harmonizer

BLEASS Voices is a flexible and powerful audio plugin dedicated to pitching, transforming, doubling and harmonizing vocals and other monophonic sources. With a total of 12 pitch shifted voices, each providing detailed control over pitch, formant, tone, width and placement, BLEASS Voices will redefine your vocal creativity and unleash your inner choir.

Four of BLEASS Voices’ harmonized voices can be transposed independently by up to an octave higher or lower, or can be flattened to a chosen pitch. The remaining eight voices are triggered via MIDI, transposing the input signal to match the incoming MIDI notes. Coupled with BLEASS Voices’ deep implementation of MPE, this lets you play vocal chords that ooze expressiveness and nuance, and vocal solos with realistic glides, trills and embellishments.

Alongside the extensive MPE support, BLEASS Voices also includes synth-style modulators that add new dimensions of movement and variation to your vocal performances. With two LFOs, an envelope follower and a pattern sequencer, BLEASS Voices is like a performance synth for vocals!

All voices have access to the plugin’s intelligent pitch correction algorithm that forces the voices into a selected key and scale. Additionally, as well as feeding into the master output, each voice has its own independent output buss allowing you to mix and add effects to those voices as though they were standalone recordings*.

BLEASS Voices works with fundamental frequencies ranging from 66Hz (approximately C1**) to 5.2kHz (approximately E7**), making this the ideal plugin for tuning, doubling and harmonizing not only your vocal parts, but many other monophonic instrument parts too.

BLEASS Voices also offers a real-time mode for live performances, ensuring ultra-low latency.

BLEASS Voices is available now on Windows, Mac and iOS.

* Accessing independent output busses requires a host DAW that supports multiple outputs from plugins.

** Where C3 = Middle C / MIDI Note #60

21. BLEASS Vox
Unleash A New Dimension In Vocal Creativity

BLEASS Vox is your gateway to effortless sonic manipulation. This cutting-edge processor immerses you in a world of sonic possibilities, effortlessly shaping every nuance of your vocal performances.

The plugin’s powerful yet efficient engine allows you to manipulate and sculpt the formant characteristics of your vocals, allowing you to craft unique effects that really set your vocals apart. BLEASS Vox lets you explore and transform your vocal melodies with ease, transposing or fixing the pitch to deliver fascinating new melodies and harmonies.

Taking inspiration from the world of synthesisers, BLEASS Vox’s UNISON processor adds phenomenal depth and weight to your vocals. The UNISON processor can also spread its up-to 10 detuned voices across the entire stereo image, delivering a huge, captivating sonic presence that no other vocal processor can match.

BLEASS Vox’s flexible vibrato processor places a new realm of expressiveness at your fingertips. Whether creating subtle-yet-classy pitch fluctuations or extreme special effects, the dedicated vibrato controls mean there is no need to configure LFOs or mess around with modulation mapping.

BLEASS Vox is at home in the studio and on the road, its real time processing mode delivering the speed and efficiency needed during tracking sessions and live performances, whilst its standard processing mode delivers the quality and accuracy demanded by the critical editing and mixing stages of your projects.

With BLEASS Vox there is no getting bogged-down in the details of a complex vocal processing chain, leaving you free to concentrate on shaping unique sounds and great music.

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